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authorRoger Leigh <rleigh@debian.org>2008-10-26 16:11:05 +0000
committerRoger Leigh <rleigh@debian.org>2008-10-26 16:11:05 +0000
commit3b59bb0a607ec27ea60f07d1cd5d1bbb4483c832 (patch)
treec119edaa8374e7b6387de7aa7d65b143732af5db /doc
parenteb5718390731a9746c556317e641320b671f2091 (diff)
Imported Upstream version 4.2.7
Diffstat (limited to 'doc')
-rw-r--r--doc/.cvsignore33
-rw-r--r--doc/FAQ.html2
-rw-r--r--doc/Makefile.am29
-rw-r--r--doc/Makefile.in699
-rw-r--r--doc/README.maintaining7
-rw-r--r--doc/gimpprint.dvibin0 -> 350616 bytes
-rw-r--r--doc/gimpprint.info94
-rw-r--r--doc/gimpprint.info-11100
-rw-r--r--doc/gimpprint.info-21080
-rw-r--r--doc/gimpprint.info-31007
-rw-r--r--doc/gimpprint.info-41151
-rw-r--r--doc/gimpprint.info-5872
-rw-r--r--doc/gimpprint.ps11226
-rw-r--r--doc/html-stamp0
-rw-r--r--doc/manual-html/gimpprint_1.html63
-rw-r--r--doc/manual-html/gimpprint_10.html53
-rw-r--r--doc/manual-html/gimpprint_11.html86
-rw-r--r--doc/manual-html/gimpprint_12.html558
-rw-r--r--doc/manual-html/gimpprint_13.html45
-rw-r--r--doc/manual-html/gimpprint_14.html102
-rw-r--r--doc/manual-html/gimpprint_15.html141
-rw-r--r--doc/manual-html/gimpprint_16.html184
-rw-r--r--doc/manual-html/gimpprint_17.html61
-rw-r--r--doc/manual-html/gimpprint_18.html156
-rw-r--r--doc/manual-html/gimpprint_19.html38
-rw-r--r--doc/manual-html/gimpprint_2.html495
-rw-r--r--doc/manual-html/gimpprint_20.html315
-rw-r--r--doc/manual-html/gimpprint_21.html22
-rw-r--r--doc/manual-html/gimpprint_22.html22
-rw-r--r--doc/manual-html/gimpprint_23.html37
-rw-r--r--doc/manual-html/gimpprint_24.html29
-rw-r--r--doc/manual-html/gimpprint_25.html611
-rw-r--r--doc/manual-html/gimpprint_26.html31
-rw-r--r--doc/manual-html/gimpprint_27.html152
-rw-r--r--doc/manual-html/gimpprint_28.html77
-rw-r--r--doc/manual-html/gimpprint_29.html111
-rw-r--r--doc/manual-html/gimpprint_3.html41
-rw-r--r--doc/manual-html/gimpprint_30.html246
-rw-r--r--doc/manual-html/gimpprint_31.html87
-rw-r--r--doc/manual-html/gimpprint_32.html723
-rw-r--r--doc/manual-html/gimpprint_33.html247
-rw-r--r--doc/manual-html/gimpprint_34.html29
-rw-r--r--doc/manual-html/gimpprint_35.html52
-rw-r--r--doc/manual-html/gimpprint_36.html560
-rw-r--r--doc/manual-html/gimpprint_37.html663
-rw-r--r--doc/manual-html/gimpprint_38.html115
-rw-r--r--doc/manual-html/gimpprint_39.html59
-rw-r--r--doc/manual-html/gimpprint_4.html82
-rw-r--r--doc/manual-html/gimpprint_40.html115
-rw-r--r--doc/manual-html/gimpprint_41.html52
-rw-r--r--doc/manual-html/gimpprint_42.html457
-rw-r--r--doc/manual-html/gimpprint_43.html189
-rw-r--r--doc/manual-html/gimpprint_44.html117
-rw-r--r--doc/manual-html/gimpprint_45.html49
-rw-r--r--doc/manual-html/gimpprint_46.html249
-rw-r--r--doc/manual-html/gimpprint_47.html124
-rw-r--r--doc/manual-html/gimpprint_5.html36
-rw-r--r--doc/manual-html/gimpprint_6.html106
-rw-r--r--doc/manual-html/gimpprint_7.html39
-rw-r--r--doc/manual-html/gimpprint_8.html66
-rw-r--r--doc/manual-html/gimpprint_9.html79
-rw-r--r--doc/manual-html/gimpprint_foot.html33
-rw-r--r--doc/manual-html/gimpprint_toc.html108
-rw-r--r--doc/manual-html/print-color.pngbin0 -> 11217 bytes
-rw-r--r--doc/manual-html/print-main.pngbin0 -> 17787 bytes
-rw-r--r--doc/manual-html/print-setup.pngbin0 -> 3539 bytes
-rw-r--r--doc/new-printer.texi53
-rw-r--r--doc/print-color.eps788
-rw-r--r--doc/print-color.txt1
-rw-r--r--doc/print-main.eps551
-rw-r--r--doc/print-main.txt1
-rw-r--r--doc/print-setup.eps225
-rw-r--r--doc/print-setup.txt1
-rw-r--r--doc/stamp-vti3
-rw-r--r--doc/users_guide/.cvsignore12
-rw-r--r--doc/users_guide/Makefile.am53
-rw-r--r--doc/users_guide/Makefile.in520
-rw-r--r--doc/users_guide/cups.sgml316
-rw-r--r--doc/users_guide/figures/.cvsignore1
-rw-r--r--doc/users_guide/figures/CVS/Entries19
-rw-r--r--doc/users_guide/figures/CVS/Repository1
-rw-r--r--doc/users_guide/figures/CVS/Root1
-rw-r--r--doc/users_guide/figures/CVS/Tag1
-rw-r--r--doc/users_guide/figures/cups_admin.eps594
-rw-r--r--doc/users_guide/figures/cups_admin_device.eps581
-rw-r--r--doc/users_guide/figures/cups_admin_make.eps599
-rw-r--r--doc/users_guide/figures/cups_admin_model.eps620
-rw-r--r--doc/users_guide/figures/cups_admin_success.eps573
-rw-r--r--doc/users_guide/figures/cups_config_printer.eps675
-rw-r--r--doc/users_guide/figures/cups_my_printer.eps647
-rw-r--r--doc/users_guide/figures/cups_printers.eps572
-rw-r--r--doc/users_guide/figures/cups_startup.eps596
-rw-r--r--doc/users_guide/figures/gimp-print-gui-1.eps825
-rw-r--r--doc/users_guide/figures/gimp-print-gui.eps851
-rw-r--r--doc/users_guide/figures/gimp-print-new-printer.eps440
-rw-r--r--doc/users_guide/figures/gimp-print-print-color-adjust.eps605
-rw-r--r--doc/users_guide/figures/gimp-print-setup.eps463
-rw-r--r--doc/users_guide/figures/gimp_image.eps1024
-rw-r--r--doc/users_guide/figures/gimp_startup.eps483
-rw-r--r--doc/users_guide/gfdl.sgml466
-rw-r--r--doc/users_guide/gimp.sgml898
-rw-r--r--doc/users_guide/history.sgml108
-rw-r--r--doc/users_guide/html-stamp0
-rw-r--r--doc/users_guide/html/HTML.manifest21
-rw-r--r--doc/users_guide/html/book1.html483
-rw-r--r--doc/users_guide/html/c29.html251
-rw-r--r--doc/users_guide/html/c447.html185
-rw-r--r--doc/users_guide/html/c570.html721
-rw-r--r--doc/users_guide/html/ch-gimp-and-gimp-print.html242
-rw-r--r--doc/users_guide/html/docbook.css20
-rw-r--r--doc/users_guide/html/figures/cups_admin.pngbin0 -> 11105 bytes
-rw-r--r--doc/users_guide/html/figures/cups_admin_device.pngbin0 -> 10515 bytes
-rw-r--r--doc/users_guide/html/figures/cups_admin_make.pngbin0 -> 11540 bytes
-rw-r--r--doc/users_guide/html/figures/cups_admin_model.pngbin0 -> 12445 bytes
-rw-r--r--doc/users_guide/html/figures/cups_admin_success.pngbin0 -> 10441 bytes
-rw-r--r--doc/users_guide/html/figures/cups_config_printer.pngbin0 -> 15395 bytes
-rw-r--r--doc/users_guide/html/figures/cups_my_printer.pngbin0 -> 14544 bytes
-rw-r--r--doc/users_guide/html/figures/cups_printers.pngbin0 -> 10008 bytes
-rw-r--r--doc/users_guide/html/figures/cups_startup.pngbin0 -> 11252 bytes
-rw-r--r--doc/users_guide/html/figures/gimp-print-gui-1.pngbin0 -> 24241 bytes
-rw-r--r--doc/users_guide/html/figures/gimp-print-gui.pngbin0 -> 26080 bytes
-rw-r--r--doc/users_guide/html/figures/gimp-print-new-printer.pngbin0 -> 1438 bytes
-rw-r--r--doc/users_guide/html/figures/gimp-print-print-color-adjust.pngbin0 -> 11402 bytes
-rw-r--r--doc/users_guide/html/figures/gimp-print-setup.pngbin0 -> 2973 bytes
-rw-r--r--doc/users_guide/html/figures/gimp_image.pngbin0 -> 35648 bytes
-rw-r--r--doc/users_guide/html/figures/gimp_startup.pngbin0 -> 3890 bytes
-rw-r--r--doc/users_guide/html/gfdl.html238
-rw-r--r--doc/users_guide/html/ln12.html88
-rw-r--r--doc/users_guide/html/stylesheet-images/caution.gifbin0 -> 1039 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/home.gifbin0 -> 995 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/important.gifbin0 -> 1081 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/next.gifbin0 -> 964 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/note.gifbin0 -> 1070 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/prev.gifbin0 -> 944 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/tip.gifbin0 -> 1029 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/toc-blank.gifbin0 -> 95 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/toc-minus.gifbin0 -> 843 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/toc-plus.gifbin0 -> 846 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/up.gifbin0 -> 922 bytes
-rw-r--r--doc/users_guide/html/stylesheet-images/warning.gifbin0 -> 1052 bytes
-rw-r--r--doc/users_guide/html/x456.html461
-rw-r--r--doc/users_guide/html/x548.html175
-rw-r--r--doc/users_guide/html/x562.html212
-rw-r--r--doc/users_guide/html/x642.html195
-rw-r--r--doc/users_guide/html/x652.html145
-rw-r--r--doc/users_guide/html/x656.html169
-rw-r--r--doc/users_guide/html/x662.html275
-rw-r--r--doc/users_guide/html/x698.html154
-rw-r--r--doc/users_guide/html/x703.html144
-rw-r--r--doc/users_guide/html/x707.html148
-rw-r--r--doc/users_guide/html/x711.html143
-rw-r--r--doc/users_guide/html/x714.html140
-rw-r--r--doc/users_guide/html/x717.html151
-rw-r--r--doc/users_guide/html/x722.html152
-rw-r--r--doc/users_guide/html/x85.html1732
-rw-r--r--doc/users_guide/title.sgml80
-rw-r--r--doc/users_guide/users-guide.pdfbin0 -> 393572 bytes
-rw-r--r--doc/users_guide/users-guide.ps14972
-rw-r--r--doc/users_guide/users-guide.sgml1884
-rw-r--r--doc/users_guide/utils.sgml421
-rw-r--r--doc/version.texi3
161 files changed, 61614 insertions, 1970 deletions
diff --git a/doc/.cvsignore b/doc/.cvsignore
deleted file mode 100644
index 00d9220..0000000
--- a/doc/.cvsignore
+++ /dev/null
@@ -1,33 +0,0 @@
-manual-html
-html-stamp
-gimpprint.pgs
-version.texi
-gimpprint.info
-gimpprint.info-1
-gimpprint.info-2
-gimpprint.info-3
-gimpprint.info-4
-gimpprint.info-5
-texinfo.tex
-print-color.eps
-print-main.eps
-print-setup.eps
-gimpprint.tocs
-Makefile.in
-Makefile
-stamp-vti
-gimpprint.pg
-gimpprint.pdf
-gimpprint.fn
-gimpprint.vr
-gimpprint.toc
-gimpprint.dvi
-gimpprint.ky
-gimpprint.tp
-gimpprint.ps
-gimpprint.fns
-gimpprint.cp
-gimpprint.log
-gimpprint.cps
-gimpprint.aux
-gimpprint.vrs
diff --git a/doc/FAQ.html b/doc/FAQ.html
index 8d49e23..d3dcdc9 100644
--- a/doc/FAQ.html
+++ b/doc/FAQ.html
@@ -142,7 +142,7 @@ different kinds of paper; you may need to tweak the density and color
settings slightly.
<p>In addition, certain printers don't work well on certain kinds of
-paper. Epson printers work well on Epson printers, but don't work
+paper. Epson printers work well on Epson papers, but don't work
well on many third party papers (particularly the high quality photo
papers made by other vendors). This isn't a conspiracy to lock you
into their paper, it's because they've formulated the paper and ink to
diff --git a/doc/Makefile.am b/doc/Makefile.am
index 9e5e88c..053a189 100644
--- a/doc/Makefile.am
+++ b/doc/Makefile.am
@@ -1,4 +1,4 @@
-## $Id: Makefile.am,v 1.27 2001/11/08 13:15:18 rlk Exp $
+## $Id: Makefile.am,v 1.27.2.3 2002/05/11 23:07:16 rleigh Exp $
## Copyright (C) 2000 Roger Leigh
##
## This program is free software; you can redistribute it and/or modify
@@ -30,7 +30,7 @@ SUBDIRS = users_guide
MANUAL = gimpprint
HTMLDIR = manual-html
-DOCS = $(MANUAL).dvi $(MANUAL).ps html
+DOCS = $(MANUAL).dvi $(MANUAL).ps html-stamp
IMAGES = \
print-color.png \
@@ -39,6 +39,8 @@ IMAGES = \
EPS_IMAGES = $(addsuffix .eps,$(basename $(IMAGES)))
+TEXT_IMAGES = $(addsuffix .txt,$(basename $(IMAGES)))
+
if MAINTAINER_MODE
MAINT_MODE = true
else
@@ -93,7 +95,8 @@ html: html-stamp
html-stamp: $(addprefix $(srcdir)/,$(gimpprint_TEXINFOS) $(info_TEXINFOS))
$(RM) -rf $(HTMLDIR)-tmp
mkdir $(HTMLDIR)-tmp
- for image in $(addprefix $(srcdir)/, $(IMAGES)) ; do \
+ images="$(addprefix $(srcdir)/, $(IMAGES))"; \
+ for image in $$images ; do \
cp -p $$image $(HTMLDIR)-tmp ; \
done
cd $(HTMLDIR)-tmp ; \
@@ -112,26 +115,26 @@ $(MANUAL).pdf: $(MANUAL).dvi
install-data-local: $(STANDARD_TARGETS)
if test -n '$(STANDARD_TARGETS)' ; then \
$(mkinstalldirs) $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
- $(mkinstalldirs) $(DESTDIR)$(datadir)/$(PACKAGE)/doc/manual-html ; \
+ $(mkinstalldirs) $(DESTDIR)$(datadir)/$(PACKAGE)/doc/$(HTMLDIR) ; \
if test -f $(MANUAL).ps ; then \
$(INSTALL_DATA) $(MANUAL).ps $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
elif test -f $(srcdir)/$(MANUAL).ps ; then \
$(INSTALL_DATA) $(srcdir)/$(MANUAL).ps $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
fi ; \
if test -d $(HTMLDIR) ; then \
- cd $(HTMLDIR) ; \
+ HTMLSRCDIR="$(HTMLDIR)" ; \
elif test -d $(srcdir)/$(HTMLDIR) ; then \
- cd $(srcdir)/$(HTMLDIR) ; \
+ HTMLSRCDIR="$(srcdir)/$(HTMLDIR)" ; \
fi ; \
- for file in * ; do \
+ for file in $$HTMLSRCDIR/* ; do \
if test -f $$file ; then \
- $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/manual-html ; \
+ $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/$(HTMLDIR) ; \
fi ; \
done ; \
fi
dist-hook: html
- for dir in manual-html ; do \
+ for dir in $(HTMLDIR) ; do \
if test -d $(srcdir)/$$dir ; then \
mkdir $(distdir)/$$dir; \
for dirfile in $(srcdir)/$$dir/*; do \
@@ -143,13 +146,13 @@ dist-hook: html
done
CLEAN_MANUALS = \
- $(RM) -rf html-stamp manual-html ; \
+ $(RM) -rf html-stamp $(HTMLDIR) ; \
$(RM) -f $(MANUAL).pdf $(MANUAL).ps $(MANUAL).dvi ; \
$(RM) -f $(EPS_IMAGES)
clean-local:
if test $(srcdir) = '.' -a $(MAINT_MODE) = false ; then \
- echo 'clean-local: Not removing manual-html' ; \
+ echo 'clean-local: Not removing $(HTMLDIR)' ; \
echo 'clean-local: Not removing $(MANUAL).pdf' ; \
echo 'clean-local: Not removing $(MANUAL).ps' ; \
echo 'clean-local: Not removing $(MANUAL).dvi' ; \
@@ -159,7 +162,7 @@ clean-local:
fi
-$(RM) -rf *.tex *.log *.aux *.gz *.out *.junk *.fot
-$(RM) -rf *.ky *.pg *.toc *.tp *.vr *.vrs
- -$(RM) -rf manual-html-tmp
+ -$(RM) -rf $(HTMLDIR)-tmp
veryclean:
$(MAKE) MAINT_MODE=true clean
@@ -185,6 +188,6 @@ mostlyclean-aminfo:
MAINTAINERCLEANFILES = Makefile.in html-stamp
-EXTRA_DIST = $(DOCS) $(IMAGES) $(EPS_IMAGES) html-stamp FAQ.html README.maintaining
+EXTRA_DIST = $(DOCS) $(IMAGES) $(EPS_IMAGES) $(TEXT_IMAGES) FAQ.html README.maintaining
.PHONY: html ps pdf docs clean-manuals
diff --git a/doc/Makefile.in b/doc/Makefile.in
new file mode 100644
index 0000000..01dcff8
--- /dev/null
+++ b/doc/Makefile.in
@@ -0,0 +1,699 @@
+# Makefile.in generated automatically by automake 1.4 from Makefile.am
+
+# Copyright (C) 1994, 1995-8, 1999 Free Software Foundation, Inc.
+# This Makefile.in is free software; the Free Software Foundation
+# gives unlimited permission to copy and/or distribute it,
+# with or without modifications, as long as this notice is preserved.
+
+# This program is distributed in the hope that it will be useful,
+# but WITHOUT ANY WARRANTY, to the extent permitted by law; without
+# even the implied warranty of MERCHANTABILITY or FITNESS FOR A
+# PARTICULAR PURPOSE.
+
+
+SHELL = @SHELL@
+
+srcdir = @srcdir@
+top_srcdir = @top_srcdir@
+VPATH = @srcdir@
+prefix = @prefix@
+exec_prefix = @exec_prefix@
+
+bindir = @bindir@
+sbindir = @sbindir@
+libexecdir = @libexecdir@
+datadir = @datadir@
+sysconfdir = @sysconfdir@
+sharedstatedir = @sharedstatedir@
+localstatedir = @localstatedir@
+libdir = @libdir@
+infodir = @infodir@
+mandir = @mandir@
+includedir = @includedir@
+oldincludedir = /usr/include
+
+DESTDIR =
+
+pkgdatadir = $(datadir)/@PACKAGE@
+pkglibdir = $(libdir)/@PACKAGE@
+pkgincludedir = $(includedir)/@PACKAGE@
+
+top_builddir = ..
+
+ACLOCAL = @ACLOCAL@
+AUTOCONF = @AUTOCONF@
+AUTOMAKE = @AUTOMAKE@
+AUTOHEADER = @AUTOHEADER@
+
+INSTALL = @INSTALL@
+INSTALL_PROGRAM = @INSTALL_PROGRAM@ $(AM_INSTALL_PROGRAM_FLAGS)
+INSTALL_DATA = @INSTALL_DATA@
+INSTALL_SCRIPT = @INSTALL_SCRIPT@
+transform = @program_transform_name@
+
+NORMAL_INSTALL = :
+PRE_INSTALL = :
+POST_INSTALL = :
+NORMAL_UNINSTALL = :
+PRE_UNINSTALL = :
+POST_UNINSTALL = :
+host_alias = @host_alias@
+host_triplet = @host@
+ALL_LINGUAS = @ALL_LINGUAS@
+AS = @AS@
+AWK = @AWK@
+BISON_PROG = @BISON_PROG@
+BUILD_INCLUDED_LIBINTL = @BUILD_INCLUDED_LIBINTL@
+CATALOGS = @CATALOGS@
+CATOBJEXT = @CATOBJEXT@
+CC = @CC@
+CONVERT = @CONVERT@
+CUPS_BACKEND_BIN = @CUPS_BACKEND_BIN@
+CUPS_BIN = @CUPS_BIN@
+CUPS_CFLAGS = @CUPS_CFLAGS@
+CUPS_CONF = @CUPS_CONF@
+CUPS_CONFIG = @CUPS_CONFIG@
+CUPS_FILTER_BIN = @CUPS_FILTER_BIN@
+CUPS_INSTALL = @CUPS_INSTALL@
+CUPS_LIBS = @CUPS_LIBS@
+CUPS_MAN = @CUPS_MAN@
+CUPS_NOINST_BIN = @CUPS_NOINST_BIN@
+CUPS_PKG = @CUPS_PKG@
+CUPS_PPD_PS_LEVEL = @CUPS_PPD_PS_LEVEL@
+DATADIRNAME = @DATADIRNAME@
+DB2HTML = @DB2HTML@
+DB2PDF = @DB2PDF@
+DB2PS = @DB2PS@
+DLLTOOL = @DLLTOOL@
+DVIPDF = @DVIPDF@
+DVIPS = @DVIPS@
+ECHO = @ECHO@
+ESCPUTIL_BIN = @ESCPUTIL_BIN@
+ESCPUTIL_MAN = @ESCPUTIL_MAN@
+EXEEXT = @EXEEXT@
+FOOMATIC_3_NOINST_BIN = @FOOMATIC_3_NOINST_BIN@
+FOOMATIC_CONFIGURE = @FOOMATIC_CONFIGURE@
+FOOMATIC_INSTALL = @FOOMATIC_INSTALL@
+FOOMATIC_KITLOAD = @FOOMATIC_KITLOAD@
+FOOMATIC_NOINST_BIN = @FOOMATIC_NOINST_BIN@
+FOOMATIC_OLDIDS_NOINST_BIN = @FOOMATIC_OLDIDS_NOINST_BIN@
+FOOMATIC_PPDFILE = @FOOMATIC_PPDFILE@
+GENCAT = @GENCAT@
+GIMPPRINT_BINARY_AGE = @GIMPPRINT_BINARY_AGE@
+GIMPPRINT_CFLAGS = @GIMPPRINT_CFLAGS@
+GIMPPRINT_CURRENT_INTERFACE = @GIMPPRINT_CURRENT_INTERFACE@
+GIMPPRINT_DEPLIBS = @GIMPPRINT_DEPLIBS@
+GIMPPRINT_INTERFACE_AGE = @GIMPPRINT_INTERFACE_AGE@
+GIMPPRINT_LIBS = @GIMPPRINT_LIBS@
+GIMPPRINT_MAJOR_VERSION = @GIMPPRINT_MAJOR_VERSION@
+GIMPPRINT_MICRO_VERSION = @GIMPPRINT_MICRO_VERSION@
+GIMPPRINT_MINOR_VERSION = @GIMPPRINT_MINOR_VERSION@
+GIMPPRINT_VERSION = @GIMPPRINT_VERSION@
+GIMPTOOL = @GIMPTOOL@
+GIMPTOOL_CHECK = @GIMPTOOL_CHECK@
+GIMP_BIN = @GIMP_BIN@
+GIMP_CFLAGS = @GIMP_CFLAGS@
+GIMP_CFLAGS_NOUI = @GIMP_CFLAGS_NOUI@
+GIMP_DATA_DIR = @GIMP_DATA_DIR@
+GIMP_LIBS = @GIMP_LIBS@
+GIMP_LIBS_NOUI = @GIMP_LIBS_NOUI@
+GIMP_PLUGIN_DIR = @GIMP_PLUGIN_DIR@
+GLIBC21 = @GLIBC21@
+GMOFILES = @GMOFILES@
+GMSGFMT = @GMSGFMT@
+GNUCFLAGS = @GNUCFLAGS@
+IJS_BIN = @IJS_BIN@
+IJS_CFLAGS = @IJS_CFLAGS@
+IJS_CONFIG = @IJS_CONFIG@
+IJS_INSTALL = @IJS_INSTALL@
+IJS_LIBS = @IJS_LIBS@
+INCLUDES = @INCLUDES@
+INSTOBJEXT = @INSTOBJEXT@
+INTLBISON = @INTLBISON@
+INTLLIBS = @INTLLIBS@
+INTLOBJS = @INTLOBJS@
+INTL_LIBTOOL_SUFFIX_PREFIX = @INTL_LIBTOOL_SUFFIX_PREFIX@
+LEX = @LEX@
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+ cd $(top_srcdir) && $(AUTOMAKE) --gnu --include-deps doc/Makefile
+
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+ cd $(top_builddir) \
+ && CONFIG_FILES=$(subdir)/$@ CONFIG_HEADERS= $(SHELL) ./config.status
+
+
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+ @:
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+ @echo "@set UPDATED `$(SHELL) $(top_srcdir)/scripts/mdate-sh $(srcdir)/gimpprint.texi`" > vti.tmp
+ @echo "@set EDITION $(VERSION)" >> vti.tmp
+ @echo "@set VERSION $(VERSION)" >> vti.tmp
+ @cmp -s vti.tmp $(srcdir)/version.texi \
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+ cd $(srcdir) \
+ && $(MAKEINFO) `echo $< | sed 's,.*/,,'`
+
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+ TEXINPUTS=$(top_srcdir)/scripts/texinfo.tex:$$TEXINPUTS \
+ MAKEINFO='$(MAKEINFO) -I $(srcdir)' $(TEXI2DVI) $<
+
+.texi:
+ @cd $(srcdir) && rm -f $@ $@-[0-9] $@-[0-9][0-9]
+ cd $(srcdir) \
+ && $(MAKEINFO) `echo $< | sed 's,.*/,,'`
+
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+ @cd $(srcdir) && rm -f $@ $@-[0-9] $@-[0-9][0-9]
+ cd $(srcdir) \
+ && $(MAKEINFO) `echo $< | sed 's,.*/,,'`
+
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+ cd $(srcdir) \
+ && $(MAKEINFO) `echo $< | sed 's,.*/,,'`
+
+.texinfo.dvi:
+ TEXINPUTS=$(top_srcdir)/scripts/texinfo.tex:$$TEXINPUTS \
+ MAKEINFO='$(MAKEINFO) -I $(srcdir)' $(TEXI2DVI) $<
+
+.txi.info:
+ @cd $(srcdir) && rm -f $@ $@-[0-9] $@-[0-9][0-9]
+ cd $(srcdir) \
+ && $(MAKEINFO) `echo $< | sed 's,.*/,,'`
+
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+ TEXINPUTS=$(top_srcdir)/scripts/texinfo.tex:$$TEXINPUTS \
+ MAKEINFO='$(MAKEINFO) -I $(srcdir)' $(TEXI2DVI) $<
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+.txi:
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+ cd $(srcdir) \
+ && $(MAKEINFO) `echo $< | sed 's,.*/,,'`
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+install-info-am: $(INFO_DEPS)
+ @$(NORMAL_INSTALL)
+ $(mkinstalldirs) $(DESTDIR)$(infodir)
+ @list='$(INFO_DEPS)'; \
+ for file in $$list; do \
+ d=$(srcdir); \
+ for ifile in `cd $$d && echo $$file $$file-[0-9] $$file-[0-9][0-9]`; do \
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+ $(INSTALL_DATA) $$d/$$ifile $(DESTDIR)$(infodir)/$$ifile; \
+ else : ; fi; \
+ done; \
+ done
+ @$(POST_INSTALL)
+ @if $(SHELL) -c 'install-info --version | sed 1q | fgrep -s -v -i debian' >/dev/null 2>&1; then \
+ list='$(INFO_DEPS)'; \
+ for file in $$list; do \
+ echo " install-info --info-dir=$(DESTDIR)$(infodir) $(DESTDIR)$(infodir)/$$file";\
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+ done; \
+ else : ; fi
+
+uninstall-info:
+ $(PRE_UNINSTALL)
+ @if $(SHELL) -c 'install-info --version | sed 1q | fgrep -s -v -i debian' >/dev/null 2>&1; then \
+ ii=yes; \
+ else ii=; fi; \
+ list='$(INFO_DEPS)'; \
+ for file in $$list; do \
+ test -z "$ii" \
+ || install-info --info-dir=$(DESTDIR)$(infodir) --remove $$file; \
+ done
+ @$(NORMAL_UNINSTALL)
+ list='$(INFO_DEPS)'; \
+ for file in $$list; do \
+ (cd $(DESTDIR)$(infodir) && rm -f $$file $$file-[0-9] $$file-[0-9][0-9]); \
+ done
+
+dist-info: $(INFO_DEPS)
+ list='$(INFO_DEPS)'; \
+ for base in $$list; do \
+ d=$(srcdir); \
+ for file in `cd $$d && eval echo $$base*`; do \
+ test -f $(distdir)/$$file \
+ || ln $$d/$$file $(distdir)/$$file 2> /dev/null \
+ || cp -p $$d/$$file $(distdir)/$$file; \
+ done; \
+ done
+
+mostlyclean-aminfo:
+ -rm -f gimpprint.aux gimpprint.cp gimpprint.cps gimpprint.dvi \
+ gimpprint.fn gimpprint.fns gimpprint.ky gimpprint.kys \
+ gimpprint.ps gimpprint.log gimpprint.pg gimpprint.toc \
+ gimpprint.tp gimpprint.tps gimpprint.vr gimpprint.vrs \
+ gimpprint.op gimpprint.tr gimpprint.cv gimpprint.cn
+
+clean-aminfo:
+
+distclean-aminfo:
+
+maintainer-clean-aminfo:
+ cd $(srcdir) && for i in $(INFO_DEPS); do \
+ rm -f $$i; \
+ if test "`echo $$i-[0-9]*`" != "$$i-[0-9]*"; then \
+ rm -f $$i-[0-9]*; \
+ fi; \
+ done
+
+# This directory's subdirectories are mostly independent; you can cd
+# into them and run `make' without going through this Makefile.
+# To change the values of `make' variables: instead of editing Makefiles,
+# (1) if the variable is set in `config.status', edit `config.status'
+# (which will cause the Makefiles to be regenerated when you run `make');
+# (2) otherwise, pass the desired values on the `make' command line.
+
+@SET_MAKE@
+
+all-recursive install-data-recursive install-exec-recursive \
+installdirs-recursive install-recursive uninstall-recursive \
+check-recursive installcheck-recursive info-recursive dvi-recursive:
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+ dot_seen=no; \
+ target=`echo $@ | sed s/-recursive//`; \
+ list='$(SUBDIRS)'; for subdir in $$list; do \
+ echo "Making $$target in $$subdir"; \
+ if test "$$subdir" = "."; then \
+ dot_seen=yes; \
+ local_target="$$target-am"; \
+ else \
+ local_target="$$target"; \
+ fi; \
+ (cd $$subdir && $(MAKE) $(AM_MAKEFLAGS) $$local_target) \
+ || case "$$amf" in *=*) exit 1;; *k*) fail=yes;; *) exit 1;; esac; \
+ done; \
+ if test "$$dot_seen" = "no"; then \
+ $(MAKE) $(AM_MAKEFLAGS) "$$target-am" || exit 1; \
+ fi; test -z "$$fail"
+
+mostlyclean-recursive clean-recursive distclean-recursive \
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+ rev="$$subdir $$rev"; \
+ test "$$subdir" = "." && dot_seen=yes; \
+ done; \
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+ target=`echo $@ | sed s/-recursive//`; \
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+ echo "Making $$target in $$subdir"; \
+ if test "$$subdir" = "."; then \
+ local_target="$$target-am"; \
+ else \
+ local_target="$$target"; \
+ fi; \
+ (cd $$subdir && $(MAKE) $(AM_MAKEFLAGS) $$local_target) \
+ || case "$$amf" in *=*) exit 1;; *k*) fail=yes;; *) exit 1;; esac; \
+ done && test -z "$$fail"
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+ test "$$subdir" = . || (cd $$subdir && $(MAKE) $(AM_MAKEFLAGS) tags); \
+ done
+
+tags: TAGS
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+ID: $(HEADERS) $(SOURCES) $(LISP)
+ list='$(SOURCES) $(HEADERS)'; \
+ unique=`for i in $$list; do echo $$i; done | \
+ awk ' { files[$$0] = 1; } \
+ END { for (i in files) print i; }'`; \
+ here=`pwd` && cd $(srcdir) \
+ && mkid -f$$here/ID $$unique $(LISP)
+
+TAGS: tags-recursive $(HEADERS) $(SOURCES) $(TAGS_DEPENDENCIES) $(LISP)
+ tags=; \
+ here=`pwd`; \
+ list='$(SUBDIRS)'; for subdir in $$list; do \
+ if test "$$subdir" = .; then :; else \
+ test -f $$subdir/TAGS && tags="$$tags -i $$here/$$subdir/TAGS"; \
+ fi; \
+ done; \
+ list='$(SOURCES) $(HEADERS)'; \
+ unique=`for i in $$list; do echo $$i; done | \
+ awk ' { files[$$0] = 1; } \
+ END { for (i in files) print i; }'`; \
+ test -z "$(ETAGS_ARGS)$$unique$(LISP)$$tags" \
+ || (cd $(srcdir) && etags $(ETAGS_ARGS) $$tags $$unique $(LISP) -o $$here/TAGS)
+
+mostlyclean-tags:
+
+clean-tags:
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+ -rm -f TAGS ID
+
+maintainer-clean-tags:
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+distdir = $(top_builddir)/$(PACKAGE)-$(VERSION)/$(subdir)
+
+subdir = doc
+
+distdir: $(DISTFILES)
+ @for file in $(DISTFILES); do \
+ d=$(srcdir); \
+ if test -d $$d/$$file; then \
+ cp -pr $$/$$file $(distdir)/$$file; \
+ else \
+ test -f $(distdir)/$$file \
+ || ln $$d/$$file $(distdir)/$$file 2> /dev/null \
+ || cp -p $$d/$$file $(distdir)/$$file || :; \
+ fi; \
+ done
+ for subdir in $(SUBDIRS); do \
+ if test "$$subdir" = .; then :; else \
+ test -d $(distdir)/$$subdir \
+ || mkdir $(distdir)/$$subdir \
+ || exit 1; \
+ chmod 777 $(distdir)/$$subdir; \
+ (cd $$subdir && $(MAKE) $(AM_MAKEFLAGS) top_distdir=../$(top_distdir) distdir=../$(distdir)/$$subdir distdir) \
+ || exit 1; \
+ fi; \
+ done
+ $(MAKE) $(AM_MAKEFLAGS) top_distdir="$(top_distdir)" distdir="$(distdir)" dist-info
+ $(MAKE) $(AM_MAKEFLAGS) top_distdir="$(top_distdir)" distdir="$(distdir)" dist-hook
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+
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+install-data: install-data-recursive
+
+install-am: all-am
+ @$(MAKE) $(AM_MAKEFLAGS) install-exec-am install-data-am
+install: install-recursive
+uninstall-am: uninstall-info
+uninstall: uninstall-recursive
+all-am: Makefile $(INFO_DEPS) all-local
+all-redirect: all-recursive
+install-strip:
+ $(MAKE) $(AM_MAKEFLAGS) AM_INSTALL_PROGRAM_FLAGS=-s install
+installdirs: installdirs-recursive
+installdirs-am:
+ $(mkinstalldirs) $(DESTDIR)$(infodir)
+
+
+mostlyclean-generic:
+
+clean-generic:
+
+distclean-generic:
+ -rm -f Makefile $(CONFIG_CLEAN_FILES)
+ -rm -f config.cache config.log stamp-h stamp-h[0-9]*
+
+maintainer-clean-generic:
+ -test -z "$(MAINTAINERCLEANFILES)" || rm -f $(MAINTAINERCLEANFILES)
+mostlyclean-am: mostlyclean-vti mostlyclean-aminfo mostlyclean-tags \
+ mostlyclean-generic
+
+mostlyclean: mostlyclean-recursive
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+ mostlyclean-am clean-local
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+clean: clean-recursive
+
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+ distclean-generic clean-am
+ -rm -f libtool
+
+distclean: distclean-recursive
+
+maintainer-clean-am: maintainer-clean-vti maintainer-clean-aminfo \
+ maintainer-clean-tags maintainer-clean-generic \
+ distclean-am maintainer-clean-local
+ @echo "This command is intended for maintainers to use;"
+ @echo "it deletes files that may require special tools to rebuild."
+
+maintainer-clean: maintainer-clean-recursive
+
+.PHONY: mostlyclean-vti distclean-vti clean-vti maintainer-clean-vti \
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+clean-aminfo maintainer-clean-aminfo install-data-recursive \
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+all-recursive check-recursive installcheck-recursive info-recursive \
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+maintainer-clean-recursive tags tags-recursive mostlyclean-tags \
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+clean-generic maintainer-clean-generic clean mostlyclean distclean \
+maintainer-clean
+
+
+@SET_MAKE@
+
+all-local: $(DOCS)
+
+docs: $(DOCS)
+ cd users_guide; $(MAKE) docs
+
+ps: $(MANUAL).ps
+ cd users_guide; $(MAKE) ps
+
+pdf: $(MANUAL).pdf
+ cd users_guide; $(MAKE) pdf
+gimpprint.dvi: $(EPS_IMAGES) $(addprefix $(srcdir)/,$(gimpprint_TEXINFOS) $(info_TEXINFOS))
+ $(TEXI2DVI) $(TEXI2DVIFLAGS) $(srcdir)/gimpprint.texi
+
+%.eps: %.png
+ $(CONVERT) $< EPS2:$@
+
+html: html-stamp
+ cd users_guide; $(MAKE) html
+
+html-stamp: $(addprefix $(srcdir)/,$(gimpprint_TEXINFOS) $(info_TEXINFOS))
+ $(RM) -rf $(HTMLDIR)-tmp
+ mkdir $(HTMLDIR)-tmp
+ images="$(addprefix $(srcdir)/, $(IMAGES))"; \
+ for image in $$images ; do \
+ cp -p $$image $(HTMLDIR)-tmp ; \
+ done
+ cd $(HTMLDIR)-tmp ; \
+ $(TEXI2HTML) -menu -split_node -number -expandinfo \
+ -I ../$(srcdir) ../$(srcdir)/$(MANUAL).texi 2>&1
+ $(RM) -rf $(HTMLDIR)
+ mv $(HTMLDIR)-tmp $(HTMLDIR)
+ touch html-stamp
+
+$(MANUAL).ps: $(MANUAL).dvi
+ TEXPICTS=$(srcdir):. $(DVIPS) $< -o $@
+
+$(MANUAL).pdf: $(MANUAL).dvi
+ TEXPICTS=$(srcdir):. $(DVIPDF) $< $@
+
+install-data-local: $(STANDARD_TARGETS)
+ if test -n '$(STANDARD_TARGETS)' ; then \
+ $(mkinstalldirs) $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
+ $(mkinstalldirs) $(DESTDIR)$(datadir)/$(PACKAGE)/doc/$(HTMLDIR) ; \
+ if test -f $(MANUAL).ps ; then \
+ $(INSTALL_DATA) $(MANUAL).ps $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
+ elif test -f $(srcdir)/$(MANUAL).ps ; then \
+ $(INSTALL_DATA) $(srcdir)/$(MANUAL).ps $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
+ fi ; \
+ if test -d $(HTMLDIR) ; then \
+ HTMLSRCDIR="$(HTMLDIR)" ; \
+ elif test -d $(srcdir)/$(HTMLDIR) ; then \
+ HTMLSRCDIR="$(srcdir)/$(HTMLDIR)" ; \
+ fi ; \
+ for file in $$HTMLSRCDIR/* ; do \
+ if test -f $$file ; then \
+ $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/$(HTMLDIR) ; \
+ fi ; \
+ done ; \
+ fi
+
+dist-hook: html
+ for dir in $(HTMLDIR) ; do \
+ if test -d $(srcdir)/$$dir ; then \
+ mkdir $(distdir)/$$dir; \
+ for dirfile in $(srcdir)/$$dir/*; do \
+ if test -f $$dirfile ; then \
+ cp -p $$dirfile $(distdir)/$$dir; \
+ fi \
+ done \
+ fi \
+ done
+
+clean-local:
+ if test $(srcdir) = '.' -a $(MAINT_MODE) = false ; then \
+ echo 'clean-local: Not removing $(HTMLDIR)' ; \
+ echo 'clean-local: Not removing $(MANUAL).pdf' ; \
+ echo 'clean-local: Not removing $(MANUAL).ps' ; \
+ echo 'clean-local: Not removing $(MANUAL).dvi' ; \
+ echo 'clean-local: Not removing EPS figures' ; \
+ else \
+ $(CLEAN_MANUALS) ; \
+ fi
+ -$(RM) -rf *.tex *.log *.aux *.gz *.out *.junk *.fot
+ -$(RM) -rf *.ky *.pg *.toc *.tp *.vr *.vrs
+ -$(RM) -rf $(HTMLDIR)-tmp
+
+veryclean:
+ $(MAKE) MAINT_MODE=true clean
+
+maintainer-clean-local:
+ $(CLEAN_MANUALS)
+
+# We duplicate mostlyclean-aminfo here because we do not want to remove
+# the .dvi and .ps files that mostlyclean-aminfo wants to remove. The
+# reason why is that we do not want make clean to force a rebuild of the
+# doc, since users may not have the texinfo tools required to do so.
+# Unfortunately, this generates a warning about overriding commands for
+# mostlyclean-aminfo.
+mostlyclean-aminfo:
+ -$(RM) -f gimpprint.aux gimpprint.cp gimpprint.cps \
+ gimpprint.fn gimpprint.fns gimpprint.ky gimpprint.kys \
+ gimpprint.log gimpprint.pg gimpprint.toc \
+ gimpprint.tp gimpprint.tps gimpprint.vr gimpprint.vrs \
+ gimpprint.op gimpprint.tr gimpprint.cv gimpprint.cn
+
+.PHONY: html ps pdf docs clean-manuals
+
+# Tell versions [3.59,3.63) of GNU make to not export all variables.
+# Otherwise a system limit (for SysV at least) may be exceeded.
+.NOEXPORT:
diff --git a/doc/README.maintaining b/doc/README.maintaining
index b8fa393..cbcbd77 100644
--- a/doc/README.maintaining
+++ b/doc/README.maintaining
@@ -48,7 +48,7 @@ that you would like covering, please let me know!
-- Roger Leigh <roger@whinlatter.uklinux.net>
- $Id: README.maintaining,v 1.8 2001/10/27 17:16:37 rlk Exp $
+ $Id: README.maintaining,v 1.8.2.1 2004/04/19 00:01:48 rlk Exp $
1. Integration of the autotools
@@ -559,3 +559,8 @@ gimp.m4 (in /usr/share/aclocal or equivalent) will be incorrect. You
should install the version of gimp.m4 from scripts/ prior to use.
This should only be a problem when building from CVS; the configure
script included in released versions will not have this problem.
+
+
+13. Updating PO files
+
+wget -r -np -nH --cut-dirs=3 --accept '.po' --cache=off http://www.iro.umontreal.ca/translation/maint/gimp-print/ \ No newline at end of file
diff --git a/doc/gimpprint.dvi b/doc/gimpprint.dvi
new file mode 100644
index 0000000..8a291b6
--- /dev/null
+++ b/doc/gimpprint.dvi
Binary files differ
diff --git a/doc/gimpprint.info b/doc/gimpprint.info
new file mode 100644
index 0000000..bf32d40
--- /dev/null
+++ b/doc/gimpprint.info
@@ -0,0 +1,94 @@
+This is gimpprint.info, produced by makeinfo version 4.0 from
+gimpprint.texi.
+
+INFO-DIR-SECTION Libraries
+START-INFO-DIR-ENTRY
+* GIMP-Print: (gimpprint). print plugin for the GIMP, and printing library
+END-INFO-DIR-ENTRY
+
+ This file documents the gimpprint library and associated programs
+used for high quality printing.
+
+ Copyright (C) 2001 Michael Sweet (<mike@easysw.com>) and Robert
+Krawitz (<rlk@alum.mit.edu>)
+
+ Permission is granted to make and distribute verbatim copies of this
+manual provided the copyright notice and this permission notice are
+preserved on all copies.
+
+ Permission is granted to copy and distribute modified versions of
+this manual under the conditions for verbatim copying, provided that
+the entire resulting derived work is distributed under the terms of a
+permission notice identical to this one.
+
+ Permission is granted to copy and distribute translations of this
+manual into another language, under the above conditions for modified
+versions, except that this permission notice may be stated in a
+translation approved by the Foundation.
+
+
+Indirect:
+gimpprint.info-1: 1086
+gimpprint.info-2: 50090
+gimpprint.info-3: 97464
+gimpprint.info-4: 142317
+gimpprint.info-5: 185904
+
+Tag Table:
+(Indirect)
+Node: Top1086
+Node: Instructions2197
+Node: Copying3918
+Node: Overview24512
+Node: Using libgimpprint25397
+Node: Integrating libgimpprint26721
+Node: gimpprint-config27428
+Node: make29503
+Node: autoconf30090
+Node: automake31773
+Node: Functions33960
+Node: Main functions34957
+Node: stp_vars_t functions36188
+Node: Dither functions49755
+Node: Options functions50090
+Node: Paper functions51096
+Node: Printer functions52501
+Node: Settings functions56361
+Node: Version functions57187
+Node: Programs59480
+Node: The GIMP plugin60109
+Ref: The GIMP plugin-Footnote-169830
+Ref: The GIMP plugin-Footnote-269860
+Ref: The GIMP plugin-Footnote-369905
+Ref: The GIMP plugin-Footnote-469938
+Node: Ghostscript70040
+Node: CUPS70175
+Node: Problems70272
+Ref: Problems-Footnote-171100
+Ref: Problems-Footnote-271149
+Node: Appendices71198
+Node: Dithering71582
+Node: Weaving97161
+Node: Weaving introduction97464
+Node: Weaving algorithms103941
+Node: Simple weaving algorithms106555
+Node: Perfect weaving110315
+Node: Weaving collisions119194
+Node: What is perfect weaving?120618
+Node: Oversampling142317
+Node: ESC/P2151914
+Node: ESC/P2 Introduction152280
+Node: ESC/P2 Standard Commands153602
+Node: ESC/P2 Remote Mode Commands165573
+Node: ESC/P2 Appropriate Remote Commands178224
+Node: New Printer180913
+Node: printers.xml181856
+Node: Driver file184518
+Node: Epson inkjet printers185904
+Node: Tuning Epson printers204261
+Node: Canon inkjet printers211171
+Node: Data Type and Variable Index214629
+Node: Function and Macro Index215791
+Node: Concept Index228976
+
+End Tag Table
diff --git a/doc/gimpprint.info-1 b/doc/gimpprint.info-1
new file mode 100644
index 0000000..2b81ad8
--- /dev/null
+++ b/doc/gimpprint.info-1
@@ -0,0 +1,1100 @@
+This is gimpprint.info, produced by makeinfo version 4.0 from
+gimpprint.texi.
+
+INFO-DIR-SECTION Libraries
+START-INFO-DIR-ENTRY
+* GIMP-Print: (gimpprint). print plugin for the GIMP, and printing library
+END-INFO-DIR-ENTRY
+
+ This file documents the gimpprint library and associated programs
+used for high quality printing.
+
+ Copyright (C) 2001 Michael Sweet (<mike@easysw.com>) and Robert
+Krawitz (<rlk@alum.mit.edu>)
+
+ Permission is granted to make and distribute verbatim copies of this
+manual provided the copyright notice and this permission notice are
+preserved on all copies.
+
+ Permission is granted to copy and distribute modified versions of
+this manual under the conditions for verbatim copying, provided that
+the entire resulting derived work is distributed under the terms of a
+permission notice identical to this one.
+
+ Permission is granted to copy and distribute translations of this
+manual into another language, under the above conditions for modified
+versions, except that this permission notice may be stated in a
+translation approved by the Foundation.
+
+
+File: gimpprint.info, Node: Top, Prev: (dir), Up: (dir)
+
+The print plugin for the GIMP and printing library
+**************************************************
+
+ This file documents the libgimpprint library and associated programs
+used for high quality printing. This edition documents version 4.2.7.
+
+ *Note Problems::, for information on how to report problems with
+GIMP-Print.
+
+* Menu:
+
+* Instructions:: How to read this manual.
+* Copying:: Your rights.
+* Overview:: Preliminary information.
+* Using libgimpprint:: Examples of how to use libgimpprint.
+* Integrating libgimpprint:: Using libgimpprint in your own packages.
+* Functions:: libgimpprint function reference.
+* Programs:: Using GIMP-Print programs.
+* Problems:: Reporting bugs.
+* Appendices:: Additional information.
+* Data Type and Variable Index:: Index of data types and variables.
+* Function and Macro Index:: Index of functions and macros.
+* Concept Index:: Index of concepts.
+
+
+File: gimpprint.info, Node: Instructions, Next: Copying, Prev: Top, Up: Top
+
+Preface
+*******
+
+ This manual documents the use of the GIMP-Print package, focusing
+mainly on the libgimpprint library that is the core of GIMP-Print.
+Parts of the manual which describe the use of libgimpprint are aimed
+primarily at programmers, and do assume that the reader is familiar
+with C programming, and using standard programming tools on GNU or UNIX
+systems. Other parts of the manual document the use of the programs
+that make up the GIMP-Print package, and assume no knowledge other than
+the basics of using a shell and editor.
+
+ The best way to learn how to use libgimpprint in your own programs
+is to read the manual from start to finish, using the examples given in
+the text to learn how it works. The bulk of the manual can be used as a
+reference once one understands the basics.
+
+ The manual is split into several parts for the programmer. It starts
+with a simple usage example of how to link a program with libgimpprint,
+then how to integrate this into package build scripts, using `make',
+`autoconf' and `automake'. This is followed by a detailed function
+reference, including descriptions of all the data types used.
+
+ For the end-user, there is a section on all of the programs that come
+with GIMP-Print, including the GIMP `print' plugin, and the CUPS and
+Ghostscript drivers.
+
+ The appendices at the end of the manual detail the dither and weave
+algorithms used in libgimpprint, the ESC/P2 printer control language
+used in Epson printers and how to add support for a new printer to
+libgimpprint.
+
+
+
+ We hope you enjoy using GIMP-Print!
+
+ --The GIMP-Print project
+
+
+File: gimpprint.info, Node: Copying, Next: Overview, Prev: Instructions, Up: Top
+
+GNU GENERAL PUBLIC LICENSE
+**************************
+
+ Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+ 675 Mass Ave, Cambridge, MA 02139, USA
+
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+Preamble
+========
+
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it in
+new free programs; and that you know you can do these things.
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+anyone to deny you these rights or to ask you to surrender the rights.
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+distribute copies of the software, or if you modify it.
+
+ For example, if you distribute copies of such a program, whether
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+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
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+and (2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
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+that everyone understands that there is no warranty for this free
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+ TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
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+ 1. This License applies to any program or other work which contains a
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+ version published by the Free Software Foundation. If the Program
+ does not specify a version number of this License, you may choose
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+ 11. If you wish to incorporate parts of the Program into other free
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+
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+ WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE
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+ OTHER PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN
+ ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
+
+ END OF TERMS AND CONDITIONS
+
+How to Apply These Terms to Your New Programs
+=============================================
+
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these
+terms.
+
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+ ONE LINE TO GIVE THE PROGRAM'S NAME AND AN IDEA OF WHAT IT DOES.
+ Copyright (C) 19YY NAME OF AUTHOR
+
+ This program is free software; you can redistribute it and/or
+ modify it under the terms of the GNU General Public License
+ as published by the Free Software Foundation; either version 2
+ of the License, or (at your option) any later version.
+
+ This program is distributed in the hope that it will be useful,
+ but WITHOUT ANY WARRANTY; without even the implied warranty of
+ MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+ GNU General Public License for more details.
+
+ You should have received a copy of the GNU General Public License
+ along with this program; if not, write to the Free Software
+ Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+
+ Also add information on how to contact you by electronic and paper
+mail.
+
+ If the program is interactive, make it output a short notice like
+this when it starts in an interactive mode:
+
+ Gnomovision version 69, Copyright (C) 19YY NAME OF AUTHOR
+ Gnomovision comes with ABSOLUTELY NO WARRANTY; for details
+ type `show w'. This is free software, and you are welcome
+ to redistribute it under certain conditions; type `show c'
+ for details.
+
+ The hypothetical commands `show w' and `show c' should show the
+appropriate parts of the General Public License. Of course, the
+commands you use may be called something other than `show w' and `show
+c'; they could even be mouse-clicks or menu items--whatever suits your
+program.
+
+ You should also get your employer (if you work as a programmer) or
+your school, if any, to sign a "copyright disclaimer" for the program,
+if necessary. Here is a sample; alter the names:
+
+ Yoyodyne, Inc., hereby disclaims all copyright
+ interest in the program `Gnomovision'
+ (which makes passes at compilers) written
+ by James Hacker.
+
+ SIGNATURE OF TY COON, 1 April 1989
+ Ty Coon, President of Vice
+
+ This General Public License does not permit incorporating your
+program into proprietary programs. If your program is a subroutine
+library, you may consider it more useful to permit linking proprietary
+applications with the library. If this is what you want to do, use the
+GNU Library General Public License instead of this License.
+
+Copying summary
+***************
+
+ GIMP-Print is "free"; this means that everyone is free to use it and
+free to redistribute it on a free basis. GIMP-Print is not in the public
+domain; it is copyrighted and there are restrictions on its
+distribution, but these restrictions are designed to permit everything
+that a good cooperating citizen would want to do. What is not allowed is
+to try to prevent others from further sharing any version of GIMP-Print
+that they might get from you.
+
+ Specifically, we want to make sure that you have the right to give
+away copies of GIMP-Print, that you receive source code or else can get
+it if you want it, that you can change GIMP-Print or use pieces of it
+in new free programs, and that you know you can do these things.
+
+ To make sure that everyone has such rights, we have to forbid you to
+deprive anyone else of these rights. For example, if you distribute
+copies of GIMP-Print, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must tell them their rights.
+
+ Also, for our own protection, we must make certain that everyone
+finds out that there is no warranty for GIMP-Print. If GIMP-Print is
+modified by someone else and passed on, we want their recipients to
+know that what they have is not what we distributed, so that any
+problems introduced by others will no reflect on our reputation.
+
+
+File: gimpprint.info, Node: Overview, Next: Using libgimpprint, Prev: Copying, Up: Top
+
+Overview
+********
+
+ The GIMP-Print package is a collection of programs and a library for
+high quality printing on modern inkjets, including `photographic
+quality' models which offer very high resolutions and several inks.
+
+ META: Short history of the project
+
+ GIMP-Print is the print facility of the "GNU Image Manipulation
+Program" (GIMP). It is in addition a suite of drivers that may be used
+with common UNIX spooling systems using GhostScript or CUPS. These
+drivers provide printing quality for UNIX/Linux on a par with
+proprietary vendor-supplied drivers in many cases, and can be used for
+many of the most demanding printing tasks. The core of GIMP-Print is a
+shared library (libgimpprint) which may be used by any program that
+wishes to produce high-qulaity printed output.
+
+
+File: gimpprint.info, Node: Using libgimpprint, Next: Integrating libgimpprint, Prev: Overview, Up: Top
+
+Using libgimpprint
+******************
+
+ This chapter describes how to write programs that use libgimpprint.
+
+Code prerequisites
+==================
+
+ To use libgimpprint with a program, several steps must be taken:
+
+ 1. Include the master libgimpprint header `<gimp-print/gimp-print.h>.'
+
+ 2. Call `stp_init()'.
+
+ 3. Link with libgimpprint.
+
+ The following is a short example program. It does not do anything
+useful, but it does everything required to link with libgimpprint and
+call other functions from libgimpprint.
+
+ #include <gimp-print/gimp-print.h>
+
+ int
+ main (int argc, char *argv[])
+ {
+ stp_init ();
+ return (0);
+ }
+
+Linking with libgimpprint
+=========================
+
+ To link a program with libgimpprint, then `-lgimpprint' needs to be
+passed to the compiler when linking. For example, to compile and link
+`prog.c' the following commands would be used:
+
+ gcc -c prog.c
+ gcc -o prog -lgimpprint prog.o
+
+ The compiler and linker flags needed may vary depending on the
+options GIMP-Print was configured with when it was built. The
+`gimpprint-config' script will give the correct parameters for the
+local installation (*note gimpprint-config::).
+
+
+File: gimpprint.info, Node: Integrating libgimpprint, Next: Functions, Prev: Using libgimpprint, Up: Top
+
+Integrating libgimpprint
+************************
+
+ This chapter describes how to integrate the compiling and linking of
+programs using libgimpprint with build scripts. Commonly used systems
+include `make', but more commonly `Makefile' files are generated by
+using tools such as `autoconf' and `automake'.
+
+* Menu:
+
+* gimpprint-config:: Getting the correct compiler and linker flags
+* make:: Normal makefiles
+* autoconf:: Macro to automatically check for libgimpprint
+* automake:: Automatically defined variables to use
+
+
+File: gimpprint.info, Node: gimpprint-config, Next: make, Up: Integrating libgimpprint
+
+`gimpprint-config'
+==================
+
+ Depending on the setup of the computer system GIMP-Print was
+installed on, as well as the options passed to `configure' when
+configuring the package when it was built, the `CFLAGS' and `LIBS'
+parameters needed to compile and link programs with libgimpprint may
+vary. To make it simple to determine what these are on any given
+system, the script `gimpprint-config' was created. It's job is to
+output the correct parameters for the setup on your system. The
+following options are available:
+
+ roger@whinlatter:~/gimpprint/devel$ gimpprint-config --help
+ Usage: gimpprint-config [OPTIONS] [LIBRARIES]
+ Options:
+ [--prefix[=DIR]]
+ [--exec-prefix[=DIR]]
+ [--version]
+ [--libs]
+ [--cflags]
+ Libraries:
+ gimpprint
+
+ The `--prefix' and `--exec-prefix' options are only needed if the
+installed locations of parts of GIMP-Print are different from the
+configured locations. These should never be needed if GIMP-Print was
+properly configured and installed.
+
+ The installed version of GIMP-Print can be obtained with the
+`--version' option:
+
+ roger@whinlatter:~/gimpprint/devel$ gimpprint-config --version
+ 4.2.7
+
+ The correct `CFLAGS' to use can be obtained with the `--cflags'
+option:
+
+ roger@whinlatter:~/gimpprint/devel$ gimpprint-config --cflags
+
+ In this case, there are no special `CFLAGS' required to compile
+programs.
+
+ The correct `LIBS' to use can the obtained with the `--libs' option:
+
+ roger@whinlatter:~/gimpprint/devel$ gimpprint-config --libs
+ -L/usr/lib -lgimpprint -lm
+
+ The command can be used from the shell by enclosing it in backquotes
+``':
+
+ gcc `gimpprint-config --cflags` -c prog.c
+ gcc `gimpprint-config --libs` -o prog prog.o
+
+ However, this is not the way it it typically used. Normally it is
+used in a `Makefile' (*note make::) or by an `m4' macro in a `configure'
+script (*note autoconf::).
+
+
+File: gimpprint.info, Node: make, Next: autoconf, Prev: gimpprint-config, Up: Integrating libgimpprint
+
+`make'
+======
+
+ If you use `make' with your own `Makefile' files, then you are on
+your own. This manual offers no assistance with doing this. Only the
+following suggestion is offered:
+
+ GIMPPRINT_VERSION = $(shell gimpprint-config --version)
+ GIMPPRINT_CFLAGS = $(shell gimpprint-config --cflags)
+ GIMPPRINT_LIBS = $(shell gimpprint-config --libs)
+
+ How you choose to use these variables is entirely up to you. *note
+GNU make: (make)Top, for more information.
+
+
+File: gimpprint.info, Node: autoconf, Next: automake, Prev: make, Up: Integrating libgimpprint
+
+`autoconf'
+==========
+
+ The `autoconf' program produces a Bourne shell script called
+`configure' from a template file called `configure.in'. `configure.in'
+contains both Bourne shell script, and `m4' macros. `autoconf' expands
+the `m4' macros into `real' shell script. The resulting `configure'
+script performs various checks for installed programs, compiler
+characteristics and other system information such as available headers
+and libraries. *note GNU autoconf: (autoconf)Top, for more information.
+
+ GIMP-Print provides an `m4' macro, `AM_PATH_GIMPPRINT', suitable for
+use in a `configure.in'. It defines the environment variables
+`GIMPPRINT_CFLAGS', `GIMPPRINT_LIBS' and `GIMPPRINT_CONFIG'. You can
+optionally specify a minimum version of the library to use, and shell
+script to run if the test suceeds or fails.
+
+ - Macro: AM_PATH_GIMPPRINT ([MINIMUM-VERSION [, ACTION-IF-FOUND [,
+ ACTION-IF-NOT-FOUND]]])
+ Check for an installed version of GIMP-Print greater than or equal
+ to MINIMUM-VERSION.
+
+ ACTION-IF-FOUND is a list of shell commands to run if the check
+ for the library succeeds; ACTION-IF-NOT-FOUND is a list of shell
+ commands to run if the check fails.
+
+ The macro sets the following environment variables:
+ `GIMPPRINT_CFLAGS', `GIMPPRINT_LIBS' and `GIMPPRINT_CONFIG'. It
+ also will substitute them into any `Makefile.in' you specify in
+ `AC_OUTPUT' because it calls `AC_SUBST' for each of them. However,
+ you will probably be using `automake' to generate your
+ `Makefile.in' files (*note automake::).
+
+
+
+File: gimpprint.info, Node: automake, Prev: autoconf, Up: Integrating libgimpprint
+
+`automake'
+==========
+
+ The `automake' program can be used to generate `Makefile.in' files
+suitable for use with a `configure' script generated by `autoconf'. As
+`automake' _requires_ `autoconf', this section will assume the use of a
+`configure' script which uses the `AM_PATH_GIMPPRINT' macro (there is
+little point in _not_ using it!).
+
+ It is highly recommeded that you use GNU `autoconf' and `automake'.
+They will allow you to make your software build on most platforms with
+most compilers. `automake' makes writing complex `Makefile' files very
+easy, by expressing how to build your packages in terms of what files
+are required to build a project and the installation locations of the
+files. It imposes a few limitations over using plain `Makefile' files,
+such as in the use of conditionals, but these problems are vastly
+outweighed by the benefits it brings. It also creates many extra
+targets in the generated `Makefile.in' files such as `dist',
+`distcheck', `clean', `distclean', `maintainer-clean' and `tags', and
+there are many more more available. *note GNU automake: (automake)Top,
+for more information.
+
+ Because `AM_PATH_GIMPPRINT' calls `AC_SUBST' to substitute
+`GIMPPRINT_CFLAGS', `GIMPPRINT_LIBS' and `GIMPPRINT_CONFIG', `automake'
+will automatically set these variables in the `Makefile.in' files it
+generates, requiring no additional effort on your part!
+
+ As in previous examples, we will make a program `prog' from a file
+`prog.c'. This is how one might build write a `Makefile.am' to do this:
+
+ AUTOMAKE_OPTIONS = 1.4 gnu
+ MAINT_CHARSET = latin1
+
+ @SET_MAKE@
+
+ CFLAGS = @CFLAGS@
+
+ INCLUDES = @INCLUDES@ $(GIMPPRINT_CFLAGS)
+
+ bin_PROGRAMS = prog
+ prog_SOURCES = prog.c
+ prog_LDADD = $(GIMPPRINT_LIBS)
+
+ MAINTAINERCLEANFILES = Makefile.in
+
+ That's all there is to it! Please note that this example also
+requires the macro `AC_PROG_MAKE_SET' to be used in `configure.in' and
+the use of `AC_SUBST' to substitute `CFLAGS' and `INCLUDES' where
+`@CFLAGS@' and `@INCLUDES@' are found in the file, respectively.
+
+
+File: gimpprint.info, Node: Functions, Next: Programs, Prev: Integrating libgimpprint, Up: Top
+
+Functions
+*********
+
+ This section of the manual is a complete reference to all of the
+functions comprising libgimpprint, with examples.
+
+ All of the libgimpprint functions can be declared by including the
+master libgimpprint header, `<gimp-print/gimp-print.h>'. This should
+be done in every source file that uses gimpprint functions by putting
+
+ #include <gimp-print/gimp-print.h>
+
+at the top of each file.
+
+* Menu:
+
+* Main functions:: Essential functions every program must call.
+* stp_vars_t functions:: Using stp_vars_t.
+* Dither functions:: Dither algorithms.
+* Options functions:: Options.
+* Paper functions:: Paper size and orientation.
+* Printer functions:: Printer selection.
+* Settings functions:: Getting and changing settings.
+* Version functions:: Getting libgimpprint version information.
+
+
+File: gimpprint.info, Node: Main functions, Next: stp_vars_t functions, Up: Functions
+
+Main functions
+==============
+
+ These functions are essential to the correct functioning of
+libgimpprint. All or most other functions in the library depend
+absolutely upon them. In the case of `stp_init', this function _must_
+be called before any of the other functions in the library.
+
+ - Function: int stp_init (void)
+ This function initialises the libgimpprint library. It must be
+ called before any of the other libgimpprint functions are called.
+ It is responsible for setting up message catalogues (for
+ internationalisation). This function may be called more than once,
+ at any stage during the execution of a program.
+
+ It returns zero on success, nonzero on failure.
+
+ `stp_init' might be used as follows:
+
+ int
+ main (int argc, char **argv)
+ {
+ stp_init();
+
+ ...
+
+ }
+
+ - Function: void * stp_malloc (size_t SIZE)
+ Where SIZE is the amount of memory to allocate (in bytes).
+
+ This function allocates memory. It will always return a pointer to
+ the allocated memory. It will not return on failure.
+
+ It returns a pointer to the allocated memory.
+
+
+File: gimpprint.info, Node: stp_vars_t functions, Next: Dither functions, Prev: Main functions, Up: Functions
+
+`stp_vars_t' functions
+======================
+
+ - Data type: void * stp_vars_t
+ This is an opaque data type, whose structure is not visible to the
+ user. This object contains all of the information about settings
+ for a given printer, such as color (contrast, brightness), the
+ type of printer, the dithering algorithm in use, and so forth.
+ Please see the `stp_set_*' and `stp_get_*' functions below for the
+ accessors and mutators for this data type.
+
+ - Function: stp_vars_t stp_allocate_vars (void)
+ Allocate a new `stp_vars_t' with default settings for all members.
+
+ - Function: void stp_copy_vars (stp_vars_t VD, const stp_vars_t VS)
+ Copy the settings from VS to VD.
+
+ - Function: stp_vars_t stp_allocate_copy (const stp_vars_t VS)
+ Allocate a new `stp_vars_t', copying settings from VS.
+
+ - Function: void stp_free_vars (stp_vars_t VV)
+ Free all resources associated with VV. VV must not be used in any
+ way following this call.
+
+ - Function: const char * stp_get_output_to (const stp_vars_t VV)
+ - Function: void stp_set_output_to (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_output_to_n (stp_vars_t VV, const char *VAL,
+ int BYTES)
+ Get or set the name of the command that this job will be printed
+ to. This is used by front ends; the driver library always prints
+ to a stream provided by the front end and never uses this directly.
+
+ - Function: const char * stp_get_driver (const stp_vars_t VV)
+ - Function: void stp_set_driver (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_driver_n (stp_vars_t VV, const char *VAL, int
+ BYTES)
+ Get or set the name of the driver (the type of printer).
+
+ - Function: const char * stp_get_ppd_file (const stp_vars_t VV)
+ - Function: void stp_set_ppd_file (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_ppd_file_n (stp_vars_t VV, const char *VAL,
+ int BYTES)
+ Get or set the name of the PPD file used by this print job.
+ Normally, only PostScript printers use PPD files.
+
+ - Function: const char * stp_get_resolution (const stp_vars_t VV)
+ - Function: void stp_set_resolution (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_resolution_n (stp_vars_t VV, const char *VAL,
+ int BYTES)
+ Get or set the resolution to be used in this print job. Different
+ drivers support different resolutions, and many drivers support
+ multiple quality settings for a given DPI resolution.
+
+ - Function: const char * stp_get_media_size (const stp_vars_t VV)
+ - Function: void stp_set_media_size (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_media_size_n (stp_vars_t VV, const char *VAL,
+ int BYTES)
+ Get or set the name of the media size (e. g. A3, letter, legal) to
+ be used in this print job.
+
+ - Function: const char * stp_get_media_type (const stp_vars_t VV)
+ - Function: void stp_set_media_type (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_media_type_n (stp_vars_t VV, const char *VAL,
+ int BYTES)
+ Get or set the name of the media type (e. g. plain paper, photo
+ quality inkjet paper) to be used in this print job.
+
+ - Function: const char * stp_get_media_source (const stp_vars_t VV)
+ - Function: void stp_set_media_source (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_media_source_n (stp_vars_t VV, const char
+ *VAL, int BYTES)
+ Get or set the name of the media source (e. g. manual feed, tray
+ A) to be used in this print job.
+
+ - Function: const char * stp_get_ink_type (const stp_vars_t VV)
+ - Function: void stp_set_ink_type (stp_vars_t VV, const char *VAL)
+ - Function: void stp_set_ink_type_n (stp_vars_t VV, const char *VAL,
+ int BYTES)
+ Get or set the name of the ink type (e. g. four color standard, six
+ color photo) to be used in this print job.
+
+ - Function: const char * stp_get_dither_algorithm (const stp_vars_t VV)
+ - Function: void stp_set_dither_algorithm (stp_vars_t VV, const char
+ *VAL)
+ - Function: void stp_set_dither_algorithm_n (stp_vars_t VV, const char
+ *VAL, int BYTES)
+ Get or set the dither algorithm to be used in this print job.
+
+ - Function: int stp_get_output_type (const stp_vars_t VV)
+ - Function: void stp_set_output_type (stp_vars_t VV, int VAL)
+ Get or set the output type (color, grayscale, black and white) for
+ this print job.
+
+ - Function: int stp_get_orientation (const stp_vars_t VV)
+ - Function: void stp_set_orientation (stp_vars_t VV, int VAL)
+ Get or set the paper orientation for this print job.
+
+ - Function: int stp_get_left (const stp_vars_t VV)
+ - Function: void stp_set_left (stp_vars_t VV, int VAL)
+ Get or set the left margin (in 1/72 inch units, or "points") for
+ this print job.
+
+ - Function: int stp_get_top (const stp_vars_t VV)
+ - Function: void stp_set_top (stp_vars_t VV, int VAL)
+ Get or set the top margin (in 1/72 inch units, or "points") for
+ this print job.
+
+ - Function: int stp_get_image_type (const stp_vars_t VV)
+ - Function: void stp_set_image_type (stp_vars_t VV, int VAL)
+ Get or set the image type (line art, continuous tone, solid colors)
+ for this print job.
+
+ - Function: int stp_get_unit (const stp_vars_t VV)
+ - Function: void stp_set_unit (stp_vars_t VV, int VAL)
+ Get or set the base unit (inches or centimeters) for this print
+ job. This is provided for front ends; the package itself uses
+ points as its unit of measurement.
+
+ - Function: int stp_get_page_width (const stp_vars_t VV)
+ - Function: void stp_set_page_width (stp_vars_t VV, int VAL)
+ Get or set the width of the printed region of the page.
+
+ - Function: int stp_get_page_height (const stp_vars_t VV)
+ - Function: void stp_set_page_height (stp_vars_t VV, int VAL)
+ Get or set the height of the printed region of the page.
+
+ - Function: int stp_get_input_color_model (const stp_vars_t VV)
+ - Function: void stp_set_input_color_model (stp_vars_t VV, int VAL)
+ Get or set the color model (currently RGB or CMY) of the input to
+ the driver. Most front ends will use RGB input.
+
+ - Function: int stp_get_output_color_model (const stp_vars_t VV)
+ - Function: void stp_set_output_color_model (stp_vars_t VV, int VAL)
+ Get or set the color model (currently RGB or CMY) of the output of
+ the driver. Most printers will use CMY.
+
+ - Function: float stp_get_scaling (const stp_vars_t VV)
+ - Function: void stp_set_scaling (stp_vars_t VV, float VAL)
+ Get or set the scaling factor of the image. If the scaling factor
+ is greater than 0, it is interpreted as a percent (5.0-100.0 is
+ the valid range) of the printable page region, using the more
+ restrictive axis. For example, if the image to be printed should
+ be 3" (wide) x 2" (high), and the printable page region is
+ 8"x10.5", the scale factor should be 37.5 (3"/8").
+
+ If the scaling is less than zero, it is interpreted as pixels per
+ inch.
+
+ It is likely that in the future this will be migrated into the
+ front end. There is no particular reason why the driver needs to
+ know about this.
+
+ - Function: float stp_get_gamma (const stp_vars_t VV)
+ - Function: void stp_set_gamma (stp_vars_t VV, float VAL)
+ Get or set the gamma of the print job (valid range: 0.1-4.0;
+ default 1.0). Note that this is not the absolute gamma used by
+ the print job; it is scaled by the gamma appropriate for the
+ printer. This is true for all of the numerical parameters.
+
+ - Function: float stp_get_brightness (const stp_vars_t VV)
+ - Function: void stp_set_brightness (stp_vars_t VV, float VAL)
+ Get or set the brightness of the print job (valid range: 0.0-2.0;
+ default: 1.0). Any value other than 1.0 will result in some
+ possible values not being used; if brightness is less than 1.0, no
+ output point will be pure white, and if brightness is greater than
+ 1.0, no output point will be pure black (or cyan, or magenta, or
+ yellow).
+
+ - Function: float stp_get_contrast (const stp_vars_t VV)
+ - Function: void stp_set_contrast (stp_vars_t VV, float VAL)
+ Get or set the contrast of the print job (valid range: 0.0-4.0;
+ default: 1.0). Values less than 1.0 will result in pure white or
+ black not being used (0.0 will make the entire image 50% gray).
+ Values greater than 1.0 do not hard clip; while the contrast in the
+ midtones increases, it only asymptotically approaches the limits.
+
+ - Function: float stp_get_cyan (const stp_vars_t VV)
+ - Function: void stp_set_cyan (stp_vars_t VV, float VAL)
+ Get or set the cyan adjustment of the print job (range: 0.0-4.0;
+ default: 1.0). This currently adjusts the gamma of the cyan
+ curve. It is scaled by the cyan adjustment for the printer model
+ in question.
+
+ - Function: float stp_get_magenta (const stp_vars_t VV)
+ - Function: void stp_set_magenta (stp_vars_t VV, float VAL)
+ Get or set the magenta adjustment of the print job (range:
+ 0.0-4.0; default: 1.0). This currently adjusts the gamma of the
+ magenta curve. It is scaled by the magenta adjustment for the
+ printer model in question.
+
+ - Function: float stp_get_yellow (const stp_vars_t VV)
+ - Function: void stp_set_yellow (stp_vars_t VV, float VAL)
+ Get or set the yellow adjustment of the print job (range: 0.0-4.0;
+ default: 1.0). This currently adjusts the gamma of the yellow
+ curve. It is scaled by the yellow adjustment for the printer
+ model in question.
+
+ - Function: float stp_get_saturation (const stp_vars_t VV)
+ - Function: void stp_set_saturation (stp_vars_t VV, float VAL)
+ Get or set the saturation of the print job (range: 0.0-9.0;
+ default: 1.0). Saturation of 0.0 produces grayscale output using
+ composite (CMY or CMYK, as appropriate for the printer) color.
+
+ - Function: float stp_get_density (const stp_vars_t VV)
+ - Function: void stp_set_density (stp_vars_t VV, float VAL)
+ Get or set the density of the print job (range: 0.0-2.0; default:
+ 1.0). This adjusts the amount of ink deposited in a linear fashion
+ for all channels. It is scaled by the density appropriate for the
+ choice of printer, resolution, paper type, and other factors that
+ the driver may deem appropriate.
+
+ - Function: float stp_get_app_gamma (const stp_vars_t VV)
+ - Function: void stp_set_app_gamma (stp_vars_t VV, float VAL)
+ Get or set the gamma of the input (i. e. what the driving
+ application uses).
+
+ - Function: void * stp_get_lut (const stp_vars_t VV)
+ - Function: void stp_set_lut (stp_vars_t VV, void *VAL)
+ Get or set the color lookup table for the print job. This is
+ useful outside of the library for computing a preview of the
+ printed result. The lookup table itself should be treated as an
+ opaque handle.
+
+ - Function: unsigned char * stp_get_cmap (const stp_vars_t VV)
+ - Function: void stp_set_cmap (stp_vars_t VV, unsigned char *VAL)
+ Get or set the color map for the print job. This is a table of
+ R,G,B values for 8-bit indexed input. This may be moved outside
+ of the library in the future; in this case, the front end would be
+ required to do its own mapping and supply true-color RGB to the
+ driver.
+
+ The following methods are used to perform output and error reporting
+by the driver. The driver supplies a stream of output bytes; the front
+end is responsible for providing methods that accept this output and
+handle it appropriately.
+
+ - Function: stp_outfunc_t stp_get_outfunc (const stp_vars_t VV)
+ - Function: void stp_set_outfunc (const stp_vars_t VV, stp_outfunc_t
+ VAL)
+ - Function: void * stp_get_outdata (const stp_vars_t VV)
+ - Function: void stp_set_outdata (stp_vars_t VV, void *VAL)
+ - Data type: stp_outfunc_t
+ typedef void (*stp_outfunc_t) (void *data,
+ const char *buffer, size_t bytes);
+ Get or set the output function the driver will use. The
+ front end must supply a suitable function for accepting the output
+ data. The `stp_set_outdata' method provides a way of passing an
+ appropriate object to the output function.
+
+ - Function: stp_outfunc_t stp_get_errfunc (const stp_vars_t VV)
+ - Function: void stp_set_errfunc (const stp_vars_t VV, stp_outfunc_t
+ VAL)
+ - Function: void * stp_get_errdata (const stp_vars_t VV)
+ - Function: void stp_set_errdata (stp_vars_t VV, void *VAL)
+ Get or set the error reporting function that the driver will use.
+ This is used to report errors or debugging information, and must be
+ supplied. A typical errfunc will simply print whatever it's
+ passed to stderr.
+
+ /* * hue_map is an array of 49 doubles representing the mapping of
+hue * from (0..6) to (0..6) in increments of .125. The hue_map is in
+CMY space, * so hue=0 is cyan. */ typedef void
+(*stp_convert_t)(const stp_vars_t vars, const unsigned char *in,
+ unsigned short *out, int *zero_mask,
+ int width, int bpp, const unsigned char *cmap,
+ const double *hue_map, const double *lum_map,
+ const double *sat_map);
+
+ - Function: void stp_merge_printvars (stp_vars_t USER, const
+ stp_vars_t PRINT)
+
+ - Function: void stp_allocate_lut (stp_vars_t V, size_t STEPS)
+
+ - Function: void stp_free_lut (stp_vars_t V)
+
+ - Function: void stp_compute_lut (stp_vars_t V, size_t STEPS)
+
+
+File: gimpprint.info, Node: Dither functions, Next: Options functions, Prev: stp_vars_t functions, Up: Functions
+
+Dither functions
+================
+
+ - Function: size_t stp_dither_algorithm_count (void)
+
+ - Function: const char * stp_dither_algorithm_name (int ID)
+
+ - Function: const char * stp_default_dither_algorithm (void)
+
diff --git a/doc/gimpprint.info-2 b/doc/gimpprint.info-2
new file mode 100644
index 0000000..3539915
--- /dev/null
+++ b/doc/gimpprint.info-2
@@ -0,0 +1,1080 @@
+This is gimpprint.info, produced by makeinfo version 4.0 from
+gimpprint.texi.
+
+INFO-DIR-SECTION Libraries
+START-INFO-DIR-ENTRY
+* GIMP-Print: (gimpprint). print plugin for the GIMP, and printing library
+END-INFO-DIR-ENTRY
+
+ This file documents the gimpprint library and associated programs
+used for high quality printing.
+
+ Copyright (C) 2001 Michael Sweet (<mike@easysw.com>) and Robert
+Krawitz (<rlk@alum.mit.edu>)
+
+ Permission is granted to make and distribute verbatim copies of this
+manual provided the copyright notice and this permission notice are
+preserved on all copies.
+
+ Permission is granted to copy and distribute modified versions of
+this manual under the conditions for verbatim copying, provided that
+the entire resulting derived work is distributed under the terms of a
+permission notice identical to this one.
+
+ Permission is granted to copy and distribute translations of this
+manual into another language, under the above conditions for modified
+versions, except that this permission notice may be stated in a
+translation approved by the Foundation.
+
+
+File: gimpprint.info, Node: Options functions, Next: Paper functions, Prev: Dither functions, Up: Functions
+
+Options functions
+=================
+
+ - Data type: void * stp_option_t
+ This is an opaque data type, whose structure is not visible to the
+ user.
+
+ - Function: void stp_set_option(stp_vars_t V, const char *NAME, const
+ char *DATA, int BYTES)
+
+ - Function: void stp_clear_option (stp_vars_t V, const char *NAME)
+
+ - Function: void stp_clear_all_options (stp_vars_t V)
+
+ - Function: size_t stp_option_count (const stp_vars_t V)
+
+ - Function: const stp_option_t stp_get_option_by_index (const
+ stp_vars_t V, size_t IDX)
+
+ - Function: const stp_option_t stp_get_option_by_name (const
+ stp_vars_t V, const char *NAME)
+
+ - Function: const char * stp_option_data (const stp_option_t OPTION)
+ *Note*: not null delimited!
+
+ - Function: const char * stp_option_name (const stp_option_t OPTION)
+
+ - Function: size_t stp_option_length (const stp_option_t OPTION)
+
+
+File: gimpprint.info, Node: Paper functions, Next: Printer functions, Prev: Options functions, Up: Functions
+
+Paper functions
+===============
+
+ - Data type: void * stp_papersize_t
+ This is an opaque data type, whose structure is not visible to the
+ user.
+
+ - Data type: stp_papersize_unit_t
+ typedef enum papersize_unit
+ {
+ PAPERSIZE_ENGLISH,
+ PAPERSIZE_METRIC
+ } stp_papersize_unit_t;
+
+ - Function: int stp_known_papersizes (void)
+
+ - Function: const stp_papersize_t stp_get_papersize_by_name (const
+ char *NAME)
+
+ - Function: const stp_papersize_t stp_get_papersize_by_size (int L,
+ int W)
+
+ - Function: const stp_papersize_t stp_get_papersize_by_index (int
+ INDEX)
+
+ - Function: const char * stp_papersize_get_name (const stp_papersize_t
+ PT)
+
+ - Function: unsigned stp_papersize_get_width (const stp_papersize_t PT)
+
+ - Function: unsigned stp_papersize_get_height (const stp_papersize_t
+ PT)
+
+ - Function: unsigned stp_papersize_get_top (const stp_papersize_t PT)
+
+ - Function: unsigned stp_papersize_get_left (const stp_papersize_t PT)
+
+ - Function: unsigned stp_papersize_get_bottom (const stp_papersize_t
+ PT)
+
+ - Function: unsigned stp_papersize_get_right (const stp_papersize_t PT)
+
+ - Function: stp_papersize_unit_t stp_papersize_get_unit (const
+ stp_papersize_t PT)
+
+
+File: gimpprint.info, Node: Printer functions, Next: Settings functions, Prev: Paper functions, Up: Functions
+
+Printer functions
+=================
+
+ - Data type: void * stp_printer_t
+ This is an opaque data type, whose structure is not visible to the
+ user.
+
+ - Function: int stp_known_printers (void)
+
+ - Function: const stp_printer_t stp_get_printer_by_index (int IDX)
+
+ - Function: const char * stp_printer_get_long_name (const
+ stp_printer_t P)
+
+ - Function: const stp_printer_t stp_get_printer_by_long_name (const
+ char *LONG_NAME)
+
+ - Function: const stp_printer_t stp_get_printer_by_driver (const char
+ *DRIVER)
+
+ - Function: int stp_get_printer_index_by_driver (const char *DRIVER)
+
+ - Function: const char * stp_printer_get_driver (const stp_printer_t P)
+
+ - Function: int stp_printer_get_model (const stp_printer_t P)
+
+ - Function: const stp_printfuncs_t * stp_printer_get_printfuncs (const
+ stp_printer_t P)
+
+ - Data type: stp_printfuncs_t
+ typedef struct
+ {
+ char **(*parameters)(const stp_printer_t printer,
+ const char *ppd_file,
+ const char *name, int *count);
+ void (*media_size)(const stp_printer_t printer,
+ const stp_vars_t v, int *width,
+ int *height);
+ void (*imageable_area)(const stp_printer_t printer,
+ const stp_vars_t v,
+ int *left, int *right,
+ int *bottom, int *top);
+ void (*limit)(const stp_printer_t printer,
+ const stp_vars_t v,
+ int *width, int *height);
+ void (*print)(const stp_printer_t printer,
+ stp_image_t *image, const stp_vars_t v);
+ const char *(*default_parameters)(const stp_printer_t printer,
+ const char *ppd_file,
+ const char *name);
+ void (*describe_resolution)(const stp_printer_t printer,
+ const char *resolution,
+ int *x, int *y);
+ int (*verify)(const stp_printer_t p, const stp_vars_t v);
+ } stp_printfuncs_t;
+
+ - Data type: stp_image_t
+ typedef struct stp_image
+ {
+ void (*init)(struct stp_image *image);
+ void (*reset)(struct stp_image *image);
+ void (*transpose)(struct stp_image *image);
+ void (*hflip)(struct stp_image *image);
+ void (*vflip)(struct stp_image *image);
+ void (*crop)(struct stp_image *image,
+ int left, int top, int right,
+ int bottom);
+ void (*rotate_ccw)(struct stp_image *image);
+ void (*rotate_cw)(struct stp_image *image);
+ void (*rotate_180)(struct stp_image *image);
+ int (*bpp)(struct stp_image *image);
+ int (*width)(struct stp_image *image);
+ int (*height)(struct stp_image *image);
+ void (*get_row)(struct stp_image *image,
+ unsigned char *data, int row);
+ const char *(*get_appname)(struct stp_image *image);
+ void (*progress_init)(struct stp_image *image);
+ void (*note_progress)(struct stp_image *image,
+ double current, double total);
+ void (*progress_conclude)(struct stp_image *image);
+ void *rep;
+ } stp_image_t;
+ This is an abstract data type for interfacing with the program
+ which created the image.
+
+ - Function: const stp_vars_t stp_printer_get_printvars (const
+ stp_printer_t P)
+
+
+File: gimpprint.info, Node: Settings functions, Next: Version functions, Prev: Printer functions, Up: Functions
+
+Settings functions
+==================
+
+ - Function: stp_convert_t stp_choose_colorfunc (int OUTPUT_TYPE, int
+ IMAGE_BPP, const unsigned char *CMAP, int *OUT_BPP, const
+ stp_vars_t V)
+
+ - Function: void stp_compute_page_parameters (int PAGE_RIGHT, int
+ PAGE_LEFT, int PAGE_TOP, int PAGE_BOTTOM, double SCALING, int
+ IMAGE_WIDTH, int IMAGE_HEIGHT, stp_image_t *IMAGE, int
+ *ORIENTATION, int *page_width, int *PAGE_HEIGHT, int
+ *OUT_WIDTH, int *OUT_HEIGHT, int *LEFT, int *TOP)
+
+ - Function: const stp_vars_t stp_default_settings (void)
+
+ - Function: const stp_vars_t stp_maximum_settings (void)
+
+ - Function: const stp_vars_t stp_minimum_settings (void)
+
+
+File: gimpprint.info, Node: Version functions, Prev: Settings functions, Up: Functions
+
+Version functions
+=================
+
+ - Function: const char * stp_check_version (unsigned int
+ REQUIRED_MAJOR,
+ unsigned int REQUIRED_MINOR, unsigned int REQUIRED_MICRO)
+
+ This function checks whether the version of libgimpprint that the
+ program is linked with is equal to the version number passed to
+ it. If the version is the same, the function returns `NULL'. If
+ any of the version numbers do not match (i.e. the library version
+ is too old or too new), a string containing a desription of the
+ difference is returned. The first error found is returned. The
+ function checks in the order major, minor, micro.
+
+Version macros
+--------------
+
+ - Macro: GIMPPRINT_CHECK_VERSION (major,minor,micro)
+ This macro returns zero if the version of the libgimpprint headers
+ are greater or equal to the version given as an argument. It
+ returns nonzero if the version of the libgimpprint headers are
+ less than the argument.
+
+ - Macro: GIMPPRINT_MAJOR_VERSION
+
+ - Macro: GIMPPRINT_MINOR_VERSION
+
+ - Macro: GIMPPRINT_MICRO_VERSION
+
+ - Macro: GIMPPRINT_CURRENT_INTERFACE
+
+ - Macro: GIMPPRINT_BINARY_AGE
+
+ - Macro: GIMPPRINT_INTERFACE_AGE
+
+ These macros are integers holding the version numbers. They should be
+used for compile-time checking only. To check version numbers at
+run-time, use the equivalent variables. Note that at present (4.1.x
+development branch) the library interface version numbers are not used.
+
+Version variables
+-----------------
+
+ - Variable: const unsigned int gimpprint_major_version
+
+ - Variable: const unsigned int gimpprint_minor_version
+
+ - Variable: const unsigned int gimpprint_micro_version
+
+ - Variable: const unsigned int gimpprint_current_interface
+
+ - Variable: const unsigned int gimpprint_binary_age
+
+ - Variable: const unsigned int gimpprint_interface_age
+
+ These variables hold the library version numbers. Because the
+version of the library may change on a system using shared libraries,
+these should be used instead of the equivalent macros when checking the
+library version at run-time. Note that library interface version
+numbers are not used in the development branch, but are in the stable
+branch.
+
+
+File: gimpprint.info, Node: Programs, Next: Problems, Prev: Functions, Up: Top
+
+Programs
+********
+
+ This chapter of the manual describes the use of some of the programs
+which use the GIMP-Print library (libgimpprint). Note that there is now
+a user manual in DocBook/SGML format, currently provided in HTML,
+PostScript and PDF formats which is distributed with GIMP-Print. This
+manual currently covers the use of the GIMP Print plugin and CUPS
+drivers.
+
+* Menu:
+
+* The GIMP plugin:: The print plugin for the GIMP
+* Ghostscript:: Printer driver
+* CUPS:: Printer driver
+
+
+File: gimpprint.info, Node: The GIMP plugin, Next: Ghostscript, Prev: Programs, Up: Programs
+
+The GIMP Print plugin
+=====================
+
+ The GIMP Print plugin is the printing facility for the GNU Image
+Manipulation Program(1). This section examines the features offered by
+the Print plugin.
+
+ The main window is divided into five panes:
+
+Preview
+-------
+
+ The Preview pane contains a positioning widget that allows
+interactively positioning the output on the page. It contains an outer
+border, representing the sheet of paper; an inner border, representing
+the printable area of the printer; an arrow, pointing to the top of the
+page (the end that's fed into the printer); and a black rectangle,
+representing the position of the image on the page. The image can be
+moved around on the paper. When the first (left) button is used, the
+image is moved in screen pixels; when any other button is used, the
+image is moved in points(2). The arrow resizes depending upon the
+media size chosen; the shaft of the arrow is always equal to one inch
+on the output.
+
+[Figure not available in Info format]
+
+Printer Settings
+----------------
+
+ The Printer Settings pane contains a dropdown menu for selecting a
+printer to print to. There is a special `printer' named `File' that
+allows you to choose a file to print to, rather than a printer queue.
+The Setup box to the right allows specification of a printer type, a
+PPD file(3), and the command to be used to print. Each distinct
+printer in the Printer list can have different settings applied to it.
+Below that is a combo box allowing choice of media size. The choices
+are constrained to those that the printer supports. Below that are
+dropdown menus for choosing media type (what kind of paper), media
+source (what input tray), ink type, and resolution. All of these
+settings are printer-specific.
+
+[Figure not available in Info format]
+
+Position
+--------
+
+ The Position pane contains various widgets to place the image on the
+paper. These widgets work in conjunction with the Preview pane. At the
+top of the pane is a button to center the image on the paper (not on the
+printable area), and on either side buttons to center vertically and
+horizontally. Below these are four boxes that allow entry of the left,
+top, right, and bottom of the image. These positions are relative to
+the top left of the paper(4). There are two additional boxes that
+allow specification of the right margin and bottom margin if you
+prefer; these are relative to the bottom right corner of the paper.
+Any of these may have values entered into them; the preview image will
+be moved appropriately.
+
+ *Note*: These entries do not resize the image.
+
+ Finally, there is a pick box for orientation (landscape or portrait).
+There is an `Auto' mode that picks the orientation that yields the
+orientation that best matches that of the image to be printed.
+
+Scaling
+-------
+
+ The Scaling pane contains a slider that allows scaling of the image.
+The image can be scaled in either percent of the printable area (*not*
+the page in this case) or pixels per inch (PPI) via a radio button
+below the slider. PPI allows matching image resolution to printer
+resolution. The image may be scaled using either method to between 5
+and 100% of the imageable area. It is not possible to crop with the
+Print plugin. In Percent mode, the image is scaled so that neither
+axis will be longer than the percent of the printable area specified.
+For example, if you print an image at 20%, it will be possible to tile
+the image 5 times on one axis and at least 5 times on the other. To
+the right of the radio button is a button called Set Image Scale. This
+sets the scaling to PPI, and sets the resolution as closely as possible
+to the resolution stored in the image. To the right of the Set Image
+Scale button are two boxes that allow entry of width and height of the
+image. These set the scaling mode to PPI. Specifying one
+automatically sets the other, and the image is repositioned as needed
+to prevent it from falling off the edge of the page.
+
+ To its right is a button group that allows choosing English (inch)
+units or metric (centimeter) units.
+
+Image Settings
+--------------
+
+ The Image Settings pane allows choice of Line Art, Solid Colors, or
+Photograph image type. Line art or Solid Colors should be used for
+graphics containing mostly solid areas of color. They're very similar
+to each other. Photograph mode dithers more slowly, but produces more
+accurate colors. To the right of these three radio buttons is a button
+called Adjust Color. This pops up a new window that controls various
+output quality settings. That will be described separately. Finally,
+there is a choice of Black and White, Color and Monochrome output.
+Monochrome output can be used to print absolute black and white very
+quickly.
+
+Adjust Output
+.............
+
+ The Adjust Output button button pops up a non-modal dialog that
+allows adjustment of various parameters related to the print quality.
+These are independent of the controls within the GIMP itself and only
+affect the print.
+
+[Figure not available in Info format]
+
+ At the top of the window is a thumbnail of the image that changes to
+reflect the color settings of the image. This enables you to get an
+idea of how the image will print out as you adjust settings.
+
+ Below that there are eight sliders:
+
+_Brightness_
+ (0-2.0, default 1.0) Adjust the brightness of the image.
+
+_Contrast_
+ (0-4.0, default 1.0) Adjust the output contrast.
+
+_Cyan, Magenta, Yellow_
+ (0-4.0, default 1.0) Adjust the cyan, magenta, and yellow in the
+ output. These should not normally need to be adjusted very much;
+ even very small adjustments can go quite a long way to restoring
+ color balance.
+
+_Saturation_
+ (0-9.0, default 1.0) Adjust the color brilliance (saturation) of
+ the output. Saturation of 0 means pure gray scale, with no color.
+ Saturation of 9.0 will make just about anything but pure grays
+ brilliantly colored.
+
+_Density_
+ (0.1-2.0, default 1.0) Adjust the density (amount of ink) in the
+ print. The density is automatically corrected for the particular
+ printer, resolution, and in some cases paper choices. If solid
+ black in the input is not solid in the print, the density needs to
+ be increased; if there is excessive ink bleed-through and muddy
+ dark colors, the density should be decreased.
+
+ *Note*: the density will not increase beyond a certain amount no
+ matter what the slider is set to.
+
+_Gamma_
+ (0.1-4.0, default 1.0) Adjust the output gamma. The gamma value is
+ automatically corrected for the choice of printer; this is used if
+ you believe the automatic setting is incorrect.
+
+Dither Algorithm
+................
+
+ There is also a selection box for the dither algorithm to be used in
+the pop-up dialog. There are currently seven choices:
+
+_Adaptive Hybrid_
+ Adaptive Hybrid usually yields the best output quality; it chooses
+ a modified Floyd-Steinberg error diffusion algorithm or ordered
+ dithering depending upon the image characteristics.
+
+_Ordered_
+ Ordered uses a pure ordered dither. It generally yields excellent
+ quality for simple black and white or four color printers without
+ variable drop size or drop modulation; it is not recommended if
+ high quality is desired on six color printers. It is considerably
+ faster than Adaptive Hybrid.
+
+_Fast_
+ Fast also uses a pure ordered dither, but uses a very simple black
+ model and makes no attempt to handle multi-level (6-color,
+ variable drop size, or drop modulation) at all cleanly. It is
+ substantially faster than Ordered dither. The quality tends to be
+ quite poor except on simple four color printers. On three color
+ printers, quality is probably competitive with anything else.
+
+_Very Fast_
+ Very Fast is similar to Fast, except that it uses a very simple
+ dither matrix that can be looked up much more quickly than the
+ matrix used in the Fast dither. For simple pure black and white
+ images dominated by horizontal and vertical lines, this may
+ actually yield the best results; for other types of image, the
+ quality will be poor.
+
+_Adaptive Random_
+ Adaptive Random is similar to Adaptive Hybrid, except that the
+ modifications to the Floyd-Steinberg algorithm are slightly
+ different. This is slower than Adaptive Hybrid on most systems.
+ For some images the quality may be better than Adaptive Hybrid,
+ but generally Adaptive Hybrid should yield slightly superior
+ images.
+
+_Hybrid Floyd-Steinberg_
+ Hybrid Floyd-Steinberg uses the modified Floyd-Steinberg algorithm
+ of Adaptive Hybrid on the entire image. Generally, the results
+ are poor in pale regions.
+
+_Random Floyd-Steinberg_
+ Random Floyd-Steinberg uses the modified Floyd-Steinberg algorithm
+ of Adaptive Random on the entire image. Generally, the results
+ are poor in pale regions.
+
+Action Buttons
+--------------
+
+ The last pane contains four action buttons:
+
+_Print and Save Settings_
+ Immediately print the image (or, if the File printer is chosen,
+ display a file selection window to pick the output file), and save
+ all current settings for all printers.
+
+_Save Settings_
+ Immediately save the settings, and continue working in the Print
+ plugin.
+
+_Print_
+ Immediately print the image (or, if the `File' printer is chosen,
+ display a file selection window to pick the output file), but do
+ not save settings.
+
+_Cancel_
+ Immediately quit without saving settings or printing.
+
+ ---------- Footnotes ----------
+
+ (1) `http://www.gimp.org'
+
+ (2) The output resolution of the plugin.
+
+ (3) For Postscript printers.
+
+ (4) Again, that's relative to the paper corner, not the printable
+area, which is usually smaller.
+
+
+File: gimpprint.info, Node: Ghostscript, Next: CUPS, Prev: The GIMP plugin, Up: Programs
+
+Ghostscript driver
+==================
+
+
+File: gimpprint.info, Node: CUPS, Prev: Ghostscript, Up: Programs
+
+CUPS driver
+===========
+
+
+File: gimpprint.info, Node: Problems, Next: Appendices, Prev: Programs, Up: Top
+
+Reporting Bugs
+**************
+
+ If you find a bug in GIMP-Print or have any suggestions for
+modification or improvement, please send electronic mail to the
+GIMP-Print bug reporting address (1). Include the version number,
+which you can find by running `gimpprint-config --version'. Also
+include in your message the output that the program produced and the
+output you expected, if applicable, otherwise the best description of
+the problem that you can provide.
+
+ If you have other questions, comments or suggestions about
+GIMP-Print, contact the developers via electronic mail to the
+GIMP-Print mailing list (2). They will try to help you out, although
+they may not have time to fix your problems.
+
+ ---------- Footnotes ----------
+
+ (1) <gimp-print-devel@lists.sourceforge.net>
+
+ (2) <gimp-print-devel@lists.sourceforge.net>
+
+
+File: gimpprint.info, Node: Appendices, Next: Data Type and Variable Index, Prev: Problems, Up: Top
+
+Appendices
+**********
+
+* Menu:
+
+* Dithering:: Dither algorithms.
+* Weaving:: Weaving algorithms.
+* ESC/P2:: Epson ESC/P2 printer control language.
+* New Printer:: Adding a new printer to libgimpprint.
+
+
+File: gimpprint.info, Node: Dithering, Next: Weaving, Prev: Appendices, Up: Appendices
+
+Dithering
+*********
+
+ The dithering code in `print-dither.c' attempts to reproduce various
+shades of gray (or all colors) from only a few different inks (black,
+cyan, magenta, yellow, and sometimes light cyan and light magenta).
+The dots can't vary in darkness or size (except for certain special
+printers), and so we need to lay down a certain fraction of dots to
+represent each distinct level.
+
+ This sounds straightforward; in practice, it isn't. Completely
+random distribution of dots (simple probabilistic dithering) would
+create grainy clumps and light spots. The smoothest pattern results
+from an equidistant spacing of dots. Approximating this requires
+sophisticated algorithms. We have two dithering algorithms, an ordered
+dither algorithm that uses a grid (matrix) to decide whether to print,
+and a modified Floyd-Steinberg error diffusion algorithm that uses a
+grid in a slightly different way.
+
+ We currently have three dithering functions:
+
+ 1. `dither_fastblack' produces pure black or white from a pre-dithered
+ input. This is used for two purposes: for printing pure black and
+ white very quickly (e. g. text), and for printing pre-screened
+ monochrome output that was rasterized externally.
+
+ 2. `dither_black' produces black from grayscale input. The new
+ dither_black can produce either a single or multiple levels of
+ black, for printers supporting variable dot size.
+
+ 3. `dither_cmyk' produces 3, 4, 5, 6, or 7 color output (CMY, CMYK,
+ CcMmYK, CcMmYy, CcMmYyK, or any variants). The new routine can
+ handle single or multiple levels of each color.
+
+ There is a choice of dithering algorithms. Four of them are based
+on a basic error diffusion, with a few tweaks of my own. The other one
+is `ordered'. However, they all share the basic operation in common.
+First, the algorithm picks what kind of dot (if there are multiple dot
+sizes and/or tones that may be picked) is the candidate to be printed.
+This decision is made based on the darkness at the point being dithered.
+Then, it decides whether the dot will be printed at all. What this is
+based on depends upon which algorithm family we use. This is all
+described in more detail below.
+
+ Ordered dithering works by comparing the value at a given point with
+the value of a tiled matrix. If the value at the point is greater than
+the value in the matrix, the dot is printed. The matrix should consist
+of a set of evenly spaced points between 0 and the upper limit. The
+choice of matrix is very important for print quality. A good dither
+matrix will emphasize high frequency components, which distributes dots
+evenly with a minimum of clumping. The matrices used here are all
+simple matrices that are expanded recursively to create larger matrices
+with the same kind of even point distribution. This is described below.
+
+ Note that it is important to use different matrices for the two
+sub-operations, because otherwise the choice about whether to print and
+the choice of dot size will be correlated. The usual result is that the
+print is either too dark or too light, but there can be other problems.
+
+ Ordered dithering works quite well on single dot size, four color
+printers. It has not been well tested on four color, variable dot size
+printers. It should be avoided on six color printers.
+
+ Error diffusion works by taking the output error at a given pixel and
+"diffusing" it into surrounding pixels. Output error is the difference
+between the amount of ink output and the input level at each pixel.
+For simple printers, with one or four ink colors and only one dot size,
+the amount of ink output is either 65536 (i. e. full output) or 0 (no
+output). The difference between this and the input level is the error.
+Normal error diffusion adds part of this error to the adjoining pixels
+in the next column and the next row (the algorithm simply scans each
+row in turn, never backing up). The error adds up until it reaches a
+threshold (half of the full output level, or 32768), at which point a
+dot is output, the output is subtracted from the current value, and the
+(now negative) error is diffused similarly.
+
+ Error diffusion works quite well in general, but it tends to generate
+artifacts which usually appear as worm-like lines or areas of anomalous
+density. I have devised some ways, as described below, of ameliorating
+these artifacts.
+
+ There are two sub-classes of error diffusion that we use here,
+`random' and `hybrid'. One of the techniques that we use to ameliorate
+the artifacts is to use a fuzzy threshold rather than the hard
+threshold of half of the output level. Random error diffusion uses a
+pseudo-random number to perturb the threshold, while hybrid error
+diffusion uses a matrix. Hybrid error diffusion worked very poorly in
+3.1.3, and I couldn't figure out why until I found a bug. It now works
+very well.
+
+ There is one additional variant (on both sub-classes), called
+`adaptive hybrid' and `adaptive random'. The adaptive variant takes
+advantage of the fact that the patterns that ordered dithering create
+are less visible at very low densities, while the artifacts created by
+error diffusion are more objectionable at low densities. At low
+densities, therefore, it uses ordered dithering; at higher densities it
+uses error diffusion.
+
+ Handling multiple output levels makes life a bit more complicated.
+In principle, it shouldn't be much harder: simply figure out what the
+ratio between the available output levels is and have multiple
+thresholds. In practice, getting these right involves a lot of trial
+and error. The other thing that's important is to maximize the number
+of dots that have some ink. This will reduce the amount of speckling.
+More on this later.
+
+ The next question: how do we handle black when printing in color?
+Black ink is much darker than colored inks. It's possible to produce
+black by adding some mixture of cyan, magenta, and yellow--in
+principle. In practice, the black really isn't very black, and
+different inks and different papers will produce different color casts.
+However, by using CMY to produce gray, we can output a lot more dots!
+This makes for a much smoother image. What's more, one cyan, one
+magenta, and one yellow dot produce less darkness than one black dot,
+so we're outputting that many more dots. Better yet, with 6 or 7 color
+printers, we have to output even more light ink dots. So Epson Stylus
+Photo printers can produce really smooth grays--if we do everything
+right. The right idea is to use CMY at lower black levels, and
+gradually mix in black as the overall amount of ink increases, so the
+black dots don't really become visible within the ink mass.
+
+ Variable dot sizes are handled by dividing the range between 0 and
+65536 into segments. Each segment can either represent a range in
+which all of one kind of ink (color and/or dot size) is used, with
+varying amounts of ink, or a transition region between inks, in which
+equal numbers of dots are printed but the amount of each ink will be
+adjusted throughout the range. Each range is represented by four
+numbers:
+
+ 1. bottom of the range
+
+ 2. top of the range
+
+ 3. value of the lighter ink
+
+ 4. value of the darker ink
+
+ In addition, the bit patterns and which type of ink are also
+represented, but they don't affect the actual algorithm.
+
+ As mentioned above, the basic algorithm is the same whether we use
+ordered dither or error diffusion. We perform the following steps on
+each color of each pixel:
+
+ 1. Compute the value of the particular color we're printing. This
+ isn't usually the pure CMY value; it's adjusted to improve
+ saturation and to limit the use of black in light toned regions
+ (to avoid speckling).
+
+ 2. Find the range containing this value.
+
+ 3. Compute where this value lies within the range. We scale the
+ endpoints between 0 and 65536 for this purpose. So for example,
+ if the bottom of the range is 10,000 and the top of the range is
+ 20,000, and the value is 12,500, we're 1/4 of the way between the
+ bottom and the top of the range, so our scale point is 16384.
+
+ 4. Compute the "virtual value". The virtual value is the distance
+ between the value of the lighter and the value of the darker ink.
+ So if the value of the light ink is 32768 and the dark ink is
+ 65536, we compute a virtual value scaled appropriately between
+ these two values, which is 40960 in this case.
+
+ 5. Using either error diffusion or ordered dither, the standard
+ threshold is 1/2 of the value (20480 in this case). Using ordered
+ dither, we want to compute a value between 0 and 40960 that we
+ will compare the input value against to decide whether to print.
+ Using pure error diffusion, we would compare the accumulated error
+ against 20480 to decide whether to print. In practice, we use the
+ same matrix method to decide whether to print. The correct amount
+ of ink will be printed this way, but we minimize the squiggly
+ lines characteristic of error diffusion by dithering the threshold
+ in this fashion. A future enhancement will allow us to control
+ the amount of dithering applied to the threshold.
+
+ The matrices were generated by Thomas Tonino <<ttonino@bio.vu.nl>>
+with an algorithm of his devising. The algorithm is designed to
+maximize the spacing between dots at any given density by searching the
+matrix for holes and placing a dot in the largest available hole. It
+requires careful selection of initial points to achieve good results,
+and is very time consuming. For best results, a different matrix must
+be used for modes with 2:1 aspect ratio (e.g. 1440x720) than for 1:1
+(e. g. 720x720). It is essential with any of these matrices that every
+point be used. Skipping points generates low-frequency noise.
+
+ It's essential to use different matrices for deciding whether to
+print and for deciding what color (dark or light) to print. This
+should be obvious; the decision about whether to print at all should be
+as independent as possible from the decision about what color to print,
+because any bias will result in excess light or dark ink being printed,
+shifting the tonal balance. We actually use the same matrices, but we
+shift them vertically and horizontally. Assuming that the matrices are
+not self-correlated, this will yield good results.
+
+ The ranges are computed from a list of ink values (between 0 and 1
+for each possible combination of dot size and ink tone, where the value
+represents the darkness of the ink) and the desired maximum density of
+the ink. This is done in dither_set_ranges, and needs more
+documentation.
+
+ I stated earlier that I've tweaked the basic error diffusion
+algorithm. Here's what I've done to improve it:
+
+ 1. We use a variable threshold to decide when to print, as discussed
+ above. This does two things for us: it reduces the slightly
+ squiggly diagonal lines that are the mark of error diffusion; and
+ it allows us to lay down some ink even in very light areas near
+ the edge of the image. The squiggly lines that error diffusion
+ algorithms tend to generate are caused by the gradual accumulation
+ of error. This error is partially added horizontally and
+ partially vertically. The horizontal accumulation results in a
+ dot eventually being printed. The vertical accumulation results
+ in a dot getting laid down in roughly the same horizontal position
+ in the next row. The diagonal squigglies result from the error
+ being added to pixels one forward and one below the current pixel;
+ these lines slope from the top right to the bottom left of the
+ image.
+
+ Error diffusion also results in pale areas being completely white
+ near the top left of the image (the origin of the printing
+ coordinates). This is because enough error has to accumulate for
+ anything at all to get printed. In very pale areas it takes quite
+ a long time to build up anything printable at all; this results in
+ the bare spots.
+
+ Randomizing the threshold somewhat breaks up the diagonals to some
+ degree by randomizing the exact location that the accumulated
+ output crosses the threshold. It reduces the false white areas by
+ allowing some dots to be printed even when the accumulated output
+ level is very low. It doesn't result in excess ink because the
+ full output level is still subtracted and diffused.
+
+ Excessive randomization leads to blobs at high densities.
+ Therefore, as the density increases, the degree of randomization
+ decreases.
+
+ 2. Alternating scan direction between rows (first row is scanned left
+ to right, second is scanned right to left, and so on). This also
+ helps break up white areas, and it also seems to break up
+ squigglies a bit. Furthermore, it eliminates directional biases
+ in the horizontal direction. This isn't necessary for ordered
+ dither, but it doesn't hurt either.
+
+ 3. Diffusing the error into more pixels. Instead of diffusing the
+ entire error into (X+1, Y) and (X, Y+1), we diffuse it into (X+1,
+ Y), (X+K, Y+1), (X, Y+1), (X-K, Y+1) where K depends upon the
+ output level (it never exceeds about 10 dots, and is greater at
+ higher output levels). This really reduces squigglies and
+ graininess. The amount of this spread can be controlled; for line
+ art, it should be less than for photographs (of course, line art
+ doesn't usually contain much light color, but the *error* value
+ can be small in places!) In addition to requiring more
+ computation, a wide ink spread results in patterning at high dot
+ densities (note that the dot density can be high even in fairly
+ pale regions if multiple dot sizes are in use).
+
+ 4. Don't lay down any colored ink if we're laying down black ink.
+ There's no point; the colored ink won't show. We still pretend
+ that we did for purposes of error diffusion (otherwise excessive
+ error will build up, and will take a long time to clear, resulting
+ in heavy bleeding of ink into surrounding areas, which is very
+ ugly indeed), but we don't bother wasting the ink. How well this
+ will do with variable dot size remains to be seen.
+
+ 5. Oversampling. This is how to print 1440x720 with Epson Stylus
+ printers. Printing full density at 1440x720 will result in excess
+ ink being laid down. The trick is to print only every other dot.
+ We still compute the error as though we printed every dot. It
+ turns out that randomizing which dots are printed results in very
+ speckled output. This can be taken too far; oversampling at
+ 1440x1440 or 1440x2880 virtual resolution results in other
+ problems. However, at present 1440x1440 (which is more accurately
+ called "1440x720 enhanced", as the Epson printers cannot print
+ 1440 rows per inch) does quite well, although it's slow.
+
+ What about multiple output levels? For 6 and 7 color printers,
+simply using different threshold levels has a problem: the pale inks
+have trouble being seen when a lot of darker ink is being printed. So
+rather than just using the output level of the particular color to
+decide which ink to print, we look at the total density (sum of all
+output levels). If the density's high enough, we prefer to use the
+dark ink. Speckling is less visible when there's a lot of ink, anyway.
+I haven't yet figured out what to do for multiple levels of one color.
+
+ You'll note that I haven't quoted a single source on color or
+printing theory. I simply did all of this empirically.
+
+ There are various other tricks to reduce speckling. One that I've
+seen is to reduce the amount of ink printed in regions where one color
+(particularly cyan, which is perceived as the darkest) is very pale.
+This does reduce speckling all right, but it also results in strange
+tonal curves and weird (to my eye) colors.
+
+ Before any dither routine is used, `init_dither()' must be called.
+This takes three arguments: the input width (number of pixels in the
+input), the output width (number of pixels in the output), and a
+`vars_t' structure containing the parameters for the print job.
+
+ `init_dither()' returns a pointer to an opaque object representing
+the dither. This object is passed as the first argument to all of the
+dither-related routines.
+
+ After a page is fully dithered, `free_dither()' must be called to
+free the dither object and perform any cleanup. In the future, this may
+do more (such as flush output). This arrangement permits using these
+routines with programs that create multiple output pages, such as
+GhostScript.
+
+ The dithering routines themselves have a number of control knobs that
+control internal aspects of the dithering process. These knobs are
+accessible via a number of functions that can be called after
+`init_dither()'.
+
+ * `dither_set_density()' takes a double between 0 and 1 representing
+ the desired ink density for printing solid colors. This is used
+ in a number of places in the dithering routine to make decisions.
+
+ * `dither_set_black_density()' takes a double between 0 and 1
+ representing the desired ink density for printing black ink in
+ color printing. This is used to balance black against color ink.
+ By default, this is equal to the density set by
+ `dither_set_density()'. By setting it higher, more black ink will
+ be printed. For example, if the base density is .4 and the black
+ density is .8, twice as much black ink will be printed as would
+ otherwise be called for.
+
+ This is not used when printing in monochrome. When printing
+ monochrome, the base density (`dither_set_density') should be
+ adjusted appropriately.
+
+ * `dither_set_ink_budget()' takes an unsigned number representing the
+ most ink that may be deposited at a given point. This number is
+ arbitrary; the limit is computed by summing the size of each ink
+ dot, which is supplied as a parameter in `dither_set_X_ranges'.
+ By default, there is no limit.
+
+ * `dither_set_black_lower()' takes a double that should be between 0
+ and 1 that represents the lowest density level at which black ink
+ will start to mix in with colored ink to generate grays. The
+ lower this is, the less density is required to use black ink.
+ Setting this too low will result in speckling from black dots,
+ particularly on 6 and 7 color printers. Setting this too high
+ will make it hard to get satisfactory black or may result in sharp
+ transition between blended colors and black. Default: 0.0468.
+
+ It is important to note that since the density scale is never
+ linear (and since this value is adjusted via other things
+ happening during the dithering process) that this does not mean
+ that 95% gray will use any black ink. At this setting, there will
+ be no black ink used until about 50% gray.
+
+ This only applies to color mode.
+
+ This value should be set lower for printers capable of variable dot
+ size, since more dots can be laid down close to each other.
+
+ * `dither_set_black_upper()' takes a double that should be between 0
+ and 1 that represents the highest density level at which colored
+ inks will be mixed to create gray. Setting this too low will
+ result in speckly dark grays because there is not enough ink to
+ fill all the holes, or sharp transition between blended colors and
+ black if it is too close to the value of dither_set_black_upper().
+ Setting this too high will result in poor black and dark tone
+ quality. Default: 0.5. This results in 10% and darker grays
+ being printed with essentially all black.
+
+ This only applies to color mode.
+
+ * `dither_set_black_levels()' takes three doubles that represent the
+ amount of cyan, magenta, and yellow respectively that are blended
+ to create gray. The defaults are 1.0 for each, which is probably
+ too low for most printers. These values are adjusted to create a
+ good gray balance. Setting these too low will result in pale
+ light and midtone grays, with a sharp transition to darker tones
+ as black mixes in. Setting them too high will result in overly
+ dark grays and use of too much ink, possibly creating
+ bleed-through.
+
+ This only applies to color mode.
+
+ * `dither_set_randomizers()' takes four integer values representing
+ the degree of randomness used for cyan, magenta, yellow, and black.
+ This is used to allow some printing to take place in pale areas.
+ Zero is the most random; greater than 8 or so gives very little
+ randomness at all. Defaults are 0 for cyan, magenta, and yellow,
+ and 4 for black. Setting the value for black too low will result
+ in black speckling in pale areas. Setting values too high will
+ result in pale areas getting no ink at all.
+
+ This currently only applies to single dot size in color and black.
+ It should be extended to operate in variable dot size mode,
+ although actually applying it correctly will be tricky.
+
+ * `dither_set_ink_darkness()' takes three doubles representing the
+ contribution to perceived darkness of cyan, magenta, and yellow.
+ This is used to help decide when to switch between light and dark
+ inks in 6 and 7 color printers (with light cyan, light magenta,
+ and possibly light yellow). Setting these too low will result in
+ too much light ink being laid down, creating flat spots in the
+ darkness curves and bleed-through. Setting them too high will
+ result in dark ink being used in pale areas, creating speckle.
+ The defaults are .4 for cyan, .3 for magenta, and .2 for yellow.
+ Dark cyan will show against yellow much more than dark magenta
+ will show against cyan, since the cyan appears much darker than
+ the yellow.
+
+ * `dither_set_light_inks()' takes three doubles between 0 and 1
+ representing the ratio in darkness between the light and dark
+ versions of the inks. Setting these too low will result in too
+ much dark ink being used in pale areas, creating speckling, while
+ setting them too high will result in very smooth texture but too
+ much use of light ink, resulting in flat spots in the density
+ curves and ink bleed-through. There are no defaults. Any light
+ ink specified as zero indicates that there is no light ink for
+ that color.
+
+ This only applies to 6 and 7 color printers in single dot size
+ color mode, and only to those inks which have light versions
+ (usually cyan and magenta).
+
+ * `dither_set_ink_spread()' takes a small integer representing the
+ amount of ink spread in the dither. Larger numbers mean less
+ spread. Larger values are appropriate for line art and solid
+ tones; they will yield sharper transitions but more dither
+ artifacts. Smaller values are more appropriate for photos. They
+ will reduce resolution and sharpness but reduce dither artifacts
+ up to a point. A value of 16 or higher implies minimum ink spread
+ at any resolution no matter what the overdensity. A value of 14
+ is typical for photos on single dot size, 6 color printers. For 4
+ color printers, subtract 1 (more spread; the dots are farther
+ apart). For variable dot size printers, add 1 (more small dots
+ are printed; less spread is desirable).
+
+ * `dither_set_adaptive_divisor()' takes a float representing the
+ transition point between error diffusion and ordered dither if
+ adaptive dithering is used. The float is a fraction of the
+ printing density. For example, if you wish the transition to be
+ at 1/4 of the maximum density (which works well on simple 4-color
+ printers), you would pass .25 here. With six colors and/or with
+ multiple dot sizes, the values should be set lower.
+
+ * `dither_set_transition()' takes a float representing the exponent
+ of the transition curve between light and dark inks/dot sizes. A
+ value less than 1 (typical when using error diffusion) mixes in
+ less dark ink/small dots at lower ends of the range, to reduce
+ speckling. When using ordered dithering, this must be set to 1.
+
+ * `dither_set_X_ranges_simple' (X=`c', `m', `y', or `k') describes
+ the ink choices available for each color. This is useful in
+ typical cases where a four color printer with variable dot sizes
+ is in use. It is passed an array of doubles between (0, 1]
+ representing the relative darkness of each dot size. The dot
+ sizes are assigned bit patterns (and ink quantities, see
+ `dither_set_ink_budget()' above) from 1 to the number of levels.
+ This also requires a density, which is the desired density for this
+ color. This density need not equal the density specified in
+ `dither_set_density()'. Setting it lower will tend to print more
+ dark ink (because the curves are calculated for this color
+ assuming a lower density than is actually supplied).
+
+ * `dither_set_X_ranges' (X=`c', `m', `y', or `k') describes in a
+ more general way the ink choices available for each color. For
+ each possible ink choice, a bit pattern, dot size, value (i. e.
+ relative darkness), and whether the ink is the dark or light
+ variant ink is specified.
+
+ --Robert Krawitz <<rlk@alum.mit.edu>> May 8, 2000
+
+
+File: gimpprint.info, Node: Weaving, Next: ESC/P2, Prev: Dithering, Up: Appendices
+
+Weaving for inkjet printers
+***************************
+
+by Charles Briscoe-Smith and Robert Krawitz.
+
+* Menu:
+
+* Weaving introduction:: Just what is weaving?
+* Weaving algorithms:: How to weave.
+
diff --git a/doc/gimpprint.info-3 b/doc/gimpprint.info-3
new file mode 100644
index 0000000..ad51a1c
--- /dev/null
+++ b/doc/gimpprint.info-3
@@ -0,0 +1,1007 @@
+This is gimpprint.info, produced by makeinfo version 4.0 from
+gimpprint.texi.
+
+INFO-DIR-SECTION Libraries
+START-INFO-DIR-ENTRY
+* GIMP-Print: (gimpprint). print plugin for the GIMP, and printing library
+END-INFO-DIR-ENTRY
+
+ This file documents the gimpprint library and associated programs
+used for high quality printing.
+
+ Copyright (C) 2001 Michael Sweet (<mike@easysw.com>) and Robert
+Krawitz (<rlk@alum.mit.edu>)
+
+ Permission is granted to make and distribute verbatim copies of this
+manual provided the copyright notice and this permission notice are
+preserved on all copies.
+
+ Permission is granted to copy and distribute modified versions of
+this manual under the conditions for verbatim copying, provided that
+the entire resulting derived work is distributed under the terms of a
+permission notice identical to this one.
+
+ Permission is granted to copy and distribute translations of this
+manual into another language, under the above conditions for modified
+versions, except that this permission notice may be stated in a
+translation approved by the Foundation.
+
+
+File: gimpprint.info, Node: Weaving introduction, Next: Weaving algorithms, Up: Weaving
+
+Introduction
+============
+
+ The Epson Stylus Color/Photo printers don't have memory to print
+using all of the nozzles in the print head. For example, the Stylus
+Photo 700/EX has 32 nozzles. At 720 dpi, with an 8" wide image, a
+single line requires (8 * 720 * 6 / 8) bytes, or 4320 bytes (because the
+Stylus Photo printers have 6 ink colors). To use 32 nozzles per color
+would require 138240 bytes. It's actually worse than that, though,
+because the nozzles are spaced 8 rows apart. Therefore, in order to
+store enough data to permit sending the page as a simple raster, the
+printer would require enough memory to store 256 rows, or 1105920 bytes.
+Considering that the Photo EX can print 11" wide, we're looking at more
+like 1.5 MB. In fact, these printers are capable of 1440 dpi horizontal
+resolution. This would require 3 MB. The printers actually have
+64K-256K.
+
+ With the newer (740/750 and later) printers it's even worse, since
+these printers support multiple dot sizes; of course, the even newer
+2880x720 printers don't help either.
+
+ Older Epson printers had a mode called "MicroWeave" (tm). In this
+mode, the host fed the printer individual rows of dots, and the printer
+bundled them up and sent them to the print head in the correct order to
+achieve high quality. This MicroWeave mode still works in new printers,
+but in some cases the implementation is very minimal: the printer uses
+exactly one nozzle of each color (the first one). This makes printing
+extremely slow (more than 30 minutes for one 8.5x11" page), although the
+quality is extremely high with no visible banding whatsoever. It's not
+good for the print head, though, since no ink is flowing through the
+other nozzles. This leads to drying of ink and possible permanent
+damage to the print head.
+
+ By the way, although the Epson manual says that microweave mode
+should be used at 720 dpi, 360 dpi continues to work in much the same
+way. At 360 dpi, data is fed to the printer one row at a time on all
+Epson printers. The pattern that the printer uses to print is very
+prone to banding. However, 360 dpi is inherently a low quality mode;
+if you're using it, presumably you don't much care about quality. It
+is possible to do microweave at 360 DPI, with significantly improved
+quality.
+
+ Except for the Stylus Pro printers (5000, 5500, 7000, 7500, 9000,
+9500, and when it's released the 10000), which can do microweave at any
+resolution, printers from roughly the Stylus Color 600 and later do not
+have the capability to do MicroWeave correctly in many cases (some
+printers can do MicroWeave correctly at 720 DPI). Instead, the host
+must arrange the output in the order that it will be sent to the print
+head. This is a very complex process; the jets in the print head are
+spaced more than one row (1/720") apart, so we can't simply send
+consecutive rows of dots to the printer. Instead, we have to pass e.
+g. the first, ninth, 17th, 25th... rows in order for them to print in
+the correct position on the paper. This interleaving process is called
+"soft" weaving.
+
+ This decision was probably made to save money on memory in the
+printer. It certainly makes the driver code far more complicated than
+it would be if the printer could arrange the output. Is that a bad
+thing? Usually this takes far less CPU time than the dithering
+process, and it does allow us more control over the printing process,
+e.g. to reduce banding. Conceivably, we could even use this ability to
+map out bad jets.
+
+ Interestingly, apparently the Windows (and presumably Macintosh)
+drivers for most or all Epson printers still list a "microweave" mode.
+Experiments have demonstrated that this does not in fact use the
+"microweave" mode of the printer. Possibly it does nothing, or it uses
+a different weave pattern from what the non-"microweave" mode does.
+This is unnecessarily confusing, at least for people who write drivers
+who try to explain them to people who don't.
+
+ What makes this interesting is that there are many different ways of
+of accomplishing this goal. The naive way would be to divide the image
+up into groups of 256 rows (for a printer with 32 jets and a separation
+of 8 rows), and print all the mod8=0 rows in the first pass, mod8=1
+rows in the second, and so forth. The problem with this approach is
+that the individual ink jets are not perfectly uniform; some emit
+slightly bigger or smaller drops than others. Since each group of 8
+adjacent rows is printed with the same nozzle, that means that there
+will be distinct streaks of lighter and darker bands within the image
+(8 rows is 1/90", which is visible; 1/720" is not). Possibly worse is
+that these patterns will repeat every 256 rows. This creates banding
+patterns that are about 1/3" wide.
+
+ So we have to do something to break up this patterning.
+
+ Epson does not publish the weaving algorithms that they use in their
+bundled drivers. Indeed, their developer web site
+(http://www.ercipd.com/isv/edr_docs.htm) does not even describe how to
+do this weaving at all; it says that the only way to achieve 720 dpi is
+to use MicroWeave. It does note (correctly) that 1440 dpi horizontal
+can only be achieved by the driver (i. e. in software). The manual
+actually makes it fairly clear how to do this (it requires two passes
+with horizontal head movement between passes), and it is presumably
+possible to do this with MicroWeave.
+
+ The information about how to do this is apparently available under
+non-disclosure agreement (NDA). It's actually easy enough to reverse
+engineer what's inside a print file with a simple Perl script, which is
+supplied with the Gimp-Print distribution as tests/parse-escp2. In any
+event, we weren't particularly interested in the weaving patterns Epson
+used. There are many factors that go into choosing a good weaving
+pattern; we're learning them as we go along. Issues such as drying time
+(giving the ink a few seconds more or less to dry can have highly
+visible effects) affect the quality of the output.
+
+ The Uniprint GhostScript driver has been able to do weaving for a
+long time. It uses patterns that must be specified for each choice of
+resolution and printer. We preferred an algorithmic approach that
+computes a weave pattern for any given choice of inputs. This
+obviously requires extensive testing; we developed a test suite
+specifically for this purpose.
+
+
+File: gimpprint.info, Node: Weaving algorithms, Prev: Weaving introduction, Up: Weaving
+
+Weaving algorithms
+==================
+
+ I considered a few algorithms to perform the weave. The first one I
+devised let me use only (jets-distance_between_jets+1) nozzles, or 25.
+This is OK in principle, but it's slower than using all nozzles. By
+playing around with it some more, I came up with an algorithm that lets
+me use all of the nozzles, except near the top and bottom of the page.
+
+ This still produces some banding, though. Even better quality can be
+achieved by using multiple nozzles on the same line. How do we do
+this? In 1440x720 mode, we're printing two output lines at the same
+vertical position. However, if we want four passes, we have to
+effectively print each line twice. Actually doing this would increase
+the density, so what we do is print half the dots on each pass. This
+produces near-perfect output, and it's far faster than using (pseudo)
+"MicroWeave".
+
+ Yet another complication is how to get near the top and bottom of the
+page. This algorithm lets us print to within one head width of the top
+of the page, and a bit more than one head width from the bottom. That
+leaves a lot of blank space. Doing the weave properly outside of this
+region is increasingly difficult as we get closer to the edge of the
+paper; in the interior region, any nozzle can print any line, but near
+the top and bottom edges, only some nozzles can print. We originally
+handled this by using the naive way mentioned above near the borders,
+and switching over to the high quality method in the interior.
+Unfortunately, this meant that the quality is quite visibly degraded
+near the top and bottom of the page. We have since devised better
+algorithms that allow printing to the extreme top and bottom of the
+region that can physically be printed, with only minimal loss of
+quality.
+
+ Epson does not advertise that the printers can print at the very top
+of the page, although in practice most of them can. The quality is
+degraded to some degree, and we have observed that in some cases not
+all of the dots get printed. Epson may have decided that the
+degradation in quality is sufficient that printing in that region
+should not be allowed. That is a valid decision, although we have
+taken another approach.
+
+* Menu:
+
+* Simple weaving algorithms:: Starting to weave.
+* Perfect weaving:: Improving the weave.
+* Weaving collisions:: Bang!
+* What is perfect weaving?:: What makes a ``perfect'' weave?
+* Oversampling:: Increasing resolution, reducing banding
+
+
+File: gimpprint.info, Node: Simple weaving algorithms, Next: Perfect weaving, Prev: Weaving algorithms, Up: Weaving algorithms
+
+Simple weaving algorithms
+-------------------------
+
+ The initial problem is to calculate the starting position of each
+pass; the row number of the printer's top jet when printing that pass.
+Since we assume the paper cannot be reverse-fed, the print head must,
+for each pass, start either further down the page than the previous
+pass or at the same position. Each pass's start point is therefore at
+a non-negative offset from the previous pass's start point.
+
+ Once we have a formula for the starting row of each pass, we then
+turn that "inside out" to get a formula for the pass number containing
+each row.
+
+ First, let's define how our printer works. We measure vertical
+position on the paper in "rows"; the resolution with which the printer
+can position the paper vertically. The print head contains J ink jets,
+which are spaced S rows apart.
+
+ Consider a very simple case: we want to print a page as quickly as
+possible, and we mostly don't care how sparse the printing is, so long
+as it's fairly even.
+
+ It's pretty obvious how to do this. We make one pass with the print
+head, printing J lines of data, each line S rows after the previous
+one. We then advance the paper by S*J rows and print the next row.
+For example, if J=7 and S=4, this method can be illustrated like this:
+
+ pass number
+ | row number------->
+ | | 111111111122222222223333333333444444444455555555556666666666
+ | 0123456789012345678901234567890123456789012345678901234567890123456789
+ 0 *---*---*---*---*---*---*
+ 1 *---*---*---*---*---*---*
+ 2 \-----------------------/ *---*---*---*---*---*-
+ 7 jets \---/
+ 4 rows offset from one jet to the next
+ \---------------------------/
+ 7*4=28 rows offset from one pass to the next
+
+ In these examples, the vertical axis can be thought of as the time
+axis, with the pass number shown at the left margin, while the row
+number runs horizontally. A `*' shows each row printed by a pass, and
+a row of `-' is used to link together the rows printed by one pass of
+the print head. The first pass is numbered `0' and starts at row 0.
+Each subsequent pass p starts at row p*S*J. Each pass prints J lines,
+each line being S rows after the previous one. (For ease of viewing
+this file on a standard terminal, I'm clipping the examples at column
+80.)
+
+ This method covers the whole page with lines printed evenly S rows
+apart. However, we want to fill in all the other rows with printing to
+get a full-density page (we're ignoring oversampling at this stage).
+Where we have previously printed a single pass, we'll now print a "pass
+block": we print extra passes to fill in the empty rows. A naive
+implementation might look like this:
+
+ 0 *---*---*---*---*---*---*
+ 1 *---*---*---*---*---*---*
+ 2 *---*---*---*---*---*---*
+ 3 *---*---*---*---*---*---*
+ 4 *---*---*---*---*---*---*
+ 5 *---*---*---*---*---*---*
+ 6 *---*---*---*---*---*---*
+ 7 *---*---*---*---*---*---*
+ 8 *---*---*---*---*---*-
+ 9 *---*---*---*---*---*
+ 10 *---*---*---*---*---
+ 11 *---*---*---*---*--
+
+(Now you can see why this process is called "weaving"!)
+
+
+File: gimpprint.info, Node: Perfect weaving, Next: Weaving collisions, Prev: Simple weaving algorithms, Up: Weaving algorithms
+
+Perfect weaving
+---------------
+
+ This simple weave pattern prints every row, but will give conspicuous
+banding patterns for the reasons discussed above.
+
+ Let's start improving this for our simple case. We can reduce
+banding by making sure that any given jet never prints a row too close
+to another row printed by the same jet. This means we want to space the
+rows printed by a given jet evenly down the page. In turn, this
+implies we want to advance the paper by as nearly an equal amount after
+each pass as possible.
+
+ Each pass block prints S*J lines in S passes. The first line
+printed in each pass block is S*J rows lower on the page than the first
+line printed in the previous pass block. Therefore, if we advance the
+paper by J rows between each pass, we can print the right number of
+passes in each block and advance the paper perfectly evenly.
+
+ Here's what this "perfect" weave looks like:
+
+ start of full weave
+ |
+ 0 *---*---*---*---*---*---*
+ 1 *---*---*---*---*---*---*
+ 2 *---*---*---*---*---*---*
+ 3 *---*---*---*---*---*---*
+ 4 *---*---*---*---*---*---*
+ 5 *---*---*---*---*---*---*
+ 6 *---*---*---*---*---*---*
+ 7 *---*---*---*---*---*---*
+ 8 *---*---*---*---*---*-
+ 9 *---*---*---*--
+ 10 *---*---
+ 11 *
+
+ You'll notice that, for the first few rows, this weave is too sparse.
+It is not until the row marked "start of full weave" that every
+subsequent row is printed. We can calculate this start position as
+follows:
+
+ start = (S-1) * (J-1)
+
+ For the moment, we will ignore this problem with the weave. We'll
+consider later how to fill in the missing rows.
+
+ Let's look at a few more examples of perfect weaves:
+
+S=2, J=7, start=(2-1)*(7-1)=6:
+
+ starting row of full weave
+ |
+ 0 *-*-*-*-*-*-*
+ 1 *-*-*-*-*-*-*
+ 2 *-*-*-*-*-*-*
+ 3 *-*-*-*-*-*-*
+ 4 *-*-*-*-*-*-*
+ 5 *-*-*-*-*-*-*
+ 6 *-*-*-*-*-*-*
+ 7 *-*-*-*-*-*-*
+
+S=7, J=2, start=6:
+
+ start
+ |
+ 0 *------*
+ 1 *------*
+ 2 *------*
+ 3 *------*
+ 4 *------*
+ 5 *------*
+ 6 *------*
+ 7 *------*
+ 8 *------*
+ 9 *------*
+
+S=4, J=13, start=36:
+
+ start
+ |
+ 0 *---*---*---*---*---*---*---*---*---*---*---*---*
+ 1 *---*---*---*---*---*---*---*---*---*---*---*---*
+ 2 *---*---*---*---*---*---*---*---*---*---*---*---*
+ 3 *---*---*---*---*---*---*---*---*---*--
+ 4 *---*---*---*---*---*---*-
+ 5 *---*---*---*
+
+S=13, J=4, start=36:
+
+ start
+ |
+ 0 *------------*------------*------------*
+ 1 *------------*------------*------------*
+ 2 *------------*------------*------------*
+ 3 *------------*------------*------------*
+ 4 *------------*------------*------------*
+ 5 *------------*------------*------------*
+ 6 *------------*------------*------------*
+ 7 *------------*------------*------------*
+ 8 *------------*------------*------------*
+ 9 *------------*------------*------------*
+ 10 *------------*------------*-----------
+ 11 *------------*------------*-------
+ 12 *------------*------------*---
+ 13 *------------*------------
+ 14 *------------*--------
+ 15 *------------*----
+ 16 *------------*
+ 17 *---------
+ 18 *-----
+ 19 *-
+
+S=8, J=5, start=28:
+
+ start
+ |
+ 0 *-------*-------*-------*-------*
+ 1 *-------*-------*-------*-------*
+ 2 *-------*-------*-------*-------*
+ 3 *-------*-------*-------*-------*
+ 4 *-------*-------*-------*-------*
+ 5 *-------*-------*-------*-------*
+ 6 *-------*-------*-------*-------*
+ 7 *-------*-------*-------*-------*
+ 8 *-------*-------*-------*-------*
+ 9 *-------*-------*-------*-------*
+ 10 *-------*-------*-------*---
+ 11 *-------*-------*------
+ 12 *-------*-------*-
+ 13 *-------*----
+ 14 *-------
+ 15 *--
+
+S=9, J=5, start=32:
+
+ start
+ |
+ 0 *--------*--------*--------*--------*
+ 1 *--------*--------*--------*--------*
+ 2 *--------*--------*--------*--------*
+ 3 *--------*--------*--------*--------*
+ 4 *--------*--------*--------*--------*
+ 5 *--------*--------*--------*--------*
+ 6 *--------*--------*--------*--------*
+ 7 *--------*--------*--------*--------*
+ 8 *--------*--------*--------*--------*
+ 9 *--------*--------*--------*-----
+ 10 *--------*--------*--------*
+ 11 *--------*--------*----
+ 12 *--------*--------
+ 13 *--------*---
+ 14 *-------
+ 15 *--
+
+S=6, J=7, start=30:
+
+ start
+ |
+ 0 *-----*-----*-----*-----*-----*-----*
+ 1 *-----*-----*-----*-----*-----*-----*
+ 2 *-----*-----*-----*-----*-----*-----*
+ 3 *-----*-----*-----*-----*-----*-----*
+ 4 *-----*-----*-----*-----*-----*-----*
+ 5 *-----*-----*-----*-----*-----*-----*
+ 6 *-----*-----*-----*-----*-----*-----
+ 7 *-----*-----*-----*-----*----
+ 8 *-----*-----*-----*---
+ 9 *-----*-----*--
+ 10 *-----*-
+ 11 *
+
+
+File: gimpprint.info, Node: Weaving collisions, Next: What is perfect weaving?, Prev: Perfect weaving, Up: Weaving algorithms
+
+Weaving collisions
+------------------
+
+ This perfect weave is not possible in all cases. Let's look at
+another example:
+
+S=6, J=4:
+
+ 0 *-----*-----*-----*
+ 1 *-----*-----*-----*
+ 2 *-----*-----*-----*
+ 3 *-----*-----*-----*
+ 4 ^ *-^---*-----*-----*
+ 5 | ^ | *-^---*-----*-----*
+ OUCH! ^ | ^
+ | |
+
+Here we have a collision. Some lines printed in later passes overprint
+lines printed by earlier passes. We can see why by considering which
+row number is printed by a given jet number j (numbered from 0) of a
+given pass, p:
+
+ row(p, j) = p*J + j*S
+
+ Because J=4 and S=6 have a common factor of 2, jet 2 of pass 0
+prints the same row as jet 0 of pass 3:
+
+ row(0, 2) = 0*4 + 2*6 = 12
+ row(3, 0) = 3*4 + 0*6 = 12
+
+ In fact, with this particular weave pattern, jets 0 and 1 of pass
+p+3 always overprint jets 2 and 3 of pass p. We'll represent
+overprinting rows by a `^' in our diagrams, and correct rows by `*':
+
+S=6 J=4:
+
+ 0 *-----*-----*-----*
+ 1 *-----*-----*-----*
+ 2 *-----*-----*-----*
+ 3 ^-----^-----*-----*
+ 4 ^-----^-----*-----*
+ 5 ^-----^-----*-----*
+
+
+File: gimpprint.info, Node: What is perfect weaving?, Next: Oversampling, Prev: Weaving collisions, Up: Weaving algorithms
+
+What makes a "perfect" weave?
+-----------------------------
+
+ So what causes the perfect weave cases to be perfect, and the other
+cases not to be? In all the perfect cases above, S and J are
+relatively prime (i.e. their greatest common divisor (GCD) is 1). As
+we mentioned above, S=6 and J=4 have a common factor, which causes the
+overprinting. Where S and J have a GCD of 1, they have no common
+factor other than 1 and, as a result, no overprinting occurs. If S and
+J are not relatively prime, their common factor will cause overprinting.
+
+ We can work out the greatest common divisor of a pair of natural
+numbers using Euler's algorithm:
+
+ * Start with the two numbers: (e.g.) 9, 24
+
+ * Swap them if necessary so that the larger one comes first: 24, 9
+
+ * Subtract the second number from the first: 15, 9
+
+ * Repeat until the first number becomes smaller: 6, 9
+
+ * Swap the numbers again, so the larger one comes first: 9, 6
+
+ * Subtract again: 3, 6
+
+ * Swap: 6, 3
+
+ * Subtract: 3, 3
+
+ * And again: 0, 3
+
+ * When one of the numbers becomes 0, the other number is the GCD of
+ the two numbers you started with.
+
+ These repeated subtractions can be done with C's `%' operator, so we
+can write this in C as follows:
+
+ unsigned int
+ gcd(unsigned int x, unsigned int y)
+ {
+ if (y == 0)
+ return x;
+ while (x != 0) {
+ if (y > x)
+ swap (&x, &y);
+ x %= y;
+ }
+ return y;
+ }
+
+ `gcd(S,J)' will feature quite prominently in our weaving algorithm.
+
+ If 0 <= j < J, there should only be a single pair (p, j) for any
+given row number. If S and J are not relatively prime, this assumption
+breaks down. (For conciseness, let G=GCD(S,J).)
+
+S=8, J=6, G=2:
+
+ 0 *-------*-------*-------*-------*-------*
+ 1 *-------*-------*-------*-------*-------*
+ 2 *-------*-------*-------*-------*-------*
+ 3 *-------*-------*-------*-------*-------*
+ 4 ^-------^-------^-------*-------*-------*
+ 5 ^-------^-------^-------*-------*-------*
+
+ In this case, jets 0, 1 and 2 of pass p+4 collide with jets 3, 4 and
+5 of pass p.
+
+ How can we calculate these numbers? Suppose we were to print using
+fewer jets, say J/G jets. The greatest common divisor of J/G and S is
+1, enabling a perfect weave. But to get a perfect weave, we also have
+to advance the paper by a factor of G less:
+
+ 0 *-------*-------* - - -
+ 1 *-------*-------* - - -
+ 2 *-------*-------* - - -
+ 3 *-------*-------* - - -
+ 4 *-------*-------* - - -
+ 5 *-------*-------* - - -
+
+ If we left the paper advance alone, we'd get a sparse weave; only one
+row can be printed every G rows:
+
+ 0 *-------*-------* - - -
+ 1 *-------*-------* - - -
+ 2 *-------*-------* - - -
+ 3 *-------*-------* - - -
+ 4 *-------*-------* - - -
+ 5 *-------*-------* - - -
+ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
+ These rows need filling in.
+
+ The rows that would have been printed by the jets we've now omitted
+(shown as `-') are printed by other jets on later passes.
+
+ Let's analyse this. Consider how a pass p could collide with pass
+0. Pass p starts at offset p*J. Pass 0 prints at rows which are
+multiples of S. If p*J is exactly divisible by S, a collision has
+occurred, unless p*J >= J*S (which will happen when we finish a pass
+block).
+
+ So, we want to find p and q such that p*J=q*S and p is minimised.
+Then p is the number of rows before a collision, and q is the number of
+jets in pass 0 which are not involved in the collision. To do this, we
+find the lowest common multiple of J and S, which is L=J*S/G. L/J is
+the number of rows before a collision, and L/S is the number of jets in
+the first pass not involved in the collision.
+
+ Thus, we see that the first J/G rows printed by a given pass are not
+overprinted by any later pass. However, the rest of the rows printed
+by pass p are overprinted by the first J-(J/G) jets of pass p+(S/G).
+We will use C to refer to S/G, the number of rows after which a
+collision occurs.
+
+ Another example:
+
+S=6, J=9, G=3, C=S/G=2:
+
+ 0 *-----*-----*-----*-----*-----*-----*-----*-----*
+ 1 *-----*-----*-----*-----*-----*-----*-----*-----*
+ 2 ^-----^-----^-----^-----^-----^-----*-----*-----*
+ 3 ^-----^-----^-----^-----^-----^-----*-----*-----*
+ 4 ^-----^-----^-----^-----^-----^-----*-----
+ 5 ^-----^-----^-----^-----^-----^--
+ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^
+ These rows need filling in.
+
+In this case, the first J-(J/G) = 9-9/3 = 6 jets of pass p+(6/3)=p+2
+collide with the last 6 jets of pass p. Only one row in every G=2 rows
+is printed by this weave.
+
+S=9, J=6, G=3, C=3:
+
+ 0 *--------*--------*--------*--------*--------*
+ 1 *--------*--------*--------*--------*--------*
+ 2 *--------*--------*--------*--------*--------*
+ 3 ^--------^--------^--------^--------*--------*
+ 4 ^--------^--------^--------^--------*--------*
+ 5 ^--------^--------^--------^--------*--------*
+
+Here, the first J-(J/G) = 6-6/3 = 4 jets of pass p+(9/3)=p+3 collide
+with the last 4 jets of pass p.
+
+ Note that, in these overprinting cases, only rows divisible by G are
+ever printed. The other rows, those not divisible by G, are not
+touched by this weave.
+
+ We can modify our weave pattern to avoid overprinting any rows and
+simultaneously fill in the missing rows. Instead of using J alone to
+determine the start of each pass from the previous pass, we adjust the
+starting position of some passes. As mentioned before, we will divide
+the page into pass blocks, with S passes in each block. This ensures
+that the first jet of the first pass in a block prints the row which
+the Jth jet of the first pass of the previous block would have printed,
+if the print head had one extra jet.
+
+ Looking back at an example of a perfect weave, we can divide it into
+pass blocks:
+
+S=7, J=2, G=1:
+
+ imaginary extra jet
+ |
+ 0 *------* * <--start of pass block 0
+ 1 *------* |
+ 2 *------* |
+ 3 *------*|
+ 4 *-----|*
+ 5 *---|--*
+ 6 *-|----*
+ |
+ 7 *------* <--start of pass block 1
+ 8 *------*
+ 9 *------*
+
+ We can now calculate the start of a given pass by reference to its
+pass block. The first pass of pass block b always starts at row
+(b*S*J). The start row of each of the other passes in the block are
+calculated using offsets from this row.
+
+ For the example above, there are 7 passes in each pass block, and
+their offsets are 0, 2, 4, 6, 8, 10 and 12. The next pass block is
+offset S*J=14 rows from the start of the current pass block.
+
+ The simplest way to modify the "perfect" weave pattern to give a
+correct weave in cases where G!=1 is to simply change any offsets which
+would result in a collision, until the collision disappears. Every
+printed row in the weave, as we have shown it up to now, is separated
+from each of its neighbouring printed rows by G blank rows. We will
+add an extra offset to each colliding pass in such a way that we push
+the pass onto these otherwise blank rows.
+
+ We have seen that, unless G=1, the plain weave pattern results in
+each pass colliding with the pass S/G passes before. We will now
+subdivide our pass block into subblocks, each consisting of B=S/G
+passes. There are therefore G subblocks in a pass block.
+
+ For each subblock, the passes in that subblock have a constant offset
+added to them. The offset is different for each subblock in a block.
+There are many ways we can choose the offsets, but the simplest is to
+make the offset equal to the subblock number (starting from 0).
+
+ Thus, the passes in the first subblock in each pass block remain at
+the offsets we've already calculated from J. The passes in the second
+subblock each have 1 added to their offset, the passes in the third
+subblock have 2 added, and so on. Thus, the offset of pass p (numbered
+relative to the start of its pass block) is p*J + floor(p/B).
+
+ This gives us a weave pattern looking like this:
+
+S=6, J=9, G=3, B=2:
+
+ 0 *-----*-----*-----*-----*-----*-----*-----*-----*
+ 1 ^ *-----*-----*-----*-----*-----*-----*-----*-----*
+ 2 | +-> *-----*-----*-----*-----*-----*-----*-----*-----*
+ 3 | | *-----*-----*-----*-----*-----*-----*-----*-----*
+ 4 | | +-> *-----*-----*-----*-----*-----*-----*---
+ 5 | | | *-----*-----*-----*-----*-----*
+ 6 | | | +-> *-----*-----*-----*-----
+ 7 | | | | *-----*-----*--
+ | | | start of pass block 1
+ | | | (offset returns to 0)
+ | | start of subblock 2 (offset 2 rows)
+ | start of subblock 1 (following passes offset by 1 row)
+ start of passblock 0, subblock 0 (pass start calculated as p*J)
+
+S=9, J=6, G=3, B=3:
+
+ 0 *--------*--------*--------*--------*--------*
+ 1 *--------*--------*--------*--------*--------*
+ 2 *--------*--------*--------*--------*--------*
+ 3 *--------*--------*--------*--------*--------*
+ 4 *--------*--------*--------*--------*--------*
+ 5 *--------*--------*--------*--------*--------*
+ 6 *--------*--------*--------*--------*---
+ 7 *--------*--------*--------*------
+ 8 *--------*--------*--------*
+ 9 *--------*--------*-----
+ 10 \---/ *--------*--------
+ 11 small offset *--------*--
+ 12 *----
+
+ This method of choosing offsets for subblocks can result in an
+occasional small offset (as shown above) between one pass and the next,
+particularly when G is large compared to J. For example:
+
+S=8, J=4, G=4, B=2:
+
+ 0 *-------*-------*-------*
+ 1 *-------*-------*-------*
+ 2 *-------*-------*-------*
+ 3 *-------*-------*-------*
+ 4 *-------*-------*-------*
+ 5 *-------*-------*-------*
+ 6 *-------*-------*-------*
+ 7 *-------*-------*-------*
+ 8 *-------*-------*-------*
+ 9 \/ *-------*-------*-------*
+ very small offset!
+
+ We can plot the offset against the subblock number as follows:
+
+ subblock number
+ | offset
+ | |
+ | 0123
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+
+The discontinuity in this plot results in the small offset between
+passes.
+
+ As we said at the beginning, we want the offsets from each pass to
+the next to be as similar as possible. We can fix this by calculating
+the offset for a given subblock b as follows:
+
+ offset(b) = 2*b , if b < ceiling(G/2)
+ = 2*(G-b)-1 , otherwise
+
+ We can visualise this as follows, for G=10:
+
+ 0123456789
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+ 4 *
+ 5 *
+ 6 *
+ 7 *
+ 8 *
+ 9 *
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+ 4 *
+ 5 *
+ 6 *
+ 7 *
+ 8 *
+ 9 *
+
+and for G=11:
+
+ 1
+ 01234567890
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+ 4 *
+ 5 *
+ 6 *
+ 7 *
+ 8 *
+ 9 *
+ 10 *
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+ 4 *
+ 5 *
+ 6 *
+ 7 *
+ 8 *
+ 9 *
+ 10 *
+
+This gives a weave looking like this:
+
+S=12, J=6, G=6, B=2:
+
+ 0 *-----------*-----------*-----------*-----------*-----------*
+ 1 *-----------*-----------*-----------*-----------*-----------*
+ 2 *-----------*-----------*-----------*-----------*-----------*
+ 3 *-----------*-----------*-----------*-----------*---------
+ 4 *-----------*-----------*-----------*-----------*-
+ 5 *-----------*-----------*-----------*-------
+ 6 *-----------*-----------*-----------*
+ 7 *-----------*-----------*------
+ 8 *-----------*-----------*--
+ 9 *-----------*--------
+ 10 *-----------*----
+ 11 *----------
+ 12 *-----
+
+ This method ensures that the offset between passes is always in the
+range [J-2,J+2].
+
+ (This might seem odd, but it occurs to me that a good weave pattern
+might also make a good score for bell ringers. When church bells are
+rung, a list of "changes" are used. For example, if 8 bells are being
+used, they will, at first, be rung in order: 12345678. If the first
+change is for bells 5 and 6, the bells will then be rung in the order
+12346578. If the second change is 1 and 2, the next notes are 21346578.
+After a long list of changes, the order the bells are rung in can become
+quite complex.
+
+ For a group of bell-ringers to change the order of the notes, they
+must each either delay their bell's next ring, hasten it, or keep it
+the same as the time it takes to ring all the bells once. The length
+of time between each ring of a given bell can only be changed a little
+each time, though; with an ink-jet weave pattern, we want the same to
+apply to the distance between passes.)
+
+ Finally, knowing the number of jets J and their separation S, we can
+calculate the starting row of any given pass p as follows:
+
+ passesperblock = S
+ passblock = floor(p / passesperblock)
+ offsetinpassblock = p - passblock * passesperblock
+ subblocksperblock = gcd(S, J)
+ passespersubblock = S / subblocksperblock
+ subpassblock = floor(offsetinpassblock / passespersubblock)
+ if subpassblock < ceiling(subblocksperblock/2)
+ subblockoffset = 2*subpassblock
+ else
+ subblockoffset = 2*(subblocksperblock-subpassblock)-1
+ startingrow = passblock * S * J + offsetinpassblock * J + subblockoffset
+
+ We can simplify this down to the following:
+
+ subblocksperblock = gcd(S, J)
+ subpassblock = floor((p % S) * subblocksperblock / S)
+ if subpassblock * 2 < subblocksperblock
+ subblockoffset = 2*subpassblock
+ else
+ subblockoffset = 2*(subblocksperblock-subpassblock)-1
+ startingrow = p * J + subblockoffset
+
+ So the row number of jet j of pass p is
+
+ subblocksperblock = gcd(S, J)
+
+ subblockoffset(p)
+ = 2*subpassblock , if subpassblock * 2 < subblocksperblock
+ = 2*(subblocksperblock-subpassblock)-1 , otherwise
+ where
+ subpassblock = floor((p % S) * subblocksperblock / S)
+
+ row(j, p) = p * J + subblockoffset(p) + j * S
+
+ Together with the inequality 0 <= j < J, we can use this definition
+in reverse to calculate the pass number containing a given row, r.
+Working out the inverse definition involves a little guesswork, but one
+possible result is as follows. Given a row, r, which is known to be
+the first row of a pass, we can calculate the pass number as follows:
+
+ subblocksperblock = gcd(S, J)
+ subblockoffset = r % subblocksperblock
+ pass = (r - subblockoffset) / J
+
+ If G==1, we can determine the pass number with this algorithm:
+
+ offset = r % J
+ pass = (r - offset) / J
+ while (offset % S != 0)
+ {
+ pass--
+ offset += J
+ }
+ jet = offset / S
+
+ Generalising, we come up with this algorithm. Given r, S and J:
+
+ G = gcd(S, J)
+ passespersubblock = S/G
+ subblockoffset = r % G
+ subpassblock = subblockoffset / 2 , if subblockoffset % 2 == 0
+ = G - (subblockoffset+1)/2 , otherwise
+ baserow = r - subblockoffset - (subpassblock * passespersubblock * J)
+ offset = baserow % J
+ pass = (baserow - offset) / J
+ while (offset % S != 0)
+ {
+ offset += J
+ pass -= 1
+ }
+ subblockretreat = floor(pass / passespersubblock) % G
+ pass -= subblockretreat * passespersubblock
+ pass += subpassblock * passespersubblock
+ jet = (r - subblockoffset - pass * J) / S
+
+ Let's look at some examples of imperfect but correct weave patterns:
+
+S=6, J=4, GCD=2,
+passesperblock=S=6,
+passespersubblock=S/G=6/2=3:
+
+ 0 *-----*-----*-----*
+ 1 *-----*-----*-----*
+ 2 *-----*-----*-----*
+ 3 *-----*-----*-----*
+ 4 *-----*-----*-----*
+ 5 *-----*-----*-----*
+ 6 *-----*-----*-----*
+ 7 *-----*-----*-----*
+ 8 *-----*-----*-----*
+ 9 *-----*-----*-----*
+ 10 *-----*-----*-----*
+ 11 *-----*-----*-----*
+ 12 *-----*-----*-----*
+ 13 *-----*-----*-----*
+ 14 *-----*-----*-----*
+ 15 *-----*-----*----
+ 16 *-----*-----*
+ 17 *-----*--
+ 18 *-----
+ 19 *-
+
+S=8, J=6, G=2,
+passesperblock=S=8,
+passespersubblock=S/G=8/2=4:
+
+ 0 *-------*-------*-------*-------*-------*
+ 1 *-------*-------*-------*-------*-------*
+ 2 *-------*-------*-------*-------*-------*
+ 3 *-------*-------*-------*-------*-------*
+ 4 *-------*-------*-------*-------*-------*
+ 5 *-------*-------*-------*-------*-------*
+ 6 *-------*-------*-------*-------*-------*
+ 7 *-------*-------*-------*-------*--
+ 8 *-------*-------*-------*-----
+ 9 *-------*-------*-------
+ 10 *-------*-------*-
+ 11 *-------*---
+ 12 *----
+
+S=6, J=12, G=6,
+passesperblock=S=6,
+passespersubblock=S/G=6/6=1:
+
+ 0 *-----*-----*-----*-----*-----*-----*-----*-----*-----*-----*-----*
+ 1 *-----*-----*-----*-----*-----*-----*-----*-----*-----*-----*---
+ 2 *-----*-----*-----*-----*-----*-----*-----*-----*-
+ 3 *-----*-----*-----*-----*-----*-----*
+ 4 *-----*-----*-----*-----*--
+ 5 *-----*-----*----
+ 6 *-----
+
+ We have now solved the basic weaving problem. There are two further
+refinements we need to consider: oversampling, and filling in the
+missing rows at the start of the weave.
+
diff --git a/doc/gimpprint.info-4 b/doc/gimpprint.info-4
new file mode 100644
index 0000000..a42b029
--- /dev/null
+++ b/doc/gimpprint.info-4
@@ -0,0 +1,1151 @@
+This is gimpprint.info, produced by makeinfo version 4.0 from
+gimpprint.texi.
+
+INFO-DIR-SECTION Libraries
+START-INFO-DIR-ENTRY
+* GIMP-Print: (gimpprint). print plugin for the GIMP, and printing library
+END-INFO-DIR-ENTRY
+
+ This file documents the gimpprint library and associated programs
+used for high quality printing.
+
+ Copyright (C) 2001 Michael Sweet (<mike@easysw.com>) and Robert
+Krawitz (<rlk@alum.mit.edu>)
+
+ Permission is granted to make and distribute verbatim copies of this
+manual provided the copyright notice and this permission notice are
+preserved on all copies.
+
+ Permission is granted to copy and distribute modified versions of
+this manual under the conditions for verbatim copying, provided that
+the entire resulting derived work is distributed under the terms of a
+permission notice identical to this one.
+
+ Permission is granted to copy and distribute translations of this
+manual into another language, under the above conditions for modified
+versions, except that this permission notice may be stated in a
+translation approved by the Foundation.
+
+
+File: gimpprint.info, Node: Oversampling, Prev: What is perfect weaving?, Up: Weaving algorithms
+
+Oversampling
+------------
+
+ By oversampling, we mean printing on the same row more than once.
+There are two reasons for oversampling: to increase the horizontal
+resolution of the printout and to reduce banding.
+
+ Oversampling to increase horizontal resolution is necessary because,
+although the printer might be able to position an ink drop to, for
+example, 1/1440" horizontally, it may not be able to lay down two such
+drops 1/1440" apart. If it can print two drops 1/720" apart, 2x
+oversampling will be necessary to get a 1/1440" horizontal resolution.
+If it can only print two drops 1/360" apart, 4x oversampling will be
+necessary for a 1/1440" horizontal resolution. The printer enforces
+this "drop spacing" by only accepting raster passes with a horizontal
+resolution matching the spacing with which it can print dots, so we
+must print passes at different horizontal positions if we are to obtain
+a higher horizontal resolution. (Another reason it does this may be to
+reduce the amount of memory needed in the printer.)
+
+ Oversampling can also be done to decrease the banding apparent in an
+image. By splitting a row into two or more sets of dots ("lines") and
+printing each line on the same row, but with a different nozzle for
+each line, we can get a smoother print.
+
+ To quantify these two kinds of oversampling, we'll introduce two new
+constants: H shows how many different horizontal offsets we want to
+print at (the "horizontal oversampling") while O shows how many times
+we want to print each row, over and above the number of times necessary
+for horizontal oversampling (the "extra oversampling").
+
+ It is necessary for all the lines printed by a given pass to have the
+same horizontal offset, but there need not be any relation between them
+in terms of extra oversampling. For the moment, however, we will treat
+all oversampling as potentially requiring this alignment; all lines in
+one pass must be derived from the original row data in the same way.
+Thus, we'll assume O=1 for now.
+
+ So, how do we do this oversampling? In fact, it can be done easily:
+advance the paper by a factor of H less between each pass. We'll
+define a new variable, A, to show how much we advance the paper between
+passes. Previously, we'd have defined A=J; we now let A=J/H. This
+also affects our pass blocks. Printing one pass block used to involve
+advancing the paper S*J rows; it now advances the paper S*J/H rows. We
+therefore name a group of H pass blocks a "band". Printing one band
+involves advancing the paper S*J rows, as a pass block did before.
+
+ To keep our weave pattern working correctly, so that overprinting
+does not occur within a pass block, we also have to redefine G as
+GCD(S,A). Here's an example of an oversampled weave pattern:
+
+S=4, J=10, H=2, A=J/H=10/2=5, G=GCD(4,5)=1,
+passesperblock=S=4,
+passespersubblock=S/G=4/1=4:
+
+ 0 *---*---*---*---*---*---*---*---*---*
+ 1 *---*---*---*---*---*---*---*---*---*
+ 2 *---*---*---*---*---*---*---*---*---*
+ 3 *---*---*---*---*---*---*---*---*---*
+ 4 *---*---*---*---*---*---*---*---*---*
+ 5 *---*---*---*---*---*---*---*---*---*
+ 6 *---*---*---*---*---*---*---*---*---*
+ 7 *---*---*---*---*---*---*---*---*---*
+ 8 *---*---*---*---*---*---*---*---*---*
+ 9 *---*---*---*---*---*---*---*---*
+ 10 *---*---*---*---*---*---*---
+ 11 *---*---*---*---*---*--
+ 12 *---*---*---*---*-
+ 13 *---*---*---*
+ 14 *---*---
+ 15 *--
+
+ Now we have to determine which line is printed by each jet on each
+pass. If we number each line generated as we split up a row, we can
+use these numbers. We'll number the lines in our diagram by replacing
+the `*'s with integers in the range [0...H-1].
+
+ Overprinting occurs once per pass block, so we can simply print pass
+block 0 with line 0, pass block 1 with line 1, pass block 2 with line
+2, etc, wrapping to 0 when we've run out of lines:
+
+ 0 0---0---0---0---0---0---0---0---0---0
+ 1 0---0---0---0---0---0---0---0---0---0
+ 2 0---0---0---0---0---0---0---0---0---0
+ 3 0---0---0---0---0---0---0---0---0---0
+ 4 1---1---1---1---1---1---1---1---1---1
+ 5 1---1---1---1---1---1---1---1---1---1
+ 6 1---1---1---1---1---1---1---1---1---1
+ 7 1---1---1---1---1---1---1---1---1---1
+ 8 0---0---0---0---0---0---0---0---0---0
+ 9 0---0---0---0---0---0---0---0---0
+ 10 0---0---0---0---0---0---0---
+ 11 0---0---0---0---0---0--
+ 12 1---1---1---1---1-
+ 13 1---1---1---1
+ 14 1---1---
+ 15 1--
+
+S=4, J=12, H=2, A=J/H=12/2=6, G=GCD(4,6)=2,
+passesperblock=S=4,
+passespersubblock=S/G=4/2=2:
+
+ 0 0---0---0---0---0---0---0---0---0---0---0---0
+ 1 0---0---0---0---0---0---0---0---0---0---0---0
+ 2 0---0---0---0---0---0---0---0---0---0---0---0
+ 3 0---0---0---0---0---0---0---0---0---0---0---0
+ 4 1---1---1---1---1---1---1---1---1---1---1---1
+ 5 1---1---1---1---1---1---1---1---1---1---1---1
+ 6 1---1---1---1---1---1---1---1---1---1---1
+ 7 1---1---1---1---1---1---1---1---1--
+ 8 0---0---0---0---0---0---0---0-
+ 9 0---0---0---0---0---0---
+ 10 0---0---0---0---0
+ 11 0---0---0--
+ 12 1---1-
+
+ But what do we do if J is not an exact multiple of H? This is a
+difficult problem, which I struggled with for quite a few days before
+giving in and taking the easy (but less elegant) way out. The easy
+solution is to round J/H down, then add on the accumulated error at the
+end of each band.
+
+S=4, J=11, H=2 A=floor(J/H)=floor(11/2)=5, G=GCD(4,5),
+passesperblock=S=4,
+passespersubblock=S/G=4/1=4
+
+ Band 0:
+ 0 0---0---0---0---0---0---0---0---0---0---0
+ 1 0---0---0---0---0---0---0---0---0---0---0
+ 2 0---0---0---0---0---0---0---0---0---0---0
+ 3 0---0---0---0---0---0---0---0---0---0---0
+ 4 1---1---1---1---1---1---1---1---1---1---1
+ 5 1---1---1---1---1---1---1---1---1---1---1
+ 6 1---1---1---1---1---1---1---1---1---1---1
+ 7 1---1---1---1---1---1---1---1---1---1---
+
+ Band 1:
+ 8 | 0---0---0---0---0---0---0---0---0-
+ 9 \-----------------------------------------/ 0---0---0---0---0---0---0---0
+ 10 S*J rows 0---0---0---0---0---0---
+ 11 0---0---0---0---0--
+ 12 1---1---1---1-
+ 13 1---1---1
+ 14 1---
+
+ We can calculate the starting row and subpass number of a given pass
+in this scheme as follows:
+
+ A = floor(J / H)
+ subblocksperblock = gcd(S, A)
+ subpassblock = floor((p % S) * subblocksperblock / S)
+ if subpassblock * 2 < subblocksperblock
+ subblockoffset = 2*subpassblock
+ else
+ subblockoffset = 2*(subblocksperblock-subpassblock)-1
+ band = floor(P / (S * H))
+ passinband = P % (S * H)
+ startingrow = band * S * J + passinband * A + subblockoffset
+ subpass = passinband / S
+
+ So the row number of jet j of pass p is
+
+ A = floor(J / H)
+ subblocksperblock = gcd(S, A)
+
+ subblockoffset(p)
+ = 2*subpassblock , if subpassblock * 2 < subblocksperblock
+ = 2*(subblocksperblock-subpassblock)-1 , otherwise
+ where
+ subpassblock = floor((p % S) * subblocksperblock / S)
+
+ band(p) = floor(p / (S * H))
+ passinband(p) = p % (S * H)
+
+ row(j, p) = band(p) * S * J + passinband(p) * A + subblockoffset(p) + j * S
+ row(j, p) = p * J + subblockoffset(p) + j * S
+
+ To be continued....
+
+
+File: gimpprint.info, Node: ESC/P2, Next: New Printer, Prev: Weaving, Up: Appendices
+
+ESC/P2
+******
+
+* Menu:
+
+* ESC/P2 Introduction:: What is ESC/P2
+* ESC/P2 Standard Commands:: Normal ESC/P2 commands
+* ESC/P2 Remote Mode Commands:: Exotic ESC/P2 commands
+* ESC/P2 Appropriate Remote Commands:: Useful remote command sequences
+
+
+File: gimpprint.info, Node: ESC/P2 Introduction, Next: ESC/P2 Standard Commands, Up: ESC/P2
+
+Introduction to ESC/P2
+======================
+
+ This is a description of the ESC/P2 raster commands used by the
+gimp-print plugin and Ghostscript driver, which is a subset of the
+complete command set. The full documents are found on
+<http://www.ercipd.com/isv/edr_docs.htm>. Note that these are *not*
+always correct, and are certainly not complete.
+
+ All ESCP/2 raster commands begin with the `ESC' character (1b hex),
+followed by either one or two command characters and arguments where
+applicable. Older commands generally have one command character. Newer
+commands usually have a `(' (left parenthesis) followed by a command
+character and a byte count for the arguments that follow. The byte
+count is a 16-bit (2 byte) binary integer, in little endian order.
+
+ All arguments listed here are of the form `name[bytes]' where
+`[bytes]' is the number of bytes that comprise the argument. The
+arguments themselves are usually one, two, or four byte integers, always
+little endian (the least significant bits come first). Presumably this
+is to match Intel processors.
+
+ In some cases, the same command sequence identifies different
+versions of the same command, depending upon the number of bytes of
+arguments.
+
+
+File: gimpprint.info, Node: ESC/P2 Standard Commands, Next: ESC/P2 Remote Mode Commands, Prev: ESC/P2 Introduction, Up: ESC/P2
+
+Standard commands
+=================
+
+ - ESC/P2 command: `ESC @'
+ Reset the printer. Discards any output, ejects the existing page,
+ returns all settings to their default. Always use this before
+ printing a page.
+
+ - ESC/P2 command: `ESC (G BC=1 ON1'
+ Turn on graphics mode. ON should be `1' (turn on graphics mode).
+
+ - ESC/P2 command: `ESC (U BC=1 UNIT1'
+ Set basic unit of measurement used by printer. This is expressed
+ in multiples of 1/3600". At 720 DPI, UNIT is `5'; at 360 DPI,
+ UNIT is `10'.
+
+ - ESC/P2 command: `ESC (U BC=5 PAGEUNITS1 VUNIT1 HUNIT1 BASEUNIT2'
+ Set basic units of measurement used by the printer. PAGEUNIT is
+ the unit of page measurement (for commands that set page
+ dimensions and the like). VUNIT is the unit of vertical
+ measurement (for vertical movement commands). HUNIT is the unit
+ of horizontal movement (for horizontal positioning commands). All
+ of these units are expressed in BASEUNIT, which is in reciprocal
+ inches. Typically, BASEUNIT is `1440'. In 720 DPI mode, PAGEUNIT,
+ VUNIT, and HUNIT are all `2'; in 1440x720 DPI mode, PAGEUNIT and
+ VUNIT are normally set to `2'; HUNIT is set to `1'.
+
+ - ESC/P2 command: `ESC (K BC=2 ZERO1 GRAYMODE1'
+ Set color or grayscale mode, on printers supporting an explicit
+ grayscale mode. These printers can be identified because they are
+ advertised as having more black nozzles than nozzles of individual
+ colors. Setting grayscale mode allows use of these extra nozzles
+ for faster printing. GRAYMODE should be `0' or `2' for color, `1'
+ for grayscale. ZERO should always be `0'.
+
+ - ESC/P2 command: `ESC (i BC=1 MICROWEAVE1'
+ If MICROWEAVE is `1', use microweave mode. On older printers,
+ this is used to turn on microweave; on newer printers, it prints
+ one row at a time. All printers support this mode. It should
+ only be used at 720 (or 1440x720) DPI. The Epson Stylus Pro series
+ indicates additional modes:
+
+ `2'
+ "Full-overlap"
+
+ `3'
+ "Four-pass"
+
+ `4'
+ "Full-overlap 2"
+
+ Any of these commands can be used with the high four bits set to
+ either `3' or `0'.
+
+ - ESC/P2 command: `ESC U DIRECTION1'
+ If DIRECTION is `1', print unidirectionally; if `0', print
+ bidirectionally.
+
+ - ESC/P2 command: `ESC (s BC=1 SPEED1'
+ On some older printers, this controls the print head speed. SPEED
+ of `2' is 10 inches/sec; SPEED of `0' or 1 is 20.
+
+ - ESC/P2 command: `ESC (e BC=2 ZERO1 DOTSIZE1'
+ Choose print dotsize. DOTSIZE can take on various values,
+ depending upon the printer. Almost all printers support `0' and
+ `2'. Variable dot size printers allow a value of 16. Other than
+ the value of 16, this appears to be ignored at resolutions of 720
+ DPI and above.
+
+ - ESC/P2 command: `ESC (C BC=2 PAGELENGTH2'
+ - ESC/P2 command: `ESC (C BC=4 PAGELENGTH4'
+ Set the length of the page in "pageunits" (see `ESC (U' above).
+ The second form of the command allows setting of longer page
+ lengths on new printers (these happen to be the printers that
+ support variable dot size).
+
+ - ESC/P2 command: `ESC (c BC=4 TOP2 LENGTH2'
+ - ESC/P2 command: `ESC (c BC=8 TOP4 LENGTH4'
+ Set the vertical page margins of the page in "pageunits" (see `ESC
+ (U' above). The margins are specified as the top of the page and
+ the length of the page. The second form of the command allows
+ setting of longer page lengths on new printers (these happen to be
+ the printers that support variable dot size).
+
+ - ESC/P2 command: `ESC (S BC=8 WIDTH4 LENGTH4'
+ Set the width and length of the printed page region in "pageunits"
+ (see `ESC (U' above).
+
+ - ESC/P2 command: `ESC (v BC=2 ADVANCE2'
+ - ESC/P2 command: `ESC (v BC=4 ADVANCE4'
+ Feed vertically ADVANCE "vertical units" (see `ESC (U' above) from
+ the current print head position.
+
+ - ESC/P2 command: `ESC (V BC=2 ADVANCE2'
+ - ESC/P2 command: `ESC (V BC=4 ADVANCE4'
+ Feed vertically ADVANCE "vertical units" (see `ESC (U' above) from
+ the top margin.
+
+ - ESC/P2 command: `ESC ($ BC=4 OFFSET4'
+ Set horizontal position to OFFSET from the left margin. This
+ command operates on printers of the 740 class and newer (all
+ printers with variable dot size).
+
+ - ESC/P2 command: `ESC $ OFFSET2'
+ Set horizontal position to OFFSET from the left margin. This
+ command operates on printers of the 740 class and newer (all
+ printers with variable dot size).
+
+ - ESC/P2 command: `ESC (\ BC=4 UNITS2 OFFSET2'
+ Set horizontal position to OFFSET from the previous print head
+ position, measured in UNITS. UNITS is measured in inverse inches,
+ and should be set to 1440 in all cases. This operates on all 1440
+ dpi printers that do not support variable dot size.
+
+ - ESC/P2 command: `ESC (/ BC=4 OFFSET4'
+ Set horizontal position to OFFSET from the previous print head
+ position, measured in "horizontal units" (see `ESC (U' above).
+ This operates on all variable dot size printers.
+
+ - ESC/P2 command: `ESC \ OFFSET2'
+ Set horizontal position to OFFSET from the previous print head
+ position, measured in basic unit of measurement (see `ESC (U'
+ above). This is used on all 720 dpi printers, and can also be used
+ on 1440 dpi printers in lower resolutions to save a few bytes.
+ Note that OFFSET may be negative. The range of values for this
+ command is between `-16384' and `16383'.
+
+ - ESC/P2 command: `ESC r COLOR1'
+ - ESC/P2 command: `ESC (r BC=2 DENSITY1 COLOR1'
+ Set the ink color. The first form is used on four-color printers;
+ the second on six-color printers. DENSITY is `0' for dark inks,
+ `1' for light. COLOR is
+
+ `0'
+ black
+
+ `1'
+ magenta
+
+ `2'
+ cyan
+
+ `4'
+ yellow
+
+ This command is not used on variable dot size printers in softweave
+ mode.
+
+ - ESC/P2 command: `ESC . COMPRESS1 VSEP1 HSEP1 LINES1 WIDTH2 DATA...'
+ Print data. COMPRESS signifies the compression mode:
+
+ `0'
+ no compression
+
+ `1'
+ TIFF compression (incorrectly documented as "run length
+ encoded")
+
+ `2'
+ TIFF compression with a special command set.
+
+ VSEP depends upon resolution and printer type. At 360 DPI, it is
+ always `10'. At 720 DPI, it is normally `5'5. On the ESC 600, it
+ is `40' (8 * 5). On some other printers, it varies.
+
+ HSEP1 is `10' at 360 DPI and `5' at 720 or 1440 DPI (1440 DPI
+ cannot be printed in one pass; it is printed in two passes, with
+ the dots separated in each pass by 1/720").
+
+ LINES is the number of lines to be printed. It should be `1' in
+ microweave and 360 DPI. At 720 DPI softweave, it should be the
+ number of lines to be actually printed.
+
+ WIDTH is the number of pixels to be printed in each row.
+ Following this command, a carriage return (`13' decimal, `0A' hex)
+ should be output to return the print head position to the left
+ margin.
+
+ The basic data format is a string of bytes, with data from left to
+ right on the page. Within each byte, the highest bit is first.
+
+ The TIFF compression is implemented as one count byte followed by
+ one or more data bytes. There are two cases:
+
+ 1. If the count byte is `128' or less, it is followed by [count]
+ + 1 data bytes. So if the count byte is `0', it is followed
+ by 1 data byte; if it is `128', it is followed by 129 data
+ bytes.
+
+ 2. If the count byte is greater than 128, it is followed by one
+ byte. This byte is repeated (257 - [count]) times. So if
+ [count] is 129, the next byte is treated as though it were
+ repeated 128 times; if [count] is 255, it is treated as
+ though it were repeated twice.
+
+ - ESC/P2 command: `ESC i COLOR1 COMPRESS1 BITS1 BYTES2 LINES2 DATA...'
+ Print data in the newer printers (that support variable dot size),
+ and Stylus Pro models.
+
+ COLOR is the color:
+
+ `0'
+ black
+
+ `1'
+ magenta
+
+ `2'
+ cyan
+
+ `4'
+ yellow
+
+ `17'
+ light magenta
+
+ `18'
+ light cyan
+
+ COMPRESS signifies the compression mode:
+
+ `0'
+ no compression
+
+ `1'
+ TIFF compression (incorrectly documented as "run length
+ encoded")
+
+ `2'
+ TIFF compression with a special command set.
+
+ BITS is the number of bits per pixel.
+
+ BYTES is the number of bytes wide for each row (ceiling(BITS *
+ width_of_row, 8)). Note that this is different from the `ESC .'
+ command above.
+
+ LINES is the number of lines to be printed. This command is the
+ only way to get variable dot size printing. In variable dot mode,
+ the size of the dots increases as the value (`1', `2', or `3')
+ increases.
+
+ - ESC/P2 command: `ESC (D BC=4 BASE2 VERTICAL1 HORIZONTAL1'
+ Set printer horizontal and vertical spacing. It only applies to
+ variable dot size printers in softweave mode (and possibly other
+ high end printers).
+
+ BASE is the base unit for this command; it must be `14400'.
+
+ VERTICAL is the distance in these units between printed rows; it
+ should be (separation_in_nozzles * BASE / 720).
+
+ HORIZONTAL is the horizontal separation between dots in a row.
+ Depending upon the printer, this should be either (14400 / 720) or
+ (14400 / 360). The Stylus Pro 9000 manual suggests that the
+ settings should match the chosen resolution, but that is
+ apparently not the case (or not always the case) on other printers.
+
+ - ESC/P2 command: `ESC (R BC=8 00 R E M O T E 1'
+ Enters "remote mode". This is a special, undocumented command set
+ that is used to set up various printer options, such as paper feed
+ tray, and perform utility functions such as head cleaning and
+ alignment. It does not appear that anything here is actually
+ required to make the printer print. Our best understanding of
+ what is in a remote command sequence is described in a separate
+ section below.
+
+ - ESC/P2 command: `ESC 01 @EJL [sp] ID\r\n'
+ Return the printer ID. This is considered a remote mode command,
+ although the syntax is that of a conventional command. This
+ returns the following information:
+
+ @EJL ID\r
+ MFG:EPSON;
+ CMD:ESCPL2,BDC;
+ MDL:[printer model];
+ CLS:PRINTER;
+ DES:EPSON [printer model];
+ \f
+
+ After all data has been sent, a form feed byte should be sent.
+
+ All newer Epson printers (STC 440, STP 750) require the following
+command to be sent at least once to enable printing at all. This
+command specifically takes the printer out of the Epson packet mode
+communication protocol (whatever that is) and enables normal data
+transfer. Sending it multiple times is is not harmful, so it is
+normally sent at the beginning of each job:
+
+ ESC 01@EJL[space]1284.4[newline]@EJL[space][space][space][space]
+ [space][newline]ESC@
+
+ The proper sequence of initialization commands is:
+
+ magic command
+ ESC remote mode if needed
+ ESC (G
+ ESC (U
+ ESC (K (if appropriate)
+ ESC (i
+ ESC U (if needed)
+ ESC (s (if appropriate)
+ ESC (e
+ ESC (C
+ ESC (c
+ ESC (S
+ ESC (D (if needed)
+ ESC (V (optional -- this can be accomplished with ESC (v)
+
+ For printing, the proper sequence is:
+
+ ESC (v
+
+and repeat for each color:
+
+ ESC ($ or ESC (\ or ESC \
+ ESC (r or ESC r (if needed--not used with `ESC i' and not needed if the color
+ has not changed from the previous printed line)
+ ESC . or ESC i ...data... [return] (0A hex)
+
+ To terminate a page:
+
+ [formfeed] (0C hex)
+ ESC @
+
+
+File: gimpprint.info, Node: ESC/P2 Remote Mode Commands, Next: ESC/P2 Appropriate Remote Commands, Prev: ESC/P2 Standard Commands, Up: ESC/P2
+
+Remote Mode Commands
+====================
+
+ The following description of remote commands comes out of an
+examination of the sequences used by the printer utilities bundled with
+the Windows drivers for the ESC740, and from other sources (some Epson
+manuals, experimentation, analysis of print files). It is largely
+speculative as these commands are not all documented in the Epson
+documentation we have access to. Generally, newer manuals provide more
+thorough documentation.
+
+ Remote command mode is entered when the printer is sent the following
+sequence:
+
+ ESC (R BC=8 00 R E M O T E 1
+
+ Remote mode commands are then sent, and terminated with the following
+sequence:
+
+ ESC 00 00 00
+
+ All remote mode commands must be sent before the initial `ESC (G'
+command is sent.
+
+ This introductory sequence is then followed by a sequence of
+commands. Each command is constructed as follows:
+
+ * Two ASCII bytes indicating the function
+
+ * A byte count (two bytes, little-endian) for the parameters
+
+ * Binary parameters, if any
+
+ This is a list of all remote commands we have seen:
+
+ - ESC/P2 remote command: `NC BC=2 00 00'
+ Print a nozzle check pattern
+
+ - ESC/P2 remote command: `VI BC=2 00 00'
+ on my 740, prints the following:
+
+ W01286 I02382\r\n
+
+ probably "version information"
+
+ - ESC/P2 remote command: `* AI BC=3 00 00 00'
+ Prints a "printer ID". On one 870, prints the following:
+ 51-51-50-51-49-48\r\n
+
+ The Windows driver has a text entry field where this number can be
+ entered, but its purpose is unknown.
+
+ - ESC/P2 remote command: `* LD BC=0'
+ Load printer defaults from NVRAM, DIP switches, and/or ROM. This
+ apparently does not load factory defaults per se, but any settings
+ that are saved. This is commonly used right at the end of each
+ print job after the `ESC @' printer reset command.
+
+ - ESC/P2 remote command: `* CH BC=2 00 XX'
+ Perform a head cleaning cycle. The heads to clean are determined
+ by parameter XX:
+
+ `00'
+ clean all heads
+
+ `01'
+ clean black head
+
+ `02'
+ clean color heads
+
+ While XX = `00' is probably supported by all printers, XX = `01'
+ and `02' may well not be.
+
+ - ESC/P2 remote command: `* DT BC=3 00 XX 00'
+ Print an alignment pattern. There are three patterns, which are
+ picked via the choice of XX. Pattern `0' is coarse, pattern `1'
+ is medium, and pattern `2' is fine.
+
+ - ESC/P2 remote command: `* DU BC=6 00 XX 00 09 00 YY'
+ Print another alignment pattern. It isn't entirely clear what XX
+ and YY are, but it appears that XX takes on the values `1' and `2'
+ , and YY takes on the values `0' and 1. This may only work on the
+ 580 and/or 480.
+
+ - ESC/P2 remote command: `* DA BC=4 00 XX 00 YY'
+ Set results for the first alignment pattern. XX is the pattern
+ (`1'-`3'); YY is the best choice from the set (`1'-`7' or
+ `1'-`15'). This does not save to NVRAM, so when the printer is
+ powered off, the setting will be lost.
+
+ - ESC/P2 remote command: `* DA BC=6 00 XX 00 YY 09 00'
+ Set results for alternate alignment pattern. XX appears to be the
+ pass, and YY appears to be the optimum pattern. This does not
+ save to NVRAM, so when the printer is powered off, the setting
+ will be lost.
+
+ - ESC/P2 remote command: `* SV BC=0'
+ Save the current settings to NVRAM.
+
+ - ESC/P2 remote command: `* RS BC=1 01'
+ Reset the printer.
+
+ - ESC/P2 remote command: `* IQ BC=1 01'
+ Get ink quantity. This requires direct access to the printer
+ port. The return looks like
+
+ IQ:KKCCMMYY
+
+ or
+
+ IQ:KKCCMMYYccmm
+
+ (for 4-color and 6-color printers respectively), where each pair of
+ digits are hexadecimal representations of percent.
+
+ The following two commands have been observed on an STP 870.
+
+ - ESC/P2 remote command: `* IR BC=2 00 XX'
+ *Function unknown*. This command has been observed on an STP 870
+ with XX=`03' at the start of a job and XX=`02' at the end of a job
+ (where it is followed by an `LD' command). When in roll mode, the
+ values change to XX=`01' at the start of a job and XX=`00' at the
+ end of a job.
+
+ - ESC/P2 remote command: `* FP BC=3 00 XX YY'
+ XX=`00' and YY=`00' selects the printer's normal left margin
+ (about 3mm). XX=`0xb0' and YY=`0xff' selects zero-margin mode,
+ where the left-most print position is shifted to a point about
+ 0.1" to the left of the left-hand edge of the paper, allowing
+ printing up to (and off) the left-hand edge of the paper.
+
+ The commands below are partially documented in the Stylus Pro 9000
+manual. Much of this information is interpreted; none is tested.
+
+ - ESC/P2 remote command: `* SN BC=3 00 XX YY'
+ Select Mechanism Sequence. XX controls which sub-operation is
+ performed. XX=`00' selects the "Feed paper sequence setting". YY
+ can take on the following values (on the STP 870, at any rate):
+
+ `0'
+ default
+
+ `1'
+ plain paper
+
+ `2'
+ postcards
+
+ `3'
+ film (photo quality glossy film, transparencies)
+
+ `4'
+ envelopes
+
+ `5'
+ plain paper (fast load)
+
+ `6'
+ back light film (although this has been observed with
+ heavyweight matte paper)
+
+ `7'
+ matte paper (observed with 360 dpi inkjet paper, and photo
+ quality inkjet paper)
+
+ `8'
+ photo paper
+
+ Experimentation suggests that this setting changes details of how
+ the printers' cut sheet feeder works, presumably to tune it for
+ different types of paper.
+
+ XX=`01' controls the platen gap setting; YY=`00' is the default,
+ YY=`1' or `2' are higher settings.
+
+ XX=`02' controls paper loading speed (YY=`0' is normal, `1' is
+ fast, `2' is slow). It appears that `1' is used when printing on
+ "plain paper", "360dpi ink jet paper" or "ink jet transparencies",
+ and YY=`00' for all other paper type settings.
+
+ XX=`07' controls duplex printing for printers with that capability
+ (YY=0 is default, for non-duplex printing; `1' is front side of
+ the paper, and 2 is back side).
+
+ XX=`09' controls zero margin printing on the printers with the
+ capability of printing zero-margin on all sides (Stylus Photo
+ 780/790, 890, and 1280/1290). YY=`0' is the default; `1' enables
+ zero margin printing.
+
+ - ESC/P2 remote command: `* PP BC=3 00 XX YY'
+ Set Paper Path. XX=`2' indicates manual feed, XX=`3' is for roll
+ paper. YY selects "paper path number".
+
+ - ESC/P2 remote command: `* AC BC=2 00 XX'
+ Set Auto Cutting State. XX=`0' selects auto cutting off, XX=`1'
+ selects auto cutting on, and XX=`2' indicates horizontal print
+ page line on. It appears that with auto cutting on, roll paper is
+ cut automatically at the point a formfeed character is sent. The
+ formfeed character is normally used to eject a page; with this
+ turned on, it also cuts the roll paper. Horizontal print page
+ line on prints a narrow line of black dots at the position the
+ paper should be cut manually.
+
+ - ESC/P2 remote command: `* DR BC=4 00 xx DT2'
+ Set Drying Time. XX=`00' sets the drying time "per scan" (per
+ pass?); XX=`01' sets the drying time per page. DT indicates the
+ drying time, which is in seconds if page mode is used and in
+ milliseconds if scan mode is used. DT must not exceed 3600
+ seconds in per-page mode and 10000 milliseconds in per-scan mode.
+
+ - ESC/P2 remote command: `* IK BC=2 00 XX'
+ Select Ink Type. XX=`00' selects dye ink. Pigment ink is
+ apparently selected by XX=`01'. This probably does not apply to
+ the consumer-grade printers.
+
+ - ESC/P2 remote command: `* PZ BC=2 00 xx'
+ Set Pause After Printing. XX=`00' selects no pause after
+ printing; XX=`01' selects pause after printing. If turned on, the
+ printer is paused after the page is ejected (by the FF byte). If
+ cutting is turned on, the printer is paused *after* the cutting or
+ printing of the horizontal cut line.
+
+ - ESC/P2 remote command: `* EX BC=6 00 00 00 00 0x14 XX'
+ Set Vertical Print Page Line Mode. XX=`00' is off, XX=`01' is on.
+ If turned on, this prints vertical trim lines at the left and
+ right margins.
+
+ - ESC/P2 remote command: `* EX BC=6 00 00 00 00 0x05 XX'
+ Set Roll Paper Mode. If XX is `0', roll paper mode is off; if XX
+ is `1', roll paper mode is on.
+
+ - ESC/P2 remote command: `* EX BC=3 00 XX YY'
+ Appears to be a synonym for the `SN' command described above.
+
+ - ESC/P2 remote command: `* PH BC=2 00 XX'
+ Select Paper Thickness. Set the paper thickness XX in .1 mm
+ units. This must not exceed 0x10 (1.6 mm). If the thickness is
+ set "more than" .6 mm (which probably means "at least" .6 mm,
+ since the other case reads "less than 0.5 mm"), the platen gap is
+ set high irrespective of the `SN' command.
+
+ - ESC/P2 remote command: `* PM BC=2 00 00'
+ *Function unknown*. Used on the STC 3000 at least when using roll
+ feed, and on the STP 870 in all print files analysed to date.
+
+ - ESC/P2 remote command: `* ST BC=2 00 XX'
+ Epson's STP 750/1200 programming guide refers to the `ST' command
+ as "Set printer state reply". If XX is `0' or `2', the printer
+ will not send status replies. If XX is `1' or `3', the printer
+ will send status replies. The status replies consist of state,
+ error codes, ink leve, firmware version, and warning status.
+
+ The actual reply is documented as
+
+ @BDC ST\r
+ ST: xx;
+ [ER: yy;]
+ IQ: n1n2n3n4;
+ [WR: w1,w2...;]
+ RV: zz;
+ AI:CW:02kkccmmyy, MI:mm
+ [TC:tttt;]
+ INK:...;
+ \f
+
+ (`\r' is carriage return; `\n' is newline; `\f' is formfeed.)
+
+ `ST' is the printer status:
+
+ `00'
+ Error
+
+ `01'
+ Self-test
+
+ `02'
+ Busy
+
+ `03'
+ Waiting while printing
+
+ `04'
+ Idle
+
+ `07'
+ Cleaning/filling ink heads
+
+ `08'
+ Not yet initialized/filling heads
+
+ `ER', if provided, is the error status:
+
+ `00'
+ Fatal error
+
+ `01'
+ Interface not selected
+
+ `04'
+ Paper jam
+
+ `05'
+ Out of ink
+
+ `06'
+ Paper out
+
+ `IQ' is the amount of ink left, as a (decimal!) percentage
+ expressed in hexadecimal. The values are black, cyan, magenta, and
+ yellow (presumably 6-color printers supply light cyan and light
+ magenta inks as additional parameters).
+
+ `WR', if provided, is the warning status:
+
+ `10'
+ Black ink low
+
+ `11'
+ Cyan
+
+ `12'
+ Magenta
+
+ `13'
+ Yellow
+
+ `14'
+ Light cyan (presumably)
+
+ `15'
+ Light magenta (presumably)
+
+ `RV' is the firmware revision (one byte ASCII).
+
+ `AI' is actuator information. These are two byte ASCII codes that
+ indicate "ink weight rank ID" of KCMY, respectively.
+
+ `TC', if provided, is the total time of cleaning or ink filling
+ (?).
+
+ `INK:' and `MI' are *not documented*.
+
+ - ESC/P2 remote command: `* SM BC=2 00 XX'
+ Set Status Reply Rate. XX is the repeat interval in seconds. If
+ XX is `0', the status is returned only when the printer's state
+ changes.
+
+ - ESC/P2 remote command: `* ST BC=1 01'
+ Reply Printer Status. The reply is formatted as
+
+ @BDC PS\r\nST:XX;\f
+
+ (`\r' is carriage return; `\n' is newline; `\f' is formfeed). If
+ XX (the reply value) is `0' or `2', automatic status update is
+ disabled; if `1' or `3', it is enabled.
+
+ - ESC/P2 remote command: `* SM BC=1 01'
+ Reply Printer Status Rate. The reply is formatted as
+
+ @BDC PS\r\nST:xx;\f
+
+ (`\r' is carriage return; `\n' is newline; `\f' is formfeed). See
+ `SM BC=2' above for the meaning of the return value.
+
+ - ESC/P2 remote command: `* ?? BC=XX Y[1] ... Y[xx]'
+ Echo Parameters (perhaps better described as Echo Commands). The
+ command string is executed (it would appear from the
+ documentation), and the string sent is returned using a sequence
+ similar to that described in the `ST BC=1' and `SM BC=1' commands.
+ Note that in this case the number of bytes is variable!
+
+ - ESC/P2 remote command: `* SM BC=2 00 02'
+ *Function unknown*. Used on the STC 3000 at least when using roll
+ feed.
+
+
+File: gimpprint.info, Node: ESC/P2 Appropriate Remote Commands, Prev: ESC/P2 Remote Mode Commands, Up: ESC/P2
+
+Appropriate Remote Commands
+===========================
+
+ All of the remote commands described above are wrapped up with the
+usual boilerplate. The files always start with `00 00 00' and the
+"magic" command described above, then two `ESC @'s to reset the
+printer. The remote command sequences come next; if they print anything
+that is usually followed by a `FF' (0C hex) character to feed the page,
+then the file ends with another two `ESC @'s to get back to the ground
+state.
+
+ An alignment sequence goes like this:
+
+ 1. Host uses `DT' to print an alignment sheet
+
+ 2. User eyeballs the sheet to see which is the best aligned pattern.
+
+ 3. Host sends a `DA' command indicating which pattern the user chose
+
+ 4. If the user said "realign", meaning he isn't done yet, go to step 1
+
+ 5. We are done: host sends a `SV' command and exits
+
+ The sequence used (by the STC 3000, at least) to print from the roll
+feed is (with byte count omitted)
+
+ PM 00 00
+ SN 00 00 00
+ EX 00 00 00 00 05 01
+ ST 00 01
+ SM 00 02
+
+ The sequence used by the STP 870 to print on plain paper is
+
+ PM 00 00
+ IR 00 03
+ SN 00 00 01
+ SN 00 01 00
+ SN 00 02 01
+ EX 00 00 00 00 05 00
+ FP 00 00 00
+
+and the job finishes with
+
+ IR 00 02
+ LD
+
+ For different paper type settings on the STP 870, the arguments to
+`SN' vary. The arguments to the first and third `SN' commands are as
+outlined in the description of the `SN' command above; the arguments to
+the second ("platen gap") are `00 01 01' for thick papers ("matte
+paper--heavyweight", "photo paper" and "premium glossy photo paper")
+and `00 01 00' for all others.
+
+ For roll-mode printing, the STP 870's sequence changes as follows.
+`IR''s arguments become `00 01' in the header, and `00 00' after the
+job, and `EX''s last argument changes from `00' to `01'.
+
+ For zero-margin printing on the STP 870, the arguments to `FP' become
+`00 0xb0 0xff'. This moves the origin about 5.5mm to the left, to a
+point one tenth of an inch to the left of the left-hand edge of the
+paper, allowing printing right up to (and beyond) the edge of the
+paper. Some printers (at least the STP 870) include white absorbent
+pads at the left margin position and other positions (89mm and 100mm on
+the STP 870) to soak up ink which misses the edge of the paper.
+Printing off the edge of paper of a width not aligned with a pad could
+result in making a mess of the inside of the printer and ink getting on
+the reverse of the paper.
+
+
+File: gimpprint.info, Node: New Printer, Prev: ESC/P2, Up: Appendices
+
+Adding a new printer
+********************
+
+ This appendix covers adding a new ESCP/2, PCL, or Canon printer.
+Writing a new driver module is not covered.
+
+ The three steps to adding a printer are:
+
+ 1. Add an entry to `printers.xml'
+
+ 2. Add the appropriate code and data to the appropriate driver module
+
+ 3. Tune the printer
+
+ Printer information is stored in two places: in `printers.xml'
+(which contains the list of printer models available to the the
+upper-level application), and in the appropriate driver file
+(`print-escp2.c', `print-pcl.c', or `print-canon.c').
+
+* Menu:
+
+* printers.xml:: File format description.
+* Driver file:: Data structures to use.
+* Epson inkjet printers:: Adding an Epson printer.
+* Tuning Epson printers:: Tweaking settings.
+* Canon inkjet printers:: Adding a Canon printer.
+
+
+File: gimpprint.info, Node: printers.xml, Next: Driver file, Up: New Printer
+
+`printers.xml'
+==============
+
+ `printers.xml' is an XML-like file (there's no formal DTD) that
+contains very simple printer definitions. A typical definition follows:
+
+ <printer name="EPSON Stylus Color 1500" driver="escp2-1500">
+ <color>
+ <model value=2>
+ <gamma value=0.597>
+ <density value=1.0>
+ <language value=escp2>
+ </printer>
+
+ There are other tags that may be present. The only ones that are
+mandatory are `<printer>', `<color>', `<model>', and `<language>'. The
+other optional parameters (gamma and density in this case) can be used
+to adjust control settings. This is probably not the right place for
+them; the printer drivers themselves should contain this information.
+There's probably no good reason for anything but gamma and density to
+be in here. Gamma refers to the printer's gamma factor; density is the
+desired base ink density for the printer. The Epson driver contains
+the density information for each printer at each resolution internally.
+An even better driver would adjust density and possibly even gamma for
+paper type. All the more reason not to have that information here.
+
+ If you really are curious about what tags are permitted, please see
+`printdefl.l'. I deliberately want to make this obscure.
+
+ Anyway, here's the definition of the tags that do matter:
+
+ - `printers.xml' tag: `<printer name="LONGNAME" driver="DRIVERNAME">'
+ This starts the definition of a printer. The LONGNAME should be
+ something human readable; the DRIVERNAME should consist of
+ alphanumerics and hyphens, and be fairly short. The LONGNAME is
+ what will appear in the GUI listing of printers; the DRIVERNAME is
+ what is actually used to key into the list of printers. It is
+ legal to have multiple printers with the same driver name.
+
+ - `printers.xml' tag: `<color>'
+ - `printers.xml' tag: `<nocolor>'
+ Indicates that this printer is capable of color, or is not capable
+ of color respectively
+
+ - `printers.xml' tag: `<model value=INT>'
+ This defines a model number. This is passed into the driver,
+ which may do whatever it cares to with it--index into a table,
+ compute on, or whatever. This need not be unique.
+
+ - `printers.xml' tag: `<language value=TYPE>'
+ This defines what driver module this printer uses. TYPE should be
+ `escp2', `pcl', `canon', or `ps'.
+
+ - `printers.xml' tag: `</printer>'
+ This, of course, closes off a printer definition.
+
+ This is handled very ad-hoc. It's ugly. But it's reasonably easy to
+extend, and it's buzzword-compliant.
+
+
+File: gimpprint.info, Node: Driver file, Next: Epson inkjet printers, Prev: printers.xml, Up: New Printer
+
+The driver file
+===============
+
+ Adding a new printer to a driver module (`print-escp2.c',
+`print-pcl.c', or `print-canon.c'--`print-ps.c' is really ad hoc)
+requires a bit more planning. Each driver is somewhat different, but
+they all generally have a vector of printer definitions, and the code
+does some special casing based on particular printer capabilities. The
+PCL and Canon drivers are quite similar; the Canon driver was actually
+cribbed from the PCL driver, but it then returned the favor.
+
+ The Epson driver is a little bit different. Canon and PCL printers
+have some amount of intelligence; a lot of them have specific ink
+options, and know about specific paper sizes and types, and must be
+told the right thing. Epson printers have somewhat less intelligence
+and will more or less do exactly what the host tells it to do in a
+fairly regular fashion. I actually prefer this; it isn't materially
+more work for the host to compute things like exact paper sizes and
+such, it allows a lot more tweaking, and it may be why Epson has been
+more open with information - the communication protocol doesn't really
+contain very much IP, so they have less reason to keep it secret.
+
+ Someone else will have to fill in the sections about PCL and Canon
+printers.
+
diff --git a/doc/gimpprint.info-5 b/doc/gimpprint.info-5
new file mode 100644
index 0000000..672a377
--- /dev/null
+++ b/doc/gimpprint.info-5
@@ -0,0 +1,872 @@
+This is gimpprint.info, produced by makeinfo version 4.0 from
+gimpprint.texi.
+
+INFO-DIR-SECTION Libraries
+START-INFO-DIR-ENTRY
+* GIMP-Print: (gimpprint). print plugin for the GIMP, and printing library
+END-INFO-DIR-ENTRY
+
+ This file documents the gimpprint library and associated programs
+used for high quality printing.
+
+ Copyright (C) 2001 Michael Sweet (<mike@easysw.com>) and Robert
+Krawitz (<rlk@alum.mit.edu>)
+
+ Permission is granted to make and distribute verbatim copies of this
+manual provided the copyright notice and this permission notice are
+preserved on all copies.
+
+ Permission is granted to copy and distribute modified versions of
+this manual under the conditions for verbatim copying, provided that
+the entire resulting derived work is distributed under the terms of a
+permission notice identical to this one.
+
+ Permission is granted to copy and distribute translations of this
+manual into another language, under the above conditions for modified
+versions, except that this permission notice may be stated in a
+translation approved by the Foundation.
+
+
+File: gimpprint.info, Node: Epson inkjet printers, Next: Tuning Epson printers, Prev: Driver file, Up: New Printer
+
+Epson inkjet printers
+=====================
+
+ The `model_capabilities' vector in `print-escp2.c' contains one
+entry for each defined printer model. The `model' parameter in
+`printers.xml' is an index into this table.
+
+ In general, the new printers have fewer eccentricities than the older
+printers. That doesn't mean they're simpler, just that they're more
+consistent.
+
+ An `escp2_printer_t' is a C struct defined as follows:
+
+ - Data type: escp2_printer_t
+ typedef struct escp2_printer
+ {
+ model_cap_t flags; /* Bitmask of flags, see below */
+ /*****************************************************************************/
+ int nozzles; /* Number of nozzles per color */
+ int min_nozzles; /* Minimum number of nozzles per color */
+ int nozzle_separation; /* Separation between rows, in 1/360" */
+ int black_nozzles; /* Number of black nozzles (may be extra) */
+ int min_black_nozzles; /* # of black nozzles (may be extra) */
+ int black_nozzle_separation; /* Separation between rows */
+ int fast_nozzles; /* Number of fast nozzles */
+ int min_fast_nozzles; /* # of fast nozzles (may be extra) */
+ int fast_nozzle_separation; /* Separation between rows */
+ /*****************************************************************************/
+ int xres; /* Normal distance between dots in */
+ /* softweave mode (inverse inches) */
+ int enhanced_xres; /* Distance between dots in highest */
+ /* quality modes */
+ int base_separation; /* Basic unit of row separation */
+ int base_resolution; /* Base hardware spacing (above this */
+ /* always requires multiple passes) */
+ int enhanced_resolution;/* Above this we use the */
+ /* enhanced_xres rather than xres */
+ int resolution_scale; /* Scaling factor for ESC(D command */
+ int max_black_resolution; /* Above this resolution, we */
+ /* must use color parameters */
+ /* rather than (faster) black */
+ /* only parameters*/
+ int max_hres;
+ int max_vres;
+ int min_hres;
+ int min_vres;
+ /*****************************************************************************/
+ int max_paper_width; /* Maximum paper width, in points */
+ int max_paper_height; /* Maximum paper height, in points */
+ int min_paper_width; /* Maximum paper width, in points */
+ int min_paper_height; /* Maximum paper height, in points */
+ /* Printer interleave: */
+ int m_left_margin; /* Left margin, points */
+ int m_right_margin; /* Right margin, points */
+ int m_top_margin; /* Absolute top margin, points */
+ int m_bottom_margin; /* Absolute bottom margin, points */
+ /* ROLL FEED: */
+ /* Softweave: */
+ int roll_left_margin; /* Left margin, points */
+ int roll_right_margin; /* Right margin, points */
+ int roll_top_margin; /* Absolute top margin, points */
+ int roll_bottom_margin; /* Absolute bottom margin, points */
+ /* Printer interleave: */
+ int m_roll_left_margin; /* Left margin, points */
+ int m_roll_right_margin; /* Right margin, points */
+ int m_roll_top_margin; /* Absolute top margin, points */
+ int m_roll_bottom_margin; /* Absolute bottom margin, points */
+ /*****************************************************************************/
+ int extra_feed; /* Extra distance the paper can be spaced */
+ /* beyond the bottom margin, in 1/360". */
+ /* (maximum useful value is */
+ /* nozzles * nozzle_separation) */
+ int separation_rows; /* Some printers require funky spacing */
+ /* arguments in interleave mode. */
+ int pseudo_separation_rows;/* Some printers require funky */
+ /* spacing arguments in softweave mode */
+
+ int zero_margin_offset; /* Offset to use to achieve */
+ /* zero-margin printing */
+ int initial_vertical_offset;
+ int black_initial_vertical_offset;
+ int extra_720dpi_separation;
+
+ /*****************************************************************************/
+ const int *dot_sizes; /* Vector of dot sizes for resolutions */
+ const double *densities; /* List of densities for each printer */
+ const escp2_variable_inklist_t *inks; /* Choices of inks for this printer */
+ /*****************************************************************************/
+ const paperlist_t *paperlist;
+ const res_t *reslist;
+ const inklist_t *inklist;
+ /*****************************************************************************/
+ const int *bits;
+ const int *base_resolutions;
+ const input_slot_list_t *input_slots;
+ /*****************************************************************************/
+ const init_sequence_t *preinit_sequence;
+ const init_sequence_t *postinit_remote_sequence;
+ } escp2_printer_t;
+
+ The printer definition block is divided into 8 sections. The first
+section is a set of miscellaneous printer options. These are described
+in the code, and will not be discussed further here.
+
+ The second section describes the number of nozzles and the separation
+between nozzles in base units. The base unit is 1/360" for all
+currently supported printers, but future printers may support a smaller
+base unit.
+
+ Many printers have more black nozzles than nozzles of other colors,
+and when used in black and white mode, it's possible to use these extra
+nozzles, which speeds up printing. As an example, a printer that is
+specified to have 48 cyan, magenta, and yellow nozzles, and 144 black
+nozzles, can use all 144 black nozzles when printing black ink only.
+When printing in color, only 48 nozzles of each color (including black)
+can be used.
+
+ Most printers can print using either the number of nozzles available
+or any smaller number. Some printers require that all of the nozzles
+be used. Those printers will set `min_nozzles' and/or
+`min_black_nozzles' to the same value as `nozzles' and/or
+`black_nozzles'.
+
+ The third section defines basic units of measure for the printer,
+including the standard separation between dots, the base nozzle
+separation, and the minimum and maximum printing resolutions the
+printer supports. Most of these are fairly self-explanatory, but some
+are not obvious.
+
+ Most Epson printers, other than the high-end Stylus Pro models,
+cannot print dots spaced more closely than 1/360" or 1/720" apart (this
+is the setting for `xres'. This is true even for printers that support
+resolutions of 1440 or 2880 DPI. In these cases, the data must be
+printed in 2, 4, or 8 passes. While the printer can position the head
+to a resolution of 1/1440" or 1/2880", the head cannot deposit ink that
+frequently.
+
+ Some printers can only print in their very best quality (using the
+smallest dots available) printing at a lower resolution. For example,
+the Stylus Photo EX can normally print with a dot spacing of 1/720".
+The smallest dot size cannot be printed with a dot spacing of less than
+1/360", however. In this case, we use `enhanced_xres' to specify the
+resolution to be used in this enhanced mode, and `enhanced_resolution'
+to specify the printing resolution above which we use the
+`enhanced_xres'.
+
+ The `resolution_scale' command is used to specify scaling factors
+for the dot separation on newer printers. It should always be 14400
+with current printers.
+
+ The fourth section specifies the minimum and maximum paper sizes, and
+the margins. Some printers allow use of narrower margins when
+softweave is used; both sets of margins are specified.
+
+ There is a convenient `INCH' macro defined to make specification of
+the `max_paper_width' and `max_paper_height' more legible. It
+multiplies 72 by the provided expression to get the appropriate number
+of points. For example, to specify 8.5", `INCH(17/2)' expands to `(72
+* 17/2)', which is evaluated left to right, and hence generates the
+correct value.
+
+ The fifth section specifies some miscellaneous values that are
+required for certain printers. For most printers, the correct values
+are 1 for `separation_rows' and 0 for the others. Very, very few
+printers require (or allow) `separation_rows' to be anything but 1 and
+`pseudo_separation_rows' other than zero. The Stylus Color 1520,
+Stylus Color 800, Stylus Color 850, and (strangely enough to my mind,
+since it's a new printer) Stylus Color 660 seem to be the only
+exceptions.
+
+ The `zero_margin_offset' is used to specify an additional negative
+horizontal offset required to print to the edges of the paper on newer
+Stylus Photo printers. These must be determined empirically; good
+starting values are 100 for 1440 DPI and 50 for 2880 DPI printers. The
+goal is to print to the edge of the page, but not over it.
+
+ The sixth section specifies head offsets for printers that do not
+have the color jets aligned. Certain printers, such as the Stylus Color
+480, have an unusual head arrangement whereby instead of all of the
+colors being aligned vertically, the nozzles are configured in groups.
+These printers are easy to determine; if the normal head offset of zero
+for each color is used, the printing will be vertically out of
+alignment. Most of these printers require specification of a negative
+offset for printing to the top edge of the paper; typically these
+printers do not require such an offset when printing black only.
+
+ The seventh section specifies the most difficult values to tune, the
+dot sizes, printing densities, and ink values (for variable dot size
+enabled printers). These will be described in detail below.
+
+ The last section specifies luminosity, hue, and saturation adjustment
+vectors for the printer, and the paper definitions. These are used to
+adjust the color in Photograph and Solid Colors output modes. These are
+each vectors of 48 (actually 49, as the first value must be duplicated)
+doubles that remap the luminosity, hue, and saturation respectively.
+The hue is calculated, and the value used to interpolate between the two
+closest points in each vector.
+
+ The paper definitions is a set of paper definitions. The paper
+definition contains the name of the paper type, special settings that
+are required for printers to process the paper correctly, and a set of
+adjustment values. These are not currently discussed here.
+
+ The lists of dot sizes and densities contain values for 13 printing
+modes: 120/180 DPI using printer weaving (single row; referred to as
+"interleave") and "soft" weaving (the driver determines the exact
+pattern of dot layout), 360 DPI interleave and softweave, 720x360 DPI
+interleave and softweave, 720 DPI interleave and softweave, 1440x720
+interleave and softweave, 2880x720 interleave and softweave, and
+2880x1440 softweave only.
+
+ For the dot sizes, the value for each element in the vector selects
+the dot size to be used when printing at this (or similar) resolution.
+The dot sizes are determined by consulting the programming manual for
+the printer and experimenting as described below. Current Epson
+printers always use dot sizes less than `16', or `0x10', to indicate
+single dot size (each dot is represented by 1 bit, and it's either
+printed or not), and dot sizes of `16' or greater to indicate variable
+dot size (each dot is represented by 2 bits, and it can either be not
+printed or take on 2 or 3 values, representing the relative size of the
+printed dot). Variable dot sizes permit the use of very small dots
+(which would be too small to fill the page and produce solid black) in
+light areas, while allowing the page to be filled with larger dots in
+darker areas.
+
+ Even single dot size printers can usually produce dots of different
+sizes; it's just illegal to actually try to switch dot size during a
+page. These dots are also much bigger than those used in true variable
+dot size printing.
+
+ A dot size of `-1' indicates that this resolution is illegal for the
+printer in question. Any resolutions that would use this dot size will
+not be presented to the user. A dot size of `-2' indicates that this
+resolution is legal, but that the driver is not to attempt to set any
+dot size. Some very old printers do not support the command to set the
+dot size.
+
+ Most printers support a dot size of `0' as a mode-specific default,
+but it's often a bigger dot than necessary. Printers usually also
+support some dot sizes between `1' and `3'. Usually `1' is the right
+dot size for 720 and 1440 dpi printing, and `3' works best at 360 dpi.
+
+ Variable dot size printers usually support 2 or 3 sets of variable
+dot sizes. Older printers based on a 6 picolitre drop (the 480, 720,
+740, 750, 900, and 1200) support two: mode 16 (0x10 in hexadecimal) for
+normal variable dots at 1440 or 720 dpi, and mode 17 (0x10) for special
+larger dots at 360 dpi. Newer printers based on 4 picolitre drops
+normally support three sizes: `0x10' for 4 pl base drops, `0x11' for 6
+pl base drops, and `0x12' for special large drops. On these printers,
+`0x10' usually works best at 1440x720 and `0x11' works best at 720x720.
+Unfortunately, `0x10' doesn't seem to generate quite enough density at
+720x720, because if it did the output would be very smooth. Perhaps
+it's possible to tweak things....
+
+ The list of densities is a list of base density values for all of the
+above listed modes. "Density" refers to the amount of ink deposited
+when a solid color (or solid black) is printed. So if the density is
+`.5', solid black actually prints only half the possible dots. "Base
+density" refers to the fact that the density value can be scaled in the
+GUI or on the Ghostscript command line. The density value specified
+(which is not made visible to the user) is multiplied by the base
+density to obtain the effective density value. All other things (such
+as ink drop size) remaining the same, doubling the resolution requires
+halving the base density. The base density in the density vector may
+exceed `1', as many paper types require lower density than the base
+driver. The driver ensures that the actual density never exceeds 1.
+
+ Tuning the density should be done on high quality paper (usually
+glossy photo paper). The goal is to find the lowest density value that
+results in solid black (no visible gaps under a fairly high power
+magnifying glass or loupe). If an appropriate density value is found
+for 720 DPI, it could be divided by 2 for 1440x720, by 4 for 2880x720,
+and by 8 for 2880x1440.
+
+ However, for printers that offer a choice of dot size, this may not
+be the best strategy. The best choice for dot size is the smallest dot
+size that allows choosing a density value not greater than 1 that gives
+full coverage. This dot size may be different for different
+resolutions. Tuning variable dot size printers is more complicated;
+the process is described below.
+
+ The last member is a pointer to a structure containing a list of ink
+values for variable dot size (or 6 color) inks. We model variable dot
+size inks as producing a certain "value" of ink for each available dot
+size, where the largest dot size has a value of 1. 6-color inks are
+handled similarly; the light cyan and light magenta inks are treated as
+a fractional ink value. The combination of variable dot size and 6
+color inks, of course, just creates that many more different ink
+choices.
+
+ This structure is actually rather complicated; it contains entries
+for each combination of physical printer resolution (180, 360, 720, and
+1440 dpi), ink colors (4, 6, and 7), and single and variable dot sizes
+(since some printer modes can't handle variable dot size inks). Since
+there's so much data, it's actually a somewhat deeply nested structure:
+
+ An `escp2_printer_t' contains a pointer (essentially, a reference
+rather than a copy) to an `escp2_variable_inklist_t'.
+
+ An `escp2_variable_inklist_t' contains pointers to
+`escp2_variable_inkset_t' structures. There is one such pointer for
+each combination of resolution, dot type, and ink colors as described
+above. Yes, this is rather inflexible.
+
+ An `escp2_variable_inkset_t' contains pointers to
+`escp2_variable_ink_t' structures. There is one such pointer for each
+of the four colors (C, M, Y, and K).
+
+ An `escp2_variable_ink_t' contains a pointer to the actual list of
+ink values (`simple_dither_range_t'), the number of ink values, and a
+density value to be used for computing the transitions. This density
+value is actually a scaling value; it is multiplied by the effective
+density to compute the density to be used for computing the transitions.
+Normally, this value is `1', but in some cases it may be possible to
+get smoother results with a different value (in particular, the single
+dot size 6-color inks work best with the effective density scaled to
+`.75' for this purpose). A lower density lowers the transition points,
+which results in more ink being deposited.
+
+ A `simple_dither_range_t' is a structure containing four values:
+
+ 1. The value of the particular ink
+
+ 2. The bit pattern used to represent the ink
+
+ 3. Whether the ink is light (0) or dark (1), for inks with light and
+ dark variants
+
+ 4. The relative amount of ink actually deposited by this dot (not
+ currently used for much; it can be used for ink reduction
+ purposes, to reduce the amount of ink deposited on the paper).
+
+ These things are interesting as arrays. From an array of
+`simple_dither_range_t''s, the dither code computes transition values
+that it looks up at run time to decide what ink to print, as well as
+whether to print at all.
+
+ *Really* confused now? Yup. You'll probably find it easier to
+simply read the code.
+
+
+File: gimpprint.info, Node: Tuning Epson printers, Next: Canon inkjet printers, Prev: Epson inkjet printers, Up: New Printer
+
+Tuning the printer
+==================
+
+ Now, how do you use all this to tune a printer? There are a number
+of ways to do it; this one is my personal favorite.
+
+ There's a file named `cyan-sweep.tif'. This consists of a thin bar
+of cyan sweeping from white to almost pure cyan, and from pure cyan to
+black. The first thing to do is to pick the appropriate
+`simple_dither_range_t' (or create a whole new
+`escp2_variable_inklist_t') and comment out all but the darkest ink
+(this means you'll be using the largest dots of dark ink). At 8.5"
+width (the width of a letter-size piece of paper), the bar will be 1/8"
+high. Printing it on wider or narrower paper will change the height
+accordingly. Print it width-wise across a piece of photo quality paper
+in line art mode using ordered or adaptive hybrid dither. Do not use
+photographic mode; the colors in photographic mode vary non-linearly
+depending upon the presence of the three color components, while in line
+art mode the colors are much purer. Make sure that all the color
+adjustments are set to defaults (1.0). Use the highest quality version
+of the print mode you're testing to reduce banding and other artifacts.
+This is much easier to do with the Gimp than with Ghostscript.
+
+ At this stage, you want to look for four things:
+
+ 1. The black near the center of the line is solid, but not more so
+ than that.
+
+ 2. The cyan immediately to the left of the black is _almost_ solid.
+
+ 3. The dark cyan at the far right of the page is solid, but not more
+ so. You can try tuning the density so that it isn't quite solid,
+ then nudging up the density until it is.
+
+ 4. Both sweeps sweep smoothly from light to dark. In particular, the
+ dark half of the bar shouldn't visibly change color; it should go
+ smoothly from cyan to black.
+
+ Repeat this stage until you have everything just right. Use the
+positioning entry boxes in the dialog to position each bar exactly 1/8"
+further down the page. Adjacent bars will be touching.
+
+ The next step is to uncomment out the second darkest dot size. If
+you're using variable dots, use the second largest dot size of the dark
+ink rather than the largest dot size of the light ink. This will give
+you two inks.
+
+ When you recompile the plugin, you simply need to copy the new
+executable into the correct place. You do not need to exit and restart
+the Gimp.
+
+ Print another bar adjacent to the first one. Your goal is to match
+the bar using a single dot size as closely as possible. You'll find
+that the dark region of the bar shouldn't change to any great degree,
+but the light half probably will. If the lighter part of the light
+half is too dark, you need to increase the value of the smaller dot; if
+it's too light, you need to decrease the value. The reasoning is that
+if the value is too low, the ink isn't being given enough credit for
+its contribution to the darkness of the ink, and vice versa. Repeat
+until you have a good match. Make sure you let the ink dry fully,
+which will take a few minutes. Wet ink will look too dark. Don't look
+at the paper too closely; hold it at a distance. The extra graininess
+of the largest dot size will probably make it look lighter than it
+should; if you hold it far enough away so that you can't see the dots,
+you'll get a more accurate picture of what's going on.
+
+ After you have what looks like a good match, print another bar using
+only the largest dot size (or dark ink, for single dot size 6-color
+printers). You want to ensure that the bars touching each other look
+identical, or as close as possible to it; your eye won't give you a
+good reading if the bars are separated from each other. You'll
+probably have to repeat the procedure.
+
+ The next step is to comment out all but the largest and third-largest
+dot size, and repeat the procedure. When they match, use all three dot
+sizes of dark ink. Again, the goal is to match the single dot size.
+
+ You'll probably find the match is imperfect. Now you have to figure
+out what region isn't right, which takes some experimentation. Even
+small adjustments can make a noticeable difference in what you see. At
+this stage, it's very important to hold the page far enough from your
+eye; when you use all three dot sizes, the texture will be much more
+even, which sometimes makes it look darker and sometimes lighter.
+
+ After this is calibrated, it's time to calibrate the light ink
+against the dark ink. To do this, comment out all but the large dot
+version of the two inks, and repeat the procedure. This is trickier,
+because the hues of the inks might not be quite identical. Look at the
+dark half of the bar as well as the light half to see that the hue
+really doesn't change as you sweep from cyan to black. Sometimes it's
+easier to judge that way. You may find that it looks blotchy, in which
+case you should switch from ordered dither to adaptive hybrid.
+
+ After you have the light and dark inks calibrated against each other,
+it's time to add everything back in. Usually you don't want to use the
+largest dot size of light ink. These dots will be much larger than the
+small dots of dark ink, but they'll still be lighter. This will cause
+problems when printing mixed colors, since you'll be depositing more
+ink on lighter regions of the page, and you'll probably get strange
+color casts that you can't get rid of in neutral tones. I normally use
+only the smallest one or two dot sizes of light ink.
+
+ After you've tweaked everything, print the color bar with saturation
+set to zero. This will print neutral tones using color inks. Your
+goal here is to look for neutral tonality. If you're using a 6-color
+printer and get a yellow cast, it means that the values for your light
+inks are too high (remember, that means they're getting too much
+credit, so you're not depositing enough cyan and magenta ink, and the
+yellow dominates). If you get a bluish or bluish-purple cast, your
+light inks are too low (you're not giving them enough credit, so too
+much cyan and magenta is deposited, which overwhelms the yellow). Make
+sure you do this on very white, very high grade inkjet paper that's
+designed for 1440x720 dpi or higher; otherwise the ink will spread on
+contact and you'll get values that aren't really true for high grade
+paper. You can, of course, calibrate for low grade paper if that's
+what you're going to use, but that shouldn't be put into the
+distribution.
+
+ You can also fully desaturate this bar inside the Gimp and print it
+as monochrome (don't print the cyan as monochrome; the driver does funny
+things with luminance), for comparison. You'll find it very hard to
+get rid of all color casts.
+
+ There are other ways of tuning printers, but this one works pretty
+well for me.
+
+
+File: gimpprint.info, Node: Canon inkjet printers, Prev: Tuning Epson printers, Up: New Printer
+
+Canon inkjet printers
+=====================
+
+ Basically, a new Canon printer can be added to `print-canon.c' in a
+similar way as described above for the epson inkjet printers. The main
+differences are noted here:
+
+ In general, Canon printers have more "built-in intelligence" than
+Epson printers which results in the fact that the driver only has to
+tell the printing conditions like resolutions, dot sizes, etc. to the
+printer and afterwards transfer the raster data line by line for each
+color used.
+
+ `canon_cap_t' is a C struct defined as follows:
+
+ - Data type: canon_cap_t
+ typedef struct canon_caps {
+ int model; /* model number as used in printers.xml */
+ int max_width; /* maximum printable paper size */
+ int max_height;
+ int base_res; /* base resolution - shall be 150 or 180 */
+ int max_xdpi; /* maximum horizontal resolution */
+ int max_ydpi; /* maximum vertical resolution */
+ int max_quality;
+ int border_left; /* left margin, points */
+ int border_right; /* right margin, points */
+ int border_top; /* absolute top margin, points */
+ int border_bottom; /* absolute bottom margin, points */
+ int inks; /* installable cartridges (CANON_INK_*) */
+ int slots; /* available paperslots */
+ int features; /* special bjl settings */
+ canon_dot_size_t dot_sizes; /* Vector of dot sizes for resolutions */
+ canon_densities_t densities; /* List of densities for each printer */
+ canon_variable_inklist_t *inxs; /* Choices of inks for this printer */
+ } canon_cap_t;
+
+ Since there are Canon printers which print in resolutions of 2^n*150
+dpi (e.g. 300, 600, 1200) and others which support resolutions of
+2^n*180 dpi (e.g. 360, 720, 1440), there's a base resolution (150 or
+180, respectively) given in the `canon_cap_t'. The structs
+`canon_dot_size_t', `canon_densities_t' and `canon_variable_inklist_t'
+refer to resolutions being multiples of the base resolution.
+
+ For the Canon driver, the struct `canon_dot_size_t' holds values for
+a model's capabilities at a given resolution: `-1' if the resolution is
+not supported. `0' if it can be used and `1' if the resolution can be
+used for variable dot size printing.
+
+ In `canon_densities_t' the base densities for each resolution can be
+specified like for an epson printer, the same holds true for
+`canon_variable_inklist_t'. See the descriptions above to learn about
+how to adjust your model's output to yield nice results.
+
+ There's a slight difference though in the way the Canon driver and
+the escp2 driver define their variable inklists: In the Canon driver,
+you need to define an inklist like this:
+
+ static const canon_variable_inklist_t canon_ink_myinks[] =
+ {
+ {
+ 1,4, /* 1bit/pixel, 4 colors */
+ &ci_CMYK_1, &ci_CMYK_1, &ci_CMYK_1,
+ &ci_CMYK_1, &ci_CMYK_1, &ci_CMYK_1,
+ },
+ {
+ 3,4, /* 3bit/pixel, 4 colors */
+ &ci_CMYK_3, &ci_CMYK_3, &ci_CMYK_3,
+ &ci_CMYK_3, &ci_CMYK_3, &ci_CMYK_3,
+ },
+ };
+
+where the `&ci_CMYK_1' and `&ci_CMYK_3' entries are references to a
+previously defined const of type `canon_variable_inkset_t'.
+
+
+File: gimpprint.info, Node: Data Type and Variable Index, Next: Function and Macro Index, Prev: Appendices, Up: Top
+
+Data Type and Variable Index
+****************************
+
+* Menu:
+
+* canon_cap_t: Canon inkjet printers.
+* escp2_printer_t: Epson inkjet printers.
+* gimpprint_binary_age: Version functions.
+* gimpprint_current_interface: Version functions.
+* gimpprint_interface_age: Version functions.
+* gimpprint_major_version: Version functions.
+* gimpprint_micro_version: Version functions.
+* gimpprint_minor_version: Version functions.
+* stp_image_t: Printer functions.
+* stp_option_t: Options functions.
+* stp_outfunc_t: stp_vars_t functions.
+* stp_papersize_t: Paper functions.
+* stp_papersize_unit_t: Paper functions.
+* stp_printer_t: Printer functions.
+* stp_printfuncs_t: Printer functions.
+* stp_vars_t: stp_vars_t functions.
+
+
+File: gimpprint.info, Node: Function and Macro Index, Next: Concept Index, Prev: Data Type and Variable Index, Up: Top
+
+Function and Macro Index
+************************
+
+* Menu:
+
+* * ?? BC=XX Y[1] ... Y[xx]: ESC/P2 Remote Mode Commands.
+* * AC BC=2 00 XX: ESC/P2 Remote Mode Commands.
+* * AI BC=3 00 00 00: ESC/P2 Remote Mode Commands.
+* * CH BC=2 00 XX: ESC/P2 Remote Mode Commands.
+* * DA BC=4 00 XX 00 YY: ESC/P2 Remote Mode Commands.
+* * DA BC=6 00 XX 00 YY 09 00: ESC/P2 Remote Mode Commands.
+* * DR BC=4 00 xx DT2: ESC/P2 Remote Mode Commands.
+* * DT BC=3 00 XX 00: ESC/P2 Remote Mode Commands.
+* * DU BC=6 00 XX 00 09 00 YY: ESC/P2 Remote Mode Commands.
+* * EX BC=3 00 XX YY: ESC/P2 Remote Mode Commands.
+* * EX BC=6 00 00 00 00 0x05 XX: ESC/P2 Remote Mode Commands.
+* * EX BC=6 00 00 00 00 0x14 XX: ESC/P2 Remote Mode Commands.
+* * FP BC=3 00 XX YY: ESC/P2 Remote Mode Commands.
+* * IK BC=2 00 XX: ESC/P2 Remote Mode Commands.
+* * IQ BC=1 01: ESC/P2 Remote Mode Commands.
+* * IR BC=2 00 XX: ESC/P2 Remote Mode Commands.
+* * LD BC=0: ESC/P2 Remote Mode Commands.
+* * PH BC=2 00 XX: ESC/P2 Remote Mode Commands.
+* * PM BC=2 00 00: ESC/P2 Remote Mode Commands.
+* * PP BC=3 00 XX YY: ESC/P2 Remote Mode Commands.
+* * PZ BC=2 00 xx: ESC/P2 Remote Mode Commands.
+* * RS BC=1 01: ESC/P2 Remote Mode Commands.
+* * SM BC=1 01: ESC/P2 Remote Mode Commands.
+* * SM BC=2 00 02: ESC/P2 Remote Mode Commands.
+* * SM BC=2 00 XX: ESC/P2 Remote Mode Commands.
+* * SN BC=3 00 XX YY: ESC/P2 Remote Mode Commands.
+* * ST BC=1 01: ESC/P2 Remote Mode Commands.
+* * ST BC=2 00 XX: ESC/P2 Remote Mode Commands.
+* * SV BC=0: ESC/P2 Remote Mode Commands.
+* </printer>: printers.xml.
+* <color>: printers.xml.
+* <language value=TYPE>: printers.xml.
+* <model value=INT>: printers.xml.
+* <nocolor>: printers.xml.
+* <printer name="LONGNAME" driver="DRIVERNAME">: printers.xml.
+* AM_PATH_GIMPPRINT: autoconf.
+* ESC $ OFFSET2: ESC/P2 Standard Commands.
+* ESC ($ BC=4 OFFSET4: ESC/P2 Standard Commands.
+* ESC (/ BC=4 OFFSET4: ESC/P2 Standard Commands.
+* ESC (\ BC=4 UNITS2 OFFSET2: ESC/P2 Standard Commands.
+* ESC (C BC=2 PAGELENGTH2: ESC/P2 Standard Commands.
+* ESC (C BC=4 PAGELENGTH4: ESC/P2 Standard Commands.
+* ESC (c BC=4 TOP2 LENGTH2: ESC/P2 Standard Commands.
+* ESC (c BC=8 TOP4 LENGTH4: ESC/P2 Standard Commands.
+* ESC (D BC=4 BASE2 VERTICAL1 HORIZONTAL1: ESC/P2 Standard Commands.
+* ESC (e BC=2 ZERO1 DOTSIZE1: ESC/P2 Standard Commands.
+* ESC (G BC=1 ON1: ESC/P2 Standard Commands.
+* ESC (i BC=1 MICROWEAVE1: ESC/P2 Standard Commands.
+* ESC (K BC=2 ZERO1 GRAYMODE1: ESC/P2 Standard Commands.
+* ESC (r BC=2 DENSITY1 COLOR1: ESC/P2 Standard Commands.
+* ESC (R BC=8 00 R E M O T E 1: ESC/P2 Standard Commands.
+* ESC (s BC=1 SPEED1: ESC/P2 Standard Commands.
+* ESC (S BC=8 WIDTH4 LENGTH4: ESC/P2 Standard Commands.
+* ESC (U BC=1 UNIT1: ESC/P2 Standard Commands.
+* ESC (U BC=5 PAGEUNITS1 VUNIT1 HUNIT1 BASEUNIT2: ESC/P2 Standard Commands.
+* ESC (V BC=2 ADVANCE2: ESC/P2 Standard Commands.
+* ESC (v BC=2 ADVANCE2: ESC/P2 Standard Commands.
+* ESC (V BC=4 ADVANCE4: ESC/P2 Standard Commands.
+* ESC (v BC=4 ADVANCE4: ESC/P2 Standard Commands.
+* ESC . COMPRESS1 VSEP1 HSEP1 LINES1 WIDTH2 DATA...: ESC/P2 Standard Commands.
+* ESC 01 @EJL [sp] ID\r\n: ESC/P2 Standard Commands.
+* ESC @: ESC/P2 Standard Commands.
+* ESC \ OFFSET2: ESC/P2 Standard Commands.
+* ESC i COLOR1 COMPRESS1 BITS1 BYTES2 LINES2 DATA...: ESC/P2 Standard Commands.
+* ESC r COLOR1: ESC/P2 Standard Commands.
+* ESC U DIRECTION1: ESC/P2 Standard Commands.
+* GIMPPRINT_BINARY_AGE: Version functions.
+* GIMPPRINT_CHECK_VERSION: Version functions.
+* GIMPPRINT_CURRENT_INTERFACE: Version functions.
+* GIMPPRINT_INTERFACE_AGE: Version functions.
+* GIMPPRINT_MAJOR_VERSION: Version functions.
+* GIMPPRINT_MICRO_VERSION: Version functions.
+* GIMPPRINT_MINOR_VERSION: Version functions.
+* NC BC=2 00 00: ESC/P2 Remote Mode Commands.
+* stp_allocate_copy: stp_vars_t functions.
+* stp_allocate_lut: stp_vars_t functions.
+* stp_allocate_vars: stp_vars_t functions.
+* stp_check_version: Version functions.
+* stp_choose_colorfunc: Settings functions.
+* stp_clear_all_options: Options functions.
+* stp_clear_option: Options functions.
+* stp_compute_lut: stp_vars_t functions.
+* stp_compute_page_parameters: Settings functions.
+* stp_copy_vars: stp_vars_t functions.
+* stp_default_dither_algorithm: Dither functions.
+* stp_default_settings: Settings functions.
+* stp_dither_algorithm_count: Dither functions.
+* stp_dither_algorithm_name: Dither functions.
+* stp_free_lut: stp_vars_t functions.
+* stp_free_vars: stp_vars_t functions.
+* stp_get_app_gamma: stp_vars_t functions.
+* stp_get_brightness: stp_vars_t functions.
+* stp_get_cmap: stp_vars_t functions.
+* stp_get_contrast: stp_vars_t functions.
+* stp_get_cyan: stp_vars_t functions.
+* stp_get_density: stp_vars_t functions.
+* stp_get_dither_algorithm: stp_vars_t functions.
+* stp_get_driver: stp_vars_t functions.
+* stp_get_errdata: stp_vars_t functions.
+* stp_get_errfunc: stp_vars_t functions.
+* stp_get_gamma: stp_vars_t functions.
+* stp_get_image_type: stp_vars_t functions.
+* stp_get_ink_type: stp_vars_t functions.
+* stp_get_input_color_model: stp_vars_t functions.
+* stp_get_left: stp_vars_t functions.
+* stp_get_lut: stp_vars_t functions.
+* stp_get_magenta: stp_vars_t functions.
+* stp_get_media_size: stp_vars_t functions.
+* stp_get_media_source: stp_vars_t functions.
+* stp_get_media_type: stp_vars_t functions.
+* stp_get_option_by_index: Options functions.
+* stp_get_option_by_name: Options functions.
+* stp_get_orientation: stp_vars_t functions.
+* stp_get_outdata: stp_vars_t functions.
+* stp_get_outfunc: stp_vars_t functions.
+* stp_get_output_color_model: stp_vars_t functions.
+* stp_get_output_to: stp_vars_t functions.
+* stp_get_output_type: stp_vars_t functions.
+* stp_get_page_height: stp_vars_t functions.
+* stp_get_page_width: stp_vars_t functions.
+* stp_get_papersize_by_index: Paper functions.
+* stp_get_papersize_by_name: Paper functions.
+* stp_get_papersize_by_size: Paper functions.
+* stp_get_ppd_file: stp_vars_t functions.
+* stp_get_printer_by_driver: Printer functions.
+* stp_get_printer_by_index: Printer functions.
+* stp_get_printer_by_long_name: Printer functions.
+* stp_get_printer_index_by_driver: Printer functions.
+* stp_get_resolution: stp_vars_t functions.
+* stp_get_saturation: stp_vars_t functions.
+* stp_get_scaling: stp_vars_t functions.
+* stp_get_top: stp_vars_t functions.
+* stp_get_unit: stp_vars_t functions.
+* stp_get_yellow: stp_vars_t functions.
+* stp_init: Main functions.
+* stp_known_papersizes: Paper functions.
+* stp_known_printers: Printer functions.
+* stp_malloc: Main functions.
+* stp_maximum_settings: Settings functions.
+* stp_merge_printvars: stp_vars_t functions.
+* stp_minimum_settings: Settings functions.
+* stp_option_count: Options functions.
+* stp_option_data: Options functions.
+* stp_option_length: Options functions.
+* stp_option_name: Options functions.
+* stp_papersize_get_bottom: Paper functions.
+* stp_papersize_get_height: Paper functions.
+* stp_papersize_get_left: Paper functions.
+* stp_papersize_get_name: Paper functions.
+* stp_papersize_get_right: Paper functions.
+* stp_papersize_get_top: Paper functions.
+* stp_papersize_get_unit: Paper functions.
+* stp_papersize_get_width: Paper functions.
+* stp_printer_get_driver: Printer functions.
+* stp_printer_get_long_name: Printer functions.
+* stp_printer_get_model: Printer functions.
+* stp_printer_get_printfuncs: Printer functions.
+* stp_printer_get_printvars: Printer functions.
+* stp_set_app_gamma: stp_vars_t functions.
+* stp_set_brightness: stp_vars_t functions.
+* stp_set_cmap: stp_vars_t functions.
+* stp_set_contrast: stp_vars_t functions.
+* stp_set_cyan: stp_vars_t functions.
+* stp_set_density: stp_vars_t functions.
+* stp_set_dither_algorithm: stp_vars_t functions.
+* stp_set_dither_algorithm_n: stp_vars_t functions.
+* stp_set_driver: stp_vars_t functions.
+* stp_set_driver_n: stp_vars_t functions.
+* stp_set_errdata: stp_vars_t functions.
+* stp_set_errfunc: stp_vars_t functions.
+* stp_set_gamma: stp_vars_t functions.
+* stp_set_image_type: stp_vars_t functions.
+* stp_set_ink_type: stp_vars_t functions.
+* stp_set_ink_type_n: stp_vars_t functions.
+* stp_set_input_color_model: stp_vars_t functions.
+* stp_set_left: stp_vars_t functions.
+* stp_set_lut: stp_vars_t functions.
+* stp_set_magenta: stp_vars_t functions.
+* stp_set_media_size: stp_vars_t functions.
+* stp_set_media_size_n: stp_vars_t functions.
+* stp_set_media_source: stp_vars_t functions.
+* stp_set_media_source_n: stp_vars_t functions.
+* stp_set_media_type: stp_vars_t functions.
+* stp_set_media_type_n: stp_vars_t functions.
+* stp_set_option: Options functions.
+* stp_set_orientation: stp_vars_t functions.
+* stp_set_outdata: stp_vars_t functions.
+* stp_set_outfunc: stp_vars_t functions.
+* stp_set_output_color_model: stp_vars_t functions.
+* stp_set_output_to: stp_vars_t functions.
+* stp_set_output_to_n: stp_vars_t functions.
+* stp_set_output_type: stp_vars_t functions.
+* stp_set_page_height: stp_vars_t functions.
+* stp_set_page_width: stp_vars_t functions.
+* stp_set_ppd_file: stp_vars_t functions.
+* stp_set_ppd_file_n: stp_vars_t functions.
+* stp_set_resolution: stp_vars_t functions.
+* stp_set_resolution_n: stp_vars_t functions.
+* stp_set_saturation: stp_vars_t functions.
+* stp_set_scaling: stp_vars_t functions.
+* stp_set_top: stp_vars_t functions.
+* stp_set_unit: stp_vars_t functions.
+* stp_set_yellow: stp_vars_t functions.
+* VI BC=2 00 00: ESC/P2 Remote Mode Commands.
+
+
+File: gimpprint.info, Node: Concept Index, Prev: Function and Macro Index, Up: Top
+
+Concept Index
+*************
+
+* Menu:
+
+* adding a printer: New Printer.
+* Appendices: Appendices.
+* autoconf: autoconf.
+* automake: automake.
+* bugs: Problems.
+* collisions: Weaving collisions.
+* CUPS driver: CUPS.
+* dither functions: Dither functions.
+* dithering: Dithering.
+* driver file: Driver file.
+* Epson inkjet printers: Epson inkjet printers.
+* ESC/P2: ESC/P2.
+* ESC/P2 introduction: ESC/P2 Introduction.
+* functions: Functions.
+* ghostscript driver: Ghostscript.
+* GIMP Print plugin: The GIMP plugin.
+* gimpprint-config: gimpprint-config.
+* how to read: Instructions.
+* initialising libgimpprint: Main functions.
+* integrating: Integrating libgimpprint.
+* m4 macros: autoconf.
+* main functions: Main functions.
+* make: make.
+* manual, how to read: Instructions.
+* memory allocation: Main functions.
+* new printer: New Printer.
+* options functions: Options functions.
+* oversampling: Oversampling.
+* overview: Overview.
+* paper functions: Paper functions.
+* perfect weave <1>: What is perfect weaving?.
+* perfect weave: Perfect weaving.
+* Print plugin: The GIMP plugin.
+* printer functions: Printer functions.
+* printer, adding: New Printer.
+* printer, tuning: Tuning Epson printers.
+* problems: Problems.
+* programs: Programs.
+* reading: Instructions.
+* settings functions: Settings functions.
+* stp_vars_t functions: stp_vars_t functions.
+* tuning the printer: Tuning Epson printers.
+* using: Using libgimpprint.
+* version functions: Version functions.
+* weaving: Weaving.
+* weaving algorithms: Weaving algorithms.
+* weaving collisions: Weaving collisions.
+
+
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+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
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+%%BeginDocument: print-color.eps
+%!PS-Adobe-3.0 EPSF-3.0
+%%Creator: (ImageMagick)
+%Title: (print-color.eps)
+%%CreationDate: (Sun Feb 29 19:56:02 2004)
+%%BoundingBox: 0 0 382 406
+%%LanguageLevel: 2
+%%Pages: 0
+%%EndComments
+
+%%BeginDefaults
+%%PageOrientation: Portrait
+%%EndDefaults
+
+%%BeginProlog
+%
+% Display a color image. The image is displayed in color on
+% Postscript viewers or printers that support color, otherwise
+% it is displayed as grayscale.
+%
+/buffer 512 string def
+/pixel_stream currentfile /ASCII85Decode filter def
+
+/DirectClassImage
+{
+ %
+ % Display a DirectClass image.
+ %
+ colorspace 0 eq
+ {
+ /DeviceRGB setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ }
+ {
+ /DeviceCMYK setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/PseudoClassImage
+{
+ %
+ % Display a PseudoClass image.
+ %
+ % Parameters:
+ % colors: number of colors in the colormap.
+ %
+ currentfile buffer readline pop
+ token pop /colors exch def pop
+ colors 0 eq
+ {
+ %
+ % Image is grayscale.
+ %
+ /DeviceGray setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 1
+ /Decode [0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ {
+ /DataSource pixel_stream
+ <<
+ /K -1
+ /Columns columns
+ /Rows rows
+ >> /CCITTFaxDecode filter
+ } ifelse
+ >> image
+ }
+ {
+ %
+ % Parameters:
+ % colormap: red, green, blue color packets.
+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
+ % x & y translation.
+ % x & y scale.
+ % label pointsize.
+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
+ % compression: 0-RunlengthEncodedCompression or 1-NoCompression.
+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ currentfile buffer readline pop
+ token pop /pointsize exch def pop
+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
+ token pop /columns exch def
+ token pop /rows exch def pop
+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
+%%EndProlog
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+(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)
+f(.)g(.)h(.)f(.)g(.)38 b Fd(21)2025 1900 y(p)r(erfect)26
+b(w)n(ea)n(v)n(e)21 b Fb(.)12 b(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h
+(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)46
+b Fd(44,)27 b(48)2025 2000 y(Prin)n(t)e(plugin)14 b Fb(.)f(.)f(.)g(.)g
+(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)
+g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)39 b Fd(26)2025
+2100 y(prin)n(ter)25 b(functions)11 b Fb(.)i(.)f(.)g(.)h(.)f(.)g(.)h(.)
+f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g
+(.)h(.)f(.)g(.)37 b Fd(22)2025 2199 y(prin)n(ter,)25
+b(adding)d Fb(.)13 b(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)
+h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)47
+b Fd(74)2025 2299 y(prin)n(ter,)25 b(tuning)8 b Fb(.)k(.)g(.)h(.)f(.)g
+(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)
+g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)34 b Fd(81)2025 2399
+y(problems)12 b Fb(.)f(.)i(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g
+(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)
+g(.)g(.)h(.)f(.)g(.)38 b Fd(32)2025 2498 y(programs)8
+b Fb(.)k(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)
+f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)g(.)h(.)f(.)g
+(.)h(.)33 b Fd(26)2025 2801 y Ft(R)2025 2940 y Fd(reading)23
+b Fb(.)12 b(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g
+(.)h(.)f(.)g(.)h(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)
+f(.)g(.)h(.)f(.)49 b Fd(1)2025 3242 y Ft(S)2025 3381
+y Fd(settings)26 b(functions)15 b Fb(.)e(.)f(.)h(.)f(.)g(.)h(.)f(.)g(.)
+h(.)f(.)g(.)h(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f
+(.)g(.)41 b Fd(24)2025 3481 y Fe(stp_vars_t)28 b Fd(functions)20
+b Fb(.)12 b(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g
+(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)46 b Fd(15)2025 3786 y
+Ft(T)2025 3924 y Fd(tuning)25 b(the)g(prin)n(ter)7 b
+Fb(.)12 b(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f
+(.)g(.)h(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)33 b Fd(81)2025
+4227 y Ft(U)2025 4366 y Fd(using)22 b Fb(.)12 b(.)g(.)h(.)f(.)g(.)h(.)f
+(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)
+h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)47
+b Fd(11)2025 4668 y Ft(V)2025 4807 y Fd(v)n(ersion)26
+b(functions)8 b Fb(.)k(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f
+(.)g(.)h(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)33
+b Fd(24)2025 5097 y Ft(W)2025 5236 y Fd(w)n(ea)n(ving)12
+b Fb(.)h(.)f(.)h(.)f(.)g(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)
+f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h
+(.)f(.)g(.)38 b Fd(41)2025 5336 y(w)n(ea)n(ving)26 b(algorithms)c
+Fb(.)13 b(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h
+(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)47 b Fd(42)2025
+5435 y(w)n(ea)n(ving)26 b(collisions)13 b Fb(.)i(.)d(.)h(.)f(.)g(.)g(.)
+h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g(.)h(.)f(.)g
+(.)h(.)f(.)g(.)39 b Fd(47)p eop
+%%Trailer
+end
+userdict /end-hook known{end-hook}if
+%%EOF
diff --git a/doc/html-stamp b/doc/html-stamp
new file mode 100644
index 0000000..e69de29
--- /dev/null
+++ b/doc/html-stamp
diff --git a/doc/manual-html/gimpprint_1.html b/doc/manual-html/gimpprint_1.html
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@@ -0,0 +1,63 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Instructions</TITLE>
+</HEAD>
+<BODY>
+Go to the first, previous, <A HREF="gimpprint_2.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC1" HREF="gimpprint_toc.html#TOC1">Preface</A></H1>
+
+<P>
+<A NAME="IDX1"></A>
+<A NAME="IDX2"></A>
+<A NAME="IDX3"></A>
+This manual documents the use of the GIMP-Print package, focusing mainly on the
+libgimpprint library that is the core of GIMP-Print. Parts of the manual which
+describe the use of libgimpprint are aimed primarily at programmers, and do
+assume that the reader is familiar with C programming, and using standard
+programming tools on GNU or UNIX systems. Other parts of the manual document
+the use of the programs that make up the GIMP-Print package, and assume no
+knowledge other than the basics of using a shell and editor.
+
+</P>
+<P>
+The best way to learn how to use libgimpprint in your own programs is to read
+the manual from start to finish, using the examples given in the text to learn
+how it works. The bulk of the manual can be used as a reference once one
+understands the basics.
+
+</P>
+<P>
+The manual is split into several parts for the programmer. It starts
+with a simple usage example of how to link a program with libgimpprint,
+then how to integrate this into package build scripts, using
+@command{make}, @command{autoconf} and @command{automake}. This is
+followed by a detailed function reference, including descriptions of all
+the data types used.
+
+</P>
+<P>
+For the end-user, there is a section on all of the programs that come
+with GIMP-Print, including the GIMP @command{print} plugin, and the CUPS
+and Ghostscript drivers.
+
+</P>
+<P>
+The appendices at the end of the manual detail the dither and weave
+algorithms used in libgimpprint, the ESC/P2 printer control language
+used in Epson printers and how to add support for a new printer to
+libgimpprint.
+
+</P>
+<P>
+We hope you enjoy using GIMP-Print!
+--The GIMP-Print project
+<P><HR><P>
+Go to the first, previous, <A HREF="gimpprint_2.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_10.html b/doc/manual-html/gimpprint_10.html
new file mode 100644
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--- /dev/null
+++ b/doc/manual-html/gimpprint_10.html
@@ -0,0 +1,53 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_9.html">previous</A>, <A HREF="gimpprint_11.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC15" HREF="gimpprint_toc.html#TOC15">4 Functions</A></H1>
+<P>
+<A NAME="IDX13"></A>
+
+</P>
+<P>
+This section of the manual is a complete reference to all of the functions
+comprising libgimpprint, with examples.
+
+</P>
+<P>
+All of the libgimpprint functions can be declared by including the master
+libgimpprint header, <TT>`&#60;gimp-print/gimp-print.h&#62;'</TT>. This should be done in
+every source file that uses gimpprint functions by putting
+
+</P>
+
+<PRE>
+#include &#60;gimp-print/gimp-print.h&#62;
+</PRE>
+
+<P>
+at the top of each file.
+
+</P>
+
+<UL>
+<LI><A HREF="gimpprint_11.html#SEC16">Main functions</A>: Essential functions every program must call.
+<LI><A HREF="gimpprint_12.html#SEC17">stp_vars_t functions</A>: Using stp_vars_t.
+<LI><A HREF="gimpprint_13.html#SEC18">Dither functions</A>: Dither algorithms.
+<LI><A HREF="gimpprint_14.html#SEC19">Options functions</A>: Options.
+<LI><A HREF="gimpprint_15.html#SEC20">Paper functions</A>: Paper size and orientation.
+<LI><A HREF="gimpprint_16.html#SEC21">Printer functions</A>: Printer selection.
+<LI><A HREF="gimpprint_17.html#SEC22">Settings functions</A>: Getting and changing settings.
+<LI><A HREF="gimpprint_18.html#SEC23">Version functions</A>: Getting libgimpprint version information.
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_9.html">previous</A>, <A HREF="gimpprint_11.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_11.html b/doc/manual-html/gimpprint_11.html
new file mode 100644
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+++ b/doc/manual-html/gimpprint_11.html
@@ -0,0 +1,86 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Main functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_10.html">previous</A>, <A HREF="gimpprint_12.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC16" HREF="gimpprint_toc.html#TOC16">4.1 Main functions</A></H2>
+<P>
+<A NAME="IDX14"></A>
+
+</P>
+<P>
+These functions are essential to the correct functioning of
+libgimpprint. All or most other functions in the library depend
+absolutely upon them. In the case of <CODE>stp_init</CODE>, this function
+<EM>must</EM> be called before any of the other functions in the library.
+
+</P>
+
+<P>
+<A NAME="IDX15"></A>
+<DL>
+<DT><U>Function:</U> int <B>stp_init</B> <I>(void)</I>
+<DD><A NAME="IDX16"></A>
+
+</P>
+<P>
+This function initialises the libgimpprint library. It must be called before
+any of the other libgimpprint functions are called. It is responsible for
+setting up message catalogues (for internationalisation). This function
+may be called more than once, at any stage during the execution of a
+program.
+
+</P>
+<P>
+It returns zero on success, nonzero on failure.
+</DL>
+
+</P>
+<P>
+<CODE>stp_init</CODE> might be used as follows:
+
+</P>
+
+<PRE>
+int
+main (int argc, char **argv)
+{
+ stp_init();
+
+ ...
+
+}
+</PRE>
+
+<P>
+<A NAME="IDX17"></A>
+<DL>
+<DT><U>Function:</U> void * <B>stp_malloc</B> <I>(size_t <VAR>size</VAR>)</I>
+<DD><A NAME="IDX18"></A>
+
+</P>
+<P>
+Where <VAR>size</VAR> is the amount of memory to allocate (in bytes).
+
+</P>
+<P>
+This function allocates memory. It will always return a pointer to the
+allocated memory. It will not return on failure.
+
+</P>
+<P>
+It returns a pointer to the allocated memory.
+</DL>
+
+</P>
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_10.html">previous</A>, <A HREF="gimpprint_12.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_12.html b/doc/manual-html/gimpprint_12.html
new file mode 100644
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+++ b/doc/manual-html/gimpprint_12.html
@@ -0,0 +1,558 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - stp_vars_t functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_11.html">previous</A>, <A HREF="gimpprint_13.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC17" HREF="gimpprint_toc.html#TOC17">4.2 <CODE>stp_vars_t</CODE> functions</A></H2>
+<P>
+<A NAME="IDX19"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> void * <B>stp_vars_t</B>
+<DD><A NAME="IDX20"></A>
+This is an opaque data type, whose structure is not visible to the
+user. This object contains all of the information about settings for
+a given printer, such as color (contrast, brightness), the type of
+printer, the dithering algorithm in use, and so forth. Please see the
+<CODE>stp_set_*</CODE> and <CODE>stp_get_*</CODE> functions below for the
+accessors and mutators for this data type.
+</DL>
+
+</P>
+
+<P>
+<DL>
+<DT><U>Function:</U> stp_vars_t <B>stp_allocate_vars</B> <I>(void)</I>
+<DD><A NAME="IDX21"></A>
+Allocate a new <CODE>stp_vars_t</CODE> with default settings for all members.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_copy_vars</B> <I>(stp_vars_t <VAR>vd</VAR>, const stp_vars_t <VAR>vs</VAR>)</I>
+<DD><A NAME="IDX22"></A>
+Copy the settings from <VAR>vs</VAR> to <VAR>vd</VAR>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> stp_vars_t <B>stp_allocate_copy</B> <I>(const stp_vars_t <VAR>vs</VAR>)</I>
+<DD><A NAME="IDX23"></A>
+Allocate a new <CODE>stp_vars_t</CODE>, copying settings from <VAR>vs</VAR>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_free_vars</B> <I>(stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX24"></A>
+Free all resources associated with <VAR>vv</VAR>. <VAR>vv</VAR> must not be
+used in any way following this call.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_output_to</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX25"></A>
+<DT><U>Function:</U> void <B>stp_set_output_to</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX26"></A>
+<DT><U>Function:</U> void <B>stp_set_output_to_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX27"></A>
+Get or set the name of the command that this job will be printed to.
+This is used by front ends; the driver library always prints to a
+stream provided by the front end and never uses this directly.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_driver</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX28"></A>
+<DT><U>Function:</U> void <B>stp_set_driver</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX29"></A>
+<DT><U>Function:</U> void <B>stp_set_driver_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX30"></A>
+Get or set the name of the driver (the type of printer).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_ppd_file</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX31"></A>
+<DT><U>Function:</U> void <B>stp_set_ppd_file</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX32"></A>
+<DT><U>Function:</U> void <B>stp_set_ppd_file_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX33"></A>
+Get or set the name of the PPD file used by this print job. Normally,
+only PostScript printers use PPD files.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_resolution</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX34"></A>
+<DT><U>Function:</U> void <B>stp_set_resolution</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX35"></A>
+<DT><U>Function:</U> void <B>stp_set_resolution_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX36"></A>
+Get or set the resolution to be used in this print job. Different
+drivers support different resolutions, and many drivers support
+multiple quality settings for a given DPI resolution.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_media_size</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX37"></A>
+<DT><U>Function:</U> void <B>stp_set_media_size</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX38"></A>
+<DT><U>Function:</U> void <B>stp_set_media_size_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX39"></A>
+Get or set the name of the media size (e. g. A3, letter, legal) to be
+used in this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_media_type</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX40"></A>
+<DT><U>Function:</U> void <B>stp_set_media_type</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX41"></A>
+<DT><U>Function:</U> void <B>stp_set_media_type_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX42"></A>
+Get or set the name of the media type (e. g. plain paper, photo
+quality inkjet paper) to be used in this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_media_source</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX43"></A>
+<DT><U>Function:</U> void <B>stp_set_media_source</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX44"></A>
+<DT><U>Function:</U> void <B>stp_set_media_source_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX45"></A>
+Get or set the name of the media source (e. g. manual feed, tray A) to
+be used in this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_ink_type</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX46"></A>
+<DT><U>Function:</U> void <B>stp_set_ink_type</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX47"></A>
+<DT><U>Function:</U> void <B>stp_set_ink_type_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX48"></A>
+Get or set the name of the ink type (e. g. four color standard, six
+color photo) to be used in this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_get_dither_algorithm</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX49"></A>
+<DT><U>Function:</U> void <B>stp_set_dither_algorithm</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX50"></A>
+<DT><U>Function:</U> void <B>stp_set_dither_algorithm_n</B> <I>(stp_vars_t <VAR>vv</VAR>, const char *<VAR>val</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX51"></A>
+Get or set the dither algorithm to be used in this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_output_type</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX52"></A>
+<DT><U>Function:</U> void <B>stp_set_output_type</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX53"></A>
+Get or set the output type (color, grayscale, black and white) for
+this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_orientation</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX54"></A>
+<DT><U>Function:</U> void <B>stp_set_orientation</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX55"></A>
+Get or set the paper orientation for this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_left</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX56"></A>
+<DT><U>Function:</U> void <B>stp_set_left</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX57"></A>
+Get or set the left margin (in 1/72 inch units, or "points") for this
+print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_top</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX58"></A>
+<DT><U>Function:</U> void <B>stp_set_top</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX59"></A>
+Get or set the top margin (in 1/72 inch units, or "points") for this
+print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_image_type</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX60"></A>
+<DT><U>Function:</U> void <B>stp_set_image_type</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX61"></A>
+Get or set the image type (line art, continuous tone, solid colors)
+for this print job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_unit</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX62"></A>
+<DT><U>Function:</U> void <B>stp_set_unit</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX63"></A>
+Get or set the base unit (inches or centimeters) for this print job.
+This is provided for front ends; the package itself uses points as its
+unit of measurement.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_page_width</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX64"></A>
+<DT><U>Function:</U> void <B>stp_set_page_width</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX65"></A>
+Get or set the width of the printed region of the page.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_page_height</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX66"></A>
+<DT><U>Function:</U> void <B>stp_set_page_height</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX67"></A>
+Get or set the height of the printed region of the page.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_input_color_model</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX68"></A>
+<DT><U>Function:</U> void <B>stp_set_input_color_model</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX69"></A>
+Get or set the color model (currently RGB or CMY) of the input to the
+driver. Most front ends will use RGB input.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_output_color_model</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX70"></A>
+<DT><U>Function:</U> void <B>stp_set_output_color_model</B> <I>(stp_vars_t <VAR>vv</VAR>, int <VAR>val</VAR>)</I>
+<DD><A NAME="IDX71"></A>
+Get or set the color model (currently RGB or CMY) of the output of the
+driver. Most printers will use CMY.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_scaling</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX72"></A>
+<DT><U>Function:</U> void <B>stp_set_scaling</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX73"></A>
+Get or set the scaling factor of the image. If the scaling factor is
+greater than 0, it is interpreted as a percent (5.0-100.0 is the valid
+range) of the printable page region, using the more restrictive axis.
+For example, if the image to be printed should be 3" (wide) x 2"
+(high), and the printable page region is 8"x10.5", the scale factor
+should be 37.5 (3"/8").
+
+</P>
+<P>
+If the scaling is less than zero, it is interpreted as pixels per
+inch.
+
+</P>
+<P>
+It is likely that in the future this will be migrated into the front
+end. There is no particular reason why the driver needs to know about
+this.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_gamma</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX74"></A>
+<DT><U>Function:</U> void <B>stp_set_gamma</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX75"></A>
+Get or set the gamma of the print job (valid range: 0.1-4.0; default
+1.0). Note that this is not the absolute gamma used by the print job;
+it is scaled by the gamma appropriate for the printer. This is true
+for all of the numerical parameters.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_brightness</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX76"></A>
+<DT><U>Function:</U> void <B>stp_set_brightness</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX77"></A>
+Get or set the brightness of the print job (valid range: 0.0-2.0;
+default: 1.0). Any value other than 1.0 will result in some possible
+values not being used; if brightness is less than 1.0, no output point
+will be pure white, and if brightness is greater than 1.0, no output
+point will be pure black (or cyan, or magenta, or yellow).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_contrast</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX78"></A>
+<DT><U>Function:</U> void <B>stp_set_contrast</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX79"></A>
+Get or set the contrast of the print job (valid range: 0.0-4.0;
+default: 1.0). Values less than 1.0 will result in pure white or
+black not being used (0.0 will make the entire image 50% gray).
+Values greater than 1.0 do not hard clip; while the contrast in the
+midtones increases, it only asymptotically approaches the limits.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_cyan</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX80"></A>
+<DT><U>Function:</U> void <B>stp_set_cyan</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX81"></A>
+Get or set the cyan adjustment of the print job (range: 0.0-4.0; default:
+1.0). This currently adjusts the gamma of the cyan curve. It is
+scaled by the cyan adjustment for the printer model in question.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_magenta</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX82"></A>
+<DT><U>Function:</U> void <B>stp_set_magenta</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX83"></A>
+Get or set the magenta adjustment of the print job (range: 0.0-4.0; default:
+1.0). This currently adjusts the gamma of the magenta curve. It is
+scaled by the magenta adjustment for the printer model in question.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_yellow</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX84"></A>
+<DT><U>Function:</U> void <B>stp_set_yellow</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX85"></A>
+Get or set the yellow adjustment of the print job (range: 0.0-4.0; default:
+1.0). This currently adjusts the gamma of the yellow curve. It is
+scaled by the yellow adjustment for the printer model in question.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_saturation</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX86"></A>
+<DT><U>Function:</U> void <B>stp_set_saturation</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX87"></A>
+Get or set the saturation of the print job (range: 0.0-9.0; default: 1.0).
+Saturation of 0.0 produces grayscale output using composite (CMY or
+CMYK, as appropriate for the printer) color.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_density</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX88"></A>
+<DT><U>Function:</U> void <B>stp_set_density</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX89"></A>
+Get or set the density of the print job (range: 0.0-2.0; default:
+1.0). This adjusts the amount of ink deposited in a linear fashion
+for all channels. It is scaled by the density appropriate for the
+choice of printer, resolution, paper type, and other factors that the
+driver may deem appropriate.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> float <B>stp_get_app_gamma</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX90"></A>
+<DT><U>Function:</U> void <B>stp_set_app_gamma</B> <I>(stp_vars_t <VAR>vv</VAR>, float <VAR>val</VAR>)</I>
+<DD><A NAME="IDX91"></A>
+Get or set the gamma of the input (i. e. what the driving application
+uses).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> void * <B>stp_get_lut</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX92"></A>
+<DT><U>Function:</U> void <B>stp_set_lut</B> <I>(stp_vars_t <VAR>vv</VAR>, void *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX93"></A>
+Get or set the color lookup table for the print job. This is useful
+outside of the library for computing a preview of the printed result.
+The lookup table itself should be treated as an opaque handle.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> unsigned char * <B>stp_get_cmap</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX94"></A>
+<DT><U>Function:</U> void <B>stp_set_cmap</B> <I>(stp_vars_t <VAR>vv</VAR>, unsigned char *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX95"></A>
+Get or set the color map for the print job. This is a table of R,G,B
+values for 8-bit indexed input. This may be moved outside of the
+library in the future; in this case, the front end would be required
+to do its own mapping and supply true-color RGB to the driver.
+</DL>
+
+</P>
+<P>
+The following methods are used to perform output and error reporting
+by the driver. The driver supplies a stream of output bytes; the
+front end is responsible for providing methods that accept this output
+and handle it appropriately.
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> stp_outfunc_t <B>stp_get_outfunc</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX96"></A>
+<DT><U>Function:</U> void <B>stp_set_outfunc</B> <I>(const stp_vars_t <VAR>vv</VAR>, stp_outfunc_t <VAR>val</VAR>)</I>
+<DD><A NAME="IDX97"></A>
+<DT><U>Function:</U> void * <B>stp_get_outdata</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX98"></A>
+<DT><U>Function:</U> void <B>stp_set_outdata</B> <I>(stp_vars_t <VAR>vv</VAR>, void *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX99"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> <B>stp_outfunc_t</B>
+<DD><A NAME="IDX100"></A>
+
+<PRE>
+typedef void (*stp_outfunc_t) (void *data,
+ const char *buffer, size_t bytes);
+</PRE>
+
+</DL>
+<P>
+Get or set the output function the driver will use. The front end
+must supply a suitable function for accepting the output data. The
+<CODE>stp_set_outdata</CODE> method provides a way of passing an appropriate
+object to the output function.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> stp_outfunc_t <B>stp_get_errfunc</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX101"></A>
+<DT><U>Function:</U> void <B>stp_set_errfunc</B> <I>(const stp_vars_t <VAR>vv</VAR>, stp_outfunc_t <VAR>val</VAR>)</I>
+<DD><A NAME="IDX102"></A>
+<DT><U>Function:</U> void * <B>stp_get_errdata</B> <I>(const stp_vars_t <VAR>vv</VAR>)</I>
+<DD><A NAME="IDX103"></A>
+<DT><U>Function:</U> void <B>stp_set_errdata</B> <I>(stp_vars_t <VAR>vv</VAR>, void *<VAR>val</VAR>)</I>
+<DD><A NAME="IDX104"></A>
+Get or set the error reporting function that the driver will use.
+This is used to report errors or debugging information, and must be
+supplied. A typical errfunc will simply print whatever it's passed to
+stderr.
+</DL>
+
+</P>
+<P>
+/*
+ * hue_map is an array of 49 doubles representing the mapping of hue
+ * from (0..6) to (0..6) in increments of .125. The hue_map is in CMY space,
+ * so hue=0 is cyan.
+ */
+typedef void (*stp_convert_t)(const stp_vars_t vars, const unsigned char *in,
+ unsigned short *out, int *zero_mask,
+ int width, int bpp, const unsigned char *cmap,
+ const double *hue_map, const double *lum_map,
+ const double *sat_map);
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_merge_printvars</B> <I>(stp_vars_t <VAR>user</VAR>, const stp_vars_t <VAR>print</VAR>)</I>
+<DD><A NAME="IDX105"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_allocate_lut</B> <I>(stp_vars_t <VAR>v</VAR>, size_t <VAR>steps</VAR>)</I>
+<DD><A NAME="IDX106"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_free_lut</B> <I>(stp_vars_t <VAR>v</VAR>)</I>
+<DD><A NAME="IDX107"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_compute_lut</B> <I>(stp_vars_t <VAR>v</VAR>, size_t <VAR>steps</VAR>)</I>
+<DD><A NAME="IDX108"></A>
+
+</P>
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_11.html">previous</A>, <A HREF="gimpprint_13.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_13.html b/doc/manual-html/gimpprint_13.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Dither functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_12.html">previous</A>, <A HREF="gimpprint_14.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC18" HREF="gimpprint_toc.html#TOC18">4.3 Dither functions</A></H2>
+<P>
+<A NAME="IDX109"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> size_t <B>stp_dither_algorithm_count</B> <I>(void)</I>
+<DD><A NAME="IDX110"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_dither_algorithm_name</B> <I>(int <VAR>id</VAR>)</I>
+<DD><A NAME="IDX111"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_default_dither_algorithm</B> <I>(void)</I>
+<DD><A NAME="IDX112"></A>
+
+</P>
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_12.html">previous</A>, <A HREF="gimpprint_14.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_14.html b/doc/manual-html/gimpprint_14.html
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Options functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_13.html">previous</A>, <A HREF="gimpprint_15.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC19" HREF="gimpprint_toc.html#TOC19">4.4 Options functions</A></H2>
+<P>
+<A NAME="IDX113"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> void * <B>stp_option_t</B>
+<DD><A NAME="IDX114"></A>
+This is an opaque data type, whose structure is not visible to the
+user.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_set_option(stp_vars_t</B> <I><VAR>v</VAR>, const char *<VAR>name</VAR>, const char *<VAR>data</VAR>, int <VAR>bytes</VAR>)</I>
+<DD><A NAME="IDX115"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_clear_option</B> <I>(stp_vars_t <VAR>v</VAR>, const char *<VAR>name</VAR>)</I>
+<DD><A NAME="IDX116"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_clear_all_options</B> <I>(stp_vars_t <VAR>v</VAR>)</I>
+<DD><A NAME="IDX117"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> size_t <B>stp_option_count</B> <I>(const stp_vars_t <VAR>v</VAR>)</I>
+<DD><A NAME="IDX118"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_option_t <B>stp_get_option_by_index</B> <I>(const stp_vars_t <VAR>v</VAR>, size_t <VAR>idx</VAR>)</I>
+<DD><A NAME="IDX119"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_option_t <B>stp_get_option_by_name</B> <I>(const stp_vars_t <VAR>v</VAR>, const char *<VAR>name</VAR>)</I>
+<DD><A NAME="IDX120"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_option_data</B> <I>(const stp_option_t <VAR>option</VAR>)</I>
+<DD><A NAME="IDX121"></A>
+<STRONG>Note</STRONG>: not null delimited!
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_option_name</B> <I>(const stp_option_t <VAR>option</VAR>)</I>
+<DD><A NAME="IDX122"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> size_t <B>stp_option_length</B> <I>(const stp_option_t <VAR>option</VAR>)</I>
+<DD><A NAME="IDX123"></A>
+
+</P>
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_13.html">previous</A>, <A HREF="gimpprint_15.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_15.html b/doc/manual-html/gimpprint_15.html
new file mode 100644
index 0000000..3bc88e2
--- /dev/null
+++ b/doc/manual-html/gimpprint_15.html
@@ -0,0 +1,141 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Paper functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_14.html">previous</A>, <A HREF="gimpprint_16.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC20" HREF="gimpprint_toc.html#TOC20">4.5 Paper functions</A></H2>
+<P>
+<A NAME="IDX124"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> void * <B>stp_papersize_t</B>
+<DD><A NAME="IDX125"></A>
+This is an opaque data type, whose structure is not visible to the
+user.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> <B>stp_papersize_unit_t</B>
+<DD><A NAME="IDX126"></A>
+
+<PRE>
+typedef enum papersize_unit
+{
+ PAPERSIZE_ENGLISH,
+ PAPERSIZE_METRIC
+} stp_papersize_unit_t;
+</PRE>
+
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_known_papersizes</B> <I>(void)</I>
+<DD><A NAME="IDX127"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_papersize_t <B>stp_get_papersize_by_name</B> <I>(const char *<VAR>name</VAR>)</I>
+<DD><A NAME="IDX128"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_papersize_t <B>stp_get_papersize_by_size</B> <I>(int <VAR>l</VAR>, int <VAR>w</VAR>)</I>
+<DD><A NAME="IDX129"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_papersize_t <B>stp_get_papersize_by_index</B> <I>(int <VAR>index</VAR>)</I>
+<DD><A NAME="IDX130"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_papersize_get_name</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX131"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> unsigned <B>stp_papersize_get_width</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX132"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> unsigned <B>stp_papersize_get_height</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX133"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> unsigned <B>stp_papersize_get_top</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX134"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> unsigned <B>stp_papersize_get_left</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX135"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> unsigned <B>stp_papersize_get_bottom</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX136"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> unsigned <B>stp_papersize_get_right</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX137"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> stp_papersize_unit_t <B>stp_papersize_get_unit</B> <I>(const stp_papersize_t <VAR>pt</VAR>)</I>
+<DD><A NAME="IDX138"></A>
+
+</P>
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_14.html">previous</A>, <A HREF="gimpprint_16.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_16.html b/doc/manual-html/gimpprint_16.html
new file mode 100644
index 0000000..dd8f55d
--- /dev/null
+++ b/doc/manual-html/gimpprint_16.html
@@ -0,0 +1,184 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Printer functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_15.html">previous</A>, <A HREF="gimpprint_17.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC21" HREF="gimpprint_toc.html#TOC21">4.6 Printer functions</A></H2>
+<P>
+<A NAME="IDX139"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> void * <B>stp_printer_t</B>
+<DD><A NAME="IDX140"></A>
+This is an opaque data type, whose structure is not visible to the
+user.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_known_printers</B> <I>(void)</I>
+<DD><A NAME="IDX141"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_printer_t <B>stp_get_printer_by_index</B> <I>(int <VAR>idx</VAR>)</I>
+<DD><A NAME="IDX142"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_printer_get_long_name</B> <I>(const stp_printer_t <VAR>p</VAR>)</I>
+<DD><A NAME="IDX143"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_printer_t <B>stp_get_printer_by_long_name</B> <I>(const char *<VAR>long_name</VAR>)</I>
+<DD><A NAME="IDX144"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_printer_t <B>stp_get_printer_by_driver</B> <I>(const char *<VAR>driver</VAR>)</I>
+<DD><A NAME="IDX145"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_get_printer_index_by_driver</B> <I>(const char *<VAR>driver</VAR>)</I>
+<DD><A NAME="IDX146"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_printer_get_driver</B> <I>(const stp_printer_t <VAR>p</VAR>)</I>
+<DD><A NAME="IDX147"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> int <B>stp_printer_get_model</B> <I>(const stp_printer_t <VAR>p</VAR>)</I>
+<DD><A NAME="IDX148"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_printfuncs_t * <B>stp_printer_get_printfuncs</B> <I>(const stp_printer_t <VAR>p</VAR>)</I>
+<DD><A NAME="IDX149"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Data type:</U> <B>stp_printfuncs_t</B>
+<DD><A NAME="IDX150"></A>
+
+<PRE>
+typedef struct
+{
+ char **(*parameters)(const stp_printer_t printer,
+ const char *ppd_file,
+ const char *name, int *count);
+ void (*media_size)(const stp_printer_t printer,
+ const stp_vars_t v, int *width,
+ int *height);
+ void (*imageable_area)(const stp_printer_t printer,
+ const stp_vars_t v,
+ int *left, int *right,
+ int *bottom, int *top);
+ void (*limit)(const stp_printer_t printer,
+ const stp_vars_t v,
+ int *width, int *height);
+ void (*print)(const stp_printer_t printer,
+ stp_image_t *image, const stp_vars_t v);
+ const char *(*default_parameters)(const stp_printer_t printer,
+ const char *ppd_file,
+ const char *name);
+ void (*describe_resolution)(const stp_printer_t printer,
+ const char *resolution,
+ int *x, int *y);
+ int (*verify)(const stp_printer_t p, const stp_vars_t v);
+} stp_printfuncs_t;
+</PRE>
+
+</DL>
+
+<P>
+<DL>
+<DT><U>Data type:</U> <B>stp_image_t</B>
+<DD><A NAME="IDX151"></A>
+
+<PRE>
+typedef struct stp_image
+{
+ void (*init)(struct stp_image *image);
+ void (*reset)(struct stp_image *image);
+ void (*transpose)(struct stp_image *image);
+ void (*hflip)(struct stp_image *image);
+ void (*vflip)(struct stp_image *image);
+ void (*crop)(struct stp_image *image,
+ int left, int top, int right,
+ int bottom);
+ void (*rotate_ccw)(struct stp_image *image);
+ void (*rotate_cw)(struct stp_image *image);
+ void (*rotate_180)(struct stp_image *image);
+ int (*bpp)(struct stp_image *image);
+ int (*width)(struct stp_image *image);
+ int (*height)(struct stp_image *image);
+ void (*get_row)(struct stp_image *image,
+ unsigned char *data, int row);
+ const char *(*get_appname)(struct stp_image *image);
+ void (*progress_init)(struct stp_image *image);
+ void (*note_progress)(struct stp_image *image,
+ double current, double total);
+ void (*progress_conclude)(struct stp_image *image);
+ void *rep;
+} stp_image_t;
+</PRE>
+
+<P>
+This is an abstract data type for interfacing with the program which
+created the image.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const stp_vars_t <B>stp_printer_get_printvars</B> <I>(const stp_printer_t <VAR>p</VAR>)</I>
+<DD><A NAME="IDX152"></A>
+
+</P>
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_15.html">previous</A>, <A HREF="gimpprint_17.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_17.html b/doc/manual-html/gimpprint_17.html
new file mode 100644
index 0000000..f6dc2bb
--- /dev/null
+++ b/doc/manual-html/gimpprint_17.html
@@ -0,0 +1,61 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Settings functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_16.html">previous</A>, <A HREF="gimpprint_18.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC22" HREF="gimpprint_toc.html#TOC22">4.7 Settings functions</A></H2>
+<P>
+<A NAME="IDX153"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> stp_convert_t <B>stp_choose_colorfunc</B> <I>(int <VAR>output_type</VAR>, int <VAR>image_bpp</VAR>, const unsigned char *<VAR>cmap</VAR>, int *<VAR>out_bpp</VAR>, const stp_vars_t <VAR>v</VAR>)</I>
+<DD><A NAME="IDX154"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> void <B>stp_compute_page_parameters</B> <I>(int <VAR>page_right</VAR>, int <VAR>page_left</VAR>, int <VAR>page_top</VAR>, int <VAR>page_bottom</VAR>, double <VAR>scaling</VAR>, int <VAR>image_width</VAR>, int <VAR>image_height</VAR>, stp_image_t *<VAR>image</VAR>, int *<VAR>orientation</VAR>, int *{page_width}, int *<VAR>page_height</VAR>, int *<VAR>out_width</VAR>, int *<VAR>out_height</VAR>, int *<VAR>left</VAR>, int *<VAR>top</VAR>)</I>
+<DD><A NAME="IDX155"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_vars_t <B>stp_default_settings</B> <I>(void)</I>
+<DD><A NAME="IDX156"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_vars_t <B>stp_maximum_settings</B> <I>(void)</I>
+<DD><A NAME="IDX157"></A>
+
+</P>
+</DL>
+
+<P>
+<DL>
+<DT><U>Function:</U> const stp_vars_t <B>stp_minimum_settings</B> <I>(void)</I>
+<DD><A NAME="IDX158"></A>
+
+</P>
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_16.html">previous</A>, <A HREF="gimpprint_18.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_18.html b/doc/manual-html/gimpprint_18.html
new file mode 100644
index 0000000..96bc5a4
--- /dev/null
+++ b/doc/manual-html/gimpprint_18.html
@@ -0,0 +1,156 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Version functions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_17.html">previous</A>, <A HREF="gimpprint_19.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC23" HREF="gimpprint_toc.html#TOC23">4.8 Version functions</A></H2>
+<P>
+<A NAME="IDX159"></A>
+
+</P>
+<P>
+<DL>
+<DT><U>Function:</U> const char * <B>stp_check_version</B> <I>(unsigned int <VAR>required_major</VAR>,</I>
+<DD><A NAME="IDX160"></A>
+unsigned int <VAR>required_minor</VAR>, unsigned int <VAR>required_micro</VAR>)
+
+</P>
+<P>
+This function checks whether the version of libgimpprint that the program
+is linked with is equal to the version number passed to it. If the version
+is the same, the function returns <CODE>NULL</CODE>. If any of the version
+numbers do not match (i.e. the library version is too old or too new), a string containing a desription of the difference is
+returned. The first error found is returned. The function checks in the order
+major, minor, micro.
+</DL>
+
+</P>
+
+
+<H3><A NAME="SEC24" HREF="gimpprint_toc.html#TOC24">4.8.1 Version macros</A></H3>
+
+<P>
+<DL>
+<DT><U>Macro:</U> <B>GIMPPRINT_CHECK_VERSION</B> <I>(major,minor,micro)</I>
+<DD><A NAME="IDX161"></A>
+
+</P>
+<P>
+This macro returns zero if the version of the libgimpprint headers are
+greater or equal to the version given as an argument. It returns nonzero
+if the version of the libgimpprint headers are less than the argument.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Macro:</U> <B>GIMPPRINT_MAJOR_VERSION</B>
+<DD><A NAME="IDX162"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Macro:</U> <B>GIMPPRINT_MINOR_VERSION</B>
+<DD><A NAME="IDX163"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Macro:</U> <B>GIMPPRINT_MICRO_VERSION</B>
+<DD><A NAME="IDX164"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Macro:</U> <B>GIMPPRINT_CURRENT_INTERFACE</B>
+<DD><A NAME="IDX165"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Macro:</U> <B>GIMPPRINT_BINARY_AGE</B>
+<DD><A NAME="IDX166"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Macro:</U> <B>GIMPPRINT_INTERFACE_AGE</B>
+<DD><A NAME="IDX167"></A>
+</DL>
+
+</P>
+<P>
+These macros are integers holding the version numbers. They should be
+used for compile-time checking only. To check version numbers at
+run-time, use the equivalent variables. Note that at present (4.1.x
+development branch) the library interface version numbers are not used.
+
+</P>
+
+
+<H3><A NAME="SEC25" HREF="gimpprint_toc.html#TOC25">4.8.2 Version variables</A></H3>
+
+<P>
+<DL>
+<DT><U>Variable:</U> const unsigned int <B>gimpprint_major_version</B>
+<DD><A NAME="IDX168"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Variable:</U> const unsigned int <B>gimpprint_minor_version</B>
+<DD><A NAME="IDX169"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Variable:</U> const unsigned int <B>gimpprint_micro_version</B>
+<DD><A NAME="IDX170"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Variable:</U> const unsigned int <B>gimpprint_current_interface</B>
+<DD><A NAME="IDX171"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Variable:</U> const unsigned int <B>gimpprint_binary_age</B>
+<DD><A NAME="IDX172"></A>
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>Variable:</U> const unsigned int <B>gimpprint_interface_age</B>
+<DD><A NAME="IDX173"></A>
+</DL>
+
+</P>
+<P>
+These variables hold the library version numbers. Because the version of
+the library may change on a system using shared libraries, these should
+be used instead of the equivalent macros when checking the library
+version at run-time. Note that library interface version numbers are not
+used in the development branch, but are in the stable branch.
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_17.html">previous</A>, <A HREF="gimpprint_19.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_19.html b/doc/manual-html/gimpprint_19.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Programs</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_18.html">previous</A>, <A HREF="gimpprint_20.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC26" HREF="gimpprint_toc.html#TOC26">5 Programs</A></H1>
+<P>
+<A NAME="IDX174"></A>
+
+</P>
+<P>
+This chapter of the manual describes the use of some of the programs
+which use the GIMP-Print library (libgimpprint). Note that there is now
+a user manual in DocBook/SGML format, currently provided in HTML,
+PostScript and PDF formats which is distributed with GIMP-Print. This
+manual currently covers the use of the GIMP Print plugin and CUPS
+drivers.
+
+</P>
+
+
+<UL>
+<LI><A HREF="gimpprint_20.html#SEC27">The GIMP plugin</A>: The print plugin for the GIMP
+<LI><A HREF="gimpprint_21.html#SEC36">Ghostscript</A>: Printer driver
+<LI><A HREF="gimpprint_22.html#SEC37">CUPS</A>: Printer driver
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_18.html">previous</A>, <A HREF="gimpprint_20.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_2.html b/doc/manual-html/gimpprint_2.html
new file mode 100644
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+++ b/doc/manual-html/gimpprint_2.html
@@ -0,0 +1,495 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Copying</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_1.html">previous</A>, <A HREF="gimpprint_3.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+</P>
+
+
+<H1><A NAME="SEC2" HREF="gimpprint_toc.html#TOC2">GNU GENERAL PUBLIC LICENSE</A></H1>
+<P>
+Version 2, June 1991
+
+</P>
+
+<PRE>
+Copyright (C) 1989, 1991 Free Software Foundation, Inc.
+675 Mass Ave, Cambridge, MA 02139, USA
+
+Everyone is permitted to copy and distribute verbatim copies
+of this license document, but changing it is not allowed.
+</PRE>
+
+
+
+<H2><A NAME="SEC3" HREF="gimpprint_toc.html#TOC3">Preamble</A></H2>
+
+<P>
+ The licenses for most software are designed to take away your
+freedom to share and change it. By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
+software--to make sure the software is free for all its users. This
+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
+using it. (Some other Free Software Foundation software is covered by
+the GNU Library General Public License instead.) You can apply it to
+your programs, too.
+
+</P>
+<P>
+ When we speak of free software, we are referring to freedom, not
+price. Our General Public Licenses are designed to make sure that you
+have the freedom to distribute copies of free software (and charge for
+this service if you wish), that you receive source code or can get it
+if you want it, that you can change the software or use pieces of it
+in new free programs; and that you know you can do these things.
+
+</P>
+<P>
+ To protect your rights, we need to make restrictions that forbid
+anyone to deny you these rights or to ask you to surrender the rights.
+These restrictions translate to certain responsibilities for you if you
+distribute copies of the software, or if you modify it.
+
+</P>
+<P>
+ For example, if you distribute copies of such a program, whether
+gratis or for a fee, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must show them these terms so they know their
+rights.
+
+</P>
+<P>
+ We protect your rights with two steps: (1) copyright the software, and
+(2) offer you this license which gives you legal permission to copy,
+distribute and/or modify the software.
+
+</P>
+<P>
+ Also, for each author's protection and ours, we want to make certain
+that everyone understands that there is no warranty for this free
+software. If the software is modified by someone else and passed on, we
+want its recipients to know that what they have is not the original, so
+that any problems introduced by others will not reflect on the original
+authors' reputations.
+
+</P>
+<P>
+ Finally, any free program is threatened constantly by software
+patents. We wish to avoid the danger that redistributors of a free
+program will individually obtain patent licenses, in effect making the
+program proprietary. To prevent this, we have made it clear that any
+patent must be licensed for everyone's free use or not licensed at all.
+
+</P>
+<P>
+ The precise terms and conditions for copying, distribution and
+modification follow.
+
+</P>
+<P>
+TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
+
+</P>
+
+<OL>
+<LI>
+
+This License applies to any program or other work which contains
+a notice placed by the copyright holder saying it may be distributed
+under the terms of this General Public License. The "Program", below,
+refers to any such program or work, and a "work based on the Program"
+means either the Program or any derivative work under copyright law:
+that is to say, a work containing the Program or a portion of it,
+either verbatim or with modifications and/or translated into another
+language. (Hereinafter, translation is included without limitation in
+the term "modification".) Each licensee is addressed as "you".
+
+Activities other than copying, distribution and modification are not
+covered by this License; they are outside its scope. The act of
+running the Program is not restricted, and the output from the Program
+is covered only if its contents constitute a work based on the
+Program (independent of having been made by running the Program).
+Whether that is true depends on what the Program does.
+
+<LI>
+
+You may copy and distribute verbatim copies of the Program's
+source code as you receive it, in any medium, provided that you
+conspicuously and appropriately publish on each copy an appropriate
+copyright notice and disclaimer of warranty; keep intact all the
+notices that refer to this License and to the absence of any warranty;
+and give any other recipients of the Program a copy of this License
+along with the Program.
+
+You may charge a fee for the physical act of transferring a copy, and
+you may at your option offer warranty protection in exchange for a fee.
+
+<LI>
+
+You may modify your copy or copies of the Program or any portion
+of it, thus forming a work based on the Program, and copy and
+distribute such modifications or work under the terms of Section 1
+above, provided that you also meet all of these conditions:
+
+
+<OL>
+<LI>
+
+You must cause the modified files to carry prominent notices
+stating that you changed the files and the date of any change.
+
+<LI>
+
+You must cause any work that you distribute or publish, that in
+whole or in part contains or is derived from the Program or any
+part thereof, to be licensed as a whole at no charge to all third
+parties under the terms of this License.
+
+<LI>
+
+If the modified program normally reads commands interactively
+when run, you must cause it, when started running for such
+interactive use in the most ordinary way, to print or display an
+announcement including an appropriate copyright notice and a
+notice that there is no warranty (or else, saying that you provide
+a warranty) and that users may redistribute the program under
+these conditions, and telling the user how to view a copy of this
+License. (Exception: if the Program itself is interactive but
+does not normally print such an announcement, your work based on
+the Program is not required to print an announcement.)
+</OL>
+
+These requirements apply to the modified work as a whole. If
+identifiable sections of that work are not derived from the Program,
+and can be reasonably considered independent and separate works in
+themselves, then this License, and its terms, do not apply to those
+sections when you distribute them as separate works. But when you
+distribute the same sections as part of a whole which is a work based
+on the Program, the distribution of the whole must be on the terms of
+this License, whose permissions for other licensees extend to the
+entire whole, and thus to each and every part regardless of who wrote it.
+
+Thus, it is not the intent of this section to claim rights or contest
+your rights to work written entirely by you; rather, the intent is to
+exercise the right to control the distribution of derivative or
+collective works based on the Program.
+
+In addition, mere aggregation of another work not based on the Program
+with the Program (or with a work based on the Program) on a volume of
+a storage or distribution medium does not bring the other work under
+the scope of this License.
+
+<LI>
+
+You may copy and distribute the Program (or a work based on it,
+under Section 2) in object code or executable form under the terms of
+Sections 1 and 2 above provided that you also do one of the following:
+
+
+<OL>
+<LI>
+
+Accompany it with the complete corresponding machine-readable
+source code, which must be distributed under the terms of Sections
+1 and 2 above on a medium customarily used for software interchange; or,
+
+<LI>
+
+Accompany it with a written offer, valid for at least three
+years, to give any third party, for a charge no more than your
+cost of physically performing source distribution, a complete
+machine-readable copy of the corresponding source code, to be
+distributed under the terms of Sections 1 and 2 above on a medium
+customarily used for software interchange; or,
+
+<LI>
+
+Accompany it with the information you received as to the offer
+to distribute corresponding source code. (This alternative is
+allowed only for noncommercial distribution and only if you
+received the program in object code or executable form with such
+an offer, in accord with Subsection b above.)
+</OL>
+
+The source code for a work means the preferred form of the work for
+making modifications to it. For an executable work, complete source
+code means all the source code for all modules it contains, plus any
+associated interface definition files, plus the scripts used to
+control compilation and installation of the executable. However, as a
+special exception, the source code distributed need not include
+anything that is normally distributed (in either source or binary
+form) with the major components (compiler, kernel, and so on) of the
+operating system on which the executable runs, unless that component
+itself accompanies the executable.
+
+If distribution of executable or object code is made by offering
+access to copy from a designated place, then offering equivalent
+access to copy the source code from the same place counts as
+distribution of the source code, even though third parties are not
+compelled to copy the source along with the object code.
+
+<LI>
+
+You may not copy, modify, sublicense, or distribute the Program
+except as expressly provided under this License. Any attempt
+otherwise to copy, modify, sublicense or distribute the Program is
+void, and will automatically terminate your rights under this License.
+However, parties who have received copies, or rights, from you under
+this License will not have their licenses terminated so long as such
+parties remain in full compliance.
+
+<LI>
+
+You are not required to accept this License, since you have not
+signed it. However, nothing else grants you permission to modify or
+distribute the Program or its derivative works. These actions are
+prohibited by law if you do not accept this License. Therefore, by
+modifying or distributing the Program (or any work based on the
+Program), you indicate your acceptance of this License to do so, and
+all its terms and conditions for copying, distributing or modifying
+the Program or works based on it.
+
+<LI>
+
+Each time you redistribute the Program (or any work based on the
+Program), the recipient automatically receives a license from the
+original licensor to copy, distribute or modify the Program subject to
+these terms and conditions. You may not impose any further
+restrictions on the recipients' exercise of the rights granted herein.
+You are not responsible for enforcing compliance by third parties to
+this License.
+
+<LI>
+
+If, as a consequence of a court judgment or allegation of patent
+infringement or for any other reason (not limited to patent issues),
+conditions are imposed on you (whether by court order, agreement or
+otherwise) that contradict the conditions of this License, they do not
+excuse you from the conditions of this License. If you cannot
+distribute so as to satisfy simultaneously your obligations under this
+License and any other pertinent obligations, then as a consequence you
+may not distribute the Program at all. For example, if a patent
+license would not permit royalty-free redistribution of the Program by
+all those who receive copies directly or indirectly through you, then
+the only way you could satisfy both it and this License would be to
+refrain entirely from distribution of the Program.
+
+If any portion of this section is held invalid or unenforceable under
+any particular circumstance, the balance of the section is intended to
+apply and the section as a whole is intended to apply in other
+circumstances.
+
+It is not the purpose of this section to induce you to infringe any
+patents or other property right claims or to contest validity of any
+such claims; this section has the sole purpose of protecting the
+integrity of the free software distribution system, which is
+implemented by public license practices. Many people have made
+generous contributions to the wide range of software distributed
+through that system in reliance on consistent application of that
+system; it is up to the author/donor to decide if he or she is willing
+to distribute software through any other system and a licensee cannot
+impose that choice.
+
+This section is intended to make thoroughly clear what is believed to
+be a consequence of the rest of this License.
+
+<LI>
+
+If the distribution and/or use of the Program is restricted in
+certain countries either by patents or by copyrighted interfaces, the
+original copyright holder who places the Program under this License
+may add an explicit geographical distribution limitation excluding
+those countries, so that distribution is permitted only in or among
+countries not thus excluded. In such case, this License incorporates
+the limitation as if written in the body of this License.
+
+<LI>
+
+The Free Software Foundation may publish revised and/or new versions
+of the General Public License from time to time. Such new versions will
+be similar in spirit to the present version, but may differ in detail to
+address new problems or concerns.
+
+Each version is given a distinguishing version number. If the Program
+specifies a version number of this License which applies to it and "any
+later version", you have the option of following the terms and conditions
+either of that version or of any later version published by the Free
+Software Foundation. If the Program does not specify a version number of
+this License, you may choose any version ever published by the Free Software
+Foundation.
+
+<LI>
+
+If you wish to incorporate parts of the Program into other free
+programs whose distribution conditions are different, write to the author
+to ask for permission. For software which is copyrighted by the Free
+Software Foundation, write to the Free Software Foundation; we sometimes
+make exceptions for this. Our decision will be guided by the two goals
+of preserving the free status of all derivatives of our free software and
+of promoting the sharing and reuse of software generally.
+
+NO WARRANTY
+
+<LI>
+
+BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
+FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
+OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
+PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED
+OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF
+MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE. THE ENTIRE RISK AS
+TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE
+PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING,
+REPAIR OR CORRECTION.
+
+<LI>
+
+IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
+WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
+REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
+INCLUDING ANY GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING
+OUT OF THE USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED
+TO LOSS OF DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY
+YOU OR THIRD PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER
+PROGRAMS), EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE
+POSSIBILITY OF SUCH DAMAGES.
+</OL>
+
+<P>
+END OF TERMS AND CONDITIONS
+
+</P>
+
+
+<H2><A NAME="SEC4" HREF="gimpprint_toc.html#TOC4">How to Apply These Terms to Your New Programs</A></H2>
+
+<P>
+ If you develop a new program, and you want it to be of the greatest
+possible use to the public, the best way to achieve this is to make it
+free software which everyone can redistribute and change under these terms.
+
+</P>
+<P>
+ To do so, attach the following notices to the program. It is safest
+to attach them to the start of each source file to most effectively
+convey the exclusion of warranty; and each file should have at least
+the "copyright" line and a pointer to where the full notice is found.
+
+</P>
+
+<PRE>
+<VAR>one line to give the program's name and an idea of what it does.</VAR>
+Copyright (C) 19<VAR>yy</VAR> <VAR>name of author</VAR>
+
+This program is free software; you can redistribute it and/or
+modify it under the terms of the GNU General Public License
+as published by the Free Software Foundation; either version 2
+of the License, or (at your option) any later version.
+
+This program is distributed in the hope that it will be useful,
+but WITHOUT ANY WARRANTY; without even the implied warranty of
+MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+GNU General Public License for more details.
+
+You should have received a copy of the GNU General Public License
+along with this program; if not, write to the Free Software
+Foundation, Inc., 675 Mass Ave, Cambridge, MA 02139, USA.
+</PRE>
+
+<P>
+Also add information on how to contact you by electronic and paper mail.
+
+</P>
+<P>
+If the program is interactive, make it output a short notice like this
+when it starts in an interactive mode:
+
+</P>
+
+<PRE>
+Gnomovision version 69, Copyright (C) 19<VAR>yy</VAR> <VAR>name of author</VAR>
+Gnomovision comes with ABSOLUTELY NO WARRANTY; for details
+type `show w'. This is free software, and you are welcome
+to redistribute it under certain conditions; type `show c'
+for details.
+</PRE>
+
+<P>
+The hypothetical commands <SAMP>`show w'</SAMP> and <SAMP>`show c'</SAMP> should show
+the appropriate parts of the General Public License. Of course, the
+commands you use may be called something other than <SAMP>`show w'</SAMP> and
+<SAMP>`show c'</SAMP>; they could even be mouse-clicks or menu items--whatever
+suits your program.
+
+</P>
+<P>
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary. Here is a sample; alter the names:
+
+</P>
+
+<PRE>
+Yoyodyne, Inc., hereby disclaims all copyright
+interest in the program `Gnomovision'
+(which makes passes at compilers) written
+by James Hacker.
+
+<VAR>signature of Ty Coon</VAR>, 1 April 1989
+Ty Coon, President of Vice
+</PRE>
+
+<P>
+This General Public License does not permit incorporating your program into
+proprietary programs. If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library. If this is what you want to do, use the GNU Library General
+Public License instead of this License.
+
+</P>
+
+
+<H1><A NAME="SEC5" HREF="gimpprint_toc.html#TOC5">Copying summary</A></H1>
+<P>
+GIMP-Print is <STRONG>free</STRONG>; this means that everyone is free to use it and
+free to redistribute it on a free basis. GIMP-Print is not in the public
+domain; it is copyrighted and there are restrictions on its
+distribution, but these restrictions are designed to permit everything
+that a good cooperating citizen would want to do. What is not allowed is
+to try to prevent others from further sharing any version of GIMP-Print
+that they might get from you.
+
+</P>
+<P>
+Specifically, we want to make sure that you have the right to give away
+copies of GIMP-Print, that you receive source code or else can get it if
+you want it, that you can change GIMP-Print or use pieces of it in new
+free programs, and that you know you can do these things.
+
+</P>
+<P>
+To make sure that everyone has such rights, we have to forbid you to
+deprive anyone else of these rights. For example, if you distribute
+copies of GIMP-Print, you must give the recipients all the rights that
+you have. You must make sure that they, too, receive or can get the
+source code. And you must tell them their rights.
+
+</P>
+<P>
+Also, for our own protection, we must make certain that everyone finds
+out that there is no warranty for GIMP-Print. If GIMP-Print is modified
+by someone else and passed on, we want their recipients to know that
+what they have is not what we distributed, so that any problems
+introduced by others will no reflect on our reputation.
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_1.html">previous</A>, <A HREF="gimpprint_3.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_20.html b/doc/manual-html/gimpprint_20.html
new file mode 100644
index 0000000..e53165e
--- /dev/null
+++ b/doc/manual-html/gimpprint_20.html
@@ -0,0 +1,315 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - The GIMP plugin</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_19.html">previous</A>, <A HREF="gimpprint_21.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC27" HREF="gimpprint_toc.html#TOC27">5.1 The GIMP Print plugin</A></H2>
+<P>
+<A NAME="IDX175"></A>
+<A NAME="IDX176"></A>
+
+</P>
+<P>
+The GIMP Print plugin is the printing facility for the GNU Image
+Manipulation Program<A NAME="DOCF1" HREF="gimpprint_foot.html#FOOT1">(1)</A>}. This section
+examines the features offered by the Print plugin.
+
+</P>
+<P>
+The main window is divided into five panes:
+
+</P>
+
+
+
+<H3><A NAME="SEC28" HREF="gimpprint_toc.html#TOC28">5.1.1 Preview</A></H3>
+
+<P>
+The Preview pane contains a positioning widget that allows interactively
+positioning the output on the page. It contains an outer border,
+representing the sheet of paper; an inner border, representing the
+printable area of the printer; an arrow, pointing to the top of the page
+(the end that's fed into the printer); and a black rectangle,
+representing the position of the image on the page. The image can be
+moved around on the paper. When the first (left) button is used, the
+image is moved in screen pixels; when any other button is used, the
+image is moved in points<A NAME="DOCF2" HREF="gimpprint_foot.html#FOOT2">(2)</A>.
+The arrow resizes depending upon the media size chosen; the shaft of the
+arrow is always equal to one inch on the output.
+
+</P>
+<P>
+@image{print-main,,4in}
+
+</P>
+
+
+
+<H3><A NAME="SEC29" HREF="gimpprint_toc.html#TOC29">5.1.2 Printer Settings</A></H3>
+
+<P>
+The Printer Settings pane contains a dropdown menu for selecting a
+printer to print to. There is a special `printer' named <SAMP>`File'</SAMP>
+that allows you to choose a file to print to, rather than a printer
+queue. The Setup box to the right allows specification of a printer
+type, a PPD file<A NAME="DOCF3" HREF="gimpprint_foot.html#FOOT3">(3)</A>, and the command to
+be used to print. Each distinct printer in the Printer list can have
+different settings applied to it. Below that is a combo box allowing
+choice of media size. The choices are constrained to those that the
+printer supports. Below that are dropdown menus for choosing media type
+(what kind of paper), media source (what input tray), ink type, and
+resolution. All of these settings are printer-specific.
+
+</P>
+<P>
+@image{print-setup,,2in}
+
+</P>
+
+
+
+<H3><A NAME="SEC30" HREF="gimpprint_toc.html#TOC30">5.1.3 Position</A></H3>
+
+<P>
+The Position pane contains various widgets to place the image on the
+paper. These widgets work in conjunction with the Preview pane. At the
+top of the pane is a button to center the image on the paper (not on the
+printable area), and on either side buttons to center vertically and
+horizontally. Below these are four boxes that allow entry of the left,
+top, right, and bottom of the image. These positions are relative to
+the top left of the paper<A NAME="DOCF4" HREF="gimpprint_foot.html#FOOT4">(4)</A>. There are
+two additional boxes that allow specification of the right margin and
+bottom margin if you prefer; these are relative to the bottom right
+corner of the paper. Any of these may have values entered into them;
+the preview image will be moved appropriately.
+
+</P>
+<P>
+<STRONG>Note</STRONG>: These entries do not resize the image.
+
+</P>
+<P>
+Finally, there is a pick box for orientation (landscape or portrait).
+There is an <SAMP>`Auto'</SAMP> mode that picks the orientation that yields the
+orientation that best matches that of the image to be printed.
+
+</P>
+
+
+<H3><A NAME="SEC31" HREF="gimpprint_toc.html#TOC31">5.1.4 Scaling</A></H3>
+
+<P>
+The Scaling pane contains a slider that allows scaling of the image.
+The image can be scaled in either percent of the printable area
+(<STRONG>not</STRONG> the page in this case) or pixels per inch (PPI) via a
+radio button below the slider. PPI allows matching image resolution to
+printer resolution. The image may be scaled using either method to
+between 5 and 100% of the imageable area. It is not possible to crop
+with the Print plugin. In Percent mode, the image is scaled so that
+neither axis will be longer than the percent of the printable area
+specified. For example, if you print an image at 20%, it will be
+possible to tile the image 5 times on one axis and at least 5 times on
+the other. To the right of the radio button is a button called Set
+Image Scale. This sets the scaling to PPI, and sets the resolution as
+closely as possible to the resolution stored in the image. To the right
+of the Set Image Scale button are two boxes that allow entry of width
+and height of the image. These set the scaling mode to PPI. Specifying
+one automatically sets the other, and the image is repositioned as
+needed to prevent it from falling off the edge of the page.
+
+</P>
+<P>
+To its right is a button group that allows choosing English (inch)
+units or metric (centimeter) units.
+
+</P>
+
+
+<H3><A NAME="SEC32" HREF="gimpprint_toc.html#TOC32">5.1.5 Image Settings</A></H3>
+
+<P>
+The Image Settings pane allows choice of Line Art, Solid Colors, or
+Photograph image type. Line art or Solid Colors should be used for
+graphics containing mostly solid areas of color. They're very similar
+to each other. Photograph mode dithers more slowly, but produces more
+accurate colors. To the right of these three radio buttons is a button
+called Adjust Color. This pops up a new window that controls various
+output quality settings. That will be described separately. Finally,
+there is a choice of Black and White, Color and Monochrome output.
+Monochrome output can be used to print absolute black and white very
+quickly.
+
+</P>
+
+
+
+<H4><A NAME="SEC33" HREF="gimpprint_toc.html#TOC33">5.1.5.1 Adjust Output</A></H4>
+
+<P>
+The Adjust Output button button pops up a non-modal dialog that allows
+adjustment of various parameters related to the print quality. These
+are independent of the controls within the GIMP itself and only affect
+the print.
+
+</P>
+<P>
+@image{print-color,,2in}
+
+</P>
+<P>
+At the top of the window is a thumbnail of the image that changes to
+reflect the color settings of the image. This enables you to get an
+idea of how the image will print out as you adjust settings.
+
+</P>
+<P>
+Below that there are eight sliders:
+
+</P>
+<DL COMPACT>
+
+<DT><EM>Brightness</EM>
+<DD>
+(0--2.0, default 1.0) Adjust the brightness of the image.
+
+<DT><EM>Contrast</EM>
+<DD>
+(0--4.0, default 1.0) Adjust the output contrast.
+
+<DT><EM>Cyan, Magenta, Yellow</EM>
+<DD>
+(0--4.0, default 1.0) Adjust the cyan, magenta, and yellow in the
+output. These should not normally need to be adjusted very much; even
+very small adjustments can go quite a long way to restoring color
+balance.
+
+<DT><EM>Saturation</EM>
+<DD>
+(0--9.0, default 1.0) Adjust the color brilliance (saturation) of the
+output. Saturation of 0 means pure gray scale, with no color.
+Saturation of 9.0 will make just about anything but pure grays
+brilliantly colored.
+
+<DT><EM>Density</EM>
+<DD>
+(0.1--2.0, default 1.0) Adjust the density (amount of ink) in the print.
+The density is automatically corrected for the particular printer,
+resolution, and in some cases paper choices. If solid black in the
+input is not solid in the print, the density needs to be increased; if
+there is excessive ink bleed-through and muddy dark colors, the density
+should be decreased.
+
+<STRONG>Note</STRONG>: the density will not increase beyond a certain amount no
+matter what the slider is set to.
+
+<DT><EM>Gamma</EM>
+<DD>
+(0.1--4.0, default 1.0) Adjust the output gamma. The gamma value is
+automatically corrected for the choice of printer; this is used if you
+believe the automatic setting is incorrect.
+</DL>
+
+
+
+<H4><A NAME="SEC34" HREF="gimpprint_toc.html#TOC34">5.1.5.2 Dither Algorithm</A></H4>
+<P>
+There is also a selection box for the dither algorithm to be used in the
+pop-up dialog. There are currently seven choices:
+
+</P>
+<DL COMPACT>
+
+<DT><EM>Adaptive Hybrid</EM>
+<DD>
+Adaptive Hybrid usually yields the best output quality; it chooses a
+modified Floyd-Steinberg error diffusion algorithm or ordered dithering
+depending upon the image characteristics.
+
+<DT><EM>Ordered</EM>
+<DD>
+Ordered uses a pure ordered dither. It generally yields excellent
+quality for simple black and white or four color printers without
+variable drop size or drop modulation; it is not recommended if high
+quality is desired on six color printers. It is considerably faster
+than Adaptive Hybrid.
+
+<DT><EM>Fast</EM>
+<DD>
+Fast also uses a pure ordered dither, but uses a very simple black model
+and makes no attempt to handle multi-level (6-color, variable drop size,
+or drop modulation) at all cleanly. It is substantially faster than
+Ordered dither. The quality tends to be quite poor except on simple
+four color printers. On three color printers, quality is probably
+competitive with anything else.
+
+<DT><EM>Very Fast</EM>
+<DD>
+Very Fast is similar to Fast, except that it uses a very simple dither
+matrix that can be looked up much more quickly than the matrix used in
+the Fast dither. For simple pure black and white images dominated by
+horizontal and vertical lines, this may actually yield the best results;
+for other types of image, the quality will be poor.
+
+<DT><EM>Adaptive Random</EM>
+<DD>
+Adaptive Random is similar to Adaptive Hybrid, except that the
+modifications to the Floyd-Steinberg algorithm are slightly different.
+This is slower than Adaptive Hybrid on most systems. For some images
+the quality may be better than Adaptive Hybrid, but generally Adaptive
+Hybrid should yield slightly superior images.
+
+<DT><EM>Hybrid Floyd-Steinberg</EM>
+<DD>
+Hybrid Floyd-Steinberg uses the modified Floyd-Steinberg algorithm of
+Adaptive Hybrid on the entire image. Generally, the results are poor in
+pale regions.
+
+<DT><EM>Random Floyd-Steinberg</EM>
+<DD>
+Random Floyd-Steinberg uses the modified Floyd-Steinberg algorithm of
+Adaptive Random on the entire image. Generally, the results are poor in
+pale regions.
+</DL>
+
+
+
+<H3><A NAME="SEC35" HREF="gimpprint_toc.html#TOC35">5.1.6 Action Buttons</A></H3>
+
+<P>
+The last pane contains four action buttons:
+
+</P>
+<DL COMPACT>
+
+<DT><EM>Print and Save Settings</EM>
+<DD>
+Immediately print the image (or, if the File printer is chosen, display
+a file selection window to pick the output file), and save all current
+settings for all printers.
+
+<DT><EM>Save Settings</EM>
+<DD>
+Immediately save the settings, and continue working in the Print plugin.
+
+<DT><EM>Print</EM>
+<DD>
+Immediately print the image (or, if the <SAMP>`File'</SAMP> printer is chosen,
+display a file selection window to pick the output file), but do not
+save settings.
+
+<DT><EM>Cancel</EM>
+<DD>
+Immediately quit without saving settings or printing.
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_19.html">previous</A>, <A HREF="gimpprint_21.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_21.html b/doc/manual-html/gimpprint_21.html
new file mode 100644
index 0000000..9f83de8
--- /dev/null
+++ b/doc/manual-html/gimpprint_21.html
@@ -0,0 +1,22 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Ghostscript</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_20.html">previous</A>, <A HREF="gimpprint_22.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC36" HREF="gimpprint_toc.html#TOC36">5.2 Ghostscript driver</A></H2>
+<P>
+<A NAME="IDX177"></A>
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_20.html">previous</A>, <A HREF="gimpprint_22.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_22.html b/doc/manual-html/gimpprint_22.html
new file mode 100644
index 0000000..11b0fec
--- /dev/null
+++ b/doc/manual-html/gimpprint_22.html
@@ -0,0 +1,22 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - CUPS</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_21.html">previous</A>, <A HREF="gimpprint_23.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC37" HREF="gimpprint_toc.html#TOC37">5.3 CUPS driver</A></H2>
+<P>
+<A NAME="IDX178"></A>
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_21.html">previous</A>, <A HREF="gimpprint_23.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_23.html b/doc/manual-html/gimpprint_23.html
new file mode 100644
index 0000000..e1bd23b
--- /dev/null
+++ b/doc/manual-html/gimpprint_23.html
@@ -0,0 +1,37 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Problems</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_22.html">previous</A>, <A HREF="gimpprint_24.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC38" HREF="gimpprint_toc.html#TOC38">6 Reporting Bugs</A></H1>
+<P>
+<A NAME="IDX179"></A>
+<A NAME="IDX180"></A>
+
+</P>
+<P>
+If you find a bug in GIMP-Print or have any suggestions for modification
+or improvement, please send electronic mail to the GIMP-Print bug
+reporting address <A NAME="DOCF5" HREF="gimpprint_foot.html#FOOT5">(5)</A>}. Include the version
+number, which you can find by running <SAMP>`gimpprint-config
+--version'</SAMP>. Also include in your message the output that the program
+produced and the output you expected, if applicable, otherwise the best
+description of the problem that you can provide.
+
+</P>
+<P>
+If you have other questions, comments or suggestions about GIMP-Print,
+contact the developers via electronic mail to the GIMP-Print mailing
+list <A NAME="DOCF6" HREF="gimpprint_foot.html#FOOT6">(6)</A>}. They will try to help you out,
+although they may not have time to fix your problems.
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_22.html">previous</A>, <A HREF="gimpprint_24.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_24.html b/doc/manual-html/gimpprint_24.html
new file mode 100644
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--- /dev/null
+++ b/doc/manual-html/gimpprint_24.html
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Appendices</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_23.html">previous</A>, <A HREF="gimpprint_25.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC39" HREF="gimpprint_toc.html#TOC39">7 Appendices</A></H1>
+<P>
+<A NAME="IDX181"></A>
+
+</P>
+
+<UL>
+<LI><A HREF="gimpprint_25.html#SEC40">Dithering</A>: Dither algorithms.
+<LI><A HREF="gimpprint_26.html#SEC41">Weaving</A>: Weaving algorithms.
+<LI><A HREF="gimpprint_34.html#SEC49">ESC/P2</A>: Epson ESC/P2 printer control language.
+<LI><A HREF="gimpprint_39.html#SEC54">New Printer</A>: Adding a new printer to libgimpprint.
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_23.html">previous</A>, <A HREF="gimpprint_25.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_25.html b/doc/manual-html/gimpprint_25.html
new file mode 100644
index 0000000..bbccb97
--- /dev/null
+++ b/doc/manual-html/gimpprint_25.html
@@ -0,0 +1,611 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Dithering</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_24.html">previous</A>, <A HREF="gimpprint_26.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC40" HREF="gimpprint_toc.html#TOC40">A Dithering</A></H1>
+<P>
+<A NAME="IDX182"></A>
+
+</P>
+<P>
+The dithering code in <TT>`print-dither.c'</TT> attempts to reproduce
+various shades of gray (or all colors) from only a few different inks
+(black, cyan, magenta, yellow, and sometimes light cyan and light
+magenta). The dots can't vary in darkness or size (except for certain
+special printers), and so we need to lay down a certain fraction of dots
+to represent each distinct level.
+
+</P>
+<P>
+This sounds straightforward; in practice, it isn't. Completely random
+distribution of dots (simple probabilistic dithering) would create
+grainy clumps and light spots. The smoothest pattern results from an
+equidistant spacing of dots. Approximating this requires sophisticated
+algorithms. We have two dithering algorithms, an ordered dither
+algorithm that uses a grid (matrix) to decide whether to print, and a
+modified Floyd-Steinberg error diffusion algorithm that uses a grid in a
+slightly different way.
+
+</P>
+
+<P>
+We currently have three dithering functions:
+
+</P>
+
+<OL>
+<LI>
+
+<CODE>dither_fastblack</CODE> produces pure black or white from a pre-dithered
+input. This is used for two purposes: for printing pure black and white
+very quickly (e. g. text), and for printing pre-screened monochrome
+output that was rasterized externally.
+
+<LI>
+
+<CODE>dither_black</CODE> produces black from grayscale input. The new
+dither_black can produce either a single or multiple levels of black,
+for printers supporting variable dot size.
+
+<LI>
+
+<CODE>dither_cmyk</CODE> produces 3, 4, 5, 6, or 7 color output (CMY, CMYK,
+CcMmYK, CcMmYy, CcMmYyK, or any variants). The new routine can handle
+single or multiple levels of each color.
+</OL>
+
+<P>
+There is a choice of dithering algorithms. Four of them are based on a
+basic error diffusion, with a few tweaks of my own. The other one is
+`ordered'. However, they all share the basic operation in common.
+First, the algorithm picks what kind of dot (if there are multiple dot
+sizes and/or tones that may be picked) is the candidate to be printed.
+This decision is made based on the darkness at the point being dithered.
+Then, it decides whether the dot will be printed at all. What this is
+based on depends upon which algorithm family we use. This is all
+described in more detail below.
+
+</P>
+
+<P>
+Ordered dithering works by comparing the value at a given point with the
+value of a tiled matrix. If the value at the point is greater than the
+value in the matrix, the dot is printed. The matrix should consist of a
+set of evenly spaced points between 0 and the upper limit. The choice
+of matrix is very important for print quality. A good dither matrix
+will emphasize high frequency components, which distributes dots evenly
+with a minimum of clumping. The matrices used here are all simple
+matrices that are expanded recursively to create larger matrices with
+the same kind of even point distribution. This is described below.
+
+</P>
+<P>
+Note that it is important to use different matrices for the two
+sub-operations, because otherwise the choice about whether to print and
+the choice of dot size will be correlated. The usual result is that the
+print is either too dark or too light, but there can be other problems.
+
+</P>
+<P>
+Ordered dithering works quite well on single dot size, four color
+printers. It has not been well tested on four color, variable dot size
+printers. It should be avoided on six color printers.
+
+</P>
+
+<P>
+Error diffusion works by taking the output error at a given pixel and
+"diffusing" it into surrounding pixels. Output error is the
+difference between the amount of ink output and the input level at each
+pixel. For simple printers, with one or four ink colors and only one
+dot size, the amount of ink output is either 65536 (i. e. full output)
+or 0 (no output). The difference between this and the input level is
+the error. Normal error diffusion adds part of this error to the
+adjoining pixels in the next column and the next row (the algorithm
+simply scans each row in turn, never backing up). The error adds up
+until it reaches a threshold (half of the full output level, or 32768),
+at which point a dot is output, the output is subtracted from the
+current value, and the (now negative) error is diffused similarly.
+
+</P>
+<P>
+Error diffusion works quite well in general, but it tends to generate
+artifacts which usually appear as worm-like lines or areas of anomalous
+density. I have devised some ways, as described below, of ameliorating
+these artifacts.
+
+</P>
+<P>
+There are two sub-classes of error diffusion that we use here, `random'
+and `hybrid'. One of the techniques that we use to ameliorate the
+artifacts is to use a fuzzy threshold rather than the hard threshold of
+half of the output level. Random error diffusion uses a pseudo-random
+number to perturb the threshold, while hybrid error diffusion uses a
+matrix. Hybrid error diffusion worked very poorly in 3.1.3, and I
+couldn't figure out why until I found a bug. It now works very well.
+
+</P>
+<P>
+There is one additional variant (on both sub-classes), called `adaptive
+hybrid' and `adaptive random'. The adaptive variant takes advantage of
+the fact that the patterns that ordered dithering create are less
+visible at very low densities, while the artifacts created by error
+diffusion are more objectionable at low densities. At low densities,
+therefore, it uses ordered dithering; at higher densities it uses error
+diffusion.
+
+</P>
+
+<P>
+Handling multiple output levels makes life a bit more complicated. In
+principle, it shouldn't be much harder: simply figure out what the ratio
+between the available output levels is and have multiple thresholds. In
+practice, getting these right involves a lot of trial and error. The
+other thing that's important is to maximize the number of dots that have
+some ink. This will reduce the amount of speckling. More on this
+later.
+
+</P>
+<P>
+The next question: how do we handle black when printing in color? Black
+ink is much darker than colored inks. It's possible to produce black by
+adding some mixture of cyan, magenta, and yellow--in principle. In
+practice, the black really isn't very black, and different inks and
+different papers will produce different color casts. However, by using
+CMY to produce gray, we can output a lot more dots! This makes for a much
+smoother image. What's more, one cyan, one magenta, and one yellow dot
+produce less darkness than one black dot, so we're outputting that many
+more dots. Better yet, with 6 or 7 color printers, we have to output even
+more light ink dots. So Epson Stylus Photo printers can produce really
+smooth grays--if we do everything right. The right idea is to use
+CMY at lower black levels, and gradually mix in black as the overall
+amount of ink increases, so the black dots don't really become visible
+within the ink mass.
+
+</P>
+<P>
+Variable dot sizes are handled by dividing the range between 0 and
+65536 into segments. Each segment can either represent a range in
+which all of one kind of ink (color and/or dot size) is used, with
+varying amounts of ink, or a transition region between inks, in which
+equal numbers of dots are printed but the amount of each ink will be
+adjusted throughout the range. Each range is represented by four
+numbers:
+
+</P>
+
+<OL>
+<LI>
+
+bottom of the range
+<LI>
+
+top of the range
+<LI>
+
+value of the lighter ink
+<LI>
+
+value of the darker ink
+</OL>
+
+<P>
+In addition, the bit patterns and which type of ink are also
+represented, but they don't affect the actual algorithm.
+
+</P>
+
+<P>
+As mentioned above, the basic algorithm is the same whether we use
+ordered dither or error diffusion. We perform the following steps on
+each color of each pixel:
+
+</P>
+
+<OL>
+<LI>
+
+Compute the value of the particular color we're printing. This isn't
+usually the pure CMY value; it's adjusted to improve saturation and to
+limit the use of black in light toned regions (to avoid speckling).
+
+<LI>
+
+Find the range containing this value.
+
+<LI>
+
+Compute where this value lies within the range. We scale the endpoints
+between 0 and 65536 for this purpose. So for example, if the bottom of
+the range is 10,000 and the top of the range is 20,000, and the value is
+12,500, we're 1/4 of the way between the bottom and the top of the
+range, so our scale point is 16384.
+
+<LI>
+
+Compute the "virtual value". The virtual value is the distance between
+the value of the lighter and the value of the darker ink. So if the
+value of the light ink is 32768 and the dark ink is 65536, we compute a
+virtual value scaled appropriately between these two values, which is
+40960 in this case.
+
+<LI>
+
+Using either error diffusion or ordered dither, the standard threshold
+is 1/2 of the value (20480 in this case). Using ordered dither, we want
+to compute a value between 0 and 40960 that we will compare the input
+value against to decide whether to print. Using pure error diffusion,
+we would compare the accumulated error against 20480 to decide whether
+to print. In practice, we use the same matrix method to decide whether
+to print. The correct amount of ink will be printed this way, but we
+minimize the squiggly lines characteristic of error diffusion by
+dithering the threshold in this fashion. A future enhancement will
+allow us to control the amount of dithering applied to the threshold.
+</OL>
+
+<P>
+The matrices were generated by Thomas Tonino
+@email{&#60;ttonino@bio.vu.nl&#62;} with an algorithm of his devising. The
+algorithm is designed to maximize the spacing between dots at any given
+density by searching the matrix for holes and placing a dot in the
+largest available hole. It requires careful selection of initial points
+to achieve good results, and is very time consuming. For best results,
+a different matrix must be used for modes with 2:1 aspect ratio
+(e.g. 1440x720) than for 1:1 (e. g. 720x720). It is essential with any
+of these matrices that every point be used. Skipping points generates
+low-frequency noise.
+
+</P>
+<P>
+It's essential to use different matrices for deciding whether to print
+and for deciding what color (dark or light) to print. This should be
+obvious; the decision about whether to print at all should be as
+independent as possible from the decision about what color to print,
+because any bias will result in excess light or dark ink being
+printed, shifting the tonal balance. We actually use the same
+matrices, but we shift them vertically and horizontally. Assuming
+that the matrices are not self-correlated, this will yield good
+results.
+
+</P>
+<P>
+The ranges are computed from a list of ink values (between 0 and 1 for
+each possible combination of dot size and ink tone, where the value
+represents the darkness of the ink) and the desired maximum density of
+the ink. This is done in dither_set_ranges, and needs more
+documentation.
+
+</P>
+
+<P>
+I stated earlier that I've tweaked the basic error diffusion algorithm.
+Here's what I've done to improve it:
+
+</P>
+
+<OL>
+<LI>
+
+We use a variable threshold to decide when to print, as discussed above.
+This does two things for us: it reduces the slightly squiggly diagonal
+lines that are the mark of error diffusion; and it allows us to lay down
+some ink even in very light areas near the edge of the image. The
+squiggly lines that error diffusion algorithms tend to generate are
+caused by the gradual accumulation of error. This error is partially
+added horizontally and partially vertically. The horizontal
+accumulation results in a dot eventually being printed. The vertical
+accumulation results in a dot getting laid down in roughly the same
+horizontal position in the next row. The diagonal squigglies result
+from the error being added to pixels one forward and one below the
+current pixel; these lines slope from the top right to the bottom left
+of the image.
+
+Error diffusion also results in pale areas being completely white near
+the top left of the image (the origin of the printing coordinates).
+This is because enough error has to accumulate for anything at all to
+get printed. In very pale areas it takes quite a long time to build up
+anything printable at all; this results in the bare spots.
+
+Randomizing the threshold somewhat breaks up the diagonals to some
+degree by randomizing the exact location that the accumulated output
+crosses the threshold. It reduces the false white areas by allowing
+some dots to be printed even when the accumulated output level is very
+low. It doesn't result in excess ink because the full output level is
+still subtracted and diffused.
+
+Excessive randomization leads to blobs at high densities. Therefore, as
+the density increases, the degree of randomization decreases.
+
+<LI>
+
+Alternating scan direction between rows (first row is scanned left to
+right, second is scanned right to left, and so on). This also helps
+break up white areas, and it also seems to break up squigglies a bit.
+Furthermore, it eliminates directional biases in the horizontal
+direction. This isn't necessary for ordered dither, but it doesn't hurt
+either.
+
+<LI>
+
+Diffusing the error into more pixels. Instead of diffusing the entire
+error into @math{(X+1, Y)} and @math{(X, Y+1)}, we diffuse it into
+@math{(X+1, Y)}, @math{(X+K, Y+1)}, @math{(X, Y+1)}, @math{(X-K, Y+1)}
+where @math{K} depends upon the output level (it never exceeds about 10
+dots, and is greater at higher output levels). This really reduces
+squigglies and graininess. The amount of this spread can be controlled;
+for line art, it should be less than for photographs (of course, line
+art doesn't usually contain much light color, but the <STRONG>error</STRONG>
+value can be small in places!) In addition to requiring more
+computation, a wide ink spread results in patterning at high dot
+densities (note that the dot density can be high even in fairly pale
+regions if multiple dot sizes are in use).
+
+<LI>
+
+Don't lay down any colored ink if we're laying down black ink. There's
+no point; the colored ink won't show. We still pretend that we did for
+purposes of error diffusion (otherwise excessive error will build up,
+and will take a long time to clear, resulting in heavy bleeding of ink
+into surrounding areas, which is very ugly indeed), but we don't bother
+wasting the ink. How well this will do with variable dot size remains
+to be seen.
+
+<LI>
+
+Oversampling. This is how to print 1440x720 with Epson Stylus printers.
+Printing full density at 1440x720 will result in excess ink being laid
+down. The trick is to print only every other dot. We still compute the
+error as though we printed every dot. It turns out that randomizing
+which dots are printed results in very speckled output. This can be
+taken too far; oversampling at 1440x1440 or 1440x2880 virtual resolution
+results in other problems. However, at present 1440x1440 (which is more
+accurately called "1440x720 enhanced", as the Epson printers cannot
+print 1440 rows per inch) does quite well, although it's slow.
+</OL>
+
+<P>
+What about multiple output levels? For 6 and 7 color printers, simply
+using different threshold levels has a problem: the pale inks have trouble
+being seen when a lot of darker ink is being printed. So rather than
+just using the output level of the particular color to decide which ink
+to print, we look at the total density (sum of all output levels).
+If the density's high enough, we prefer to use the dark ink. Speckling
+is less visible when there's a lot of ink, anyway. I haven't yet figured
+out what to do for multiple levels of one color.
+
+</P>
+<P>
+You'll note that I haven't quoted a single source on color or printing
+theory. I simply did all of this empirically.
+
+</P>
+<P>
+There are various other tricks to reduce speckling. One that I've seen
+is to reduce the amount of ink printed in regions where one color
+(particularly cyan, which is perceived as the darkest) is very pale.
+This does reduce speckling all right, but it also results in strange
+tonal curves and weird (to my eye) colors.
+
+</P>
+
+<P>
+Before any dither routine is used, <CODE>init_dither()</CODE> must be called.
+This takes three arguments: the input width (number of pixels in the
+input), the output width (number of pixels in the output), and a
+<CODE>vars_t</CODE> structure containing the parameters for the print job.
+
+</P>
+<P>
+<CODE>init_dither()</CODE> returns a pointer to an opaque object representing
+the dither. This object is passed as the first argument to all of the
+dither-related routines.
+
+</P>
+<P>
+After a page is fully dithered, <CODE>free_dither()</CODE> must be called to
+free the dither object and perform any cleanup. In the future, this may
+do more (such as flush output). This arrangement permits using these
+routines with programs that create multiple output pages, such as
+GhostScript.
+
+</P>
+<P>
+The dithering routines themselves have a number of control knobs that
+control internal aspects of the dithering process. These knobs are
+accessible via a number of functions that can be called after
+<CODE>init_dither()</CODE>.
+
+</P>
+
+<UL>
+<LI>
+
+<CODE>dither_set_density()</CODE> takes a double between 0 and 1 representing
+the desired ink density for printing solid colors. This is used in a
+number of places in the dithering routine to make decisions.
+
+<LI>
+
+<CODE>dither_set_black_density()</CODE> takes a double between 0 and 1
+representing the desired ink density for printing black ink in color
+printing. This is used to balance black against color ink. By default,
+this is equal to the density set by <CODE>dither_set_density()</CODE>. By
+setting it higher, more black ink will be printed. For example, if the
+base density is .4 and the black density is .8, twice as much black ink
+will be printed as would otherwise be called for.
+
+This is not used when printing in monochrome. When printing monochrome,
+the base density (<CODE>dither_set_density</CODE>) should be adjusted
+appropriately.
+
+<LI>
+
+<CODE>dither_set_ink_budget()</CODE> takes an unsigned number representing the
+most ink that may be deposited at a given point. This number is
+arbitrary; the limit is computed by summing the size of each ink dot,
+which is supplied as a parameter in <CODE>dither_set_<VAR>X</VAR>_ranges</CODE>.
+By default, there is no limit.
+
+<LI>
+
+<CODE>dither_set_black_lower()</CODE> takes a double that should be between 0
+and 1 that represents the lowest density level at which black ink will
+start to mix in with colored ink to generate grays. The lower this is,
+the less density is required to use black ink. Setting this too low
+will result in speckling from black dots, particularly on 6 and 7 color
+printers. Setting this too high will make it hard to get satisfactory
+black or may result in sharp transition between blended colors and
+black. Default: 0.0468.
+
+It is important to note that since the density scale is never linear
+(and since this value is adjusted via other things happening during the
+dithering process) that this does not mean that 95% gray will use any
+black ink. At this setting, there will be no black ink used until about
+50% gray.
+
+This only applies to color mode.
+
+This value should be set lower for printers capable of variable dot
+size, since more dots can be laid down close to each other.
+
+<LI>
+
+<CODE>dither_set_black_upper()</CODE> takes a double that should be between 0
+and 1 that represents the highest density level at which colored inks
+will be mixed to create gray. Setting this too low will result in
+speckly dark grays because there is not enough ink to fill all the
+holes, or sharp transition between blended colors and black if it is too
+close to the value of dither_set_black_upper(). Setting this too high
+will result in poor black and dark tone quality. Default: 0.5. This
+results in 10% and darker grays being printed with essentially all
+black.
+
+This only applies to color mode.
+
+<LI>
+
+<CODE>dither_set_black_levels()</CODE> takes three doubles that represent the
+amount of cyan, magenta, and yellow respectively that are blended to
+create gray. The defaults are 1.0 for each, which is probably too low
+for most printers. These values are adjusted to create a good gray
+balance. Setting these too low will result in pale light and midtone
+grays, with a sharp transition to darker tones as black mixes in.
+Setting them too high will result in overly dark grays and use of too
+much ink, possibly creating bleed-through.
+
+This only applies to color mode.
+
+<LI>
+
+<CODE>dither_set_randomizers()</CODE> takes four integer values representing
+the degree of randomness used for cyan, magenta, yellow, and black.
+This is used to allow some printing to take place in pale areas. Zero
+is the most random; greater than 8 or so gives very little randomness at
+all. Defaults are 0 for cyan, magenta, and yellow, and 4 for black.
+Setting the value for black too low will result in black speckling in
+pale areas. Setting values too high will result in pale areas getting
+no ink at all.
+
+This currently only applies to single dot size in color and black. It
+should be extended to operate in variable dot size mode, although
+actually applying it correctly will be tricky.
+
+<LI>
+
+<CODE>dither_set_ink_darkness()</CODE> takes three doubles representing the
+contribution to perceived darkness of cyan, magenta, and yellow. This
+is used to help decide when to switch between light and dark inks in 6
+and 7 color printers (with light cyan, light magenta, and possibly light
+yellow). Setting these too low will result in too much light ink being
+laid down, creating flat spots in the darkness curves and bleed-through.
+Setting them too high will result in dark ink being used in pale areas,
+creating speckle. The defaults are .4 for cyan, .3 for magenta, and .2
+for yellow. Dark cyan will show against yellow much more than dark
+magenta will show against cyan, since the cyan appears much darker than
+the yellow.
+
+<LI>
+
+<CODE>dither_set_light_inks()</CODE> takes three doubles between 0 and 1
+representing the ratio in darkness between the light and dark versions
+of the inks. Setting these too low will result in too much dark ink
+being used in pale areas, creating speckling, while setting them too
+high will result in very smooth texture but too much use of light ink,
+resulting in flat spots in the density curves and ink bleed-through.
+There are no defaults. Any light ink specified as zero indicates that
+there is no light ink for that color.
+
+This only applies to 6 and 7 color printers in single dot size color
+mode, and only to those inks which have light versions (usually cyan and
+magenta).
+
+<LI>
+
+<CODE>dither_set_ink_spread()</CODE> takes a small integer representing the
+amount of ink spread in the dither. Larger numbers mean less spread.
+Larger values are appropriate for line art and solid tones; they will
+yield sharper transitions but more dither artifacts. Smaller values are
+more appropriate for photos. They will reduce resolution and sharpness
+but reduce dither artifacts up to a point. A value of 16 or higher
+implies minimum ink spread at any resolution no matter what the
+overdensity. A value of 14 is typical for photos on single dot size, 6
+color printers. For 4 color printers, subtract 1 (more spread; the dots
+are farther apart). For variable dot size printers, add 1 (more small
+dots are printed; less spread is desirable).
+
+<LI>
+
+<CODE>dither_set_adaptive_divisor()</CODE> takes a float representing the
+transition point between error diffusion and ordered dither if adaptive
+dithering is used. The float is a fraction of the printing density.
+For example, if you wish the transition to be at 1/4 of the maximum
+density (which works well on simple 4-color printers), you would pass
+.25 here. With six colors and/or with multiple dot sizes, the values
+should be set lower.
+
+<LI>
+
+<CODE>dither_set_transition()</CODE> takes a float representing the exponent
+of the transition curve between light and dark inks/dot sizes. A value
+less than 1 (typical when using error diffusion) mixes in less dark
+ink/small dots at lower ends of the range, to reduce speckling. When
+using ordered dithering, this must be set to 1.
+
+<LI>
+
+<CODE>dither_set_<VAR>X</VAR>_ranges_simple</CODE> (<VAR>X</VAR>=<SAMP>`c'</SAMP>, <SAMP>`m'</SAMP>,
+<SAMP>`y'</SAMP>, or <SAMP>`k'</SAMP>) describes the ink choices available for each
+color. This is useful in typical cases where a four color printer with
+variable dot sizes is in use. It is passed an array of doubles between
+(0, 1] representing the relative darkness of each dot size. The dot
+sizes are assigned bit patterns (and ink quantities, see
+<CODE>dither_set_ink_budget()</CODE> above) from 1 to the number of levels.
+This also requires a density, which is the desired density for this
+color. This density need not equal the density specified in
+<CODE>dither_set_density()</CODE>. Setting it lower will tend to print more
+dark ink (because the curves are calculated for this color assuming a
+lower density than is actually supplied).
+
+<LI>
+
+<CODE>dither_set_<VAR>X</VAR>_ranges</CODE> (<VAR>X</VAR>=<SAMP>`c'</SAMP>, <SAMP>`m'</SAMP>, <SAMP>`y'</SAMP>,
+or <SAMP>`k'</SAMP>) describes in a more general way the ink choices available
+for each color. For each possible ink choice, a bit pattern, dot size,
+value (i. e. relative darkness), and whether the ink is the dark or
+light variant ink is specified.
+</UL>
+
+<P>
+---Robert Krawitz @email{&#60;rlk@alum.mit.edu&#62;} May 8, 2000
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_24.html">previous</A>, <A HREF="gimpprint_26.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Weaving</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_25.html">previous</A>, <A HREF="gimpprint_27.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC41" HREF="gimpprint_toc.html#TOC41">B Weaving for inkjet printers</A></H1>
+<P>
+<A NAME="IDX183"></A>
+
+</P>
+<P>
+by Charles Briscoe-Smith and Robert Krawitz.
+
+</P>
+
+<UL>
+<LI><A HREF="gimpprint_27.html#SEC42">Weaving introduction</A>: Just what is weaving?
+<LI><A HREF="gimpprint_28.html#SEC43">Weaving algorithms</A>: How to weave.
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_25.html">previous</A>, <A HREF="gimpprint_27.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Weaving introduction</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_26.html">previous</A>, <A HREF="gimpprint_28.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC42" HREF="gimpprint_toc.html#TOC42">B.1 Introduction</A></H2>
+
+<P>
+The Epson Stylus Color/Photo printers don't have memory to print using
+all of the nozzles in the print head. For example, the Stylus Photo
+700/EX has 32 nozzles. At 720 dpi, with an 8" wide image, a single line
+requires @math{(8 * 720 * 6 / 8)} bytes, or 4320 bytes (because the
+Stylus Photo printers have 6 ink colors). To use 32 nozzles per color
+would require 138240 bytes. It's actually worse than that, though,
+because the nozzles are spaced 8 rows apart. Therefore, in order to
+store enough data to permit sending the page as a simple raster, the
+printer would require enough memory to store 256 rows, or 1105920 bytes.
+Considering that the Photo EX can print 11" wide, we're looking at more
+like 1.5 MB. In fact, these printers are capable of 1440 dpi horizontal
+resolution. This would require 3 MB. The printers actually have
+64K-256K.
+
+</P>
+<P>
+With the newer (740/750 and later) printers it's even worse, since these
+printers support multiple dot sizes; of course, the even newer
+2880x720 printers don't help either.
+
+</P>
+<P>
+Older Epson printers had a mode called <STRONG>MicroWeave</STRONG> (tm). In this
+mode, the host fed the printer individual rows of dots, and the printer
+bundled them up and sent them to the print head in the correct order to
+achieve high quality. This MicroWeave mode still works in new printers,
+but in some cases the implementation is very minimal: the printer uses
+exactly one nozzle of each color (the first one). This makes printing
+extremely slow (more than 30 minutes for one 8.5x11" page), although the
+quality is extremely high with no visible banding whatsoever. It's not
+good for the print head, though, since no ink is flowing through the
+other nozzles. This leads to drying of ink and possible permanent
+damage to the print head.
+
+</P>
+<P>
+By the way, although the Epson manual says that microweave mode should be
+used at 720 dpi, 360 dpi continues to work in much the same way. At 360
+dpi, data is fed to the printer one row at a time on all Epson printers.
+The pattern that the printer uses to print is very prone to banding.
+However, 360 dpi is inherently a low quality mode; if you're using it,
+presumably you don't much care about quality. It is possible to do
+microweave at 360 DPI, with significantly improved quality.
+
+</P>
+<P>
+Except for the Stylus Pro printers (5000, 5500, 7000, 7500, 9000,
+9500, and when it's released the 10000), which can do microweave at
+any resolution, printers from roughly the Stylus Color 600 and later
+do not have the capability to do MicroWeave correctly in many cases
+(some printers can do MicroWeave correctly at 720 DPI). Instead, the
+host must arrange the output in the order that it will be sent to the
+print head. This is a very complex process; the jets in the print
+head are spaced more than one row (1/720") apart, so we can't simply
+send consecutive rows of dots to the printer. Instead, we have to
+pass e. g. the first, ninth, 17th, 25th... rows in order for them to
+print in the correct position on the paper. This interleaving process
+is called "soft" weaving.
+
+</P>
+<P>
+This decision was probably made to save money on memory in the
+printer. It certainly makes the driver code far more complicated than
+it would be if the printer could arrange the output. Is that a bad
+thing? Usually this takes far less CPU time than the dithering
+process, and it does allow us more control over the printing process,
+e.g. to reduce banding. Conceivably, we could even use this ability
+to map out bad jets.
+
+</P>
+<P>
+Interestingly, apparently the Windows (and presumably Macintosh) drivers
+for most or all Epson printers still list a "microweave" mode.
+Experiments have demonstrated that this does not in fact use the
+"microweave" mode of the printer. Possibly it does nothing, or it
+uses a different weave pattern from what the non-"microweave" mode
+does. This is unnecessarily confusing, at least for people who write
+drivers who try to explain them to people who don't.
+
+</P>
+<P>
+What makes this interesting is that there are many different ways of of
+accomplishing this goal. The naive way would be to divide the image up
+into groups of 256 rows (for a printer with 32 jets and a separation of
+8 rows), and print all the mod8=0 rows in the first pass, mod8=1 rows in
+the second, and so forth. The problem with this approach is that the
+individual ink jets are not perfectly uniform; some emit slightly bigger
+or smaller drops than others. Since each group of 8 adjacent rows is
+printed with the same nozzle, that means that there will be distinct
+streaks of lighter and darker bands within the image (8 rows is 1/90",
+which is visible; 1/720" is not). Possibly worse is that these patterns
+will repeat every 256 rows. This creates banding patterns that are
+about 1/3" wide.
+
+</P>
+<P>
+So we have to do something to break up this patterning.
+
+</P>
+<P>
+Epson does not publish the weaving algorithms that they use in their
+bundled drivers. Indeed, their developer web site
+(http://www.ercipd.com/isv/edr_docs.htm) does not even describe how to
+do this weaving at all; it says that the only way to achieve 720 dpi is
+to use MicroWeave. It does note (correctly) that 1440 dpi horizontal
+can only be achieved by the driver (i. e. in software). The manual
+actually makes it fairly clear how to do this (it requires two passes
+with horizontal head movement between passes), and it is presumably
+possible to do this with MicroWeave.
+
+</P>
+<P>
+The information about how to do this is apparently available under
+non-disclosure agreement (NDA). It's actually easy enough to reverse
+engineer what's inside a print file with a simple Perl script, which is
+supplied with the Gimp-Print distribution as tests/parse-escp2. In any
+event, we weren't particularly interested in the weaving patterns Epson
+used. There are many factors that go into choosing a good weaving
+pattern; we're learning them as we go along. Issues such as drying time
+(giving the ink a few seconds more or less to dry can have highly
+visible effects) affect the quality of the output.
+
+</P>
+<P>
+The Uniprint GhostScript driver has been able to do weaving for a long
+time. It uses patterns that must be specified for each choice of
+resolution and printer. We preferred an algorithmic approach that
+computes a weave pattern for any given choice of inputs. This
+obviously requires extensive testing; we developed a test suite
+specifically for this purpose.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_26.html">previous</A>, <A HREF="gimpprint_28.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_28.html b/doc/manual-html/gimpprint_28.html
new file mode 100644
index 0000000..3116157
--- /dev/null
+++ b/doc/manual-html/gimpprint_28.html
@@ -0,0 +1,77 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Weaving algorithms</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_27.html">previous</A>, <A HREF="gimpprint_29.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC43" HREF="gimpprint_toc.html#TOC43">B.2 Weaving algorithms</A></H2>
+<P>
+<A NAME="IDX184"></A>
+
+</P>
+<P>
+I considered a few algorithms to perform the weave. The first one I
+devised let me use only @math{(jets-distance_between_jets+1)}
+nozzles, or 25. This is OK in principle, but it's slower than using all
+nozzles. By playing around with it some more, I came up with an
+algorithm that lets me use all of the nozzles, except near the top and
+bottom of the page.
+
+</P>
+<P>
+This still produces some banding, though. Even better quality can be
+achieved by using multiple nozzles on the same line. How do we do
+this? In 1440x720 mode, we're printing two output lines at the same
+vertical position. However, if we want four passes, we have to
+effectively print each line twice. Actually doing this would increase
+the density, so what we do is print half the dots on each pass. This
+produces near-perfect output, and it's far faster than using (pseudo)
+"MicroWeave".
+
+</P>
+<P>
+Yet another complication is how to get near the top and bottom of the
+page. This algorithm lets us print to within one head width of the
+top of the page, and a bit more than one head width from the bottom.
+That leaves a lot of blank space. Doing the weave properly outside of
+this region is increasingly difficult as we get closer to the edge of
+the paper; in the interior region, any nozzle can print any line, but
+near the top and bottom edges, only some nozzles can print. We
+originally handled this by using the naive way mentioned above near
+the borders, and switching over to the high quality method in the
+interior. Unfortunately, this meant that the quality is quite visibly
+degraded near the top and bottom of the page. We have since devised
+better algorithms that allow printing to the extreme top and bottom of
+the region that can physically be printed, with only minimal loss of
+quality.
+
+</P>
+<P>
+Epson does not advertise that the printers can print at the very top
+of the page, although in practice most of them can. The quality is
+degraded to some degree, and we have observed that in some cases not
+all of the dots get printed. Epson may have decided that the
+degradation in quality is sufficient that printing in that region
+should not be allowed. That is a valid decision, although we have
+taken another approach.
+
+</P>
+
+<UL>
+<LI><A HREF="gimpprint_29.html#SEC44">Simple weaving algorithms</A>: Starting to weave.
+<LI><A HREF="gimpprint_30.html#SEC45">Perfect weaving</A>: Improving the weave.
+<LI><A HREF="gimpprint_31.html#SEC46">Weaving collisions</A>: Bang!
+<LI><A HREF="gimpprint_32.html#SEC47">What is perfect weaving?</A>: What makes a "perfect" weave?
+<LI><A HREF="gimpprint_33.html#SEC48">Oversampling</A>: Increasing resolution, reducing banding
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_27.html">previous</A>, <A HREF="gimpprint_29.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_29.html b/doc/manual-html/gimpprint_29.html
new file mode 100644
index 0000000..bd893a6
--- /dev/null
+++ b/doc/manual-html/gimpprint_29.html
@@ -0,0 +1,111 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Simple weaving algorithms</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_28.html">previous</A>, <A HREF="gimpprint_30.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H3><A NAME="SEC44" HREF="gimpprint_toc.html#TOC44">B.2.1 Simple weaving algorithms</A></H3>
+
+<P>
+The initial problem is to calculate the starting position of each
+pass; the row number of the printer's top jet when printing that pass.
+Since we assume the paper cannot be reverse-fed, the print head must,
+for each pass, start either further down the page than the previous
+pass or at the same position. Each pass's start point is therefore at
+a non-negative offset from the previous pass's start point.
+
+</P>
+<P>
+Once we have a formula for the starting row of each pass, we then turn
+that "inside out" to get a formula for the pass number containing each
+row.
+
+</P>
+<P>
+First, let's define how our printer works. We measure vertical
+position on the paper in "rows"; the resolution with which the printer
+can position the paper vertically. The print head contains @math{J} ink
+jets, which are spaced @math{S} rows apart.
+
+</P>
+<P>
+Consider a very simple case: we want to print a page as quickly as
+possible, and we mostly don't care how sparse the printing is, so long
+as it's fairly even.
+
+</P>
+<P>
+It's pretty obvious how to do this. We make one pass with the print
+head, printing @math{J} lines of data, each line @math{S} rows after the
+previous one. We then advance the paper by @math{S*J} rows and print
+the next row. For example, if @math{J=7} and @math{S=4}, this method
+can be illustrated like this:
+
+</P>
+
+<PRE>
+pass number
+| row number-------&#62;
+| | 111111111122222222223333333333444444444455555555556666666666
+| 0123456789012345678901234567890123456789012345678901234567890123456789
+0 *---*---*---*---*---*---*
+1 *---*---*---*---*---*---*
+2 \-----------------------/ *---*---*---*---*---*-
+ 7 jets \---/
+ 4 rows offset from one jet to the next
+ \---------------------------/
+ 7*4=28 rows offset from one pass to the next
+</PRE>
+
+<P>
+In these examples, the vertical axis can be thought of as the time axis,
+with the pass number shown at the left margin, while the row number runs
+horizontally. A <SAMP>`*'</SAMP> shows each row printed by a pass, and a row of
+<SAMP>`-'</SAMP> is used to link together the rows printed by one pass of the
+print head. The first pass is numbered <SAMP>`0'</SAMP> and starts at row 0.
+Each subsequent pass @math{p} starts at row @math{p*S*J}. Each pass
+prints @math{J} lines, each line being @math{S} rows after the previous
+one. (For ease of viewing this file on a standard terminal, I'm
+clipping the examples at column 80.)
+
+</P>
+<P>
+This method covers the whole page with lines printed evenly @math{S}
+rows apart. However, we want to fill in all the other rows with
+printing to get a full-density page (we're ignoring oversampling at this
+stage). Where we have previously printed a single pass, we'll now print
+a "pass block": we print extra passes to fill in the empty rows. A
+naive implementation might look like this:
+
+</P>
+
+<PRE>
+0 *---*---*---*---*---*---*
+1 *---*---*---*---*---*---*
+2 *---*---*---*---*---*---*
+3 *---*---*---*---*---*---*
+4 *---*---*---*---*---*---*
+5 *---*---*---*---*---*---*
+6 *---*---*---*---*---*---*
+7 *---*---*---*---*---*---*
+8 *---*---*---*---*---*-
+9 *---*---*---*---*---*
+10 *---*---*---*---*---
+11 *---*---*---*---*--
+</PRE>
+
+<P>
+(Now you can see why this process is called "weaving"!)
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_28.html">previous</A>, <A HREF="gimpprint_30.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_3.html b/doc/manual-html/gimpprint_3.html
new file mode 100644
index 0000000..e64b2eb
--- /dev/null
+++ b/doc/manual-html/gimpprint_3.html
@@ -0,0 +1,41 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Overview</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_2.html">previous</A>, <A HREF="gimpprint_4.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC6" HREF="gimpprint_toc.html#TOC6">1 Overview</A></H1>
+<P>
+<A NAME="IDX4"></A>
+
+</P>
+<P>
+The GIMP-Print package is a collection of programs and a library for
+high quality printing on modern inkjets, including `photographic
+quality' models which offer very high resolutions and several inks.
+
+</P>
+
+<P>
+META: Short history of the project
+
+</P>
+<P>
+GIMP-Print is the print facility of the <STRONG>GNU Image Manipulation Program</STRONG>
+(GIMP). It is in addition
+a suite of drivers that may be used with common UNIX spooling systems
+using GhostScript or CUPS. These drivers provide printing quality for
+UNIX/Linux on a par with proprietary vendor-supplied drivers in many
+cases, and can be used for many of the most demanding printing tasks.
+The core of GIMP-Print is a shared library (libgimpprint) which may be
+used by any program that wishes to produce high-qulaity printed output.
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_2.html">previous</A>, <A HREF="gimpprint_4.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_30.html b/doc/manual-html/gimpprint_30.html
new file mode 100644
index 0000000..b947f40
--- /dev/null
+++ b/doc/manual-html/gimpprint_30.html
@@ -0,0 +1,246 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Perfect weaving</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_29.html">previous</A>, <A HREF="gimpprint_31.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H3><A NAME="SEC45" HREF="gimpprint_toc.html#TOC45">B.2.2 Perfect weaving</A></H3>
+<P>
+<A NAME="IDX185"></A>
+
+</P>
+<P>
+This simple weave pattern prints every row, but will give conspicuous
+banding patterns for the reasons discussed above.
+
+</P>
+<P>
+Let's start improving this for our simple case. We can reduce banding
+by making sure that any given jet never prints a row too close to
+another row printed by the same jet. This means we want to space the
+rows printed by a given jet evenly down the page. In turn, this
+implies we want to advance the paper by as nearly an equal amount
+after each pass as possible.
+
+</P>
+<P>
+Each pass block prints @math{S*J} lines in @math{S} passes. The first
+line printed in each pass block is @math{S*J} rows lower on the page
+than the first line printed in the previous pass block. Therefore, if
+we advance the paper by @math{J} rows between each pass, we can print
+the right number of passes in each block and advance the paper perfectly
+evenly.
+
+</P>
+<P>
+Here's what this "perfect" weave looks like:
+
+</P>
+
+<PRE>
+ start of full weave
+ |
+0 *---*---*---*---*---*---*
+1 *---*---*---*---*---*---*
+2 *---*---*---*---*---*---*
+3 *---*---*---*---*---*---*
+4 *---*---*---*---*---*---*
+5 *---*---*---*---*---*---*
+6 *---*---*---*---*---*---*
+7 *---*---*---*---*---*---*
+8 *---*---*---*---*---*-
+9 *---*---*---*--
+10 *---*---
+11 *
+</PRE>
+
+<P>
+You'll notice that, for the first few rows, this weave is too sparse.
+It is not until the row marked "start of full weave" that every
+subsequent row is printed. We can calculate this start position as
+follows:
+
+</P>
+
+<PRE>
+@math{start = (S-1) * (J-1)}
+</PRE>
+
+<P>
+For the moment, we will ignore this problem with the weave. We'll
+consider later how to fill in the missing rows.
+
+</P>
+<P>
+Let's look at a few more examples of perfect weaves:
+
+</P>
+
+<P>
+@math{S=2}, @math{J=7}, @math{start=(2-1)*(7-1)=6}:
+
+</P>
+
+<PRE>
+ starting row of full weave
+ |
+0 *-*-*-*-*-*-*
+1 *-*-*-*-*-*-*
+2 *-*-*-*-*-*-*
+3 *-*-*-*-*-*-*
+4 *-*-*-*-*-*-*
+5 *-*-*-*-*-*-*
+6 *-*-*-*-*-*-*
+7 *-*-*-*-*-*-*
+</PRE>
+
+<P>
+@math{S=7}, @math{J=2}, @math{start=6}:
+
+</P>
+
+<PRE>
+ start
+ |
+0 *------*
+1 *------*
+2 *------*
+3 *------*
+4 *------*
+5 *------*
+6 *------*
+7 *------*
+8 *------*
+9 *------*
+</PRE>
+
+<P>
+@math{S=4}, @math{J=13}, @math{start=36}:
+
+</P>
+
+<PRE>
+ start
+ |
+0 *---*---*---*---*---*---*---*---*---*---*---*---*
+1 *---*---*---*---*---*---*---*---*---*---*---*---*
+2 *---*---*---*---*---*---*---*---*---*---*---*---*
+3 *---*---*---*---*---*---*---*---*---*--
+4 *---*---*---*---*---*---*-
+5 *---*---*---*
+</PRE>
+
+<P>
+@math{S=13}, @math{J=4}, @math{start=36}:
+
+</P>
+
+<PRE>
+ start
+ |
+0 *------------*------------*------------*
+1 *------------*------------*------------*
+2 *------------*------------*------------*
+3 *------------*------------*------------*
+4 *------------*------------*------------*
+5 *------------*------------*------------*
+6 *------------*------------*------------*
+7 *------------*------------*------------*
+8 *------------*------------*------------*
+9 *------------*------------*------------*
+10 *------------*------------*-----------
+11 *------------*------------*-------
+12 *------------*------------*---
+13 *------------*------------
+14 *------------*--------
+15 *------------*----
+16 *------------*
+17 *---------
+18 *-----
+19 *-
+</PRE>
+
+<P>
+@math{S=8}, @math{J=5}, @math{start=28}:
+
+</P>
+
+<PRE>
+ start
+ |
+0 *-------*-------*-------*-------*
+1 *-------*-------*-------*-------*
+2 *-------*-------*-------*-------*
+3 *-------*-------*-------*-------*
+4 *-------*-------*-------*-------*
+5 *-------*-------*-------*-------*
+6 *-------*-------*-------*-------*
+7 *-------*-------*-------*-------*
+8 *-------*-------*-------*-------*
+9 *-------*-------*-------*-------*
+10 *-------*-------*-------*---
+11 *-------*-------*------
+12 *-------*-------*-
+13 *-------*----
+14 *-------
+15 *--
+</PRE>
+
+<P>
+@math{S=9}, @math{J=5}, @math{start=32}:
+
+</P>
+
+<PRE>
+ start
+ |
+0 *--------*--------*--------*--------*
+1 *--------*--------*--------*--------*
+2 *--------*--------*--------*--------*
+3 *--------*--------*--------*--------*
+4 *--------*--------*--------*--------*
+5 *--------*--------*--------*--------*
+6 *--------*--------*--------*--------*
+7 *--------*--------*--------*--------*
+8 *--------*--------*--------*--------*
+9 *--------*--------*--------*-----
+10 *--------*--------*--------*
+11 *--------*--------*----
+12 *--------*--------
+13 *--------*---
+14 *-------
+15 *--
+</PRE>
+
+<P>
+@math{S=6}, @math{J=7}, @math{start=30}:
+
+</P>
+
+<PRE>
+ start
+ |
+0 *-----*-----*-----*-----*-----*-----*
+1 *-----*-----*-----*-----*-----*-----*
+2 *-----*-----*-----*-----*-----*-----*
+3 *-----*-----*-----*-----*-----*-----*
+4 *-----*-----*-----*-----*-----*-----*
+5 *-----*-----*-----*-----*-----*-----*
+6 *-----*-----*-----*-----*-----*-----
+7 *-----*-----*-----*-----*----
+8 *-----*-----*-----*---
+9 *-----*-----*--
+10 *-----*-
+11 *
+</PRE>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_29.html">previous</A>, <A HREF="gimpprint_31.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_31.html b/doc/manual-html/gimpprint_31.html
new file mode 100644
index 0000000..c4c1a4b
--- /dev/null
+++ b/doc/manual-html/gimpprint_31.html
@@ -0,0 +1,87 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Weaving collisions</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_30.html">previous</A>, <A HREF="gimpprint_32.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H3><A NAME="SEC46" HREF="gimpprint_toc.html#TOC46">B.2.3 Weaving collisions</A></H3>
+<P>
+<A NAME="IDX186"></A>
+<A NAME="IDX187"></A>
+
+</P>
+<P>
+This perfect weave is not possible in all cases. Let's look at another
+example:
+
+</P>
+<P>
+@math{S=6}, @math{J=4}:
+
+</P>
+
+<PRE>
+0 *-----*-----*-----*
+1 *-----*-----*-----*
+2 *-----*-----*-----*
+3 *-----*-----*-----*
+4 ^ *-^---*-----*-----*
+5 | ^ | *-^---*-----*-----*
+ OUCH! ^ | ^
+ | |
+</PRE>
+
+<P>
+Here we have a collision. Some lines printed in later passes overprint
+lines printed by earlier passes. We can see why by considering which
+row number is printed by a given jet number @math{j} (numbered from 0)
+of a given pass, @math{p}:
+
+</P>
+
+<PRE>
+@math{row(p, j) = p*J + j*S}
+</PRE>
+
+<P>
+Because @math{J=4} and @math{S=6} have a common factor of 2, jet 2 of
+pass 0 prints the same row as jet 0 of pass 3:
+
+</P>
+
+<PRE>
+@math{row(0, 2) = 0*4 + 2*6 = 12}
+@math{row(3, 0) = 3*4 + 0*6 = 12}
+</PRE>
+
+<P>
+In fact, with this particular weave pattern, jets 0 and 1 of pass
+@math{p+3} always overprint jets 2 and 3 of pass @math{p}. We'll
+represent overprinting rows by a <SAMP>`^'</SAMP> in our diagrams, and correct
+rows by <SAMP>`*'</SAMP>:
+
+</P>
+<P>
+@math{S=6} @math{J=4}:
+
+</P>
+
+<PRE>
+0 *-----*-----*-----*
+1 *-----*-----*-----*
+2 *-----*-----*-----*
+3 ^-----^-----*-----*
+4 ^-----^-----*-----*
+5 ^-----^-----*-----*
+</PRE>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_30.html">previous</A>, <A HREF="gimpprint_32.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_32.html b/doc/manual-html/gimpprint_32.html
new file mode 100644
index 0000000..3a118f5
--- /dev/null
+++ b/doc/manual-html/gimpprint_32.html
@@ -0,0 +1,723 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - What is perfect weaving?</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_31.html">previous</A>, <A HREF="gimpprint_33.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H3><A NAME="SEC47" HREF="gimpprint_toc.html#TOC47">B.2.4 What makes a "perfect" weave?</A></H3>
+<P>
+<A NAME="IDX188"></A>
+
+</P>
+<P>
+So what causes the perfect weave cases to be perfect, and the other
+cases not to be? In all the perfect cases above, @math{S} and @math{J}
+are relatively prime (i.e. their greatest common divisor (GCD) is 1).
+As we mentioned above, @math{S=6} and @math{J=4} have a common factor,
+which causes the overprinting. Where @math{S} and @math{J} have a GCD
+of 1, they have no common factor other than 1 and, as a result, no
+overprinting occurs. If @math{S} and @math{J} are not relatively prime,
+their common factor will cause overprinting.
+
+</P>
+<P>
+We can work out the greatest common divisor of a pair of natural numbers
+using Euler's algorithm:
+
+</P>
+
+<UL>
+<LI>Start with the two numbers: (e.g.) 9, 24
+
+<LI>Swap them if necessary so that the larger one comes first: 24, 9
+
+<LI>Subtract the second number from the first: 15, 9
+
+<LI>Repeat until the first number becomes smaller: 6, 9
+
+<LI>Swap the numbers again, so the larger one comes first: 9, 6
+
+<LI>Subtract again: 3, 6
+
+<LI>Swap: 6, 3
+
+<LI>Subtract: 3, 3
+
+<LI>And again: 0, 3
+
+<LI>When one of the numbers becomes 0, the other number is the GCD of the two numbers you started with.
+
+</UL>
+
+<P>
+These repeated subtractions can be done with C's <SAMP>`%'</SAMP> operator, so we
+can write this in C as follows:
+
+</P>
+
+<PRE>
+unsigned int
+gcd(unsigned int x, unsigned int y)
+{
+ if (y == 0)
+ return x;
+ while (x != 0) {
+ if (y &#62; x)
+ swap (&#38;x, &#38;y);
+ x %= y;
+ }
+ return y;
+}
+</PRE>
+
+<P>
+<SAMP>`gcd(S,J)'</SAMP> will feature quite prominently in our weaving algorithm.
+
+</P>
+<P>
+If @math{0 &#60;= j &#60; J}, there should only be a single pair @math{(p, j)}
+for any given row number. If @math{S} and @math{J} are not relatively
+prime, this assumption breaks down. (For conciseness, let
+@math{G=GCD(S,J)}.)
+
+</P>
+<P>
+@math{S=8}, @math{J=6}, @math{G=2}:
+
+</P>
+
+<PRE>
+0 *-------*-------*-------*-------*-------*
+1 *-------*-------*-------*-------*-------*
+2 *-------*-------*-------*-------*-------*
+3 *-------*-------*-------*-------*-------*
+4 ^-------^-------^-------*-------*-------*
+5 ^-------^-------^-------*-------*-------*
+</PRE>
+
+<P>
+In this case, jets 0, 1 and 2 of pass @math{p+4} collide with jets 3, 4
+and 5 of pass @math{p}.
+
+</P>
+<P>
+How can we calculate these numbers? Suppose we were to print using
+fewer jets, say @math{J/G} jets. The greatest common divisor of
+@math{J/G} and @math{S} is 1, enabling a perfect weave. But to get a
+perfect weave, we also have to advance the paper by a factor of @math{G}
+less:
+
+</P>
+
+<PRE>
+0 *-------*-------* - - -
+1 *-------*-------* - - -
+2 *-------*-------* - - -
+3 *-------*-------* - - -
+4 *-------*-------* - - -
+5 *-------*-------* - - -
+</PRE>
+
+<P>
+If we left the paper advance alone, we'd get a sparse weave; only one
+row can be printed every @math{G} rows:
+
+</P>
+
+<PRE>
+0 *-------*-------* - - -
+1 *-------*-------* - - -
+2 *-------*-------* - - -
+3 *-------*-------* - - -
+4 *-------*-------* - - -
+5 *-------*-------* - - -
+ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
+ These rows need filling in.
+</PRE>
+
+<P>
+The rows that would have been printed by the jets we've now omitted
+(shown as <SAMP>`-'</SAMP>) are printed by other jets on later passes.
+
+</P>
+<P>
+Let's analyse this. Consider how a pass @math{p} could collide with
+pass 0. Pass @math{p} starts at offset @math{p*J}. Pass 0 prints at
+rows which are multiples of @math{S}. If @math{p*J} is exactly
+divisible by @math{S}, a collision has occurred, unless @math{p*J &#62;=
+J*S} (which will happen when we finish a pass block).
+
+</P>
+<P>
+So, we want to find @math{p} and @math{q} such that @math{p*J=q*S} and
+@math{p} is minimised. Then @math{p} is the number of rows before a
+collision, and @math{q} is the number of jets in pass 0 which are not
+involved in the collision. To do this, we find the lowest common
+multiple of @math{J} and @math{S}, which is @math{L=J*S/G}. @math{L/J}
+is the number of rows before a collision, and @math{L/S} is the number
+of jets in the first pass not involved in the collision.
+
+</P>
+<P>
+Thus, we see that the first @math{J/G} rows printed by a given pass are
+not overprinted by any later pass. However, the rest of the rows
+printed by pass @math{p} are overprinted by the first
+@math{J-(J/G)} jets of pass @math{p+(S/G)}. We will use @math{C}
+to refer to @math{S/G}, the number of rows after which a collision
+occurs.
+
+</P>
+<P>
+Another example:
+
+</P>
+<P>
+@math{S=6}, @math{J=9}, @math{G=3}, @math{C=S/G=2}:
+
+</P>
+
+<PRE>
+0 *-----*-----*-----*-----*-----*-----*-----*-----*
+1 *-----*-----*-----*-----*-----*-----*-----*-----*
+2 ^-----^-----^-----^-----^-----^-----*-----*-----*
+3 ^-----^-----^-----^-----^-----^-----*-----*-----*
+4 ^-----^-----^-----^-----^-----^-----*-----
+5 ^-----^-----^-----^-----^-----^--
+ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^ ^^
+ These rows need filling in.
+</PRE>
+
+<P>
+In this case, the first @math{J-(J/G) = 9-9/3 = 6} jets of pass
+@math{p+(6/3)=p+2} collide with the last 6 jets of pass @math{p}. Only
+one row in every @math{G=2} rows is printed by this weave.
+
+</P>
+<P>
+@math{S=9}, @math{J=6}, @math{G=3}, @math{C=3}:
+
+</P>
+
+<PRE>
+0 *--------*--------*--------*--------*--------*
+1 *--------*--------*--------*--------*--------*
+2 *--------*--------*--------*--------*--------*
+3 ^--------^--------^--------^--------*--------*
+4 ^--------^--------^--------^--------*--------*
+5 ^--------^--------^--------^--------*--------*
+</PRE>
+
+<P>
+Here, the first @math{J-(J/G) = 6-6/3 = 4} jets of pass
+@math{p+(9/3)=p+3} collide with the last 4 jets of pass @math{p}.
+
+</P>
+<P>
+Note that, in these overprinting cases, only rows divisible by @math{G}
+are ever printed. The other rows, those not divisible by @math{G}, are
+not touched by this weave.
+
+</P>
+<P>
+We can modify our weave pattern to avoid overprinting any rows and
+simultaneously fill in the missing rows. Instead of using @math{J}
+alone to determine the start of each pass from the previous pass, we
+adjust the starting position of some passes. As mentioned before, we
+will divide the page into pass blocks, with @math{S} passes in each
+block. This ensures that the first jet of the first pass in a block
+prints the row which the @math{J}th jet of the first pass of the
+previous block would have printed, if the print head had one extra jet.
+
+</P>
+<P>
+Looking back at an example of a perfect weave, we can divide it into
+pass blocks:
+
+</P>
+<P>
+@math{S=7}, @math{J=2}, @math{G=1}:
+
+</P>
+
+<PRE>
+ imaginary extra jet
+ |
+0 *------* * &#60;--start of pass block 0
+1 *------* |
+2 *------* |
+3 *------*|
+4 *-----|*
+5 *---|--*
+6 *-|----*
+ |
+7 *------* &#60;--start of pass block 1
+8 *------*
+9 *------*
+</PRE>
+
+<P>
+We can now calculate the start of a given pass by reference to its pass
+block. The first pass of pass block @math{b} always starts at row
+@math{(b*S*J)}. The start row of each of the other passes in the block
+are calculated using offsets from this row.
+
+</P>
+<P>
+For the example above, there are 7 passes in each pass block, and their
+offsets are 0, 2, 4, 6, 8, 10 and 12. The next pass block is offset
+@math{S*J=14} rows from the start of the current pass block.
+
+</P>
+<P>
+The simplest way to modify the "perfect" weave pattern to give a
+correct weave in cases where @math{G!=1} is to simply change any offsets
+which would result in a collision, until the collision disappears.
+Every printed row in the weave, as we have shown it up to now, is
+separated from each of its neighbouring printed rows by @math{G} blank
+rows. We will add an extra offset to each colliding pass in such a way
+that we push the pass onto these otherwise blank rows.
+
+</P>
+<P>
+We have seen that, unless @math{G=1}, the plain weave pattern results in
+each pass colliding with the pass @math{S/G} passes before. We will now
+subdivide our pass block into subblocks, each consisting of @math{B=S/G}
+passes. There are therefore @math{G} subblocks in a pass block.
+
+</P>
+<P>
+For each subblock, the passes in that subblock have a constant offset
+added to them. The offset is different for each subblock in a block.
+There are many ways we can choose the offsets, but the simplest is to
+make the offset equal to the subblock number (starting from 0).
+
+</P>
+<P>
+Thus, the passes in the first subblock in each pass block remain at the
+offsets we've already calculated from @math{J}. The passes in the
+second subblock each have 1 added to their offset, the passes in the
+third subblock have 2 added, and so on. Thus, the offset of pass
+@math{p} (numbered relative to the start of its pass block) is @math{p*J
++ floor(p/B)}.
+
+</P>
+<P>
+This gives us a weave pattern looking like this:
+
+</P>
+<P>
+@math{S=6}, @math{J=9}, @math{G=3}, @math{B=2}:
+
+</P>
+
+<PRE>
+0 *-----*-----*-----*-----*-----*-----*-----*-----*
+1 ^ *-----*-----*-----*-----*-----*-----*-----*-----*
+2 | +-&#62; *-----*-----*-----*-----*-----*-----*-----*-----*
+3 | | *-----*-----*-----*-----*-----*-----*-----*-----*
+4 | | +-&#62; *-----*-----*-----*-----*-----*-----*---
+5 | | | *-----*-----*-----*-----*-----*
+6 | | | +-&#62; *-----*-----*-----*-----
+7 | | | | *-----*-----*--
+ | | | start of pass block 1
+ | | | (offset returns to 0)
+ | | start of subblock 2 (offset 2 rows)
+ | start of subblock 1 (following passes offset by 1 row)
+ start of passblock 0, subblock 0 (pass start calculated as p*J)
+</PRE>
+
+<P>
+@math{S=9}, @math{J=6}, @math{G=3}, @math{B=3}:
+
+</P>
+
+<PRE>
+0 *--------*--------*--------*--------*--------*
+1 *--------*--------*--------*--------*--------*
+2 *--------*--------*--------*--------*--------*
+3 *--------*--------*--------*--------*--------*
+4 *--------*--------*--------*--------*--------*
+5 *--------*--------*--------*--------*--------*
+6 *--------*--------*--------*--------*---
+7 *--------*--------*--------*------
+8 *--------*--------*--------*
+9 *--------*--------*-----
+10 \---/ *--------*--------
+11 small offset *--------*--
+12 *----
+</PRE>
+
+<P>
+This method of choosing offsets for subblocks can result in an occasional
+small offset (as shown above) between one pass and the next, particularly
+when @math{G} is large compared to @math{J}. For example:
+
+</P>
+<P>
+@math{S=8}, @math{J=4}, @math{G=4}, @math{B=2}:
+
+</P>
+
+<PRE>
+0 *-------*-------*-------*
+1 *-------*-------*-------*
+2 *-------*-------*-------*
+3 *-------*-------*-------*
+4 *-------*-------*-------*
+5 *-------*-------*-------*
+6 *-------*-------*-------*
+7 *-------*-------*-------*
+8 *-------*-------*-------*
+9 \/ *-------*-------*-------*
+ very small offset!
+</PRE>
+
+<P>
+We can plot the offset against the subblock number as follows:
+
+</P>
+
+<PRE>
+subblock number
+| offset
+| |
+| 0123
+0 *
+1 *
+2 *
+3 *
+0 *
+1 *
+2 *
+3 *
+</PRE>
+
+<P>
+The discontinuity in this plot results in the small offset between
+passes.
+
+</P>
+<P>
+As we said at the beginning, we want the offsets from each pass to the
+next to be as similar as possible. We can fix this by calculating the
+offset for a given subblock b as follows:
+
+</P>
+
+<PRE>
+ offset(b) = 2*b , if b &#60; ceiling(G/2)
+ = 2*(G-b)-1 , otherwise
+</PRE>
+
+<P>
+We can visualise this as follows, for @math{G=10}:
+
+</P>
+
+<PRE>
+ 0123456789
+0 *
+1 *
+2 *
+3 *
+4 *
+5 *
+6 *
+7 *
+8 *
+9 *
+0 *
+1 *
+2 *
+3 *
+4 *
+5 *
+6 *
+7 *
+8 *
+9 *
+</PRE>
+
+<P>
+and for @math{G=11}:
+
+</P>
+
+<PRE>
+ 1
+ 01234567890
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+ 4 *
+ 5 *
+ 6 *
+ 7 *
+ 8 *
+ 9 *
+10 *
+ 0 *
+ 1 *
+ 2 *
+ 3 *
+ 4 *
+ 5 *
+ 6 *
+ 7 *
+ 8 *
+ 9 *
+10 *
+</PRE>
+
+<P>
+This gives a weave looking like this:
+
+</P>
+<P>
+@math{S=12}, @math{J=6}, @math{G=6}, @math{B=2}:
+
+</P>
+
+<PRE>
+0 *-----------*-----------*-----------*-----------*-----------*
+1 *-----------*-----------*-----------*-----------*-----------*
+2 *-----------*-----------*-----------*-----------*-----------*
+3 *-----------*-----------*-----------*-----------*---------
+4 *-----------*-----------*-----------*-----------*-
+5 *-----------*-----------*-----------*-------
+6 *-----------*-----------*-----------*
+7 *-----------*-----------*------
+8 *-----------*-----------*--
+9 *-----------*--------
+10 *-----------*----
+11 *----------
+12 *-----
+</PRE>
+
+<P>
+This method ensures that the offset between passes is always in the range
+@math{[J-2,J+2]}.
+
+</P>
+<P>
+(This might seem odd, but it occurs to me that a good weave pattern
+might also make a good score for bell ringers. When church bells are
+rung, a list of "changes" are used. For example, if 8 bells are being
+used, they will, at first, be rung in order: 12345678. If the first
+change is for bells 5 and 6, the bells will then be rung in the order
+12346578. If the second change is 1 and 2, the next notes are 21346578.
+After a long list of changes, the order the bells are rung in can become
+quite complex.
+
+</P>
+<P>
+For a group of bell-ringers to change the order of the notes, they must
+each either delay their bell's next ring, hasten it, or keep it the same
+as the time it takes to ring all the bells once. The length of time
+between each ring of a given bell can only be changed a little each
+time, though; with an ink-jet weave pattern, we want the same to apply
+to the distance between passes.)
+
+</P>
+<P>
+Finally, knowing the number of jets @math{J} and their separation
+@math{S}, we can calculate the starting row of any given pass @math{p}
+as follows:
+
+</P>
+
+<PRE>
+passesperblock = S
+passblock = floor(p / passesperblock)
+offsetinpassblock = p - passblock * passesperblock
+subblocksperblock = gcd(S, J)
+passespersubblock = S / subblocksperblock
+subpassblock = floor(offsetinpassblock / passespersubblock)
+if subpassblock &#60; ceiling(subblocksperblock/2)
+ subblockoffset = 2*subpassblock
+else
+ subblockoffset = 2*(subblocksperblock-subpassblock)-1
+startingrow = passblock * S * J + offsetinpassblock * J + subblockoffset
+</PRE>
+
+<P>
+We can simplify this down to the following:
+
+</P>
+
+<PRE>
+subblocksperblock = gcd(S, J)
+subpassblock = floor((p % S) * subblocksperblock / S)
+if subpassblock * 2 &#60; subblocksperblock
+ subblockoffset = 2*subpassblock
+else
+ subblockoffset = 2*(subblocksperblock-subpassblock)-1
+startingrow = p * J + subblockoffset
+</PRE>
+
+<P>
+So the row number of jet @math{j} of pass @math{p} is
+
+</P>
+
+<PRE>
+subblocksperblock = gcd(S, J)
+
+subblockoffset(p)
+ = 2*subpassblock , if subpassblock * 2 &#60; subblocksperblock
+ = 2*(subblocksperblock-subpassblock)-1 , otherwise
+ where
+ subpassblock = floor((p % S) * subblocksperblock / S)
+
+row(j, p) = p * J + subblockoffset(p) + j * S
+</PRE>
+
+<P>
+Together with the inequality @math{0 &#60;= j &#60; J}, we can use this
+definition in reverse to calculate the pass number containing a given
+row, @math{r}. Working out the inverse definition involves a little
+guesswork, but one possible result is as follows. Given a row,
+@math{r}, which is known to be the first row of a pass, we can calculate
+the pass number as follows:
+
+</P>
+
+<PRE>
+subblocksperblock = gcd(S, J)
+subblockoffset = r % subblocksperblock
+pass = (r - subblockoffset) / J
+</PRE>
+
+<P>
+If @math{G==1}, we can determine the pass number with this algorithm:
+
+</P>
+
+<PRE>
+offset = r % J
+pass = (r - offset) / J
+while (offset % S != 0)
+{
+ pass--
+ offset += J
+}
+jet = offset / S
+</PRE>
+
+<P>
+Generalising, we come up with this algorithm. Given @math{r}, @math{S}
+and @math{J}:
+
+</P>
+
+<PRE>
+G = gcd(S, J)
+passespersubblock = S/G
+subblockoffset = r % G
+subpassblock = subblockoffset / 2 , if subblockoffset % 2 == 0
+ = G - (subblockoffset+1)/2 , otherwise
+baserow = r - subblockoffset - (subpassblock * passespersubblock * J)
+offset = baserow % J
+pass = (baserow - offset) / J
+while (offset % S != 0)
+{
+ offset += J
+ pass -= 1
+}
+subblockretreat = floor(pass / passespersubblock) % G
+pass -= subblockretreat * passespersubblock
+pass += subpassblock * passespersubblock
+jet = (r - subblockoffset - pass * J) / S
+</PRE>
+
+<P>
+Let's look at some examples of imperfect but correct weave patterns:
+
+</P>
+<P>
+@math{S=6}, @math{J=4}, @math{GCD=2},
+<BR>passesperblock=@math{S}=6,
+<BR>passespersubblock=@math{S/G}=6/2=3:
+
+</P>
+
+<PRE>
+0 *-----*-----*-----*
+1 *-----*-----*-----*
+2 *-----*-----*-----*
+3 *-----*-----*-----*
+4 *-----*-----*-----*
+5 *-----*-----*-----*
+6 *-----*-----*-----*
+7 *-----*-----*-----*
+8 *-----*-----*-----*
+9 *-----*-----*-----*
+10 *-----*-----*-----*
+11 *-----*-----*-----*
+12 *-----*-----*-----*
+13 *-----*-----*-----*
+14 *-----*-----*-----*
+15 *-----*-----*----
+16 *-----*-----*
+17 *-----*--
+18 *-----
+19 *-
+</PRE>
+
+<P>
+@math{S=8}, @math{J=6}, @math{G=2},
+<BR>passesperblock=@math{S}=8,
+<BR>passespersubblock=@math{S/G}=8/2=4:
+
+</P>
+
+<PRE>
+0 *-------*-------*-------*-------*-------*
+1 *-------*-------*-------*-------*-------*
+2 *-------*-------*-------*-------*-------*
+3 *-------*-------*-------*-------*-------*
+4 *-------*-------*-------*-------*-------*
+5 *-------*-------*-------*-------*-------*
+6 *-------*-------*-------*-------*-------*
+7 *-------*-------*-------*-------*--
+8 *-------*-------*-------*-----
+9 *-------*-------*-------
+10 *-------*-------*-
+11 *-------*---
+12 *----
+</PRE>
+
+<P>
+@math{S=6}, @math{J=12}, @math{G=6},
+<BR>passesperblock=@math{S}=6,
+<BR>passespersubblock=@math{S/G}=6/6=1:
+
+</P>
+
+<PRE>
+0 *-----*-----*-----*-----*-----*-----*-----*-----*-----*-----*-----*
+1 *-----*-----*-----*-----*-----*-----*-----*-----*-----*-----*---
+2 *-----*-----*-----*-----*-----*-----*-----*-----*-
+3 *-----*-----*-----*-----*-----*-----*
+4 *-----*-----*-----*-----*--
+5 *-----*-----*----
+6 *-----
+</PRE>
+
+<P>
+We have now solved the basic weaving problem. There are two further
+refinements we need to consider: oversampling, and filling in the
+missing rows at the start of the weave.
+
+</P>
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_31.html">previous</A>, <A HREF="gimpprint_33.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
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+<!-- This HTML file has been created by texi2html 1.51
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+
+<TITLE>GIMP-Print - Oversampling</TITLE>
+</HEAD>
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+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_32.html">previous</A>, <A HREF="gimpprint_34.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H3><A NAME="SEC48" HREF="gimpprint_toc.html#TOC48">B.2.5 Oversampling</A></H3>
+<P>
+<A NAME="IDX189"></A>
+
+</P>
+<P>
+By oversampling, we mean printing on the same row more than once.
+There are two reasons for oversampling: to increase the horizontal
+resolution of the printout and to reduce banding.
+
+</P>
+<P>
+Oversampling to increase horizontal resolution is necessary because,
+although the printer might be able to position an ink drop to, for
+example, 1/1440" horizontally, it may not be able to lay down two such
+drops 1/1440" apart. If it can print two drops 1/720" apart, 2x
+oversampling will be necessary to get a 1/1440" horizontal resolution.
+If it can only print two drops 1/360" apart, 4x oversampling will be
+necessary for a 1/1440" horizontal resolution. The printer enforces
+this "drop spacing" by only accepting raster passes with a horizontal
+resolution matching the spacing with which it can print dots, so we
+must print passes at different horizontal positions if we are to
+obtain a higher horizontal resolution. (Another reason it does this
+may be to reduce the amount of memory needed in the printer.)
+
+</P>
+<P>
+Oversampling can also be done to decrease the banding apparent in an
+image. By splitting a row into two or more sets of dots ("lines") and
+printing each line on the same row, but with a different nozzle for
+each line, we can get a smoother print.
+
+</P>
+<P>
+To quantify these two kinds of oversampling, we'll introduce two new
+constants: @math{H} shows how many different horizontal offsets we want
+to print at (the "horizontal oversampling") while @math{O} shows how
+many times we want to print each row, over and above the number of times
+necessary for horizontal oversampling (the "extra oversampling").
+
+</P>
+<P>
+It is necessary for all the lines printed by a given pass to have the
+same horizontal offset, but there need not be any relation between
+them in terms of extra oversampling. For the moment, however, we will
+treat all oversampling as potentially requiring this alignment; all
+lines in one pass must be derived from the original row data in the
+same way. Thus, we'll assume @math{O=1} for now.
+
+</P>
+<P>
+So, how do we do this oversampling? In fact, it can be done easily:
+advance the paper by a factor of @math{H} less between each pass. We'll
+define a new variable, @math{A}, to show how much we advance the paper
+between passes. Previously, we'd have defined @math{A=J}; we now let
+@math{A=J/H}. This also affects our pass blocks. Printing one pass
+block used to involve advancing the paper @math{S*J} rows; it now
+advances the paper @math{S*J/H} rows. We therefore name a group of
+@math{H} pass blocks a "band". Printing one band involves advancing
+the paper @math{S*J} rows, as a pass block did before.
+
+</P>
+<P>
+To keep our weave pattern working correctly, so that overprinting does
+not occur within a pass block, we also have to redefine @math{G} as
+@math{GCD(S,A)}. Here's an example of an oversampled weave pattern:
+
+</P>
+<P>
+@math{S=4}, @math{J=10}, @math{H=2}, @math{A=J/H=10/2=5},
+@math{G=GCD(4,5)=1},
+<BR>passesperblock=@math{S}=4,
+<BR>passespersubblock=@math{S/G}=4/1=4:
+
+</P>
+
+<PRE>
+0 *---*---*---*---*---*---*---*---*---*
+1 *---*---*---*---*---*---*---*---*---*
+2 *---*---*---*---*---*---*---*---*---*
+3 *---*---*---*---*---*---*---*---*---*
+4 *---*---*---*---*---*---*---*---*---*
+5 *---*---*---*---*---*---*---*---*---*
+6 *---*---*---*---*---*---*---*---*---*
+7 *---*---*---*---*---*---*---*---*---*
+8 *---*---*---*---*---*---*---*---*---*
+9 *---*---*---*---*---*---*---*---*
+10 *---*---*---*---*---*---*---
+11 *---*---*---*---*---*--
+12 *---*---*---*---*-
+13 *---*---*---*
+14 *---*---
+15 *--
+</PRE>
+
+<P>
+Now we have to determine which line is printed by each jet on each
+pass. If we number each line generated as we split up a row, we can
+use these numbers. We'll number the lines in our diagram by replacing
+the <SAMP>`*'</SAMP>s with integers in the range [0...@math{H-1}].
+
+</P>
+<P>
+Overprinting occurs once per pass block, so we can simply print pass
+block 0 with line 0, pass block 1 with line 1, pass block 2 with line
+2, etc, wrapping to 0 when we've run out of lines:
+
+</P>
+
+<PRE>
+0 0--0---0--0---0--0---0--0---0--0
+1 0--0---0--0---0--0---0--0---0--0
+2 0--0---0--0---0--0---0--0---0--0
+3 0--0---0--0---0--0---0--0---0--0
+4 1--1---1--1---1--1---1--1---1--1
+5 1--1---1--1---1--1---1--1---1--1
+6 1--1---1--1---1--1---1--1---1--1
+7 1--1---1--1---1--1---1--1---1--1
+8 0--0---0--0---0--0---0--0---0--0
+9 0--0---0--0---0--0---0--0---0
+10 0--0---0--0---0--0---0---
+11 0--0---0--0---0--0--
+12 1--1---1--1---1-
+13 1--1---1--1
+14 1--1---
+15 1--
+</PRE>
+
+<P>
+@math{S=4}, @math{J=12}, @math{H=2}, @math{A=J/H=12/2=6}, @math{G=GCD(4,6)=2},
+<BR>passesperblock=@math{S}=4,
+<BR>passespersubblock=@math{S/G}=4/2=2:
+
+</P>
+
+<PRE>
+0 0--0---0--0---0--0---0--0---0--0---0--0
+1 0--0---0--0---0--0---0--0---0--0---0--0
+2 0--0---0--0---0--0---0--0---0--0---0--0
+3 0--0---0--0---0--0---0--0---0--0---0--0
+4 1--1---1--1---1--1---1--1---1--1---1--1
+5 1--1---1--1---1--1---1--1---1--1---1--1
+6 1--1---1--1---1--1---1--1---1--1---1
+7 1--1---1--1---1--1---1--1---1--
+8 0--0---0--0---0--0---0--0-
+9 0--0---0--0---0--0---
+10 0--0---0--0---0
+11 0--0---0--
+12 1--1-
+</PRE>
+
+<P>
+But what do we do if @math{J} is not an exact multiple of @math{H}?
+This is a difficult problem, which I struggled with for quite a few days
+before giving in and taking the easy (but less elegant) way out. The
+easy solution is to round @math{J/H} down, then add on the accumulated
+error at the end of each band.
+
+</P>
+<P>
+@math{S=4}, @math{J=11}, @math{H=2} @math{A=floor(J/H)=floor(11/2)=5}, @math{G=GCD(4,5)},
+<BR>passesperblock=@math{S}=4,
+<BR>passespersubblock=@math{S/G}=4/1=4
+
+</P>
+
+<PRE>
+Band 0:
+0 0--0---0--0---0--0---0--0---0--0---0
+1 0--0---0--0---0--0---0--0---0--0---0
+2 0--0---0--0---0--0---0--0---0--0---0
+3 0--0---0--0---0--0---0--0---0--0---0
+4 1--1---1--1---1--1---1--1---1--1---1
+5 1--1---1--1---1--1---1--1---1--1---1
+6 1--1---1--1---1--1---1--1---1--1---1
+7 1--1---1--1---1--1---1--1---1--1---
+
+Band 1:
+8 | 0--0---0--0---0--0---0--0---0-
+9 \-----------------------------------------/ 0--0---0--0---0--0---0--0
+10 S*J rows 0--0---0--0---0--0---
+11 0--0---0--0---0--
+12 1--1---1--1-
+13 1--1---1
+14 1---
+</PRE>
+
+<P>
+We can calculate the starting row and subpass number of a given pass
+in this scheme as follows:
+
+</P>
+
+<PRE>
+A = floor(J / H)
+subblocksperblock = gcd(S, A)
+subpassblock = floor((p % S) * subblocksperblock / S)
+if subpassblock * 2 &#60; subblocksperblock
+ subblockoffset = 2*subpassblock
+else
+ subblockoffset = 2*(subblocksperblock-subpassblock)-1
+band = floor(P / (S * H))
+passinband = P % (S * H)
+startingrow = band * S * J + passinband * A + subblockoffset
+subpass = passinband / S
+</PRE>
+
+<P>
+So the row number of jet @math{j} of pass @math{p} is
+
+</P>
+
+<PRE>
+A = floor(J / H)
+subblocksperblock = gcd(S, A)
+
+subblockoffset(p)
+ = 2*subpassblock , if subpassblock * 2 &#60; subblocksperblock
+ = 2*(subblocksperblock-subpassblock)-1 , otherwise
+ where
+ subpassblock = floor((p % S) * subblocksperblock / S)
+
+band(p) = floor(p / (S * H))
+passinband(p) = p % (S * H)
+
+row(j, p) = band(p) * S * J + passinband(p) * A + subblockoffset(p) + j * S
+row(j, p) = p * J + subblockoffset(p) + j * S
+</PRE>
+
+<P>
+To be continued@enddots{}
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_32.html">previous</A>, <A HREF="gimpprint_34.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_34.html b/doc/manual-html/gimpprint_34.html
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - ESC/P2</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_33.html">previous</A>, <A HREF="gimpprint_35.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC49" HREF="gimpprint_toc.html#TOC49">C ESC/P2</A></H1>
+<P>
+<A NAME="IDX190"></A>
+
+</P>
+
+<UL>
+<LI><A HREF="gimpprint_35.html#SEC50">ESC/P2 Introduction</A>: What is ESC/P2
+<LI><A HREF="gimpprint_36.html#SEC51">ESC/P2 Standard Commands</A>: Normal ESC/P2 commands
+<LI><A HREF="gimpprint_37.html#SEC52">ESC/P2 Remote Mode Commands</A>: Exotic ESC/P2 commands
+<LI><A HREF="gimpprint_38.html#SEC53">ESC/P2 Appropriate Remote Commands</A>: Useful remote command sequences
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_33.html">previous</A>, <A HREF="gimpprint_35.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_35.html b/doc/manual-html/gimpprint_35.html
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - ESC/P2 Introduction</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_34.html">previous</A>, <A HREF="gimpprint_36.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC50" HREF="gimpprint_toc.html#TOC50">C.1 Introduction to ESC/P2</A></H2>
+<P>
+<A NAME="IDX191"></A>
+
+</P>
+<P>
+This is a description of the ESC/P2 raster commands used by the
+gimp-print plugin and Ghostscript driver, which is a subset of the
+complete command set. The full documents are found on
+@url{http://www.ercipd.com/isv/edr_docs.htm}. Note that these are
+<STRONG>not</STRONG> always correct, and are certainly not complete.
+
+</P>
+<P>
+All ESCP/2 raster commands begin with the <SAMP>`ESC'</SAMP> character (1b hex),
+followed by either one or two command characters and arguments where
+applicable. Older commands generally have one command character. Newer
+commands usually have a <SAMP>`('</SAMP> (left parenthesis) followed by a
+command character and a byte count for the arguments that follow. The
+byte count is a 16-bit (2 byte) binary integer, in little endian order.
+
+</P>
+<P>
+All arguments listed here are of the form <SAMP>`name[bytes]'</SAMP> where
+<SAMP>`[bytes]'</SAMP> is the number of bytes that comprise the argument. The
+arguments themselves are usually one, two, or four byte integers, always
+little endian (the least significant bits come first). Presumably this
+is to match Intel processors.
+
+</P>
+<P>
+In some cases, the same command sequence identifies different versions
+of the same command, depending upon the number of bytes of arguments.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_34.html">previous</A>, <A HREF="gimpprint_36.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_36.html b/doc/manual-html/gimpprint_36.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - ESC/P2 Standard Commands</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_35.html">previous</A>, <A HREF="gimpprint_37.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC51" HREF="gimpprint_toc.html#TOC51">C.2 Standard commands</A></H2>
+
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC @</CODE></B>
+<DD><A NAME="IDX192"></A>
+Reset the printer. Discards any output, ejects the existing page,
+returns all settings to their default. Always use this before printing
+a page.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (G <VAR>BC</VAR>=1 <VAR>ON1</VAR></CODE></B>
+<DD><A NAME="IDX193"></A>
+Turn on graphics mode. <VAR>ON</VAR> should be <SAMP>`1'</SAMP> (turn on graphics
+mode).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (U <VAR>BC</VAR>=1 <VAR>UNIT1</VAR></CODE></B>
+<DD><A NAME="IDX194"></A>
+Set basic unit of measurement used by printer. This is expressed in
+multiples of 1/3600". At 720 DPI, <VAR>UNIT</VAR> is <SAMP>`5'</SAMP>; at 360 DPI,
+<VAR>UNIT</VAR> is <SAMP>`10'</SAMP>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (U <VAR>BC</VAR>=5 <VAR>PAGEUNITS1</VAR> <VAR>VUNIT1</VAR> <VAR>HUNIT1</VAR> <VAR>BASEUNIT2</VAR></CODE></B>
+<DD><A NAME="IDX195"></A>
+Set basic units of measurement used by the printer. <VAR>PAGEUNIT</VAR> is
+the unit of page measurement (for commands that set page dimensions and
+the like). <VAR>VUNIT</VAR> is the unit of vertical measurement (for
+vertical movement commands). <VAR>HUNIT</VAR> is the unit of horizontal
+movement (for horizontal positioning commands). All of these units are
+expressed in <VAR>BASEUNIT</VAR>, which is in reciprocal inches. Typically,
+<VAR>BASEUNIT</VAR> is <SAMP>`1440'</SAMP>. In 720 DPI mode, <VAR>PAGEUNIT</VAR>,
+<VAR>VUNIT</VAR>, and <VAR>HUNIT</VAR> are all <SAMP>`2'</SAMP>; in 1440x720 DPI mode,
+<VAR>PAGEUNIT</VAR> and <VAR>VUNIT</VAR> are normally set to <SAMP>`2'</SAMP>; <VAR>HUNIT</VAR>
+is set to <SAMP>`1'</SAMP>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (K <VAR>BC</VAR>=2 <VAR>ZERO1</VAR> <VAR>GRAYMODE1</VAR></CODE></B>
+<DD><A NAME="IDX196"></A>
+Set color or grayscale mode, on printers supporting an explicit
+grayscale mode. These printers can be identified because they are
+advertised as having more black nozzles than nozzles of individual
+colors. Setting grayscale mode allows use of these extra nozzles for
+faster printing. <VAR>GRAYMODE</VAR> should be <SAMP>`0'</SAMP> or <SAMP>`2'</SAMP> for
+color, <SAMP>`1'</SAMP> for grayscale. <VAR>ZERO</VAR> should always be <SAMP>`0'</SAMP>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (i <VAR>BC</VAR>=1 <VAR>MICROWEAVE1</VAR></CODE></B>
+<DD><A NAME="IDX197"></A>
+If <VAR>MICROWEAVE</VAR> is <SAMP>`1'</SAMP>, use microweave mode. On older
+printers, this is used to turn on microweave; on newer printers, it
+prints one row at a time. All printers support this mode. It should
+only be used at 720 (or 1440x720) DPI. The Epson Stylus Pro series
+indicates additional modes:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`2'</SAMP>
+<DD>
+"Full-overlap"
+<DT><SAMP>`3'</SAMP>
+<DD>
+"Four-pass"
+<DT><SAMP>`4'</SAMP>
+<DD>
+"Full-overlap 2"
+</DL>
+
+<P>
+Any of these commands can be used with the high four bits set to either
+<SAMP>`3'</SAMP> or <SAMP>`0'</SAMP>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC U <VAR>DIRECTION1</VAR></CODE></B>
+<DD><A NAME="IDX198"></A>
+If <VAR>DIRECTION</VAR> is <SAMP>`1'</SAMP>, print unidirectionally; if <SAMP>`0'</SAMP>,
+print bidirectionally.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (s <VAR>BC</VAR>=1 <VAR>SPEED1</VAR></CODE></B>
+<DD><A NAME="IDX199"></A>
+On some older printers, this controls the print head speed. <VAR>SPEED</VAR>
+of <SAMP>`2'</SAMP> is 10 inches/sec; SPEED of <SAMP>`0'</SAMP> or 1 is 20.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (e <VAR>BC</VAR>=2 <VAR>ZERO1</VAR> <VAR>DOTSIZE1</VAR></CODE></B>
+<DD><A NAME="IDX200"></A>
+Choose print dotsize. <VAR>DOTSIZE</VAR> can take on various values,
+depending upon the printer. Almost all printers support <SAMP>`0'</SAMP> and
+<SAMP>`2'</SAMP>. Variable dot size printers allow a value of <VAR>16</VAR>. Other
+than the value of <VAR>16</VAR>, this appears to be ignored at resolutions of
+720 DPI and above.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (C <VAR>BC</VAR>=2 <VAR>PAGELENGTH2</VAR></CODE></B>
+<DD><A NAME="IDX201"></A>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (C <VAR>BC</VAR>=4 <VAR>PAGELENGTH4</VAR></CODE></B>
+<DD><A NAME="IDX202"></A>
+Set the length of the page in "pageunits" (see <SAMP>`ESC (U'</SAMP> above).
+The second form of the command allows setting of longer page lengths on
+new printers (these happen to be the printers that support variable dot
+size).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (c <VAR>BC</VAR>=4 <VAR>TOP2</VAR> <VAR>LENGTH2</VAR></CODE></B>
+<DD><A NAME="IDX203"></A>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (c <VAR>BC</VAR>=8 <VAR>TOP4</VAR> <VAR>LENGTH4</VAR></CODE></B>
+<DD><A NAME="IDX204"></A>
+Set the vertical page margins of the page in "pageunits" (see <SAMP>`ESC
+(U'</SAMP> above). The margins are specified as the top of the page and the
+length of the page. The second form of the command allows setting of
+longer page lengths on new printers (these happen to be the printers
+that support variable dot size).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (S <VAR>BC</VAR>=8 <VAR>WIDTH4</VAR> <VAR>LENGTH4</VAR></CODE></B>
+<DD><A NAME="IDX205"></A>
+Set the width and length of the printed page region in "pageunits" (see
+<SAMP>`ESC (U'</SAMP> above).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (v <VAR>BC</VAR>=2 <VAR>ADVANCE2</VAR></CODE></B>
+<DD><A NAME="IDX206"></A>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (v <VAR>BC</VAR>=4 <VAR>ADVANCE4</VAR></CODE></B>
+<DD><A NAME="IDX207"></A>
+Feed vertically <VAR>ADVANCE</VAR> "vertical units" (see <SAMP>`ESC (U'</SAMP> above)
+from the current print head position.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (V <VAR>BC</VAR>=2 <VAR>ADVANCE2</VAR></CODE></B>
+<DD><A NAME="IDX208"></A>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (V <VAR>BC</VAR>=4 <VAR>ADVANCE4</VAR></CODE></B>
+<DD><A NAME="IDX209"></A>
+Feed vertically <VAR>ADVANCE</VAR> "vertical units" (see <SAMP>`ESC (U'</SAMP> above)
+from the top margin.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC ($ <VAR>BC</VAR>=4 <VAR>OFFSET4</VAR></CODE></B>
+<DD><A NAME="IDX210"></A>
+Set horizontal position to <VAR>OFFSET</VAR> from the left margin. This
+command operates on printers of the 740 class and newer (all printers
+with variable dot size).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC $ <VAR>OFFSET2</VAR></CODE></B>
+<DD><A NAME="IDX211"></A>
+Set horizontal position to <VAR>OFFSET</VAR> from the left margin. This
+command operates on printers of the 740 class and newer (all printers
+with variable dot size).
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (\ <VAR>BC</VAR>=4 <VAR>UNITS2</VAR> <VAR>OFFSET2</VAR></CODE></B>
+<DD><A NAME="IDX212"></A>
+Set horizontal position to <VAR>OFFSET</VAR> from the previous print head
+position, measured in <VAR>UNITS</VAR>. <VAR>UNITS</VAR> is measured in inverse
+inches, and should be set to 1440 in all cases. This operates on all
+1440 dpi printers that do not support variable dot size.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (/ <VAR>BC</VAR>=4 <VAR>OFFSET4</VAR></CODE></B>
+<DD><A NAME="IDX213"></A>
+Set horizontal position to <VAR>OFFSET</VAR> from the previous print head
+position, measured in "horizontal units" (see <SAMP>`ESC (U'</SAMP> above).
+This operates on all variable dot size printers.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC \ <VAR>OFFSET2</VAR></CODE></B>
+<DD><A NAME="IDX214"></A>
+Set horizontal position to <VAR>OFFSET</VAR> from the previous print head
+position, measured in basic unit of measurement (see <SAMP>`ESC (U'</SAMP>
+above). This is used on all 720 dpi printers, and can also be used on
+1440 dpi printers in lower resolutions to save a few bytes. Note that
+<VAR>OFFSET</VAR> may be negative. The range of values for this command is
+between <SAMP>`-16384'</SAMP> and <SAMP>`16383'</SAMP>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC r <VAR>COLOR1</VAR></CODE></B>
+<DD><A NAME="IDX215"></A>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (r <VAR>BC</VAR>=2 <VAR>DENSITY1</VAR> <VAR>COLOR1</VAR></CODE></B>
+<DD><A NAME="IDX216"></A>
+Set the ink color. The first form is used on four-color printers; the
+second on six-color printers. <VAR>DENSITY</VAR> is <SAMP>`0'</SAMP> for dark inks,
+<SAMP>`1'</SAMP> for light. <VAR>COLOR</VAR> is
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`0'</SAMP>
+<DD>
+black
+<DT><SAMP>`1'</SAMP>
+<DD>
+magenta
+<DT><SAMP>`2'</SAMP>
+<DD>
+cyan
+<DT><SAMP>`4'</SAMP>
+<DD>
+yellow
+</DL>
+
+<P>
+This command is not used on variable dot size printers in softweave
+mode.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC . <VAR>COMPRESS1</VAR> <VAR>VSEP1</VAR> <VAR>HSEP1</VAR> <VAR>LINES1</VAR> <VAR>WIDTH2</VAR> <VAR>data...</VAR></CODE></B>
+<DD><A NAME="IDX217"></A>
+ Print data. <VAR>COMPRESS</VAR> signifies the compression mode:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`0'</SAMP>
+<DD>
+no compression
+<DT><SAMP>`1'</SAMP>
+<DD>
+TIFF compression (incorrectly documented as "run length encoded")
+<DT><SAMP>`2'</SAMP>
+<DD>
+TIFF compression with a special command set.
+</DL>
+
+<P>
+<VAR>VSEP</VAR> depends upon resolution and printer type. At 360 DPI, it is
+always <SAMP>`10'</SAMP>. At 720 DPI, it is normally <SAMP>`5'</SAMP>5. On the ESC
+600, it is <SAMP>`40'</SAMP> (@math{8 * 5}). On some other printers, it varies.
+
+</P>
+<P>
+<VAR>HSEP1</VAR> is <SAMP>`10'</SAMP> at 360 DPI and <SAMP>`5'</SAMP> at 720 or 1440 DPI
+(1440 DPI cannot be printed in one pass; it is printed in two passes,
+with the dots separated in each pass by 1/720").
+
+</P>
+<P>
+<VAR>LINES</VAR> is the number of lines to be printed. It should be <SAMP>`1'</SAMP>
+in microweave and 360 DPI. At 720 DPI softweave, it should be the
+number of lines to be actually printed.
+
+</P>
+<P>
+<VAR>WIDTH</VAR> is the number of pixels to be printed in each row.
+Following this command, a carriage return (<SAMP>`13'</SAMP> decimal, <SAMP>`0A'</SAMP>
+hex) should be output to return the print head position to the left
+margin.
+
+</P>
+<P>
+The basic data format is a string of bytes, with data from left to right
+on the page. Within each byte, the highest bit is first.
+
+</P>
+<P>
+The TIFF compression is implemented as one count byte followed by one or
+more data bytes. There are two cases:
+
+</P>
+
+<OL>
+<LI>
+
+If the count byte is <SAMP>`128'</SAMP> or less, it is followed by @math{[count]
++ 1} data bytes. So if the count byte is <SAMP>`0'</SAMP>, it is followed by 1
+data byte; if it is <SAMP>`128'</SAMP>, it is followed by 129 data bytes.
+
+<LI>
+
+If the count byte is greater than 128, it is followed by one byte. This
+byte is repeated (257 - [count]) times. So if [count] is 129, the next
+byte is treated as though it were repeated 128 times; if [count] is 255,
+it is treated as though it were repeated twice.
+</OL>
+
+</DL>
+
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC i <VAR>COLOR1</VAR> <VAR>COMPRESS1</VAR> <VAR>BITS1</VAR> <VAR>BYTES2</VAR> <VAR>LINES2</VAR> <VAR>data...</VAR></CODE></B>
+<DD><A NAME="IDX218"></A>
+Print data in the newer printers (that support variable dot size), and
+Stylus Pro models.
+
+</P>
+<P>
+<VAR>COLOR</VAR> is the color:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`0'</SAMP>
+<DD>
+black
+<DT><SAMP>`1'</SAMP>
+<DD>
+magenta
+<DT><SAMP>`2'</SAMP>
+<DD>
+cyan
+<DT><SAMP>`4'</SAMP>
+<DD>
+yellow
+<DT><SAMP>`17'</SAMP>
+<DD>
+light magenta
+<DT><SAMP>`18'</SAMP>
+<DD>
+light cyan
+</DL>
+
+<P>
+<VAR>COMPRESS</VAR> signifies the
+compression mode:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`0'</SAMP>
+<DD>
+no compression
+<DT><SAMP>`1'</SAMP>
+<DD>
+TIFF compression (incorrectly documented as "run length encoded")
+<DT><SAMP>`2'</SAMP>
+<DD>
+TIFF compression with a special command set.
+</DL>
+
+<P>
+<VAR>BITS</VAR> is the number of bits per pixel.
+
+</P>
+<P>
+<VAR>BYTES</VAR> is the number of bytes wide for each row (@math{ceiling(BITS
+* width_of_row, 8)}). Note that this is different from the <SAMP>`ESC .'</SAMP>
+command above.
+
+</P>
+<P>
+<VAR>LINES</VAR> is the number of lines to be printed. This command is the
+only way to get variable dot size printing. In variable dot mode, the
+size of the dots increases as the value (<SAMP>`1'</SAMP>, <SAMP>`2'</SAMP>, or
+<SAMP>`3'</SAMP>) increases.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (D <VAR>BC</VAR>=4 <VAR>BASE2</VAR> <VAR>VERTICAL1</VAR> <VAR>HORIZONTAL1</VAR></CODE></B>
+<DD><A NAME="IDX219"></A>
+Set printer horizontal and vertical spacing. It only applies to
+variable dot size printers in softweave mode (and possibly other high
+end printers).
+
+</P>
+<P>
+<VAR>BASE</VAR> is the base unit for this command; it must be <SAMP>`14400'</SAMP>.
+
+</P>
+<P>
+<VAR>VERTICAL</VAR> is the distance in these units between printed rows; it
+should be (@math{separation_in_nozzles * BASE / 720}).
+
+</P>
+<P>
+<VAR>HORIZONTAL</VAR> is the horizontal separation between dots in a row.
+Depending upon the printer, this should be either (@math{14400 / 720})
+or (@math{14400 / 360}). The Stylus Pro 9000 manual suggests that the
+settings should match the chosen resolution, but that is apparently not
+the case (or not always the case) on other printers.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC (R <VAR>BC</VAR>=8 00 R E M O T E 1</CODE></B>
+<DD><A NAME="IDX220"></A>
+Enters "remote mode". This is a special, undocumented command set that
+is used to set up various printer options, such as paper feed tray, and
+perform utility functions such as head cleaning and alignment. It does
+not appear that anything here is actually required to make the printer
+print. Our best understanding of what is in a remote command sequence
+is described in a separate section below.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 command:</U> <B><CODE>ESC 01 @EJL [sp] ID\r\n</CODE></B>
+<DD><A NAME="IDX221"></A>
+Return the printer ID. This is considered a remote mode command,
+although the syntax is that of a conventional command. This returns the
+following information:
+
+</P>
+
+<PRE>
+@EJL ID\r
+MFG:EPSON;
+CMD:ESCPL2,BDC;
+MDL:[printer model];
+CLS:PRINTER;
+DES:EPSON [printer model];
+\f
+</PRE>
+
+</DL>
+
+<P>
+After all data has been sent, a form feed byte should be sent.
+
+</P>
+<P>
+All newer Epson printers (STC 440, STP 750) require the following
+command to be sent at least once to enable printing at all. This
+command specifically takes the printer out of the Epson packet mode
+communication protocol (whatever that is) and enables normal data
+transfer. Sending it multiple times is is not harmful, so it is
+normally sent at the beginning of each job:
+
+</P>
+
+<PRE>
+ESC 01@EJL[space]1284.4[newline]@EJL[space][space][space][space]
+[space][newline]ESC@
+</PRE>
+
+<P>
+The proper sequence of initialization commands is:
+
+</P>
+
+<PRE>
+magic command
+ESC
+remote mode if needed
+ESC (G
+ESC (U
+ESC (K (if appropriate)
+ESC (i
+ESC U (if needed)
+ESC (s (if appropriate)
+ESC (e
+ESC (C
+ESC (c
+ESC (S
+ESC (D (if needed)
+ESC (V (optional -- this can be accomplished with ESC (v)
+</PRE>
+
+<P>
+For printing, the proper sequence is:
+
+</P>
+
+<PRE>
+ESC (v
+</PRE>
+
+<P>
+and repeat for each color:
+
+</P>
+
+<PRE>
+ESC ($ or ESC (\ or ESC \
+ESC (r or ESC r (if needed--not used with <SAMP>`ESC i'</SAMP> and not needed if the color
+has not changed from the previous printed line)
+ESC . or ESC i ...data... [return] (0A hex)
+</PRE>
+
+<P>
+To terminate a page:
+
+</P>
+
+<PRE>
+[formfeed] (0C hex)
+ESC @
+</PRE>
+
+<P><HR><P>
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+<!-- This HTML file has been created by texi2html 1.51
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+
+<TITLE>GIMP-Print - ESC/P2 Remote Mode Commands</TITLE>
+</HEAD>
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+
+
+<H2><A NAME="SEC52" HREF="gimpprint_toc.html#TOC52">C.3 Remote Mode Commands</A></H2>
+
+<P>
+The following description of remote commands comes out of an
+examination of the sequences used by the printer utilities bundled
+with the Windows drivers for the ESC740, and from other sources (some
+Epson manuals, experimentation, analysis of print files). It is
+largely speculative as these commands are not all documented in the
+Epson documentation we have access to. Generally, newer manuals
+provide more thorough documentation.
+
+</P>
+<P>
+Remote command mode is entered when the printer is sent the following
+sequence:
+
+</P>
+
+<PRE>
+ESC (R BC=8 00 R E M O T E 1
+</PRE>
+
+<P>
+Remote mode commands are then sent, and terminated with the following
+sequence:
+
+</P>
+
+<PRE>
+ESC 00 00 00
+</PRE>
+
+<P>
+All remote mode commands must be sent before the initial <SAMP>`ESC (G'</SAMP>
+command is sent.
+
+</P>
+<P>
+This introductory sequence is then followed by a sequence of commands.
+Each command is constructed as follows:
+
+</P>
+
+<UL>
+<LI>Two ASCII bytes indicating the function
+
+<LI>A byte count (two bytes, little-endian) for the parameters
+
+<LI>Binary parameters, if any
+
+</UL>
+
+<P>
+This is a list of all remote commands we have seen:
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>NC <VAR>BC</VAR>=2 00 00</CODE></B>
+<DD><A NAME="IDX222"></A>
+Print a nozzle check pattern
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>VI <VAR>BC</VAR>=2 00 00</CODE></B>
+<DD><A NAME="IDX223"></A>
+on my 740, prints the following:
+
+</P>
+
+<PRE>
+W01286 I02382\r\n
+</PRE>
+
+<P>
+probably "version information"
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* AI <VAR>BC</VAR>=3 00 00 00</CODE></B>
+<DD><A NAME="IDX224"></A>
+Prints a "printer ID". On one 870, prints the following:
+
+<PRE>
+51-51-50-51-49-48\r\n
+</PRE>
+
+<P>
+The Windows driver has a text entry field where this number can be
+entered, but its purpose is unknown.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* LD <VAR>BC</VAR>=0</CODE></B>
+<DD><A NAME="IDX225"></A>
+Load printer defaults from NVRAM, DIP switches, and/or ROM. This
+apparently does not load factory defaults per se, but any settings that
+are saved. This is commonly used right at the end of each print job
+after the <SAMP>`ESC @'</SAMP> printer reset command.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* CH <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX226"></A>
+Perform a head cleaning cycle. The heads to clean are determined by
+parameter <VAR>xx</VAR>:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`00'</SAMP>
+<DD>
+clean all heads
+<DT><SAMP>`01'</SAMP>
+<DD>
+clean black head
+<DT><SAMP>`02'</SAMP>
+<DD>
+clean color heads
+</DL>
+
+<P>
+While <VAR>xx</VAR> = <SAMP>`00'</SAMP> is probably supported by all printers, <VAR>xx</VAR> =
+<SAMP>`01'</SAMP> and <SAMP>`02'</SAMP> may well not be.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* DT <VAR>BC</VAR>=3 00 <VAR>xx</VAR> 00</CODE></B>
+<DD><A NAME="IDX227"></A>
+Print an alignment pattern. There are three patterns, which are picked
+via the choice of <VAR>xx</VAR>. Pattern <SAMP>`0'</SAMP> is coarse, pattern
+<SAMP>`1'</SAMP> is medium, and pattern <SAMP>`2'</SAMP> is fine.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* DU <VAR>BC</VAR>=6 00 <VAR>xx</VAR> 00 09 00 <VAR>yy</VAR></CODE></B>
+<DD><A NAME="IDX228"></A>
+Print another alignment pattern. It isn't entirely clear what <VAR>xx</VAR>
+and <VAR>yy</VAR> are, but it appears that <VAR>xx</VAR> takes on the values
+<SAMP>`1'</SAMP> and <SAMP>`2'</SAMP> , and <VAR>yy</VAR> takes on the values <SAMP>`0'</SAMP> and
+<VAR>1</VAR>. This may only work on the 580 and/or 480.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* DA <VAR>BC</VAR>=4 00 <VAR>xx</VAR> 00 <VAR>yy</VAR></CODE></B>
+<DD><A NAME="IDX229"></A>
+Set results for the first alignment pattern. <VAR>xx</VAR> is the pattern
+(<SAMP>`1'</SAMP>--<SAMP>`3'</SAMP>); <VAR>yy</VAR> is the best choice from the set
+(<SAMP>`1'</SAMP>--<SAMP>`7'</SAMP> or <SAMP>`1'</SAMP>--<SAMP>`15'</SAMP>). This does not save to
+NVRAM, so when the printer is powered off, the setting will be lost.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* DA <VAR>BC</VAR>=6 00 <VAR>xx</VAR> 00 <VAR>yy</VAR> 09 00</CODE></B>
+<DD><A NAME="IDX230"></A>
+Set results for alternate alignment pattern. <VAR>xx</VAR> appears to be the
+pass, and <VAR>yy</VAR> appears to be the optimum pattern. This does not
+save to NVRAM, so when the printer is powered off, the setting will be
+lost.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* SV <VAR>BC</VAR>=0</CODE></B>
+<DD><A NAME="IDX231"></A>
+Save the current settings to NVRAM.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* RS <VAR>BC</VAR>=1 01</CODE></B>
+<DD><A NAME="IDX232"></A>
+Reset the printer.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* IQ <VAR>BC</VAR>=1 01</CODE></B>
+<DD><A NAME="IDX233"></A>
+Get ink quantity. This requires direct access to the printer port. The
+return looks like
+
+</P>
+
+<PRE>
+IQ:KKCCMMYY
+</PRE>
+
+<P>
+or
+
+</P>
+
+<PRE>
+IQ:KKCCMMYYccmm
+</PRE>
+
+<P>
+(for 4-color and 6-color printers respectively), where each pair of
+digits are hexadecimal representations of percent.
+</DL>
+
+</P>
+<P>
+The following two commands have been observed on an STP 870.
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* IR <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX234"></A>
+<STRONG>Function unknown</STRONG>. This command has been observed on an STP 870
+with <VAR>xx</VAR>=<SAMP>`03'</SAMP> at the start of a job and <VAR>xx</VAR>=<SAMP>`02'</SAMP> at
+the end of a job (where it is followed by an <SAMP>`LD'</SAMP> command). When
+in roll mode, the values change to <VAR>xx</VAR>=<SAMP>`01'</SAMP> at the start of a
+job and <VAR>xx</VAR>=<SAMP>`00'</SAMP> at the end of a job.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* FP <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></B>
+<DD><A NAME="IDX235"></A>
+<VAR>xx</VAR>=<SAMP>`00'</SAMP> and <VAR>yy</VAR>=<SAMP>`00'</SAMP> selects the printer's normal
+left margin (about 3mm). <VAR>xx</VAR>=<SAMP>`0xb0'</SAMP> and <VAR>yy</VAR>=<SAMP>`0xff'</SAMP>
+selects zero-margin mode, where the left-most print position is shifted
+to a point about 0.1" to the left of the left-hand edge of the paper,
+allowing printing up to (and off) the left-hand edge of the paper.
+</DL>
+
+</P>
+<P>
+The commands below are partially documented in the Stylus Pro 9000
+manual. Much of this information is interpreted; none is tested.
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* SN <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></B>
+<DD><A NAME="IDX236"></A>
+Select Mechanism Sequence. <VAR>xx</VAR> controls which sub-operation is
+performed. <VAR>xx</VAR>=<SAMP>`00'</SAMP> selects the "Feed paper sequence
+setting". <VAR>yy</VAR> can take on the following values (on the STP 870,
+at any rate):
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`0'</SAMP>
+<DD>
+default
+<DT><SAMP>`1'</SAMP>
+<DD>
+plain paper
+<DT><SAMP>`2'</SAMP>
+<DD>
+postcards
+<DT><SAMP>`3'</SAMP>
+<DD>
+film (photo quality glossy film, transparencies)
+<DT><SAMP>`4'</SAMP>
+<DD>
+envelopes
+<DT><SAMP>`5'</SAMP>
+<DD>
+plain paper (fast load)
+<DT><SAMP>`6'</SAMP>
+<DD>
+back light film (although this has been observed with heavyweight matte
+paper)
+<DT><SAMP>`7'</SAMP>
+<DD>
+matte paper (observed with 360 dpi inkjet paper, and photo quality
+inkjet paper)
+<DT><SAMP>`8'</SAMP>
+<DD>
+photo paper
+</DL>
+
+<P>
+Experimentation suggests that this setting changes details of how the
+printers' cut sheet feeder works, presumably to tune it for different
+types of paper.
+
+</P>
+<P>
+<VAR>xx</VAR>=<SAMP>`01'</SAMP> controls the platen gap setting; <VAR>yy</VAR>=<SAMP>`00'</SAMP>
+is the default, <VAR>yy</VAR>=<SAMP>`1'</SAMP> or <SAMP>`2'</SAMP> are higher settings.
+
+</P>
+<P>
+<VAR>xx</VAR>=<SAMP>`02'</SAMP> controls paper loading speed (<VAR>yy</VAR>=<SAMP>`0'</SAMP> is
+normal, <SAMP>`1'</SAMP> is fast, <SAMP>`2'</SAMP> is slow). It appears that <SAMP>`1'</SAMP>
+is used when printing on "plain paper", "360dpi ink jet paper" or
+"ink jet transparencies", and <VAR>yy</VAR>=<SAMP>`00'</SAMP> for all other paper
+type settings.
+
+</P>
+<P>
+<VAR>xx</VAR>=<SAMP>`07'</SAMP> controls duplex printing for printers with that
+capability (<VAR>yy</VAR>=<VAR>0</VAR> is default, for non-duplex printing;
+<SAMP>`1'</SAMP> is front side of the paper, and <VAR>2</VAR> is back side).
+
+</P>
+<P>
+<VAR>xx</VAR>=<SAMP>`09'</SAMP> controls zero margin printing on the printers with
+the capability of printing zero-margin on all sides (Stylus Photo
+780/790, 890, and 1280/1290). <VAR>yy</VAR>=<SAMP>`0'</SAMP> is the default;
+<SAMP>`1'</SAMP> enables zero margin printing.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* PP <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></B>
+<DD><A NAME="IDX237"></A>
+Set Paper Path. <VAR>xx</VAR>=<SAMP>`2'</SAMP> indicates manual feed,
+<VAR>xx</VAR>=<SAMP>`3'</SAMP> is for roll paper. <VAR>yy</VAR> selects "paper path
+number".
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* AC <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX238"></A>
+Set Auto Cutting State. <VAR>xx</VAR>=<SAMP>`0'</SAMP> selects auto cutting off,
+<VAR>xx</VAR>=<SAMP>`1'</SAMP> selects auto cutting on, and <VAR>xx</VAR>=<SAMP>`2'</SAMP>
+indicates horizontal print page line on. It appears that with auto
+cutting on, roll paper is cut automatically at the point a formfeed
+character is sent. The formfeed character is normally used to eject a
+page; with this turned on, it also cuts the roll paper. Horizontal
+print page line on prints a narrow line of black dots at the position
+the paper should be cut manually.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* DR <VAR>BC</VAR>=4 00 xx <VAR>DT2</VAR></CODE></B>
+<DD><A NAME="IDX239"></A>
+Set Drying Time. <VAR>xx</VAR>=<SAMP>`00'</SAMP> sets the drying time "per scan"
+(per pass?); <VAR>xx</VAR>=<SAMP>`01'</SAMP> sets the drying time per page. <VAR>DT</VAR>
+indicates the drying time, which is in seconds if page mode is used and
+in milliseconds if scan mode is used. <VAR>DT</VAR> must not exceed 3600
+seconds in per-page mode and 10000 milliseconds in per-scan mode.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* IK <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX240"></A>
+Select Ink Type. <VAR>xx</VAR>=<SAMP>`00'</SAMP> selects dye ink. Pigment ink is
+apparently selected by <VAR>xx</VAR>=<SAMP>`01'</SAMP>. This probably does not apply
+to the consumer-grade printers.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* PZ BC=2 00 xx</CODE></B>
+<DD><A NAME="IDX241"></A>
+Set Pause After Printing. <VAR>xx</VAR>=<SAMP>`00'</SAMP> selects no pause after
+printing; <VAR>xx</VAR>=<SAMP>`01'</SAMP> selects pause after printing. If turned
+on, the printer is paused after the page is ejected (by the FF
+byte). If cutting is turned on, the printer is paused <STRONG>after</STRONG>
+the cutting or printing of the horizontal cut line.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* EX <VAR>BC</VAR>=6 00 00 00 00 0x14 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX242"></A>
+Set Vertical Print Page Line Mode. <VAR>xx</VAR>=<SAMP>`00'</SAMP> is off,
+<VAR>xx</VAR>=<SAMP>`01'</SAMP> is on. If turned on, this prints vertical trim lines
+at the left and right margins.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* EX <VAR>BC</VAR>=6 00 00 00 00 0x05 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX243"></A>
+Set Roll Paper Mode. If <VAR>xx</VAR> is <SAMP>`0'</SAMP>, roll paper mode is off;
+if <VAR>xx</VAR> is <SAMP>`1'</SAMP>, roll paper mode is on.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* EX <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></B>
+<DD><A NAME="IDX244"></A>
+Appears to be a synonym for the <SAMP>`SN'</SAMP> command described above.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* PH <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX245"></A>
+Select Paper Thickness. Set the paper thickness <VAR>xx</VAR> in .1 mm
+units. This must not exceed 0x10 (1.6 mm). If the thickness is set
+"more than" .6 mm (which probably means "at least" .6 mm, since the
+other case reads "less than 0.5 mm"), the platen gap is set high
+irrespective of the <SAMP>`SN'</SAMP> command.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* PM <VAR>BC</VAR>=2 00 00</CODE></B>
+<DD><A NAME="IDX246"></A>
+<STRONG>Function unknown</STRONG>. Used on the STC 3000 at least when using roll
+feed, and on the STP 870 in all print files analysed to date.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* ST <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX247"></A>
+Epson's STP 750/1200 programming guide refers to the <SAMP>`ST'</SAMP> command
+as "Set printer state reply". If <VAR>xx</VAR> is <SAMP>`0'</SAMP> or <SAMP>`2'</SAMP>,
+the printer will not send status replies. If <VAR>xx</VAR> is <SAMP>`1'</SAMP> or
+<SAMP>`3'</SAMP>, the printer will send status replies. The status replies
+consist of state, error codes, ink leve, firmware version, and warning
+status.
+
+</P>
+<P>
+The actual reply is documented as
+
+</P>
+
+<PRE>
+@BDC ST\r
+ST: xx;
+[ER: yy;]
+IQ: n1n2n3n4;
+[WR: w1,w2...;]
+RV: zz;
+AI:CW:02kkccmmyy, MI:mm
+[TC:tttt;]
+INK:...;
+\f
+</PRE>
+
+<P>
+(<SAMP>`\r'</SAMP> is carriage return; <SAMP>`\n'</SAMP> is newline; <SAMP>`\f'</SAMP> is
+formfeed.)
+
+</P>
+<P>
+<SAMP>`ST'</SAMP> is the printer status:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`00'</SAMP>
+<DD>
+Error
+<DT><SAMP>`01'</SAMP>
+<DD>
+Self-test
+<DT><SAMP>`02'</SAMP>
+<DD>
+Busy
+<DT><SAMP>`03'</SAMP>
+<DD>
+Waiting while printing
+<DT><SAMP>`04'</SAMP>
+<DD>
+Idle
+<DT><SAMP>`07'</SAMP>
+<DD>
+Cleaning/filling ink heads
+<DT><SAMP>`08'</SAMP>
+<DD>
+Not yet initialized/filling heads
+</DL>
+
+<P>
+<SAMP>`ER'</SAMP>, if provided, is the error status:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`00'</SAMP>
+<DD>
+Fatal error
+<DT><SAMP>`01'</SAMP>
+<DD>
+Interface not selected
+<DT><SAMP>`04'</SAMP>
+<DD>
+Paper jam
+<DT><SAMP>`05'</SAMP>
+<DD>
+Out of ink
+<DT><SAMP>`06'</SAMP>
+<DD>
+Paper out
+</DL>
+
+<P>
+<SAMP>`IQ'</SAMP> is the amount of ink left, as a (decimal!) percentage
+expressed in hexadecimal. The values are black, cyan, magenta, and
+yellow (presumably 6-color printers supply light cyan and light magenta
+inks as additional parameters).
+
+</P>
+<P>
+<SAMP>`WR'</SAMP>, if provided, is the warning status:
+
+</P>
+<DL COMPACT>
+
+<DT><SAMP>`10'</SAMP>
+<DD>
+Black ink low
+<DT><SAMP>`11'</SAMP>
+<DD>
+Cyan
+<DT><SAMP>`12'</SAMP>
+<DD>
+Magenta
+<DT><SAMP>`13'</SAMP>
+<DD>
+Yellow
+<DT><SAMP>`14'</SAMP>
+<DD>
+Light cyan (presumably)
+<DT><SAMP>`15'</SAMP>
+<DD>
+Light magenta (presumably)
+</DL>
+
+<P>
+<SAMP>`RV'</SAMP> is the firmware revision (one byte ASCII).
+
+</P>
+<P>
+<SAMP>`AI'</SAMP> is actuator information. These are two byte ASCII codes that
+indicate "ink weight rank ID" of KCMY, respectively.
+
+</P>
+<P>
+<SAMP>`TC'</SAMP>, if provided, is the total time of cleaning or ink filling (?).
+
+</P>
+<P>
+<SAMP>`INK:'</SAMP> and <SAMP>`MI'</SAMP> are <STRONG>not documented</STRONG>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* SM <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></B>
+<DD><A NAME="IDX248"></A>
+Set Status Reply Rate. <VAR>xx</VAR> is the repeat interval in seconds. If
+<VAR>xx</VAR> is <SAMP>`0'</SAMP>, the status is returned only when the printer's
+state changes.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* ST <VAR>BC</VAR>=1 01</CODE></B>
+<DD><A NAME="IDX249"></A>
+Reply Printer Status. The reply is formatted as
+
+</P>
+
+<PRE>
+@BDC PS\r\nST:<VAR>xx</VAR>;\f
+</PRE>
+
+<P>
+(<SAMP>`\r'</SAMP> is carriage return; <SAMP>`\n'</SAMP> is newline; <SAMP>`\f'</SAMP> is
+formfeed). If <VAR>xx</VAR> (the reply value) is <SAMP>`0'</SAMP> or <SAMP>`2'</SAMP>,
+automatic status update is disabled; if <SAMP>`1'</SAMP> or <SAMP>`3'</SAMP>, it is
+enabled.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* SM <VAR>BC</VAR>=1 01</CODE></B>
+<DD><A NAME="IDX250"></A>
+Reply Printer Status Rate. The reply is formatted as
+
+</P>
+
+<PRE>
+@BDC PS\r\nST:xx;\f
+</PRE>
+
+<P>
+(<SAMP>`\r'</SAMP> is carriage return; <SAMP>`\n'</SAMP> is newline; <SAMP>`\f'</SAMP> is
+formfeed). See <SAMP>`SM <VAR>BC</VAR>=2'</SAMP> above for the meaning of the return
+value.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* ?? <VAR>BC</VAR>=<VAR>xx</VAR> <VAR>y</VAR>[1] ... <VAR>y</VAR>[xx]</CODE></B>
+<DD><A NAME="IDX251"></A>
+Echo Parameters (perhaps better described as Echo Commands). The
+command string is executed (it would appear from the documentation), and
+the string sent is returned using a sequence similar to that described
+in the <SAMP>`ST <VAR>BC</VAR>=1'</SAMP> and <SAMP>`SM <VAR>BC</VAR>=1'</SAMP> commands. Note
+that in this case the number of bytes is variable!
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U>ESC/P2 remote command:</U> <B><CODE>* SM <VAR>BC</VAR>=2 00 02</CODE></B>
+<DD><A NAME="IDX252"></A>
+<STRONG>Function unknown</STRONG>. Used on the STC 3000 at least when using
+roll feed.
+</DL>
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_36.html">previous</A>, <A HREF="gimpprint_38.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_38.html b/doc/manual-html/gimpprint_38.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - ESC/P2 Appropriate Remote Commands</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_37.html">previous</A>, <A HREF="gimpprint_39.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC53" HREF="gimpprint_toc.html#TOC53">C.4 Appropriate Remote Commands</A></H2>
+
+<P>
+All of the remote commands described above are wrapped up with the usual
+boilerplate. The files always start with <SAMP>`00 00 00'</SAMP> and the
+"magic" command described above, then two <SAMP>`ESC @'</SAMP>s to reset the
+printer. The remote command sequences come next; if they print anything
+that is usually followed by a <SAMP>`FF'</SAMP> (0C hex) character to feed the
+page, then the file ends with another two <SAMP>`ESC @'</SAMP>s to get back to
+the ground state.
+
+</P>
+<P>
+An alignment sequence goes like this:
+
+</P>
+
+<OL>
+<LI>Host uses <SAMP>`DT'</SAMP> to print an alignment sheet
+
+<LI>User eyeballs the sheet to see which is the best aligned pattern.
+
+<LI>Host sends a <SAMP>`DA'</SAMP> command indicating which pattern the user chose
+
+<LI>If the user said "realign", meaning he isn't done yet, go to step 1
+
+<LI>We are done: host sends a <SAMP>`SV'</SAMP> command and exits
+
+</OL>
+
+<P>
+The sequence used (by the STC 3000, at least) to print from the roll
+feed is (with byte count omitted)
+
+</P>
+
+<PRE>
+ PM 00 00
+ SN 00 00 00
+ EX 00 00 00 00 05 01
+ ST 00 01
+ SM 00 02
+</PRE>
+
+<P>
+The sequence used by the STP 870 to print on plain paper is
+
+</P>
+
+<PRE>
+ PM 00 00
+ IR 00 03
+ SN 00 00 01
+ SN 00 01 00
+ SN 00 02 01
+ EX 00 00 00 00 05 00
+ FP 00 00 00
+</PRE>
+
+<P>
+and the job finishes with
+
+</P>
+
+<PRE>
+ IR 00 02
+ LD
+</PRE>
+
+<P>
+For different paper type settings on the STP 870, the arguments to
+<SAMP>`SN'</SAMP> vary. The arguments to the first and third <SAMP>`SN'</SAMP> commands
+are as outlined in the description of the <SAMP>`SN'</SAMP> command above; the
+arguments to the second ("platen gap") are <SAMP>`00 01 01'</SAMP> for thick
+papers ("matte paper--heavyweight", "photo paper" and "premium
+glossy photo paper") and <SAMP>`00 01 00'</SAMP> for all others.
+
+</P>
+<P>
+For roll-mode printing, the STP 870's sequence changes as follows.
+<SAMP>`IR'</SAMP>'s arguments become <SAMP>`00 01'</SAMP> in the header, and <SAMP>`00
+00'</SAMP> after the job, and <SAMP>`EX'</SAMP>'s last argument changes from <SAMP>`00'</SAMP>
+to <SAMP>`01'</SAMP>.
+
+</P>
+<P>
+For zero-margin printing on the STP 870, the arguments to <SAMP>`FP'</SAMP> become
+<SAMP>`00 0xb0 0xff'</SAMP>. This moves the origin about 5.5mm to the left, to a
+point one tenth of an inch to the left of the left-hand edge of the
+paper, allowing printing right up to (and beyond) the edge of the
+paper. Some printers (at least the STP 870) include white absorbent
+pads at the left margin position and other positions (89mm and 100mm
+on the STP 870) to soak up ink which misses the edge of the paper.
+Printing off the edge of paper of a width not aligned with a pad could
+result in making a mess of the inside of the printer and ink getting
+on the reverse of the paper.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_37.html">previous</A>, <A HREF="gimpprint_39.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_39.html b/doc/manual-html/gimpprint_39.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - New Printer</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_38.html">previous</A>, <A HREF="gimpprint_40.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC54" HREF="gimpprint_toc.html#TOC54">D Adding a new printer</A></H1>
+<P>
+<A NAME="IDX253"></A>
+<A NAME="IDX254"></A>
+<A NAME="IDX255"></A>
+
+</P>
+
+<P>
+This appendix covers adding a new ESCP/2, PCL, or Canon printer.
+Writing a new driver module is not covered.
+
+</P>
+<P>
+The three steps to adding a printer are:
+
+</P>
+
+<OL>
+<LI>Add an entry to <TT>`printers.xml'</TT>
+
+<LI>Add the appropriate code and data to the appropriate driver module
+
+<LI>Tune the printer
+
+</OL>
+
+<P>
+Printer information is stored in two places: in <TT>`printers.xml'</TT>
+(which contains the list of printer models available to the the
+upper-level application), and in the appropriate driver file
+(<TT>`print-escp2.c'</TT>, <TT>`print-pcl.c'</TT>, or <TT>`print-canon.c'</TT>).
+
+</P>
+
+<UL>
+<LI><A HREF="gimpprint_40.html#SEC55">printers.xml</A>: File format description.
+<LI><A HREF="gimpprint_41.html#SEC56">Driver file</A>: Data structures to use.
+<LI><A HREF="gimpprint_42.html#SEC57">Epson inkjet printers</A>: Adding an Epson printer.
+<LI><A HREF="gimpprint_43.html#SEC58">Tuning Epson printers</A>: Tweaking settings.
+<LI><A HREF="gimpprint_44.html#SEC59">Canon inkjet printers</A>: Adding a Canon printer.
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_38.html">previous</A>, <A HREF="gimpprint_40.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_4.html b/doc/manual-html/gimpprint_4.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Using libgimpprint</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_3.html">previous</A>, <A HREF="gimpprint_5.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC7" HREF="gimpprint_toc.html#TOC7">2 Using libgimpprint</A></H1>
+<P>
+<A NAME="IDX5"></A>
+
+</P>
+<P>
+This chapter describes how to write programs that use libgimpprint.
+
+</P>
+
+
+
+<H2><A NAME="SEC8" HREF="gimpprint_toc.html#TOC8">2.1 Code prerequisites</A></H2>
+<P>
+To use libgimpprint with a program, several steps must be taken:
+
+</P>
+
+<OL>
+<LI>Include the master libgimpprint header <CODE>&#60;gimp-print/gimp-print.h&#62;.</CODE>
+
+<LI>Call <CODE>stp_init()</CODE>.
+
+<LI>Link with libgimpprint.
+
+</OL>
+
+<P>
+The following is a short example program. It does not do anything useful,
+but it does everything required to link with libgimpprint and call other
+functions from libgimpprint.
+
+</P>
+
+<PRE>
+#include &#60;gimp-print/gimp-print.h&#62;
+
+int
+main (int argc, char *argv[])
+{
+ stp_init ();
+ return (0);
+}
+</PRE>
+
+
+
+<H2><A NAME="SEC9" HREF="gimpprint_toc.html#TOC9">2.2 Linking with libgimpprint</A></H2>
+
+<P>
+To link a program with libgimpprint, then <SAMP>`-lgimpprint'</SAMP> needs to be passed
+to the compiler when linking. For example, to compile and link <TT>`prog.c'</TT>
+the following commands would be used:
+
+</P>
+
+<PRE>
+gcc -c prog.c
+gcc -o prog -lgimpprint prog.o
+</PRE>
+
+<P>
+The compiler and linker flags needed may vary depending on the options
+GIMP-Print was configured with when it was built. The
+@command{gimpprint-config} script will give the correct parameters for
+the local installation (see section <A HREF="gimpprint_6.html#SEC11">3.1 @command{gimpprint-config}</A>).
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_3.html">previous</A>, <A HREF="gimpprint_5.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_40.html b/doc/manual-html/gimpprint_40.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - printers.xml</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_39.html">previous</A>, <A HREF="gimpprint_41.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC55" HREF="gimpprint_toc.html#TOC55">D.1 <TT>`printers.xml'</TT></A></H2>
+
+<P>
+<TT>`printers.xml'</TT> is an XML-like file (there's no formal DTD) that
+contains very simple printer definitions. A typical definition follows:
+
+</P>
+
+<PRE>
+&#60;printer name="EPSON Stylus Color 1500" driver="escp2-1500"&#62;
+&#60;color&#62;
+&#60;model value=2&#62;
+&#60;gamma value=0.597&#62;
+&#60;density value=1.0&#62;
+&#60;language value=escp2&#62;
+&#60;/printer&#62;
+</PRE>
+
+<P>
+There are other tags that may be present. The only ones that are
+mandatory are <SAMP>`&#60;printer&#62;'</SAMP>, <SAMP>`&#60;color&#62;'</SAMP>, <SAMP>`&#60;model&#62;'</SAMP>, and
+<SAMP>`&#60;language&#62;'</SAMP>. The other optional parameters (gamma and density in
+this case) can be used to adjust control settings. This is probably not
+the right place for them; the printer drivers themselves should contain
+this information. There's probably no good reason for anything but
+gamma and density to be in here. Gamma refers to the printer's gamma
+factor; density is the desired base ink density for the printer. The
+Epson driver contains the density information for each printer at each
+resolution internally. An even better driver would adjust density and
+possibly even gamma for paper type. All the more reason not to have
+that information here.
+
+</P>
+<P>
+If you really are curious about what tags are permitted, please see
+<TT>`printdefl.l'</TT>. I deliberately want to make this obscure.
+
+</P>
+<P>
+Anyway, here's the definition of the tags that do matter:
+
+</P>
+<P>
+<DL>
+<DT><U><TT>`printers.xml'</TT> tag:</U> <B><CODE>&#60;printer name="<VAR>longname</VAR>" driver="<VAR>drivername</VAR>"&#62;</CODE></B>
+<DD><A NAME="IDX256"></A>
+This starts the definition of a printer. The <VAR>longname</VAR> should be
+something human readable; the <VAR>drivername</VAR> should consist of
+alphanumerics and hyphens, and be fairly short. The <VAR>longname</VAR> is
+what will appear in the GUI listing of printers; the <VAR>drivername</VAR> is
+what is actually used to key into the list of printers. It is legal to
+have multiple printers with the same driver name.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U><TT>`printers.xml'</TT> tag:</U> <B><CODE>&#60;color&#62;</CODE></B>
+<DD><A NAME="IDX257"></A>
+<DT><U><TT>`printers.xml'</TT> tag:</U> <B><CODE>&#60;nocolor&#62;</CODE></B>
+<DD><A NAME="IDX258"></A>
+Indicates that this printer is capable of color, or is not capable of
+color respectively
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U><TT>`printers.xml'</TT> tag:</U> <B><CODE>&#60;model value=<VAR>int</VAR>&#62;</CODE></B>
+<DD><A NAME="IDX259"></A>
+This defines a model number. This is passed into the driver, which may
+do whatever it cares to with it--index into a table, compute on, or
+whatever. This need not be unique.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U><TT>`printers.xml'</TT> tag:</U> <B><CODE>&#60;language value=<VAR>type</VAR>&#62;</CODE></B>
+<DD><A NAME="IDX260"></A>
+This defines what driver module this printer uses. <VAR>type</VAR> should be
+<SAMP>`escp2'</SAMP>, <SAMP>`pcl'</SAMP>, <SAMP>`canon'</SAMP>, or <SAMP>`ps'</SAMP>.
+</DL>
+
+</P>
+<P>
+<DL>
+<DT><U><TT>`printers.xml'</TT> tag:</U> <B><CODE>&#60;/printer&#62;</CODE></B>
+<DD><A NAME="IDX261"></A>
+This, of course, closes off a printer definition.
+</DL>
+
+</P>
+<P>
+This is handled very ad-hoc. It's ugly. But it's reasonably easy to
+extend, and it's buzzword-compliant.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_39.html">previous</A>, <A HREF="gimpprint_41.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_41.html b/doc/manual-html/gimpprint_41.html
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Driver file</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_40.html">previous</A>, <A HREF="gimpprint_42.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC56" HREF="gimpprint_toc.html#TOC56">D.2 The driver file</A></H2>
+<P>
+<A NAME="IDX262"></A>
+
+</P>
+<P>
+Adding a new printer to a driver module (<TT>`print-escp2.c'</TT>,
+<TT>`print-pcl.c'</TT>, or <TT>`print-canon.c'</TT>---<TT>`print-ps.c'</TT> is
+really ad hoc) requires a bit more planning. Each driver is somewhat
+different, but they all generally have a vector of printer definitions,
+and the code does some special casing based on particular printer
+capabilities. The PCL and Canon drivers are quite similar; the Canon
+driver was actually cribbed from the PCL driver, but it then returned
+the favor.
+
+</P>
+<P>
+The Epson driver is a little bit different. Canon and PCL printers
+have some amount of intelligence; a lot of them have specific ink
+options, and know about specific paper sizes and types, and must be
+told the right thing. Epson printers have somewhat less intelligence
+and will more or less do exactly what the host tells it to do in a
+fairly regular fashion. I actually prefer this; it isn't materially
+more work for the host to compute things like exact paper sizes and
+such, it allows a lot more tweaking, and it may be why Epson has been
+more open with information -- the communication protocol doesn't
+really contain very much IP, so they have less reason to keep it
+secret.
+
+</P>
+<P>
+Someone else will have to fill in the sections about PCL and Canon
+printers.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_40.html">previous</A>, <A HREF="gimpprint_42.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_42.html b/doc/manual-html/gimpprint_42.html
new file mode 100644
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Epson inkjet printers</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_41.html">previous</A>, <A HREF="gimpprint_43.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC57" HREF="gimpprint_toc.html#TOC57">D.3 Epson inkjet printers</A></H2>
+<P>
+<A NAME="IDX263"></A>
+
+</P>
+<P>
+The <SAMP>`model_capabilities'</SAMP> vector in <TT>`print-escp2.c'</TT> contains
+one entry for each defined printer model. The <SAMP>`model'</SAMP> parameter in
+<TT>`printers.xml'</TT> is an index into this table.
+
+</P>
+<P>
+In general, the new printers have fewer eccentricities than the older
+printers. That doesn't mean they're simpler, just that they're more
+consistent.
+
+</P>
+<P>
+An <CODE>escp2_printer_t</CODE> is a C struct defined as follows:
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> <B>escp2_printer_t</B>
+<DD><A NAME="IDX264"></A>
+
+<PRE>
+typedef struct escp2_printer
+{
+ model_cap_t flags; /* Bitmask of flags, see below */
+/*****************************************************************************/
+ int nozzles; /* Number of nozzles per color */
+ int min_nozzles; /* Minimum number of nozzles per color */
+ int nozzle_separation; /* Separation between rows, in 1/360" */
+ int black_nozzles; /* Number of black nozzles (may be extra) */
+ int min_black_nozzles; /* # of black nozzles (may be extra) */
+ int black_nozzle_separation; /* Separation between rows */
+ int fast_nozzles; /* Number of fast nozzles */
+ int min_fast_nozzles; /* # of fast nozzles (may be extra) */
+ int fast_nozzle_separation; /* Separation between rows */
+/*****************************************************************************/
+ int xres; /* Normal distance between dots in */
+ /* softweave mode (inverse inches) */
+ int enhanced_xres; /* Distance between dots in highest */
+ /* quality modes */
+ int base_separation; /* Basic unit of row separation */
+ int base_resolution; /* Base hardware spacing (above this */
+ /* always requires multiple passes) */
+ int enhanced_resolution;/* Above this we use the */
+ /* enhanced_xres rather than xres */
+ int resolution_scale; /* Scaling factor for ESC(D command */
+ int max_black_resolution; /* Above this resolution, we */
+ /* must use color parameters */
+ /* rather than (faster) black */
+ /* only parameters*/
+ int max_hres;
+ int max_vres;
+ int min_hres;
+ int min_vres;
+/*****************************************************************************/
+ int max_paper_width; /* Maximum paper width, in points */
+ int max_paper_height; /* Maximum paper height, in points */
+ int min_paper_width; /* Maximum paper width, in points */
+ int min_paper_height; /* Maximum paper height, in points */
+ /* Printer interleave: */
+ int m_left_margin; /* Left margin, points */
+ int m_right_margin; /* Right margin, points */
+ int m_top_margin; /* Absolute top margin, points */
+ int m_bottom_margin; /* Absolute bottom margin, points */
+ /* ROLL FEED: */
+ /* Softweave: */
+ int roll_left_margin; /* Left margin, points */
+ int roll_right_margin; /* Right margin, points */
+ int roll_top_margin; /* Absolute top margin, points */
+ int roll_bottom_margin; /* Absolute bottom margin, points */
+ /* Printer interleave: */
+ int m_roll_left_margin; /* Left margin, points */
+ int m_roll_right_margin; /* Right margin, points */
+ int m_roll_top_margin; /* Absolute top margin, points */
+ int m_roll_bottom_margin; /* Absolute bottom margin, points */
+/*****************************************************************************/
+ int extra_feed; /* Extra distance the paper can be spaced */
+ /* beyond the bottom margin, in 1/360". */
+ /* (maximum useful value is */
+ /* nozzles * nozzle_separation) */
+ int separation_rows; /* Some printers require funky spacing */
+ /* arguments in interleave mode. */
+ int pseudo_separation_rows;/* Some printers require funky */
+ /* spacing arguments in softweave mode */
+
+ int zero_margin_offset; /* Offset to use to achieve */
+ /* zero-margin printing */
+ int initial_vertical_offset;
+ int black_initial_vertical_offset;
+ int extra_720dpi_separation;
+
+/*****************************************************************************/
+ const int *dot_sizes; /* Vector of dot sizes for resolutions */
+ const double *densities; /* List of densities for each printer */
+ const escp2_variable_inklist_t *inks; /* Choices of inks for this printer */
+/*****************************************************************************/
+ const paperlist_t *paperlist;
+ const res_t *reslist;
+ const inklist_t *inklist;
+/*****************************************************************************/
+ const int *bits;
+ const int *base_resolutions;
+ const input_slot_list_t *input_slots;
+/*****************************************************************************/
+ const init_sequence_t *preinit_sequence;
+ const init_sequence_t *postinit_remote_sequence;
+} escp2_printer_t;
+</PRE>
+
+</DL>
+
+<P>
+The printer definition block is divided into 8 sections. The first
+section is a set of miscellaneous printer options. These are
+described in the code, and will not be discussed further here.
+
+</P>
+
+<P>
+The second section describes the number of nozzles and the separation
+between nozzles in base units. The base unit is 1/360" for all
+currently supported printers, but future printers may support a
+smaller base unit.
+
+</P>
+<P>
+Many printers have more black nozzles than nozzles of other colors,
+and when used in black and white mode, it's possible to use these
+extra nozzles, which speeds up printing. As an example, a printer
+that is specified to have 48 cyan, magenta, and yellow nozzles, and
+144 black nozzles, can use all 144 black nozzles when printing black
+ink only. When printing in color, only 48 nozzles of each color
+(including black) can be used.
+
+</P>
+<P>
+Most printers can print using either the number of nozzles available
+or any smaller number. Some printers require that all of the nozzles
+be used. Those printers will set <CODE>min_nozzles</CODE> and/or
+<CODE>min_black_nozzles</CODE> to the same value as <CODE>nozzles</CODE> and/or
+<CODE>black_nozzles</CODE>.
+
+</P>
+
+<P>
+The third section defines basic units of measure for the printer,
+including the standard separation between dots, the base nozzle
+separation, and the minimum and maximum printing resolutions the
+printer supports. Most of these are fairly self-explanatory, but some
+are not obvious.
+
+</P>
+<P>
+Most Epson printers, other than the high-end Stylus Pro models, cannot
+print dots spaced more closely than 1/360" or 1/720" apart (this is
+the setting for <CODE>xres</CODE>. This is true even for printers that
+support resolutions of 1440 or 2880 DPI. In these cases, the data
+must be printed in 2, 4, or 8 passes. While the printer can position
+the head to a resolution of 1/1440" or 1/2880", the head cannot
+deposit ink that frequently.
+
+</P>
+<P>
+Some printers can only print in their very best quality (using the
+smallest dots available) printing at a lower resolution. For example,
+the Stylus Photo EX can normally print with a dot spacing of 1/720".
+The smallest dot size cannot be printed with a dot spacing of less
+than 1/360", however. In this case, we use <CODE>enhanced_xres</CODE>
+to specify the resolution to be used in this enhanced mode, and
+<CODE>enhanced_resolution</CODE> to specify the printing resolution above
+which we use the <CODE>enhanced_xres</CODE>.
+
+</P>
+<P>
+The <CODE>resolution_scale</CODE> command is used to specify scaling factors
+for the dot separation on newer printers. It should always be 14400
+with current printers.
+
+</P>
+
+<P>
+The fourth section specifies the minimum and maximum paper sizes, and
+the margins. Some printers allow use of narrower margins when
+softweave is used; both sets of margins are specified.
+
+</P>
+<P>
+There is a convenient <SAMP>`INCH'</SAMP> macro defined to make specification of
+the <CODE>max_paper_width</CODE> and <CODE>max_paper_height</CODE> more legible. It
+multiplies 72 by the provided expression to get the appropriate number
+of points. For example, to specify 8.5", <SAMP>`INCH(17/2)'</SAMP> expands to
+<SAMP>`(72 * 17/2)'</SAMP>, which is evaluated left to right, and hence
+generates the correct value.
+
+</P>
+
+<P>
+The fifth section specifies some miscellaneous values that are
+required for certain printers. For most printers, the correct values
+are 1 for <CODE>separation_rows</CODE> and 0 for the others. Very, very few
+printers require (or allow) <CODE>separation_rows</CODE> to be anything but
+1 and <CODE>pseudo_separation_rows</CODE> other than zero. The Stylus Color
+1520, Stylus Color 800, Stylus Color 850, and (strangely enough to my
+mind, since it's a new printer) Stylus Color 660 seem to be the only
+exceptions.
+
+</P>
+<P>
+The <CODE>zero_margin_offset</CODE> is used to specify an additional
+negative horizontal offset required to print to the edges of the paper
+on newer Stylus Photo printers. These must be determined empirically;
+good starting values are 100 for 1440 DPI and 50 for 2880 DPI
+printers. The goal is to print to the edge of the page, but not over
+it.
+
+</P>
+
+<P>
+The sixth section specifies head offsets for printers that do not have
+the color jets aligned. Certain printers, such as the Stylus Color
+480, have an unusual head arrangement whereby instead of all of the
+colors being aligned vertically, the nozzles are configured in
+groups. These printers are easy to determine; if the normal head
+offset of zero for each color is used, the printing will be vertically
+out of alignment. Most of these printers require specification of a
+negative offset for printing to the top edge of the paper; typically
+these printers do not require such an offset when printing black only.
+
+</P>
+<P>
+The seventh section specifies the most difficult values to tune, the
+dot sizes, printing densities, and ink values (for variable dot size
+enabled printers). These will be described in detail below.
+
+</P>
+
+<P>
+The last section specifies luminosity, hue, and saturation adjustment
+vectors for the printer, and the paper definitions. These are used to
+adjust the color in Photograph and Solid Colors output modes. These are
+each vectors of 48 (actually 49, as the first value must be duplicated)
+doubles that remap the luminosity, hue, and saturation respectively.
+The hue is calculated, and the value used to interpolate between the two
+closest points in each vector.
+
+</P>
+<P>
+The paper definitions is a set of paper definitions. The paper
+definition contains the name of the paper type, special settings that
+are required for printers to process the paper correctly, and a set of
+adjustment values. These are not currently discussed here.
+
+</P>
+
+<P>
+The lists of dot sizes and densities contain values for 13 printing
+modes: 120/180 DPI using printer weaving (single row;
+referred to as "interleave") and "soft" weaving (the driver
+determines the exact pattern of dot layout), 360 DPI interleave and
+softweave, 720x360 DPI interleave and softweave, 720 DPI interleave
+and softweave, 1440x720 interleave and softweave, 2880x720 interleave
+and softweave, and 2880x1440 softweave only.
+
+</P>
+<P>
+For the dot sizes, the value for each element in the vector selects
+the dot size to be used when printing at this (or similar)
+resolution. The dot sizes are determined by consulting the
+programming manual for the printer and experimenting as described
+below. Current Epson printers always use dot sizes less than
+<SAMP>`16'</SAMP>, or <SAMP>`0x10'</SAMP>, to indicate single dot size (each dot is
+represented by 1 bit, and it's either printed or not), and dot sizes
+of <SAMP>`16'</SAMP> or greater to indicate variable dot size (each dot is
+represented by 2 bits, and it can either be not printed or take on 2
+or 3 values, representing the relative size of the printed dot).
+Variable dot sizes permit the use of very small dots (which would be
+too small to fill the page and produce solid black) in light areas,
+while allowing the page to be filled with larger dots in darker areas.
+
+</P>
+<P>
+Even single dot size printers can usually produce dots of different
+sizes; it's just illegal to actually try to switch dot size during a
+page. These dots are also much bigger than those used in true
+variable dot size printing.
+
+</P>
+<P>
+A dot size of <SAMP>`-1'</SAMP> indicates that this resolution is illegal for
+the printer in question. Any resolutions that would use this dot size
+will not be presented to the user. A dot size of <SAMP>`-2'</SAMP> indicates
+that this resolution is legal, but that the driver is not to attempt
+to set any dot size. Some very old printers do not support the
+command to set the dot size.
+
+</P>
+<P>
+Most printers support a dot size of <SAMP>`0'</SAMP> as a mode-specific default,
+but it's often a bigger dot than necessary. Printers usually also
+support some dot sizes between <SAMP>`1'</SAMP> and <SAMP>`3'</SAMP>. Usually <SAMP>`1'</SAMP>
+is the right dot size for 720 and 1440 dpi printing, and <SAMP>`3'</SAMP> works
+best at 360 dpi.
+
+</P>
+<P>
+Variable dot size printers usually support 2 or 3 sets of variable dot
+sizes. Older printers based on a 6 picolitre drop (the 480, 720, 740,
+750, 900, and 1200) support two: mode 16 (0x10 in hexadecimal) for
+normal variable dots at 1440 or 720 dpi, and mode 17 (0x10) for
+special larger dots at 360 dpi. Newer printers based on 4 picolitre
+drops normally support three sizes: <SAMP>`0x10'</SAMP> for 4 pl base drops,
+<SAMP>`0x11'</SAMP> for 6 pl base drops, and <SAMP>`0x12'</SAMP> for special large
+drops. On these printers, <SAMP>`0x10'</SAMP> usually works best at 1440x720
+and <SAMP>`0x11'</SAMP> works best at 720x720. Unfortunately, <SAMP>`0x10'</SAMP>
+doesn't seem to generate quite enough density at 720x720, because if
+it did the output would be very smooth. Perhaps it's possible to
+tweak things@enddots{}
+
+</P>
+
+<P>
+The list of densities is a list of base density values for all of the
+above listed modes. "Density" refers to the amount of ink deposited
+when a solid color (or solid black) is printed. So if the density is
+<SAMP>`.5'</SAMP>, solid black actually prints only half the possible dots.
+"Base density" refers to the fact that the density value can be
+scaled in the GUI or on the Ghostscript command line. The density
+value specified (which is not made visible to the user) is multiplied
+by the base density to obtain the effective density value. All other
+things (such as ink drop size) remaining the same, doubling the
+resolution requires halving the base density. The base density in the
+density vector may exceed <SAMP>`1'</SAMP>, as many paper types require lower
+density than the base driver. The driver ensures that the actual
+density never exceeds 1.
+
+</P>
+<P>
+Tuning the density should be done on high quality paper (usually
+glossy photo paper). The goal is to find the lowest density value
+that results in solid black (no visible gaps under a fairly high power
+magnifying glass or loupe). If an appropriate density value is found
+for 720 DPI, it could be divided by 2 for 1440x720, by 4 for 2880x720,
+and by 8 for 2880x1440.
+
+</P>
+<P>
+However, for printers that offer a choice of dot size, this may not be
+the best strategy. The best choice for dot size is the smallest dot
+size that allows choosing a density value not greater than 1 that
+gives full coverage. This dot size may be different for different
+resolutions. Tuning variable dot size printers is more complicated;
+the process is described below.
+
+</P>
+<P>
+The last member is a pointer to a structure containing a list of ink
+values for variable dot size (or 6 color) inks. We model variable dot
+size inks as producing a certain "value" of ink for each available dot
+size, where the largest dot size has a value of 1. 6-color inks are
+handled similarly; the light cyan and light magenta inks are treated
+as a fractional ink value. The combination of variable dot size and 6
+color inks, of course, just creates that many more different ink
+choices.
+
+</P>
+<P>
+This structure is actually rather complicated; it contains entries for
+each combination of physical printer resolution (180, 360, 720, and
+1440 dpi), ink colors (4, 6, and 7), and single and variable dot sizes
+(since some printer modes can't handle variable dot size inks). Since
+there's so much data, it's actually a somewhat deeply nested
+structure:
+
+</P>
+<P>
+An <CODE>escp2_printer_t</CODE> contains a pointer (essentially, a reference
+rather than a copy) to an <CODE>escp2_variable_inklist_t</CODE>.
+
+</P>
+<P>
+An <CODE>escp2_variable_inklist_t</CODE> contains pointers to
+<CODE>escp2_variable_inkset_t</CODE> structures. There is one such pointer
+for each combination of resolution, dot type, and ink colors as
+described above. Yes, this is rather inflexible.
+
+</P>
+<P>
+An <CODE>escp2_variable_inkset_t</CODE> contains pointers to
+<CODE>escp2_variable_ink_t</CODE> structures. There is one such pointer for
+each of the four colors (C, M, Y, and K).
+
+</P>
+<P>
+An <CODE>escp2_variable_ink_t</CODE> contains a pointer to the actual list of
+ink values (<CODE>simple_dither_range_t</CODE>), the number of ink values, and
+a density value to be used for computing the transitions. This density
+value is actually a scaling value; it is multiplied by the effective
+density to compute the density to be used for computing the transitions.
+Normally, this value is <SAMP>`1'</SAMP>, but in some cases it may be possible
+to get smoother results with a different value (in particular, the
+single dot size 6-color inks work best with the effective density scaled
+to <SAMP>`.75'</SAMP> for this purpose). A lower density lowers the transition
+points, which results in more ink being deposited.
+
+</P>
+<P>
+A <CODE>simple_dither_range_t</CODE> is a structure containing four values:
+
+</P>
+
+<OL>
+<LI>The value of the particular ink
+
+<LI>The bit pattern used to represent the ink
+
+<LI>Whether the ink is light (0) or dark (1), for inks with light and dark variants
+
+<LI>The relative amount of ink actually deposited by this dot (not
+
+currently used for much; it can be used for ink reduction purposes, to
+reduce the amount of ink deposited on the paper).
+</OL>
+
+<P>
+These things are interesting as arrays. From an array of
+<CODE>simple_dither_range_t</CODE>'s, the dither code computes transition
+values that it looks up at run time to decide what ink to print, as well
+as whether to print at all.
+
+</P>
+<P>
+<STRONG>Really</STRONG> confused now? Yup. You'll probably find it easier to
+simply read the code.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_41.html">previous</A>, <A HREF="gimpprint_43.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_43.html b/doc/manual-html/gimpprint_43.html
new file mode 100644
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@@ -0,0 +1,189 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Tuning Epson printers</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_42.html">previous</A>, <A HREF="gimpprint_44.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC58" HREF="gimpprint_toc.html#TOC58">D.4 Tuning the printer</A></H2>
+<P>
+<A NAME="IDX265"></A>
+<A NAME="IDX266"></A>
+
+</P>
+<P>
+Now, how do you use all this to tune a printer? There are a number of
+ways to do it; this one is my personal favorite.
+
+</P>
+<P>
+There's a file named <TT>`cyan-sweep.tif'</TT>. This consists of a thin bar
+of cyan sweeping from white to almost pure cyan, and from pure cyan to
+black. The first thing to do is to pick the appropriate
+<CODE>simple_dither_range_t</CODE> (or create a whole new
+<CODE>escp2_variable_inklist_t</CODE>) and comment out all but the darkest ink
+(this means you'll be using the largest dots of dark ink). At 8.5"
+width (the width of a letter-size piece of paper), the bar will be 1/8"
+high. Printing it on wider or narrower paper will change the height
+accordingly. Print it width-wise across a piece of photo quality paper
+in line art mode using ordered or adaptive hybrid dither. Do not use
+photographic mode; the colors in photographic mode vary non-linearly
+depending upon the presence of the three color components, while in line
+art mode the colors are much purer. Make sure that all the color
+adjustments are set to defaults (1.0). Use the highest quality version
+of the print mode you're testing to reduce banding and other artifacts.
+This is much easier to do with the Gimp than with Ghostscript.
+
+</P>
+<P>
+At this stage, you want to look for four things:
+
+</P>
+
+<OL>
+<LI>
+
+The black near the center of the line is solid, but not more so than
+that.
+
+<LI>
+
+The cyan immediately to the left of the black is <EM>almost</EM> solid.
+
+<LI>
+
+The dark cyan at the far right of the page is solid, but not more so.
+You can try tuning the density so that it isn't quite solid, then
+nudging up the density until it is.
+
+<LI>
+
+Both sweeps sweep smoothly from light to dark. In particular, the dark
+half of the bar shouldn't visibly change color; it should go smoothly
+from cyan to black.
+</OL>
+
+<P>
+Repeat this stage until you have everything just right. Use the
+positioning entry boxes in the dialog to position each bar exactly
+1/8" further down the page. Adjacent bars will be touching.
+
+</P>
+<P>
+The next step is to uncomment out the second darkest dot size. If
+you're using variable dots, use the second largest dot size of the
+dark ink rather than the largest dot size of the light ink. This will
+give you two inks.
+
+</P>
+<P>
+When you recompile the plugin, you simply need to copy the new
+executable into the correct place. You do not need to exit and
+restart the Gimp.
+
+</P>
+<P>
+Print another bar adjacent to the first one. Your goal is to match
+the bar using a single dot size as closely as possible. You'll find
+that the dark region of the bar shouldn't change to any great degree,
+but the light half probably will. If the lighter part of the light
+half is too dark, you need to increase the value of the smaller dot;
+if it's too light, you need to decrease the value. The reasoning is
+that if the value is too low, the ink isn't being given enough credit
+for its contribution to the darkness of the ink, and vice versa.
+Repeat until you have a good match. Make sure you let the ink dry
+fully, which will take a few minutes. Wet ink will look too dark.
+Don't look at the paper too closely; hold it at a distance. The extra
+graininess of the largest dot size will probably make it look lighter
+than it should; if you hold it far enough away so that you can't see
+the dots, you'll get a more accurate picture of what's going on.
+
+</P>
+<P>
+After you have what looks like a good match, print another bar using
+only the largest dot size (or dark ink, for single dot size 6-color
+printers). You want to ensure that the bars touching each other look
+identical, or as close as possible to it; your eye won't give you a
+good reading if the bars are separated from each other. You'll
+probably have to repeat the procedure.
+
+</P>
+<P>
+The next step is to comment out all but the largest and third-largest
+dot size, and repeat the procedure. When they match, use all three
+dot sizes of dark ink. Again, the goal is to match the single dot
+size.
+
+</P>
+<P>
+You'll probably find the match is imperfect. Now you have to figure
+out what region isn't right, which takes some experimentation. Even
+small adjustments can make a noticeable difference in what you see.
+At this stage, it's very important to hold the page far enough from
+your eye; when you use all three dot sizes, the texture will be much
+more even, which sometimes makes it look darker and sometimes lighter.
+
+</P>
+<P>
+After this is calibrated, it's time to calibrate the light ink against
+the dark ink. To do this, comment out all but the large dot version
+of the two inks, and repeat the procedure. This is trickier, because
+the hues of the inks might not be quite identical. Look at the dark
+half of the bar as well as the light half to see that the hue really
+doesn't change as you sweep from cyan to black. Sometimes it's easier
+to judge that way. You may find that it looks blotchy, in which case
+you should switch from ordered dither to adaptive hybrid.
+
+</P>
+<P>
+After you have the light and dark inks calibrated against each other,
+it's time to add everything back in. Usually you don't want to use
+the largest dot size of light ink. These dots will be much larger
+than the small dots of dark ink, but they'll still be lighter. This
+will cause problems when printing mixed colors, since you'll be
+depositing more ink on lighter regions of the page, and you'll
+probably get strange color casts that you can't get rid of in neutral
+tones. I normally use only the smallest one or two dot sizes of light
+ink.
+
+</P>
+<P>
+After you've tweaked everything, print the color bar with saturation
+set to zero. This will print neutral tones using color inks. Your
+goal here is to look for neutral tonality. If you're using a 6-color
+printer and get a yellow cast, it means that the values for your light
+inks are too high (remember, that means they're getting too much
+credit, so you're not depositing enough cyan and magenta ink, and the
+yellow dominates). If you get a bluish or bluish-purple cast, your
+light inks are too low (you're not giving them enough credit, so too
+much cyan and magenta is deposited, which overwhelms the yellow).
+Make sure you do this on very white, very high grade inkjet paper
+that's designed for 1440x720 dpi or higher; otherwise the ink will
+spread on contact and you'll get values that aren't really true for
+high grade paper. You can, of course, calibrate for low grade paper
+if that's what you're going to use, but that shouldn't be put into the
+distribution.
+
+</P>
+<P>
+You can also fully desaturate this bar inside the Gimp and print it as
+monochrome (don't print the cyan as monochrome; the driver does funny
+things with luminance), for comparison. You'll find it very hard to
+get rid of all color casts.
+
+</P>
+<P>
+There are other ways of tuning printers, but this one works pretty
+well for me.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_42.html">previous</A>, <A HREF="gimpprint_44.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_44.html b/doc/manual-html/gimpprint_44.html
new file mode 100644
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--- /dev/null
+++ b/doc/manual-html/gimpprint_44.html
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+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Canon inkjet printers</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_43.html">previous</A>, <A HREF="gimpprint_45.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC59" HREF="gimpprint_toc.html#TOC59">D.5 Canon inkjet printers</A></H2>
+
+<P>
+Basically, a new Canon printer can be added to <TT>`print-canon.c'</TT> in a
+similar way as described above for the epson inkjet printers. The main
+differences are noted here:
+
+</P>
+<P>
+In general, Canon printers have more "built-in intelligence" than Epson
+printers which results in the fact that the driver only has to tell the
+printing conditions like resolutions, dot sizes, etc. to the printer and
+afterwards transfer the raster data line by line for each color used.
+
+</P>
+<P>
+<CODE>canon_cap_t</CODE> is a C struct defined as follows:
+
+</P>
+<P>
+<DL>
+<DT><U>Data type:</U> <B>canon_cap_t</B>
+<DD><A NAME="IDX267"></A>
+
+<PRE>
+typedef struct canon_caps {
+ int model; /* model number as used in printers.xml */
+ int max_width; /* maximum printable paper size */
+ int max_height;
+ int base_res; /* base resolution - shall be 150 or 180 */
+ int max_xdpi; /* maximum horizontal resolution */
+ int max_ydpi; /* maximum vertical resolution */
+ int max_quality;
+ int border_left; /* left margin, points */
+ int border_right; /* right margin, points */
+ int border_top; /* absolute top margin, points */
+ int border_bottom; /* absolute bottom margin, points */
+ int inks; /* installable cartridges (CANON_INK_*) */
+ int slots; /* available paperslots */
+ int features; /* special bjl settings */
+ canon_dot_size_t dot_sizes; /* Vector of dot sizes for resolutions */
+ canon_densities_t densities; /* List of densities for each printer */
+ canon_variable_inklist_t *inxs; /* Choices of inks for this printer */
+} canon_cap_t;
+</PRE>
+
+</DL>
+
+<P>
+Since there are Canon printers which print in resolutions of
+@math{2^n*150} dpi (e.g. 300, 600, 1200) and others which support
+resolutions of @math{2^n*180} dpi (e.g. 360, 720, 1440), there's a base
+resolution (150 or 180, respectively) given in the
+<CODE>canon_cap_t</CODE>. The structs <CODE>canon_dot_size_t</CODE>,
+<CODE>canon_densities_t</CODE> and <CODE>canon_variable_inklist_t</CODE> refer to
+resolutions being multiples of the base resolution.
+
+</P>
+<P>
+For the Canon driver, the struct <CODE>canon_dot_size_t</CODE> holds values
+for a model's capabilities at a given resolution: <SAMP>`-1'</SAMP> if the
+resolution is not supported. <SAMP>`0'</SAMP> if it can be used and <SAMP>`1'</SAMP> if
+the resolution can be used for variable dot size printing.
+
+</P>
+<P>
+In <CODE>canon_densities_t</CODE> the base densities for each resolution can
+be specified like for an epson printer, the same holds true for
+<CODE>canon_variable_inklist_t</CODE>. See the descriptions above to learn
+about how to adjust your model's output to yield nice results.
+
+</P>
+<P>
+There's a slight difference though in the way the Canon driver and the escp2
+driver define their variable inklists: In the Canon driver, you need to define
+an inklist like this:
+
+</P>
+
+<PRE>
+static const canon_variable_inklist_t canon_ink_myinks[] =
+{
+ {
+ 1,4, /* 1bit/pixel, 4 colors */
+ &#38;ci_CMYK_1, &#38;ci_CMYK_1, &#38;ci_CMYK_1,
+ &#38;ci_CMYK_1, &#38;ci_CMYK_1, &#38;ci_CMYK_1,
+ },
+ {
+ 3,4, /* 3bit/pixel, 4 colors */
+ &#38;ci_CMYK_3, &#38;ci_CMYK_3, &#38;ci_CMYK_3,
+ &#38;ci_CMYK_3, &#38;ci_CMYK_3, &#38;ci_CMYK_3,
+ },
+};
+</PRE>
+
+<P>
+where the <SAMP>`&#38;ci_CMYK_1'</SAMP> and <SAMP>`&#38;ci_CMYK_3'</SAMP> entries are references
+to a previously defined const of type <CODE>canon_variable_inkset_t</CODE>.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_43.html">previous</A>, <A HREF="gimpprint_45.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_45.html b/doc/manual-html/gimpprint_45.html
new file mode 100644
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--- /dev/null
+++ b/doc/manual-html/gimpprint_45.html
@@ -0,0 +1,49 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Data Type and Variable Index</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_44.html">previous</A>, <A HREF="gimpprint_46.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC60" HREF="gimpprint_toc.html#TOC60">Data Type and Variable Index</A></H1>
+
+<P>
+<H2>c</H2>
+<DIR>
+<LI><A HREF="gimpprint_44.html#IDX267">canon_cap_t</A>
+</DIR>
+<H2>e</H2>
+<DIR>
+<LI><A HREF="gimpprint_42.html#IDX264">escp2_printer_t</A>
+</DIR>
+<H2>g</H2>
+<DIR>
+<LI><A HREF="gimpprint_18.html#IDX172">gimpprint_binary_age</A>
+<LI><A HREF="gimpprint_18.html#IDX171">gimpprint_current_interface</A>
+<LI><A HREF="gimpprint_18.html#IDX173">gimpprint_interface_age</A>
+<LI><A HREF="gimpprint_18.html#IDX168">gimpprint_major_version</A>
+<LI><A HREF="gimpprint_18.html#IDX170">gimpprint_micro_version</A>
+<LI><A HREF="gimpprint_18.html#IDX169">gimpprint_minor_version</A>
+</DIR>
+<H2>s</H2>
+<DIR>
+<LI><A HREF="gimpprint_16.html#IDX151">stp_image_t</A>
+<LI><A HREF="gimpprint_14.html#IDX114">stp_option_t</A>
+<LI><A HREF="gimpprint_12.html#IDX100">stp_outfunc_t</A>
+<LI><A HREF="gimpprint_15.html#IDX125">stp_papersize_t</A>
+<LI><A HREF="gimpprint_15.html#IDX126">stp_papersize_unit_t</A>
+<LI><A HREF="gimpprint_16.html#IDX140">stp_printer_t</A>
+<LI><A HREF="gimpprint_16.html#IDX150">stp_printfuncs_t</A>
+<LI><A HREF="gimpprint_12.html#IDX20">stp_vars_t</A>
+</DIR>
+
+</P>
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_44.html">previous</A>, <A HREF="gimpprint_46.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_46.html b/doc/manual-html/gimpprint_46.html
new file mode 100644
index 0000000..88bb95b
--- /dev/null
+++ b/doc/manual-html/gimpprint_46.html
@@ -0,0 +1,249 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Function and Macro Index</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_45.html">previous</A>, <A HREF="gimpprint_47.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC61" HREF="gimpprint_toc.html#TOC61">Function and Macro Index</A></H1>
+
+<P>
+<H2>*</H2>
+<DIR>
+<LI><A HREF="gimpprint_37.html#IDX251"><CODE>* ?? <VAR>BC</VAR>=<VAR>xx</VAR> <VAR>y</VAR>[1] ... <VAR>y</VAR>[xx]</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX238"><CODE>* AC <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX224"><CODE>* AI <VAR>BC</VAR>=3 00 00 00</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX226"><CODE>* CH <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX229"><CODE>* DA <VAR>BC</VAR>=4 00 <VAR>xx</VAR> 00 <VAR>yy</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX230"><CODE>* DA <VAR>BC</VAR>=6 00 <VAR>xx</VAR> 00 <VAR>yy</VAR> 09 00</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX239"><CODE>* DR <VAR>BC</VAR>=4 00 xx <VAR>DT2</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX227"><CODE>* DT <VAR>BC</VAR>=3 00 <VAR>xx</VAR> 00</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX228"><CODE>* DU <VAR>BC</VAR>=6 00 <VAR>xx</VAR> 00 09 00 <VAR>yy</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX244"><CODE>* EX <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX243"><CODE>* EX <VAR>BC</VAR>=6 00 00 00 00 0x05 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX242"><CODE>* EX <VAR>BC</VAR>=6 00 00 00 00 0x14 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX235"><CODE>* FP <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX240"><CODE>* IK <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX233"><CODE>* IQ <VAR>BC</VAR>=1 01</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX234"><CODE>* IR <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX225"><CODE>* LD <VAR>BC</VAR>=0</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX245"><CODE>* PH <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX246"><CODE>* PM <VAR>BC</VAR>=2 00 00</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX237"><CODE>* PP <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX241"><CODE>* PZ BC=2 00 xx</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX232"><CODE>* RS <VAR>BC</VAR>=1 01</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX248"><CODE>* SM <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX250"><CODE>* SM <VAR>BC</VAR>=1 01</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX252"><CODE>* SM <VAR>BC</VAR>=2 00 02</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX236"><CODE>* SN <VAR>BC</VAR>=3 00 <VAR>xx</VAR> <VAR>yy</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX247"><CODE>* ST <VAR>BC</VAR>=2 00 <VAR>xx</VAR></CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX249"><CODE>* ST <VAR>BC</VAR>=1 01</CODE></A>
+<LI><A HREF="gimpprint_37.html#IDX231"><CODE>* SV <VAR>BC</VAR>=0</CODE></A>
+</DIR>
+<H2>&#60;</H2>
+<DIR>
+<LI><A HREF="gimpprint_40.html#IDX261"><CODE>&#60;/printer&#62;</CODE></A>
+<LI><A HREF="gimpprint_40.html#IDX257"><CODE>&#60;color&#62;</CODE></A>
+<LI><A HREF="gimpprint_40.html#IDX260"><CODE>&#60;language value=<VAR>type</VAR>&#62;</CODE></A>
+<LI><A HREF="gimpprint_40.html#IDX259"><CODE>&#60;model value=<VAR>int</VAR>&#62;</CODE></A>
+<LI><A HREF="gimpprint_40.html#IDX258"><CODE>&#60;nocolor&#62;</CODE></A>
+<LI><A HREF="gimpprint_40.html#IDX256"><CODE>&#60;printer name="<VAR>longname</VAR>" driver="<VAR>drivername</VAR>"&#62;</CODE></A>
+</DIR>
+<H2>a</H2>
+<DIR>
+<LI><A HREF="gimpprint_8.html#IDX11">AM_PATH_GIMPPRINT</A>
+</DIR>
+<H2>e</H2>
+<DIR>
+<LI><A HREF="gimpprint_36.html#IDX211"><CODE>ESC $ <VAR>OFFSET2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX210"><CODE>ESC ($ <VAR>BC</VAR>=4 <VAR>OFFSET4</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX213"><CODE>ESC (/ <VAR>BC</VAR>=4 <VAR>OFFSET4</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX212"><CODE>ESC (\ <VAR>BC</VAR>=4 <VAR>UNITS2</VAR> <VAR>OFFSET2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX201"><CODE>ESC (C <VAR>BC</VAR>=2 <VAR>PAGELENGTH2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX202"><CODE>ESC (C <VAR>BC</VAR>=4 <VAR>PAGELENGTH4</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX203"><CODE>ESC (c <VAR>BC</VAR>=4 <VAR>TOP2</VAR> <VAR>LENGTH2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX204"><CODE>ESC (c <VAR>BC</VAR>=8 <VAR>TOP4</VAR> <VAR>LENGTH4</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX219"><CODE>ESC (D <VAR>BC</VAR>=4 <VAR>BASE2</VAR> <VAR>VERTICAL1</VAR> <VAR>HORIZONTAL1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX200"><CODE>ESC (e <VAR>BC</VAR>=2 <VAR>ZERO1</VAR> <VAR>DOTSIZE1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX193"><CODE>ESC (G <VAR>BC</VAR>=1 <VAR>ON1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX197"><CODE>ESC (i <VAR>BC</VAR>=1 <VAR>MICROWEAVE1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX196"><CODE>ESC (K <VAR>BC</VAR>=2 <VAR>ZERO1</VAR> <VAR>GRAYMODE1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX216"><CODE>ESC (r <VAR>BC</VAR>=2 <VAR>DENSITY1</VAR> <VAR>COLOR1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX220"><CODE>ESC (R <VAR>BC</VAR>=8 00 R E M O T E 1</CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX199"><CODE>ESC (s <VAR>BC</VAR>=1 <VAR>SPEED1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX205"><CODE>ESC (S <VAR>BC</VAR>=8 <VAR>WIDTH4</VAR> <VAR>LENGTH4</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX194"><CODE>ESC (U <VAR>BC</VAR>=1 <VAR>UNIT1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX195"><CODE>ESC (U <VAR>BC</VAR>=5 <VAR>PAGEUNITS1</VAR> <VAR>VUNIT1</VAR> <VAR>HUNIT1</VAR> <VAR>BASEUNIT2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX206"><CODE>ESC (v <VAR>BC</VAR>=2 <VAR>ADVANCE2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX208"><CODE>ESC (V <VAR>BC</VAR>=2 <VAR>ADVANCE2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX207"><CODE>ESC (v <VAR>BC</VAR>=4 <VAR>ADVANCE4</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX209"><CODE>ESC (V <VAR>BC</VAR>=4 <VAR>ADVANCE4</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX217"><CODE>ESC . <VAR>COMPRESS1</VAR> <VAR>VSEP1</VAR> <VAR>HSEP1</VAR> <VAR>LINES1</VAR> <VAR>WIDTH2</VAR> <VAR>data...</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX221"><CODE>ESC 01 @EJL [sp] ID\r\n</CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX192"><CODE>ESC @</CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX214"><CODE>ESC \ <VAR>OFFSET2</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX218"><CODE>ESC i <VAR>COLOR1</VAR> <VAR>COMPRESS1</VAR> <VAR>BITS1</VAR> <VAR>BYTES2</VAR> <VAR>LINES2</VAR> <VAR>data...</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX215"><CODE>ESC r <VAR>COLOR1</VAR></CODE></A>
+<LI><A HREF="gimpprint_36.html#IDX198"><CODE>ESC U <VAR>DIRECTION1</VAR></CODE></A>
+</DIR>
+<H2>g</H2>
+<DIR>
+<LI><A HREF="gimpprint_18.html#IDX166">GIMPPRINT_BINARY_AGE</A>
+<LI><A HREF="gimpprint_18.html#IDX161">GIMPPRINT_CHECK_VERSION</A>
+<LI><A HREF="gimpprint_18.html#IDX165">GIMPPRINT_CURRENT_INTERFACE</A>
+<LI><A HREF="gimpprint_18.html#IDX167">GIMPPRINT_INTERFACE_AGE</A>
+<LI><A HREF="gimpprint_18.html#IDX162">GIMPPRINT_MAJOR_VERSION</A>
+<LI><A HREF="gimpprint_18.html#IDX164">GIMPPRINT_MICRO_VERSION</A>
+<LI><A HREF="gimpprint_18.html#IDX163">GIMPPRINT_MINOR_VERSION</A>
+</DIR>
+<H2>n</H2>
+<DIR>
+<LI><A HREF="gimpprint_37.html#IDX222"><CODE>NC <VAR>BC</VAR>=2 00 00</CODE></A>
+</DIR>
+<H2>s</H2>
+<DIR>
+<LI><A HREF="gimpprint_12.html#IDX23">stp_allocate_copy</A>
+<LI><A HREF="gimpprint_12.html#IDX106">stp_allocate_lut</A>
+<LI><A HREF="gimpprint_12.html#IDX21">stp_allocate_vars</A>
+<LI><A HREF="gimpprint_18.html#IDX160">stp_check_version</A>
+<LI><A HREF="gimpprint_17.html#IDX154">stp_choose_colorfunc</A>
+<LI><A HREF="gimpprint_14.html#IDX117">stp_clear_all_options</A>
+<LI><A HREF="gimpprint_14.html#IDX116">stp_clear_option</A>
+<LI><A HREF="gimpprint_12.html#IDX108">stp_compute_lut</A>
+<LI><A HREF="gimpprint_17.html#IDX155">stp_compute_page_parameters</A>
+<LI><A HREF="gimpprint_12.html#IDX22">stp_copy_vars</A>
+<LI><A HREF="gimpprint_13.html#IDX112">stp_default_dither_algorithm</A>
+<LI><A HREF="gimpprint_17.html#IDX156">stp_default_settings</A>
+<LI><A HREF="gimpprint_13.html#IDX110">stp_dither_algorithm_count</A>
+<LI><A HREF="gimpprint_13.html#IDX111">stp_dither_algorithm_name</A>
+<LI><A HREF="gimpprint_12.html#IDX107">stp_free_lut</A>
+<LI><A HREF="gimpprint_12.html#IDX24">stp_free_vars</A>
+<LI><A HREF="gimpprint_12.html#IDX90">stp_get_app_gamma</A>
+<LI><A HREF="gimpprint_12.html#IDX76">stp_get_brightness</A>
+<LI><A HREF="gimpprint_12.html#IDX94">stp_get_cmap</A>
+<LI><A HREF="gimpprint_12.html#IDX78">stp_get_contrast</A>
+<LI><A HREF="gimpprint_12.html#IDX80">stp_get_cyan</A>
+<LI><A HREF="gimpprint_12.html#IDX88">stp_get_density</A>
+<LI><A HREF="gimpprint_12.html#IDX49">stp_get_dither_algorithm</A>
+<LI><A HREF="gimpprint_12.html#IDX28">stp_get_driver</A>
+<LI><A HREF="gimpprint_12.html#IDX103">stp_get_errdata</A>
+<LI><A HREF="gimpprint_12.html#IDX101">stp_get_errfunc</A>
+<LI><A HREF="gimpprint_12.html#IDX74">stp_get_gamma</A>
+<LI><A HREF="gimpprint_12.html#IDX60">stp_get_image_type</A>
+<LI><A HREF="gimpprint_12.html#IDX46">stp_get_ink_type</A>
+<LI><A HREF="gimpprint_12.html#IDX68">stp_get_input_color_model</A>
+<LI><A HREF="gimpprint_12.html#IDX56">stp_get_left</A>
+<LI><A HREF="gimpprint_12.html#IDX92">stp_get_lut</A>
+<LI><A HREF="gimpprint_12.html#IDX82">stp_get_magenta</A>
+<LI><A HREF="gimpprint_12.html#IDX37">stp_get_media_size</A>
+<LI><A HREF="gimpprint_12.html#IDX43">stp_get_media_source</A>
+<LI><A HREF="gimpprint_12.html#IDX40">stp_get_media_type</A>
+<LI><A HREF="gimpprint_14.html#IDX119">stp_get_option_by_index</A>
+<LI><A HREF="gimpprint_14.html#IDX120">stp_get_option_by_name</A>
+<LI><A HREF="gimpprint_12.html#IDX54">stp_get_orientation</A>
+<LI><A HREF="gimpprint_12.html#IDX98">stp_get_outdata</A>
+<LI><A HREF="gimpprint_12.html#IDX96">stp_get_outfunc</A>
+<LI><A HREF="gimpprint_12.html#IDX70">stp_get_output_color_model</A>
+<LI><A HREF="gimpprint_12.html#IDX25">stp_get_output_to</A>
+<LI><A HREF="gimpprint_12.html#IDX52">stp_get_output_type</A>
+<LI><A HREF="gimpprint_12.html#IDX66">stp_get_page_height</A>
+<LI><A HREF="gimpprint_12.html#IDX64">stp_get_page_width</A>
+<LI><A HREF="gimpprint_15.html#IDX130">stp_get_papersize_by_index</A>
+<LI><A HREF="gimpprint_15.html#IDX128">stp_get_papersize_by_name</A>
+<LI><A HREF="gimpprint_15.html#IDX129">stp_get_papersize_by_size</A>
+<LI><A HREF="gimpprint_12.html#IDX31">stp_get_ppd_file</A>
+<LI><A HREF="gimpprint_16.html#IDX145">stp_get_printer_by_driver</A>
+<LI><A HREF="gimpprint_16.html#IDX142">stp_get_printer_by_index</A>
+<LI><A HREF="gimpprint_16.html#IDX144">stp_get_printer_by_long_name</A>
+<LI><A HREF="gimpprint_16.html#IDX146">stp_get_printer_index_by_driver</A>
+<LI><A HREF="gimpprint_12.html#IDX34">stp_get_resolution</A>
+<LI><A HREF="gimpprint_12.html#IDX86">stp_get_saturation</A>
+<LI><A HREF="gimpprint_12.html#IDX72">stp_get_scaling</A>
+<LI><A HREF="gimpprint_12.html#IDX58">stp_get_top</A>
+<LI><A HREF="gimpprint_12.html#IDX62">stp_get_unit</A>
+<LI><A HREF="gimpprint_12.html#IDX84">stp_get_yellow</A>
+<LI><A HREF="gimpprint_11.html#IDX16">stp_init</A>
+<LI><A HREF="gimpprint_15.html#IDX127">stp_known_papersizes</A>
+<LI><A HREF="gimpprint_16.html#IDX141">stp_known_printers</A>
+<LI><A HREF="gimpprint_11.html#IDX18">stp_malloc</A>
+<LI><A HREF="gimpprint_17.html#IDX157">stp_maximum_settings</A>
+<LI><A HREF="gimpprint_12.html#IDX105">stp_merge_printvars</A>
+<LI><A HREF="gimpprint_17.html#IDX158">stp_minimum_settings</A>
+<LI><A HREF="gimpprint_14.html#IDX118">stp_option_count</A>
+<LI><A HREF="gimpprint_14.html#IDX121">stp_option_data</A>
+<LI><A HREF="gimpprint_14.html#IDX123">stp_option_length</A>
+<LI><A HREF="gimpprint_14.html#IDX122">stp_option_name</A>
+<LI><A HREF="gimpprint_15.html#IDX136">stp_papersize_get_bottom</A>
+<LI><A HREF="gimpprint_15.html#IDX133">stp_papersize_get_height</A>
+<LI><A HREF="gimpprint_15.html#IDX135">stp_papersize_get_left</A>
+<LI><A HREF="gimpprint_15.html#IDX131">stp_papersize_get_name</A>
+<LI><A HREF="gimpprint_15.html#IDX137">stp_papersize_get_right</A>
+<LI><A HREF="gimpprint_15.html#IDX134">stp_papersize_get_top</A>
+<LI><A HREF="gimpprint_15.html#IDX138">stp_papersize_get_unit</A>
+<LI><A HREF="gimpprint_15.html#IDX132">stp_papersize_get_width</A>
+<LI><A HREF="gimpprint_16.html#IDX147">stp_printer_get_driver</A>
+<LI><A HREF="gimpprint_16.html#IDX143">stp_printer_get_long_name</A>
+<LI><A HREF="gimpprint_16.html#IDX148">stp_printer_get_model</A>
+<LI><A HREF="gimpprint_16.html#IDX149">stp_printer_get_printfuncs</A>
+<LI><A HREF="gimpprint_16.html#IDX152">stp_printer_get_printvars</A>
+<LI><A HREF="gimpprint_12.html#IDX91">stp_set_app_gamma</A>
+<LI><A HREF="gimpprint_12.html#IDX77">stp_set_brightness</A>
+<LI><A HREF="gimpprint_12.html#IDX95">stp_set_cmap</A>
+<LI><A HREF="gimpprint_12.html#IDX79">stp_set_contrast</A>
+<LI><A HREF="gimpprint_12.html#IDX81">stp_set_cyan</A>
+<LI><A HREF="gimpprint_12.html#IDX89">stp_set_density</A>
+<LI><A HREF="gimpprint_12.html#IDX50">stp_set_dither_algorithm</A>
+<LI><A HREF="gimpprint_12.html#IDX51">stp_set_dither_algorithm_n</A>
+<LI><A HREF="gimpprint_12.html#IDX29">stp_set_driver</A>
+<LI><A HREF="gimpprint_12.html#IDX30">stp_set_driver_n</A>
+<LI><A HREF="gimpprint_12.html#IDX104">stp_set_errdata</A>
+<LI><A HREF="gimpprint_12.html#IDX102">stp_set_errfunc</A>
+<LI><A HREF="gimpprint_12.html#IDX75">stp_set_gamma</A>
+<LI><A HREF="gimpprint_12.html#IDX61">stp_set_image_type</A>
+<LI><A HREF="gimpprint_12.html#IDX47">stp_set_ink_type</A>
+<LI><A HREF="gimpprint_12.html#IDX48">stp_set_ink_type_n</A>
+<LI><A HREF="gimpprint_12.html#IDX69">stp_set_input_color_model</A>
+<LI><A HREF="gimpprint_12.html#IDX57">stp_set_left</A>
+<LI><A HREF="gimpprint_12.html#IDX93">stp_set_lut</A>
+<LI><A HREF="gimpprint_12.html#IDX83">stp_set_magenta</A>
+<LI><A HREF="gimpprint_12.html#IDX38">stp_set_media_size</A>
+<LI><A HREF="gimpprint_12.html#IDX39">stp_set_media_size_n</A>
+<LI><A HREF="gimpprint_12.html#IDX44">stp_set_media_source</A>
+<LI><A HREF="gimpprint_12.html#IDX45">stp_set_media_source_n</A>
+<LI><A HREF="gimpprint_12.html#IDX41">stp_set_media_type</A>
+<LI><A HREF="gimpprint_12.html#IDX42">stp_set_media_type_n</A>
+<LI><A HREF="gimpprint_14.html#IDX115">stp_set_option(stp_vars_t</A>
+<LI><A HREF="gimpprint_12.html#IDX55">stp_set_orientation</A>
+<LI><A HREF="gimpprint_12.html#IDX99">stp_set_outdata</A>
+<LI><A HREF="gimpprint_12.html#IDX97">stp_set_outfunc</A>
+<LI><A HREF="gimpprint_12.html#IDX71">stp_set_output_color_model</A>
+<LI><A HREF="gimpprint_12.html#IDX26">stp_set_output_to</A>
+<LI><A HREF="gimpprint_12.html#IDX27">stp_set_output_to_n</A>
+<LI><A HREF="gimpprint_12.html#IDX53">stp_set_output_type</A>
+<LI><A HREF="gimpprint_12.html#IDX67">stp_set_page_height</A>
+<LI><A HREF="gimpprint_12.html#IDX65">stp_set_page_width</A>
+<LI><A HREF="gimpprint_12.html#IDX32">stp_set_ppd_file</A>
+<LI><A HREF="gimpprint_12.html#IDX33">stp_set_ppd_file_n</A>
+<LI><A HREF="gimpprint_12.html#IDX35">stp_set_resolution</A>
+<LI><A HREF="gimpprint_12.html#IDX36">stp_set_resolution_n</A>
+<LI><A HREF="gimpprint_12.html#IDX87">stp_set_saturation</A>
+<LI><A HREF="gimpprint_12.html#IDX73">stp_set_scaling</A>
+<LI><A HREF="gimpprint_12.html#IDX59">stp_set_top</A>
+<LI><A HREF="gimpprint_12.html#IDX63">stp_set_unit</A>
+<LI><A HREF="gimpprint_12.html#IDX85">stp_set_yellow</A>
+</DIR>
+<H2>v</H2>
+<DIR>
+<LI><A HREF="gimpprint_37.html#IDX223"><CODE>VI <VAR>BC</VAR>=2 00 00</CODE></A>
+</DIR>
+
+</P>
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_45.html">previous</A>, <A HREF="gimpprint_47.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_47.html b/doc/manual-html/gimpprint_47.html
new file mode 100644
index 0000000..46f8520
--- /dev/null
+++ b/doc/manual-html/gimpprint_47.html
@@ -0,0 +1,124 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Concept Index</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_46.html">previous</A>, next, last section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC62" HREF="gimpprint_toc.html#TOC62">Concept Index</A></H1>
+
+<P>
+<H2>a</H2>
+<DIR>
+<LI><A HREF="gimpprint_39.html#IDX253">adding a printer</A>
+<LI><A HREF="gimpprint_24.html#IDX181">Appendices</A>
+<LI><A HREF="gimpprint_8.html#IDX9">autoconf</A>
+<LI><A HREF="gimpprint_9.html#IDX12">automake</A>
+</DIR>
+<H2>b</H2>
+<DIR>
+<LI><A HREF="gimpprint_23.html#IDX179">bugs</A>
+</DIR>
+<H2>c</H2>
+<DIR>
+<LI><A HREF="gimpprint_31.html#IDX186">collisions</A>
+<LI><A HREF="gimpprint_22.html#IDX178">CUPS driver</A>
+</DIR>
+<H2>d</H2>
+<DIR>
+<LI><A HREF="gimpprint_13.html#IDX109">dither functions</A>
+<LI><A HREF="gimpprint_25.html#IDX182">dithering</A>
+<LI><A HREF="gimpprint_41.html#IDX262">driver file</A>
+</DIR>
+<H2>e</H2>
+<DIR>
+<LI><A HREF="gimpprint_42.html#IDX263">Epson inkjet printers</A>
+<LI><A HREF="gimpprint_34.html#IDX190">ESC/P2</A>
+<LI><A HREF="gimpprint_35.html#IDX191">ESC/P2 introduction</A>
+</DIR>
+<H2>f</H2>
+<DIR>
+<LI><A HREF="gimpprint_10.html#IDX13">functions</A>
+</DIR>
+<H2>g</H2>
+<DIR>
+<LI><A HREF="gimpprint_21.html#IDX177">ghostscript driver</A>
+<LI><A HREF="gimpprint_20.html#IDX175">GIMP Print plugin</A>
+<LI><A HREF="gimpprint_6.html#IDX7">gimpprint-config</A>
+</DIR>
+<H2>h</H2>
+<DIR>
+<LI><A HREF="gimpprint_1.html#IDX3">how to read</A>
+</DIR>
+<H2>i</H2>
+<DIR>
+<LI><A HREF="gimpprint_11.html#IDX15">initialising libgimpprint</A>
+<LI><A HREF="gimpprint_5.html#IDX6">integrating</A>
+</DIR>
+<H2>m</H2>
+<DIR>
+<LI><A HREF="gimpprint_8.html#IDX10">m4 macros</A>
+<LI><A HREF="gimpprint_11.html#IDX14">main functions</A>
+<LI><A HREF="gimpprint_7.html#IDX8">make</A>
+<LI><A HREF="gimpprint_1.html#IDX2">manual, how to read</A>
+<LI><A HREF="gimpprint_11.html#IDX17">memory allocation</A>
+</DIR>
+<H2>n</H2>
+<DIR>
+<LI><A HREF="gimpprint_39.html#IDX255">new printer</A>
+</DIR>
+<H2>o</H2>
+<DIR>
+<LI><A HREF="gimpprint_14.html#IDX113">options functions</A>
+<LI><A HREF="gimpprint_33.html#IDX189">oversampling</A>
+<LI><A HREF="gimpprint_3.html#IDX4">overview</A>
+</DIR>
+<H2>p</H2>
+<DIR>
+<LI><A HREF="gimpprint_15.html#IDX124">paper functions</A>
+<LI><A HREF="gimpprint_30.html#IDX185">perfect weave</A>, <A HREF="gimpprint_32.html#IDX188">perfect weave</A>
+<LI><A HREF="gimpprint_20.html#IDX176">Print plugin</A>
+<LI><A HREF="gimpprint_16.html#IDX139">printer functions</A>
+<LI><A HREF="gimpprint_39.html#IDX254">printer, adding</A>
+<LI><A HREF="gimpprint_43.html#IDX266">printer, tuning</A>
+<LI><A HREF="gimpprint_23.html#IDX180">problems</A>
+<LI><A HREF="gimpprint_19.html#IDX174">programs</A>
+</DIR>
+<H2>r</H2>
+<DIR>
+<LI><A HREF="gimpprint_1.html#IDX1">reading</A>
+</DIR>
+<H2>s</H2>
+<DIR>
+<LI><A HREF="gimpprint_17.html#IDX153">settings functions</A>
+<LI><A HREF="gimpprint_12.html#IDX19"><CODE>stp_vars_t</CODE> functions</A>
+</DIR>
+<H2>t</H2>
+<DIR>
+<LI><A HREF="gimpprint_43.html#IDX265">tuning the printer</A>
+</DIR>
+<H2>u</H2>
+<DIR>
+<LI><A HREF="gimpprint_4.html#IDX5">using</A>
+</DIR>
+<H2>v</H2>
+<DIR>
+<LI><A HREF="gimpprint_18.html#IDX159">version functions</A>
+</DIR>
+<H2>w</H2>
+<DIR>
+<LI><A HREF="gimpprint_26.html#IDX183">weaving</A>
+<LI><A HREF="gimpprint_28.html#IDX184">weaving algorithms</A>
+<LI><A HREF="gimpprint_31.html#IDX187">weaving collisions</A>
+</DIR>
+
+</P>
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_46.html">previous</A>, next, last section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_5.html b/doc/manual-html/gimpprint_5.html
new file mode 100644
index 0000000..75dbead
--- /dev/null
+++ b/doc/manual-html/gimpprint_5.html
@@ -0,0 +1,36 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Integrating libgimpprint</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_4.html">previous</A>, <A HREF="gimpprint_6.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H1><A NAME="SEC10" HREF="gimpprint_toc.html#TOC10">3 Integrating libgimpprint</A></H1>
+<P>
+<A NAME="IDX6"></A>
+
+</P>
+<P>
+This chapter describes how to integrate the compiling and linking of
+programs using libgimpprint with build scripts. Commonly used systems include
+@command{make}, but more commonly <TT>`Makefile'</TT> files are generated by using
+tools such as @command{autoconf} and @command{automake}.
+
+</P>
+
+<UL>
+<LI><A HREF="gimpprint_6.html#SEC11">gimpprint-config</A>: Getting the correct compiler and linker flags
+<LI><A HREF="gimpprint_7.html#SEC12">make</A>: Normal makefiles
+<LI><A HREF="gimpprint_8.html#SEC13">autoconf</A>: Macro to automatically check for libgimpprint
+<LI><A HREF="gimpprint_9.html#SEC14">automake</A>: Automatically defined variables to use
+</UL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_4.html">previous</A>, <A HREF="gimpprint_6.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_6.html b/doc/manual-html/gimpprint_6.html
new file mode 100644
index 0000000..a0bc835
--- /dev/null
+++ b/doc/manual-html/gimpprint_6.html
@@ -0,0 +1,106 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - gimpprint-config</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_5.html">previous</A>, <A HREF="gimpprint_7.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC11" HREF="gimpprint_toc.html#TOC11">3.1 @command{gimpprint-config}</A></H2>
+<P>
+<A NAME="IDX7"></A>
+
+</P>
+<P>
+Depending on the setup of the computer system GIMP-Print was installed on, as
+well as the options passed to @command{configure} when configuring the
+package when it was built, the @env{CFLAGS} and @env{LIBS} parameters
+needed to compile and link programs with libgimpprint may vary. To make it
+simple to determine what these are on any given system, the script
+@command{gimpprint-config} was created. It's job is to output the
+correct parameters for the setup on your system. The following options
+are available:
+
+</P>
+
+<PRE>
+roger@whinlatter:~/gimpprint/devel$ gimpprint-config --help
+Usage: gimpprint-config [OPTIONS] [LIBRARIES]
+Options:
+ [--prefix[=DIR]]
+ [--exec-prefix[=DIR]]
+ [--version]
+ [--libs]
+ [--cflags]
+Libraries:
+ gimpprint
+</PRE>
+
+<P>
+The @option{--prefix} and @option{--exec-prefix} options are only needed if the
+installed locations of parts of GIMP-Print are different from the configured
+locations. These should never be needed if GIMP-Print was properly configured
+and installed.
+
+</P>
+<P>
+The installed version of GIMP-Print can be obtained with the
+@option{--version} option:
+
+</P>
+
+<PRE>
+roger@whinlatter:~/gimpprint/devel$ gimpprint-config --version
+4.2.7
+</PRE>
+
+<P>
+The correct @env{CFLAGS} to use can be obtained with the @option{--cflags}
+option:
+
+</P>
+
+<PRE>
+roger@whinlatter:~/gimpprint/devel$ gimpprint-config --cflags
+
+</PRE>
+
+<P>
+In this case, there are no special @env{CFLAGS} required to compile programs.
+
+</P>
+<P>
+The correct @env{LIBS} to use can the obtained with the @option{--libs} option:
+
+</P>
+
+<PRE>
+roger@whinlatter:~/gimpprint/devel$ gimpprint-config --libs
+-L/usr/lib -lgimpprint -lm
+</PRE>
+
+<P>
+The command can be used from the shell by enclosing it in backquotes <SAMP>``'</SAMP>:
+
+</P>
+
+<PRE>
+gcc `gimpprint-config --cflags` -c prog.c
+gcc `gimpprint-config --libs` -o prog prog.o
+</PRE>
+
+<P>
+However, this is not the way it it typically used. Normally it is used in a
+<TT>`Makefile'</TT> (see section <A HREF="gimpprint_7.html#SEC12">3.2 @command{make}</A>) or by an @command{m4} macro in a @command{configure}
+script (see section <A HREF="gimpprint_8.html#SEC13">3.3 @command{autoconf}</A>).
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_5.html">previous</A>, <A HREF="gimpprint_7.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_7.html b/doc/manual-html/gimpprint_7.html
new file mode 100644
index 0000000..7a792c3
--- /dev/null
+++ b/doc/manual-html/gimpprint_7.html
@@ -0,0 +1,39 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - make</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_6.html">previous</A>, <A HREF="gimpprint_8.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC12" HREF="gimpprint_toc.html#TOC12">3.2 @command{make}</A></H2>
+<P>
+<A NAME="IDX8"></A>
+
+</P>
+<P>
+If you use @command{make} with your own <TT>`Makefile'</TT> files, then you are on
+your own. This manual offers no assistance with doing this. Only the following
+suggestion is offered:
+
+</P>
+
+<PRE>
+GIMPPRINT_VERSION = $(shell gimpprint-config --version)
+GIMPPRINT_CFLAGS = $(shell gimpprint-config --cflags)
+GIMPPRINT_LIBS = $(shell gimpprint-config --libs)
+</PRE>
+
+<P>
+How you choose to use these variables is entirely up to you. See Info file `make', node `Top', for more information.
+
+</P>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_6.html">previous</A>, <A HREF="gimpprint_8.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_8.html b/doc/manual-html/gimpprint_8.html
new file mode 100644
index 0000000..e35f343
--- /dev/null
+++ b/doc/manual-html/gimpprint_8.html
@@ -0,0 +1,66 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - autoconf</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_7.html">previous</A>, <A HREF="gimpprint_9.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC13" HREF="gimpprint_toc.html#TOC13">3.3 @command{autoconf}</A></H2>
+<P>
+<A NAME="IDX9"></A>
+<A NAME="IDX10"></A>
+
+</P>
+<P>
+The @command{autoconf} program produces a Bourne shell script called
+<TT>`configure'</TT> from a template file called <TT>`configure.in'</TT>.
+<TT>`configure.in'</TT> contains both Bourne shell script, and @command{m4} macros.
+@command{autoconf} expands the @command{m4} macros into `real' shell script.
+The resulting <TT>`configure'</TT> script performs various checks for installed
+programs, compiler characteristics and other system information such as
+available headers and libraries. See Info file `autoconf', node `Top', for
+more information.
+
+</P>
+<P>
+GIMP-Print provides an @command{m4} macro, <CODE>AM_PATH_GIMPPRINT</CODE>, suitable for
+use in a <TT>`configure.in'</TT>. It defines the environment variables
+@env{GIMPPRINT_CFLAGS}, @env{GIMPPRINT_LIBS} and @env{GIMPPRINT_CONFIG}. You can
+optionally specify a minimum version of the library to use, and shell script to
+run if the test suceeds or fails.
+
+</P>
+<P>
+<DL>
+<DT><U>Macro:</U> <B>AM_PATH_GIMPPRINT</B> <I>([<VAR>minimum-version</VAR> [, <VAR>action-if-found</VAR> [, <VAR>action-if-not-found</VAR>]]])</I>
+<DD><A NAME="IDX11"></A>
+Check for an installed version of GIMP-Print greater than or equal to
+<VAR>minimum-version</VAR>.
+
+</P>
+<P>
+<VAR>action-if-found</VAR> is a list of shell commands to run if the check
+for the library succeeds; <VAR>action-if-not-found</VAR> is a list of
+shell commands to run if the check fails.
+
+</P>
+<P>
+The macro sets the following environment variables: @env{GIMPPRINT_CFLAGS},
+@env{GIMPPRINT_LIBS} and @env{GIMPPRINT_CONFIG}. It also will substitute them
+into any <TT>`Makefile.in'</TT> you specify in <CODE>AC_OUTPUT</CODE> because it calls
+<CODE>AC_SUBST</CODE> for each of them. However, you will probably be using
+@command{automake} to generate your <TT>`Makefile.in'</TT> files
+(see section <A HREF="gimpprint_9.html#SEC14">3.4 @command{automake}</A>).
+
+</P>
+</DL>
+
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_7.html">previous</A>, <A HREF="gimpprint_9.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_9.html b/doc/manual-html/gimpprint_9.html
new file mode 100644
index 0000000..93d7d58
--- /dev/null
+++ b/doc/manual-html/gimpprint_9.html
@@ -0,0 +1,79 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - automake</TITLE>
+</HEAD>
+<BODY>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_8.html">previous</A>, <A HREF="gimpprint_10.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+<P><HR><P>
+
+
+<H2><A NAME="SEC14" HREF="gimpprint_toc.html#TOC14">3.4 @command{automake}</A></H2>
+<P>
+<A NAME="IDX12"></A>
+
+</P>
+<P>
+The @command{automake} program can be used to generate <TT>`Makefile.in'</TT> files
+suitable for use with a <TT>`configure'</TT> script generated by
+@command{autoconf}. As @command{automake} <EM>requires</EM> @command{autoconf},
+this section will assume the use of a <TT>`configure'</TT> script which uses the
+<CODE>AM_PATH_GIMPPRINT</CODE> macro (there is little point in <EM>not</EM> using it!).
+
+</P>
+<P>
+It is highly recommeded that you use GNU @command{autoconf} and
+@command{automake}. They will allow you to make your software build on most
+platforms with most compilers. @command{automake} makes writing complex
+<TT>`Makefile'</TT> files very easy, by expressing how to build your packages
+in terms of what files are required to build a project and the installation
+locations of the files. It imposes a few limitations over using plain
+<TT>`Makefile'</TT> files, such as in the use of conditionals, but these problems
+are vastly outweighed by the benefits it brings. It also creates many extra
+targets in the generated <TT>`Makefile.in'</TT> files such as @command{dist},
+@command{distcheck}, @command{clean}, @command{distclean},
+@command{maintainer-clean} and @command{tags}, and there are many more more
+available. See Info file `automake', node `Top', for more information.
+
+</P>
+<P>
+Because <CODE>AM_PATH_GIMPPRINT</CODE> calls <CODE>AC_SUBST</CODE> to substitute
+@env{GIMPPRINT_CFLAGS}, @env{GIMPPRINT_LIBS} and @env{GIMPPRINT_CONFIG},
+@command{automake} will automatically set these variables in the
+<TT>`Makefile.in'</TT> files it generates, requiring no additional effort on
+your part!
+
+</P>
+<P>
+As in previous examples, we will make a program @command{prog} from a file <TT>`prog.c'</TT>. This is how one might build write a <TT>`Makefile.am'</TT> to do this:
+
+</P>
+
+<PRE>
+AUTOMAKE_OPTIONS = 1.4 gnu
+MAINT_CHARSET = latin1
+
+@SET_MAKE@
+
+CFLAGS = @CFLAGS@
+
+INCLUDES = @INCLUDES@ $(GIMPPRINT_CFLAGS)
+
+bin_PROGRAMS = prog
+prog_SOURCES = prog.c
+prog_LDADD = $(GIMPPRINT_LIBS)
+
+MAINTAINERCLEANFILES = Makefile.in
+</PRE>
+
+<P>
+That's all there is to it! Please note that this example also requires the
+macro <CODE>AC_PROG_MAKE_SET</CODE> to be used in <TT>`configure.in'</TT> and the use of
+<CODE>AC_SUBST</CODE> to substitute @env{CFLAGS} and @env{INCLUDES} where
+<CODE>@CFLAGS@</CODE> and <CODE>@INCLUDES@</CODE> are found in the file, respectively.
+<P><HR><P>
+Go to the <A HREF="gimpprint_1.html">first</A>, <A HREF="gimpprint_8.html">previous</A>, <A HREF="gimpprint_10.html">next</A>, <A HREF="gimpprint_47.html">last</A> section, <A HREF="gimpprint_toc.html">table of contents</A>.
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_foot.html b/doc/manual-html/gimpprint_foot.html
new file mode 100644
index 0000000..1980040
--- /dev/null
+++ b/doc/manual-html/gimpprint_foot.html
@@ -0,0 +1,33 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Footnotes</TITLE>
+</HEAD>
+<BODY>
+<H1>GIMP-Print</H1>
+<H2>The print plugin for the GIMP</H2>
+<H2>Version 4.2.7, 27 October 2001</H2>
+<ADDRESS>The GIMP-Print Project</ADDRESS>
+<P>
+<P><HR><P>
+<H3><A NAME="FOOT1" HREF="gimpprint_20.html#DOCF1">(1)</A></H3>
+<P>@uref{http://www.gimp.org
+<H3><A NAME="FOOT2" HREF="gimpprint_20.html#DOCF2">(2)</A></H3>
+<P>The output resolution of the plugin.
+<H3><A NAME="FOOT3" HREF="gimpprint_20.html#DOCF3">(3)</A></H3>
+<P>For Postscript printers.
+<H3><A NAME="FOOT4" HREF="gimpprint_20.html#DOCF4">(4)</A></H3>
+<P>Again, that's relative to the paper
+corner, not the printable area, which is usually smaller.
+<H3><A NAME="FOOT5" HREF="gimpprint_23.html#DOCF5">(5)</A></H3>
+<P>@email{gimp-print-devel@lists.sourceforge.net
+<H3><A NAME="FOOT6" HREF="gimpprint_23.html#DOCF6">(6)</A></H3>
+<P>@email{gimp-print-devel@lists.sourceforge.net
+<P><HR><P>
+This document was generated on 11 June 2004 using the
+<A HREF="http://wwwcn.cern.ch/dci/texi2html/">texi2html</A>
+translator version 1.51.</P>
+</BODY>
+</HTML>
diff --git a/doc/manual-html/gimpprint_toc.html b/doc/manual-html/gimpprint_toc.html
new file mode 100644
index 0000000..4c34629
--- /dev/null
+++ b/doc/manual-html/gimpprint_toc.html
@@ -0,0 +1,108 @@
+<HTML>
+<HEAD>
+<!-- This HTML file has been created by texi2html 1.51
+ from .././gimpprint.texi on 11 June 2004 -->
+
+<TITLE>GIMP-Print - Table of Contents</TITLE>
+</HEAD>
+<BODY>
+<H1>GIMP-Print</H1>
+<H2>The print plugin for the GIMP</H2>
+<H2>Version 4.2.7, 27 October 2001</H2>
+<ADDRESS>The GIMP-Print Project</ADDRESS>
+<P>
+<P><HR><P>
+<UL>
+<LI><A NAME="TOC1" HREF="gimpprint_1.html#SEC1">Preface</A>
+<LI><A NAME="TOC2" HREF="gimpprint_2.html#SEC2">GNU GENERAL PUBLIC LICENSE</A>
+<UL>
+<LI><A NAME="TOC3" HREF="gimpprint_2.html#SEC3">Preamble</A>
+<LI><A NAME="TOC4" HREF="gimpprint_2.html#SEC4">How to Apply These Terms to Your New Programs</A>
+</UL>
+<LI><A NAME="TOC5" HREF="gimpprint_2.html#SEC5">Copying summary</A>
+<LI><A NAME="TOC6" HREF="gimpprint_3.html#SEC6">1 Overview</A>
+<LI><A NAME="TOC7" HREF="gimpprint_4.html#SEC7">2 Using libgimpprint</A>
+<UL>
+<LI><A NAME="TOC8" HREF="gimpprint_4.html#SEC8">2.1 Code prerequisites</A>
+<LI><A NAME="TOC9" HREF="gimpprint_4.html#SEC9">2.2 Linking with libgimpprint</A>
+</UL>
+<LI><A NAME="TOC10" HREF="gimpprint_5.html#SEC10">3 Integrating libgimpprint</A>
+<UL>
+<LI><A NAME="TOC11" HREF="gimpprint_6.html#SEC11">3.1 @command{gimpprint-config}</A>
+<LI><A NAME="TOC12" HREF="gimpprint_7.html#SEC12">3.2 @command{make}</A>
+<LI><A NAME="TOC13" HREF="gimpprint_8.html#SEC13">3.3 @command{autoconf}</A>
+<LI><A NAME="TOC14" HREF="gimpprint_9.html#SEC14">3.4 @command{automake}</A>
+</UL>
+<LI><A NAME="TOC15" HREF="gimpprint_10.html#SEC15">4 Functions</A>
+<UL>
+<LI><A NAME="TOC16" HREF="gimpprint_11.html#SEC16">4.1 Main functions</A>
+<LI><A NAME="TOC17" HREF="gimpprint_12.html#SEC17">4.2 <CODE>stp_vars_t</CODE> functions</A>
+<LI><A NAME="TOC18" HREF="gimpprint_13.html#SEC18">4.3 Dither functions</A>
+<LI><A NAME="TOC19" HREF="gimpprint_14.html#SEC19">4.4 Options functions</A>
+<LI><A NAME="TOC20" HREF="gimpprint_15.html#SEC20">4.5 Paper functions</A>
+<LI><A NAME="TOC21" HREF="gimpprint_16.html#SEC21">4.6 Printer functions</A>
+<LI><A NAME="TOC22" HREF="gimpprint_17.html#SEC22">4.7 Settings functions</A>
+<LI><A NAME="TOC23" HREF="gimpprint_18.html#SEC23">4.8 Version functions</A>
+<UL>
+<LI><A NAME="TOC24" HREF="gimpprint_18.html#SEC24">4.8.1 Version macros</A>
+<LI><A NAME="TOC25" HREF="gimpprint_18.html#SEC25">4.8.2 Version variables</A>
+</UL>
+</UL>
+<LI><A NAME="TOC26" HREF="gimpprint_19.html#SEC26">5 Programs</A>
+<UL>
+<LI><A NAME="TOC27" HREF="gimpprint_20.html#SEC27">5.1 The GIMP Print plugin</A>
+<UL>
+<LI><A NAME="TOC28" HREF="gimpprint_20.html#SEC28">5.1.1 Preview</A>
+<LI><A NAME="TOC29" HREF="gimpprint_20.html#SEC29">5.1.2 Printer Settings</A>
+<LI><A NAME="TOC30" HREF="gimpprint_20.html#SEC30">5.1.3 Position</A>
+<LI><A NAME="TOC31" HREF="gimpprint_20.html#SEC31">5.1.4 Scaling</A>
+<LI><A NAME="TOC32" HREF="gimpprint_20.html#SEC32">5.1.5 Image Settings</A>
+<UL>
+<LI><A NAME="TOC33" HREF="gimpprint_20.html#SEC33">5.1.5.1 Adjust Output</A>
+<LI><A NAME="TOC34" HREF="gimpprint_20.html#SEC34">5.1.5.2 Dither Algorithm</A>
+</UL>
+<LI><A NAME="TOC35" HREF="gimpprint_20.html#SEC35">5.1.6 Action Buttons</A>
+</UL>
+<LI><A NAME="TOC36" HREF="gimpprint_21.html#SEC36">5.2 Ghostscript driver</A>
+<LI><A NAME="TOC37" HREF="gimpprint_22.html#SEC37">5.3 CUPS driver</A>
+</UL>
+<LI><A NAME="TOC38" HREF="gimpprint_23.html#SEC38">6 Reporting Bugs</A>
+<LI><A NAME="TOC39" HREF="gimpprint_24.html#SEC39">7 Appendices</A>
+<LI><A NAME="TOC40" HREF="gimpprint_25.html#SEC40">A Dithering</A>
+<LI><A NAME="TOC41" HREF="gimpprint_26.html#SEC41">B Weaving for inkjet printers</A>
+<UL>
+<LI><A NAME="TOC42" HREF="gimpprint_27.html#SEC42">B.1 Introduction</A>
+<LI><A NAME="TOC43" HREF="gimpprint_28.html#SEC43">B.2 Weaving algorithms</A>
+<UL>
+<LI><A NAME="TOC44" HREF="gimpprint_29.html#SEC44">B.2.1 Simple weaving algorithms</A>
+<LI><A NAME="TOC45" HREF="gimpprint_30.html#SEC45">B.2.2 Perfect weaving</A>
+<LI><A NAME="TOC46" HREF="gimpprint_31.html#SEC46">B.2.3 Weaving collisions</A>
+<LI><A NAME="TOC47" HREF="gimpprint_32.html#SEC47">B.2.4 What makes a "perfect" weave?</A>
+<LI><A NAME="TOC48" HREF="gimpprint_33.html#SEC48">B.2.5 Oversampling</A>
+</UL>
+</UL>
+<LI><A NAME="TOC49" HREF="gimpprint_34.html#SEC49">C ESC/P2</A>
+<UL>
+<LI><A NAME="TOC50" HREF="gimpprint_35.html#SEC50">C.1 Introduction to ESC/P2</A>
+<LI><A NAME="TOC51" HREF="gimpprint_36.html#SEC51">C.2 Standard commands</A>
+<LI><A NAME="TOC52" HREF="gimpprint_37.html#SEC52">C.3 Remote Mode Commands</A>
+<LI><A NAME="TOC53" HREF="gimpprint_38.html#SEC53">C.4 Appropriate Remote Commands</A>
+</UL>
+<LI><A NAME="TOC54" HREF="gimpprint_39.html#SEC54">D Adding a new printer</A>
+<UL>
+<LI><A NAME="TOC55" HREF="gimpprint_40.html#SEC55">D.1 <TT>`printers.xml'</TT></A>
+<LI><A NAME="TOC56" HREF="gimpprint_41.html#SEC56">D.2 The driver file</A>
+<LI><A NAME="TOC57" HREF="gimpprint_42.html#SEC57">D.3 Epson inkjet printers</A>
+<LI><A NAME="TOC58" HREF="gimpprint_43.html#SEC58">D.4 Tuning the printer</A>
+<LI><A NAME="TOC59" HREF="gimpprint_44.html#SEC59">D.5 Canon inkjet printers</A>
+</UL>
+<LI><A NAME="TOC60" HREF="gimpprint_45.html#SEC60">Data Type and Variable Index</A>
+<LI><A NAME="TOC61" HREF="gimpprint_46.html#SEC61">Function and Macro Index</A>
+<LI><A NAME="TOC62" HREF="gimpprint_47.html#SEC62">Concept Index</A>
+</UL>
+<P><HR><P>
+This document was generated on 11 June 2004 using the
+<A HREF="http://wwwcn.cern.ch/dci/texi2html/">texi2html</A>
+translator version 1.51.</P>
+</BODY>
+</HTML>
diff --git a/doc/manual-html/print-color.png b/doc/manual-html/print-color.png
new file mode 100644
index 0000000..db1af3f
--- /dev/null
+++ b/doc/manual-html/print-color.png
Binary files differ
diff --git a/doc/manual-html/print-main.png b/doc/manual-html/print-main.png
new file mode 100644
index 0000000..2d78222
--- /dev/null
+++ b/doc/manual-html/print-main.png
Binary files differ
diff --git a/doc/manual-html/print-setup.png b/doc/manual-html/print-setup.png
new file mode 100644
index 0000000..904e03b
--- /dev/null
+++ b/doc/manual-html/print-setup.png
Binary files differ
diff --git a/doc/new-printer.texi b/doc/new-printer.texi
index 672d92c..8ab4f2e 100644
--- a/doc/new-printer.texi
+++ b/doc/new-printer.texi
@@ -152,6 +152,9 @@ typedef struct escp2_printer
int black_nozzles; /* Number of black nozzles (may be extra) */
int min_black_nozzles; /* # of black nozzles (may be extra) */
int black_nozzle_separation; /* Separation between rows */
+ int fast_nozzles; /* Number of fast nozzles */
+ int min_fast_nozzles; /* # of fast nozzles (may be extra) */
+ int fast_nozzle_separation; /* Separation between rows */
/*****************************************************************************/
int xres; /* Normal distance between dots in */
/* softweave mode (inverse inches) */
@@ -176,44 +179,53 @@ typedef struct escp2_printer
int max_paper_height; /* Maximum paper height, in points */
int min_paper_width; /* Maximum paper width, in points */
int min_paper_height; /* Maximum paper height, in points */
- /* Softweave: */
- int left_margin; /* Left margin, points */
- int right_margin; /* Right margin, points */
- int top_margin; /* Absolute top margin, points */
- int bottom_margin; /* Absolute bottom margin, points */
- /* "Micro"weave: */
+ /* Printer interleave: */
int m_left_margin; /* Left margin, points */
int m_right_margin; /* Right margin, points */
int m_top_margin; /* Absolute top margin, points */
int m_bottom_margin; /* Absolute bottom margin, points */
+ /* ROLL FEED: */
+ /* Softweave: */
+ int roll_left_margin; /* Left margin, points */
+ int roll_right_margin; /* Right margin, points */
+ int roll_top_margin; /* Absolute top margin, points */
+ int roll_bottom_margin; /* Absolute bottom margin, points */
+ /* Printer interleave: */
+ int m_roll_left_margin; /* Left margin, points */
+ int m_roll_right_margin; /* Right margin, points */
+ int m_roll_top_margin; /* Absolute top margin, points */
+ int m_roll_bottom_margin; /* Absolute bottom margin, points */
/*****************************************************************************/
int extra_feed; /* Extra distance the paper can be spaced */
/* beyond the bottom margin, in 1/360". */
/* (maximum useful value is */
/* nozzles * nozzle_separation) */
int separation_rows; /* Some printers require funky spacing */
- /* arguments in microweave mode. */
+ /* arguments in interleave mode. */
int pseudo_separation_rows;/* Some printers require funky */
/* spacing arguments in softweave mode */
int zero_margin_offset; /* Offset to use to achieve */
/* zero-margin printing */
-/*****************************************************************************/
- /* The stylus 480 and 580 have an unusual arrangement of
- color jets that need special handling */
- const int *head_offset;
int initial_vertical_offset;
int black_initial_vertical_offset;
+ int extra_720dpi_separation;
/*****************************************************************************/
const int *dot_sizes; /* Vector of dot sizes for resolutions */
const double *densities; /* List of densities for each printer */
const escp2_variable_inklist_t *inks; /* Choices of inks for this printer */
/*****************************************************************************/
- const double *lum_adjustment;
- const double *hue_adjustment;
- const double *sat_adjustment;
const paperlist_t *paperlist;
+ const res_t *reslist;
+ const inklist_t *inklist;
+/*****************************************************************************/
+ const int *bits;
+ const int *base_resolutions;
+ const input_slot_list_t *input_slots;
+/*****************************************************************************/
+ const init_sequence_t *preinit_sequence;
+ const init_sequence_t *postinit_remote_sequence;
@} escp2_printer_t;
@end example
@end deftypevr
@@ -330,13 +342,12 @@ adjustment values. These are not currently discussed here.
The lists of dot sizes and densities contain values for 13 printing
-modes: 120/180 DPI using printer weaving (single row; incorrectly
-referred to as ``microweave'') and ``soft'' weaving (the driver
-determines the exact pattern of dot layout), 360 DPI microweave and
-softweave, 720x360 DPI microweave and softweave, 720 DPI microweave
-and softweave, 1440x720 microweave and softweave, 2880x720 microweave
-and softweave, and 2880x1440 softweave only. Printer weaving is
-referred to as ``microweave'' for historical reasons.
+modes: 120/180 DPI using printer weaving (single row;
+referred to as ``interleave'') and ``soft'' weaving (the driver
+determines the exact pattern of dot layout), 360 DPI interleave and
+softweave, 720x360 DPI interleave and softweave, 720 DPI interleave
+and softweave, 1440x720 interleave and softweave, 2880x720 interleave
+and softweave, and 2880x1440 softweave only.
For the dot sizes, the value for each element in the vector selects
the dot size to be used when printing at this (or similar)
diff --git a/doc/print-color.eps b/doc/print-color.eps
new file mode 100644
index 0000000..7c68f37
--- /dev/null
+++ b/doc/print-color.eps
@@ -0,0 +1,788 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Creator: (ImageMagick)
+%Title: (print-color.eps)
+%%CreationDate: (Sun Feb 29 19:56:02 2004)
+%%BoundingBox: 0 0 382 406
+%%LanguageLevel: 2
+%%Pages: 0
+%%EndComments
+
+%%BeginDefaults
+%%PageOrientation: Portrait
+%%EndDefaults
+
+%%BeginProlog
+%
+% Display a color image. The image is displayed in color on
+% Postscript viewers or printers that support color, otherwise
+% it is displayed as grayscale.
+%
+/buffer 512 string def
+/pixel_stream currentfile /ASCII85Decode filter def
+
+/DirectClassImage
+{
+ %
+ % Display a DirectClass image.
+ %
+ colorspace 0 eq
+ {
+ /DeviceRGB setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ }
+ {
+ /DeviceCMYK setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/PseudoClassImage
+{
+ %
+ % Display a PseudoClass image.
+ %
+ % Parameters:
+ % colors: number of colors in the colormap.
+ %
+ currentfile buffer readline pop
+ token pop /colors exch def pop
+ colors 0 eq
+ {
+ %
+ % Image is grayscale.
+ %
+ /DeviceGray setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 1
+ /Decode [0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ {
+ /DataSource pixel_stream
+ <<
+ /K -1
+ /Columns columns
+ /Rows rows
+ >> /CCITTFaxDecode filter
+ } ifelse
+ >> image
+ }
+ {
+ %
+ % Parameters:
+ % colormap: red, green, blue color packets.
+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
+ % x & y translation.
+ % x & y scale.
+ % label pointsize.
+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
+ % compression: 0-RunlengthEncodedCompression or 1-NoCompression.
+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ currentfile buffer readline pop
+ token pop /pointsize exch def pop
+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
+ token pop /columns exch def
+ token pop /rows exch def pop
+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
+%%EndProlog
+%%Page: 1 1
+%%PageBoundingBox: 0 0 382 406
+userdict begin
+%%BeginData:
+DisplayImage
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diff --git a/doc/print-color.txt b/doc/print-color.txt
new file mode 100644
index 0000000..69fdede
--- /dev/null
+++ b/doc/print-color.txt
@@ -0,0 +1 @@
+[Figure not available in Info format]
diff --git a/doc/print-main.eps b/doc/print-main.eps
new file mode 100644
index 0000000..05a6b3f
--- /dev/null
+++ b/doc/print-main.eps
@@ -0,0 +1,551 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Creator: (ImageMagick)
+%Title: (print-main.eps)
+%%CreationDate: (Sun Feb 29 19:56:03 2004)
+%%BoundingBox: 0 0 647 647
+%%LanguageLevel: 2
+%%Pages: 0
+%%EndComments
+
+%%BeginDefaults
+%%PageOrientation: Portrait
+%%EndDefaults
+
+%%BeginProlog
+%
+% Display a color image. The image is displayed in color on
+% Postscript viewers or printers that support color, otherwise
+% it is displayed as grayscale.
+%
+/buffer 512 string def
+/pixel_stream currentfile /ASCII85Decode filter def
+
+/DirectClassImage
+{
+ %
+ % Display a DirectClass image.
+ %
+ colorspace 0 eq
+ {
+ /DeviceRGB setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ }
+ {
+ /DeviceCMYK setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/PseudoClassImage
+{
+ %
+ % Display a PseudoClass image.
+ %
+ % Parameters:
+ % colors: number of colors in the colormap.
+ %
+ currentfile buffer readline pop
+ token pop /colors exch def pop
+ colors 0 eq
+ {
+ %
+ % Image is grayscale.
+ %
+ /DeviceGray setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 1
+ /Decode [0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ {
+ /DataSource pixel_stream
+ <<
+ /K -1
+ /Columns columns
+ /Rows rows
+ >> /CCITTFaxDecode filter
+ } ifelse
+ >> image
+ }
+ {
+ %
+ % Parameters:
+ % colormap: red, green, blue color packets.
+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
+ % x & y translation.
+ % x & y scale.
+ % label pointsize.
+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
+ % compression: 0-RunlengthEncodedCompression or 1-NoCompression.
+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ currentfile buffer readline pop
+ token pop /pointsize exch def pop
+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
+ token pop /columns exch def
+ token pop /rows exch def pop
+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
+%%EndProlog
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diff --git a/doc/print-main.txt b/doc/print-main.txt
new file mode 100644
index 0000000..69fdede
--- /dev/null
+++ b/doc/print-main.txt
@@ -0,0 +1 @@
+[Figure not available in Info format]
diff --git a/doc/print-setup.eps b/doc/print-setup.eps
new file mode 100644
index 0000000..5488cda
--- /dev/null
+++ b/doc/print-setup.eps
@@ -0,0 +1,225 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Creator: (ImageMagick)
+%Title: (print-setup.eps)
+%%CreationDate: (Sun Feb 29 19:56:03 2004)
+%%BoundingBox: 0 0 289 226
+%%LanguageLevel: 2
+%%Pages: 0
+%%EndComments
+
+%%BeginDefaults
+%%PageOrientation: Portrait
+%%EndDefaults
+
+%%BeginProlog
+%
+% Display a color image. The image is displayed in color on
+% Postscript viewers or printers that support color, otherwise
+% it is displayed as grayscale.
+%
+/buffer 512 string def
+/pixel_stream currentfile /ASCII85Decode filter def
+
+/DirectClassImage
+{
+ %
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+ %
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+ {
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+ <<
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+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ }
+ {
+ /DeviceCMYK setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/PseudoClassImage
+{
+ %
+ % Display a PseudoClass image.
+ %
+ % Parameters:
+ % colors: number of colors in the colormap.
+ %
+ currentfile buffer readline pop
+ token pop /colors exch def pop
+ colors 0 eq
+ {
+ %
+ % Image is grayscale.
+ %
+ /DeviceGray setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 1
+ /Decode [0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
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+ <<
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+ }
+ {
+ %
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+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
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+ /Width columns
+ /Height rows
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+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
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+ >> image
+ } ifelse
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+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
+ % x & y translation.
+ % x & y scale.
+ % label pointsize.
+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
+ % compression: 0-RunlengthEncodedCompression or 1-NoCompression.
+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ currentfile buffer readline pop
+ token pop /pointsize exch def pop
+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
+ token pop /columns exch def
+ token pop /rows exch def pop
+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
+%%EndProlog
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+:F<"[mdH^.SPR*TCNPigZO&+6'7q$AHU]EPMR&[B(F'UQk&.k'BVeX)Sm6qW#\E\724TP5f)c
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+22u~>
+
+%%EndData
+end
+%%PageTrailer
+%%Trailer
+%%BoundingBox: 0 0 289 226
+%%EOF
diff --git a/doc/print-setup.txt b/doc/print-setup.txt
new file mode 100644
index 0000000..69fdede
--- /dev/null
+++ b/doc/print-setup.txt
@@ -0,0 +1 @@
+[Figure not available in Info format]
diff --git a/doc/stamp-vti b/doc/stamp-vti
new file mode 100644
index 0000000..e9a4321
--- /dev/null
+++ b/doc/stamp-vti
@@ -0,0 +1,3 @@
+@set UPDATED 27 October 2001
+@set EDITION 4.2.7
+@set VERSION 4.2.7
diff --git a/doc/users_guide/.cvsignore b/doc/users_guide/.cvsignore
deleted file mode 100644
index ba5c952..0000000
--- a/doc/users_guide/.cvsignore
+++ /dev/null
@@ -1,12 +0,0 @@
-Makefile.in
-Makefile
-users-guide.tex
-users-guide.log
-users-guide
-users-guide.aux
-users-guide.dvi
-users-guide.ps
-users-guide.pdf
-users-guide.out
-html-stamp
-html
diff --git a/doc/users_guide/Makefile.am b/doc/users_guide/Makefile.am
index a91b1d6..406bc1f 100644
--- a/doc/users_guide/Makefile.am
+++ b/doc/users_guide/Makefile.am
@@ -1,4 +1,4 @@
-## $Id: Makefile.am,v 1.28 2001/11/08 13:15:18 rlk Exp $
+## $Id: Makefile.am,v 1.28.2.4 2003/12/07 14:57:33 rlk Exp $
## Copyright (C) 2001 Andy Stewart and Roger Leigh
##
## This program is free software; you can redistribute it and/or modify
@@ -27,6 +27,13 @@ MAINT_CHARSET = latin1
## Variables
MANUAL = users-guide
+MANUAL_SRC_FILES = $(srcdir)/$(MANUAL).sgml \
+ $(srcdir)/title.sgml \
+ $(srcdir)/history.sgml \
+ $(srcdir)/gimp.sgml \
+ $(srcdir)/cups.sgml \
+ $(srcdir)/utils.sgml \
+ $(srcdir)/gfdl.sgml
HTMLDIR = html
OUTPUTS = \
@@ -94,7 +101,7 @@ dist-hook: $(USER_GUIDE)
fi ; \
done
-$(MANUAL).pdf: ./$(MANUAL).sgml
+$(MANUAL).pdf: $(MANUAL_SRC_FILES)
if test $(srcdir) = '.' ; then \
: ; \
else \
@@ -121,11 +128,19 @@ pdf: $(MANUAL).pdf
ps: $(MANUAL).ps
-$(MANUAL).ps: $(MANUAL).sgml $(EPS_IMAGES)
- sed -e 's/\.png"/.eps"/g' -e 's/FORMAT="PNG"/FORMAT="EPS"/g' $< > $(MANUAL)-eps.sgml
+$(MANUAL).ps: $(MANUAL_SRC_FILES) $(EPS_IMAGES)
+ for i in $(MANUAL_SRC_FILES); do \
+ j=`basename $$i .sgml`; \
+ sed -e 's/\.png"/.eps"/g' \
+ -e 's/FORMAT="PNG"/FORMAT="EPS"/g' $$i > $$j-eps.sgml; \
+ done
+ cat $(MANUAL).sgml | sed -e 's/\.sgml"/-eps.sgml"/g' > $(MANUAL)-eps.sgml
$(DB2PS) $(MANUAL)-eps.sgml
mv $(MANUAL)-eps.ps $(MANUAL).ps
- -$(RM) -f $(MANUAL)-eps.*
+ for i in $(MANUAL_SRC_FILES); do \
+ j=`basename $$i .sgml`; \
+ $(RM) -f $${j}-eps.*; \
+ done
%.eps:
if test ! -d figures ; then mkdir figures ; fi
@@ -136,7 +151,7 @@ html: html-stamp
# This ugly workaround with SOURCE is because db2html doesn't seem to like
# "./users-guide.sgml". Note that db2ps does not have the same limitation.
# html-stamp should *only* be called by html--it's just a timestamp!
-html-stamp: $(MANUAL).sgml $(PNG_IMAGES)
+html-stamp: $(srcdir)/$(MANUAL).sgml $(PNG_IMAGES)
if test $(srcdir) = '.' ; then \
: ; \
else \
@@ -165,29 +180,29 @@ install-data-local: $(STANDARD_TARGETS)
$(INSTALL_DATA) $(srcdir)/$(MANUAL).pdf $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
fi ; \
if test -d $(HTMLDIR) ; then \
- cd $(HTMLDIR) ; \
+ HTMLGENDIR="$(HTMLDIR)" ; \
elif test -d $(srcdir)/$(HTMLDIR) ; then \
- cd $(srcdir)/$(HTMLDIR) ; \
+ HTMLGENDIR="$(srcdir)/$(HTMLDIR)" ; \
else \
exit 1 ; \
fi ; \
- for file in *.html *.css ; do \
+ for file in $$HTMLGENDIR/*.html $$HTMLGENDIR/*.css ; do \
if test -f $$file ; then \
$(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html ; \
fi ; \
done ; \
- cd figures ; \
- for file in *.png ; do \
+ for file in $$HTMLGENDIR/figures/*.png ; do \
if test -f $$file ; then \
$(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html/figures ; \
fi ; \
done ; \
- cd ../stylesheet-images ; \
- for file in * ; do \
- if test -f $$file ; then \
- $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html/stylesheet-images ; \
- fi ; \
- done ; \
+ if test -d $$HTMLGENDIR/stylesheet-images ; then \
+ for file in $$HTMLGENDIR/stylesheet-images/* ; do \
+ if test -f $$file ; then \
+ $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html/stylesheet-images ; \
+ fi ; \
+ done ; \
+ fi ; \
fi
uninstall-local:
@@ -210,7 +225,7 @@ clean-local:
if test $(srcdir) = "." ; then \
: ; \
else \
- $(RM) -f $(MANUAL).sgml ; \
+ $(RM) -f $(MANUAL_SRC_FILES); \
$(RM) -rf figures ; \
fi
-$(RM) -rf *.tex *.log *.aux *.dvi *.gz *.out *.junk *.out *.fot
@@ -263,6 +278,6 @@ help:
MAINTAINERCLEANFILES = Makefile.in html-stamp
-EXTRA_DIST = README $(MANUAL).sgml html-stamp
+EXTRA_DIST = README $(MANUAL_SRC_FILES) html-stamp
.PHONY: docs html ps pdf help
diff --git a/doc/users_guide/Makefile.in b/doc/users_guide/Makefile.in
new file mode 100644
index 0000000..23428df
--- /dev/null
+++ b/doc/users_guide/Makefile.in
@@ -0,0 +1,520 @@
+# Makefile.in generated automatically by automake 1.4 from Makefile.am
+
+# Copyright (C) 1994, 1995-8, 1999 Free Software Foundation, Inc.
+# This Makefile.in is free software; the Free Software Foundation
+# gives unlimited permission to copy and/or distribute it,
+# with or without modifications, as long as this notice is preserved.
+
+# This program is distributed in the hope that it will be useful,
+# but WITHOUT ANY WARRANTY, to the extent permitted by law; without
+# even the implied warranty of MERCHANTABILITY or FITNESS FOR A
+# PARTICULAR PURPOSE.
+
+
+SHELL = @SHELL@
+
+srcdir = @srcdir@
+top_srcdir = @top_srcdir@
+VPATH = @srcdir@
+prefix = @prefix@
+exec_prefix = @exec_prefix@
+
+bindir = @bindir@
+sbindir = @sbindir@
+libexecdir = @libexecdir@
+datadir = @datadir@
+sysconfdir = @sysconfdir@
+sharedstatedir = @sharedstatedir@
+localstatedir = @localstatedir@
+libdir = @libdir@
+infodir = @infodir@
+mandir = @mandir@
+includedir = @includedir@
+oldincludedir = /usr/include
+
+DESTDIR =
+
+pkgdatadir = $(datadir)/@PACKAGE@
+pkglibdir = $(libdir)/@PACKAGE@
+pkgincludedir = $(includedir)/@PACKAGE@
+
+top_builddir = ../..
+
+ACLOCAL = @ACLOCAL@
+AUTOCONF = @AUTOCONF@
+AUTOMAKE = @AUTOMAKE@
+AUTOHEADER = @AUTOHEADER@
+
+INSTALL = @INSTALL@
+INSTALL_PROGRAM = @INSTALL_PROGRAM@ $(AM_INSTALL_PROGRAM_FLAGS)
+INSTALL_DATA = @INSTALL_DATA@
+INSTALL_SCRIPT = @INSTALL_SCRIPT@
+transform = @program_transform_name@
+
+NORMAL_INSTALL = :
+PRE_INSTALL = :
+POST_INSTALL = :
+NORMAL_UNINSTALL = :
+PRE_UNINSTALL = :
+POST_UNINSTALL = :
+host_alias = @host_alias@
+host_triplet = @host@
+ALL_LINGUAS = @ALL_LINGUAS@
+AS = @AS@
+AWK = @AWK@
+BISON_PROG = @BISON_PROG@
+BUILD_INCLUDED_LIBINTL = @BUILD_INCLUDED_LIBINTL@
+CATALOGS = @CATALOGS@
+CATOBJEXT = @CATOBJEXT@
+CC = @CC@
+CONVERT = @CONVERT@
+CUPS_BACKEND_BIN = @CUPS_BACKEND_BIN@
+CUPS_BIN = @CUPS_BIN@
+CUPS_CFLAGS = @CUPS_CFLAGS@
+CUPS_CONF = @CUPS_CONF@
+CUPS_CONFIG = @CUPS_CONFIG@
+CUPS_FILTER_BIN = @CUPS_FILTER_BIN@
+CUPS_INSTALL = @CUPS_INSTALL@
+CUPS_LIBS = @CUPS_LIBS@
+CUPS_MAN = @CUPS_MAN@
+CUPS_NOINST_BIN = @CUPS_NOINST_BIN@
+CUPS_PKG = @CUPS_PKG@
+CUPS_PPD_PS_LEVEL = @CUPS_PPD_PS_LEVEL@
+DATADIRNAME = @DATADIRNAME@
+DB2HTML = @DB2HTML@
+DB2PDF = @DB2PDF@
+DB2PS = @DB2PS@
+DLLTOOL = @DLLTOOL@
+DVIPDF = @DVIPDF@
+DVIPS = @DVIPS@
+ECHO = @ECHO@
+ESCPUTIL_BIN = @ESCPUTIL_BIN@
+ESCPUTIL_MAN = @ESCPUTIL_MAN@
+EXEEXT = @EXEEXT@
+FOOMATIC_3_NOINST_BIN = @FOOMATIC_3_NOINST_BIN@
+FOOMATIC_CONFIGURE = @FOOMATIC_CONFIGURE@
+FOOMATIC_INSTALL = @FOOMATIC_INSTALL@
+FOOMATIC_KITLOAD = @FOOMATIC_KITLOAD@
+FOOMATIC_NOINST_BIN = @FOOMATIC_NOINST_BIN@
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+FOOMATIC_PPDFILE = @FOOMATIC_PPDFILE@
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+GIMPPRINT_BINARY_AGE = @GIMPPRINT_BINARY_AGE@
+GIMPPRINT_CFLAGS = @GIMPPRINT_CFLAGS@
+GIMPPRINT_CURRENT_INTERFACE = @GIMPPRINT_CURRENT_INTERFACE@
+GIMPPRINT_DEPLIBS = @GIMPPRINT_DEPLIBS@
+GIMPPRINT_INTERFACE_AGE = @GIMPPRINT_INTERFACE_AGE@
+GIMPPRINT_LIBS = @GIMPPRINT_LIBS@
+GIMPPRINT_MAJOR_VERSION = @GIMPPRINT_MAJOR_VERSION@
+GIMPPRINT_MICRO_VERSION = @GIMPPRINT_MICRO_VERSION@
+GIMPPRINT_MINOR_VERSION = @GIMPPRINT_MINOR_VERSION@
+GIMPPRINT_VERSION = @GIMPPRINT_VERSION@
+GIMPTOOL = @GIMPTOOL@
+GIMPTOOL_CHECK = @GIMPTOOL_CHECK@
+GIMP_BIN = @GIMP_BIN@
+GIMP_CFLAGS = @GIMP_CFLAGS@
+GIMP_CFLAGS_NOUI = @GIMP_CFLAGS_NOUI@
+GIMP_DATA_DIR = @GIMP_DATA_DIR@
+GIMP_LIBS = @GIMP_LIBS@
+GIMP_LIBS_NOUI = @GIMP_LIBS_NOUI@
+GIMP_PLUGIN_DIR = @GIMP_PLUGIN_DIR@
+GLIBC21 = @GLIBC21@
+GMOFILES = @GMOFILES@
+GMSGFMT = @GMSGFMT@
+GNUCFLAGS = @GNUCFLAGS@
+IJS_BIN = @IJS_BIN@
+IJS_CFLAGS = @IJS_CFLAGS@
+IJS_CONFIG = @IJS_CONFIG@
+IJS_INSTALL = @IJS_INSTALL@
+IJS_LIBS = @IJS_LIBS@
+INCLUDES = @INCLUDES@
+INSTOBJEXT = @INSTOBJEXT@
+INTLBISON = @INTLBISON@
+INTLLIBS = @INTLLIBS@
+INTLOBJS = @INTLOBJS@
+INTL_LIBTOOL_SUFFIX_PREFIX = @INTL_LIBTOOL_SUFFIX_PREFIX@
+LEX = @LEX@
+LIBGIMPPRINT_LIBS = @LIBGIMPPRINT_LIBS@
+LIBICONV = @LIBICONV@
+LIBM = @LIBM@
+LIBREADLINE_DEPS = @LIBREADLINE_DEPS@
+LIBTOOL = @LIBTOOL@
+LIBTOOL_DEPS = @LIBTOOL_DEPS@
+LN_S = @LN_S@
+LTALLOCA = @LTALLOCA@
+LTLIBOBJS = @LTLIBOBJS@
+LT_AGE = @LT_AGE@
+LT_CURRENT = @LT_CURRENT@
+LT_RELEASE = @LT_RELEASE@
+LT_REVISION = @LT_REVISION@
+MAINT = @MAINT@
+MAINTAINER_CFLAGS = @MAINTAINER_CFLAGS@
+MAIN_BIN = @MAIN_BIN@
+MAIN_DAT = @MAIN_DAT@
+MAIN_MAN = @MAIN_MAN@
+MAIN_SCR = @MAIN_SCR@
+MAKEINFO = @MAKEINFO@
+MKINSTALLDIRS = @MKINSTALLDIRS@
+MSGFMT = @MSGFMT@
+OBJDUMP = @OBJDUMP@
+OBJEXT = @OBJEXT@
+PACKAGE = @PACKAGE@
+PERL = @PERL@
+PLUG_IN_PATH = @PLUG_IN_PATH@
+POFILES = @POFILES@
+POSUB = @POSUB@
+PRINT_VASPRINTF = @PRINT_VASPRINTF@
+RANLIB = @RANLIB@
+RELEASE_DATE = @RELEASE_DATE@
+RM = @RM@
+SAMPLE_IMAGES = @SAMPLE_IMAGES@
+STRIP = @STRIP@
+TESTPATTERN_BIN = @TESTPATTERN_BIN@
+TEST_BIN = @TEST_BIN@
+TEXI2HTML = @TEXI2HTML@
+USE_INCLUDED_LIBINTL = @USE_INCLUDED_LIBINTL@
+USE_NLS = @USE_NLS@
+VERSION = @VERSION@
+YACC = @YACC@
+YACC_PROG = @YACC_PROG@
+cups_bindir = @cups_bindir@
+cups_conf_datadir = @cups_conf_datadir@
+cups_conf_serverbin = @cups_conf_serverbin@
+cups_conf_serverroot = @cups_conf_serverroot@
+cups_exec_prefix = @cups_exec_prefix@
+cups_prefix = @cups_prefix@
+gimp_plug_indir = @gimp_plug_indir@
+gimpprint_cflags = @gimpprint_cflags@
+gimpprint_libs = @gimpprint_libs@
+
+AUTOMAKE_OPTIONS = 1.4 gnu
+
+MAINT_CHARSET = latin1
+
+MANUAL = users-guide
+MANUAL_SRC_FILES = $(srcdir)/$(MANUAL).sgml $(srcdir)/title.sgml $(srcdir)/history.sgml $(srcdir)/gimp.sgml $(srcdir)/cups.sgml $(srcdir)/utils.sgml $(srcdir)/gfdl.sgml
+
+HTMLDIR = html
+
+OUTPUTS = $(MANUAL).pdf $(MANUAL).ps html
+
+
+USER_GUIDE = $(MANUAL).pdf html $(MANUAL).ps
+
+STANDARD_TARGETS = @USER_GUIDE@
+
+DISTHOOKDIRS = figures $(HTMLDIR)
+DISTHOOKFILES = $(STANDARD_TARGETS)
+
+PNG_IMAGES = figures/cups_admin.png figures/cups_admin_device.png figures/cups_admin_make.png figures/cups_admin_model.png figures/cups_admin_success.png figures/cups_config_printer.png figures/cups_my_printer.png figures/cups_printers.png figures/cups_startup.png figures/gimp-print-gui-1.png figures/gimp-print-gui.png figures/gimp-print-new-printer.png figures/gimp-print-print-color-adjust.png figures/gimp-print-setup.png figures/gimp_image.png figures/gimp_startup.png
+
+
+EPS_IMAGES = $(addsuffix .eps,$(basename $(PNG_IMAGES)))
+@MAINTAINER_MODE_TRUE@MAINT_MODE = true
+@MAINTAINER_MODE_FALSE@MAINT_MODE = false
+@MAINTAINER_MODE_TRUE@ALL_LOCAL_TARGETS = docs
+@MAINTAINER_MODE_FALSE@ALL_LOCAL_TARGETS = $(STANDARD_TARGETS)
+
+CLEAN_MANUALS = $(RM) -f $(MANUAL).pdf $(MANUAL).ps ; $(RM) -rf html-stamp $(HTMLDIR) ; $(RM) -f $(EPS_IMAGES)
+
+
+MAINTAINERCLEANFILES = Makefile.in html-stamp
+
+EXTRA_DIST = README $(MANUAL_SRC_FILES) html-stamp
+mkinstalldirs = $(SHELL) $(top_srcdir)/scripts/mkinstalldirs
+CONFIG_HEADER = ../../config.h
+CONFIG_CLEAN_FILES =
+DIST_COMMON = README Makefile.am Makefile.in
+
+
+DISTFILES = $(DIST_COMMON) $(SOURCES) $(HEADERS) $(TEXINFOS) $(EXTRA_DIST)
+
+TAR = tar
+GZIP_ENV = --best
+all: all-redirect
+.SUFFIXES:
+$(srcdir)/Makefile.in: @MAINTAINER_MODE_TRUE@ Makefile.am $(top_srcdir)/configure.in $(ACLOCAL_M4)
+ cd $(top_srcdir) && $(AUTOMAKE) --gnu --include-deps doc/users_guide/Makefile
+
+Makefile: $(srcdir)/Makefile.in $(top_builddir)/config.status
+ cd $(top_builddir) \
+ && CONFIG_FILES=$(subdir)/$@ CONFIG_HEADERS= $(SHELL) ./config.status
+
+tags: TAGS
+TAGS:
+
+
+distdir = $(top_builddir)/$(PACKAGE)-$(VERSION)/$(subdir)
+
+subdir = doc/users_guide
+
+distdir: $(DISTFILES)
+ $(mkinstalldirs) $(distdir)/$(srcdir)
+ @for file in $(DISTFILES); do \
+ d=$(srcdir); \
+ if test -d $$d/$$file; then \
+ cp -pr $$/$$file $(distdir)/$$file; \
+ else \
+ test -f $(distdir)/$$file \
+ || ln $$d/$$file $(distdir)/$$file 2> /dev/null \
+ || cp -p $$d/$$file $(distdir)/$$file || :; \
+ fi; \
+ done
+ $(MAKE) $(AM_MAKEFLAGS) top_distdir="$(top_distdir)" distdir="$(distdir)" dist-hook
+info-am:
+info: info-am
+dvi-am:
+dvi: dvi-am
+check-am: all-am
+check: check-am
+installcheck-am:
+installcheck: installcheck-am
+install-exec-am:
+install-exec: install-exec-am
+
+install-data-am: install-data-local
+install-data: install-data-am
+
+install-am: all-am
+ @$(MAKE) $(AM_MAKEFLAGS) install-exec-am install-data-am
+install: install-am
+uninstall-am: uninstall-local
+uninstall: uninstall-am
+all-am: Makefile all-local
+all-redirect: all-am
+install-strip:
+ $(MAKE) $(AM_MAKEFLAGS) AM_INSTALL_PROGRAM_FLAGS=-s install
+installdirs:
+
+
+mostlyclean-generic:
+
+clean-generic:
+
+distclean-generic:
+ -rm -f Makefile $(CONFIG_CLEAN_FILES)
+ -rm -f config.cache config.log stamp-h stamp-h[0-9]*
+
+maintainer-clean-generic:
+ -test -z "$(MAINTAINERCLEANFILES)" || rm -f $(MAINTAINERCLEANFILES)
+mostlyclean-am: mostlyclean-generic
+
+mostlyclean: mostlyclean-am
+
+clean-am: clean-generic mostlyclean-am clean-local
+
+clean: clean-am
+
+distclean-am: distclean-generic clean-am
+ -rm -f libtool
+
+distclean: distclean-am
+
+maintainer-clean-am: maintainer-clean-generic distclean-am \
+ maintainer-clean-local
+ @echo "This command is intended for maintainers to use;"
+ @echo "it deletes files that may require special tools to rebuild."
+
+maintainer-clean: maintainer-clean-am
+
+.PHONY: tags distdir info-am info dvi-am dvi check check-am \
+installcheck-am installcheck install-exec-am install-exec \
+install-data-local install-data-am install-data install-am install \
+uninstall-local uninstall-am uninstall all-local all-redirect all-am \
+all installdirs mostlyclean-generic distclean-generic clean-generic \
+maintainer-clean-generic clean mostlyclean distclean maintainer-clean
+
+
+@SET_MAKE@
+
+dist-hook: $(USER_GUIDE)
+ for dir in $(DISTHOOKDIRS) ; do \
+ if test -d $(srcdir)/$$dir ; then \
+ mkdir $(distdir)/$$dir; \
+ for dirfile in $(srcdir)/$$dir/*; do \
+ if test -f $$dirfile ; then \
+ cp -p $$dirfile $(distdir)/$$dir ; \
+ fi ; \
+ if test -d $$dirfile ; then \
+ cp -pR $$dirfile $(distdir)/$$dir ; \
+ fi ; \
+ done \
+ fi \
+ done
+ for file in $(DISTHOOKFILES) ; do \
+ if test -f $$file ; then \
+ cp -p $$file $(distdir) ; \
+ fi ; \
+ done
+
+$(MANUAL).pdf: $(MANUAL_SRC_FILES)
+ if test $(srcdir) = '.' ; then \
+ : ; \
+ else \
+ if test -L $(notdir $<) ; then \
+ $(RM) $(notdir $<) ; \
+ fi ; \
+ $(LN_S) $< $(notdir $<) ; \
+ if test -d figures ; then \
+ : ; \
+ else \
+ mkdir figures ; \
+ fi ; \
+ for image in $(addprefix $(srcdir)/, $(PNG_IMAGES)) ; do \
+ cp -p $$image figures/`basename $$image` ; \
+ done ; \
+ fi ; \
+ $(DB2PDF) $(MANUAL).sgml
+
+docs: html ps pdf
+
+all-local: $(ALL_LOCAL_TARGETS)
+
+pdf: $(MANUAL).pdf
+
+ps: $(MANUAL).ps
+
+$(MANUAL).ps: $(MANUAL_SRC_FILES) $(EPS_IMAGES)
+ for i in $(MANUAL_SRC_FILES); do \
+ j=`basename $$i .sgml`; \
+ sed -e 's/\.png"/.eps"/g' \
+ -e 's/FORMAT="PNG"/FORMAT="EPS"/g' $$i > $$j-eps.sgml; \
+ done
+ cat $(MANUAL).sgml | sed -e 's/\.sgml"/-eps.sgml"/g' > $(MANUAL)-eps.sgml
+ $(DB2PS) $(MANUAL)-eps.sgml
+ mv $(MANUAL)-eps.ps $(MANUAL).ps
+ for i in $(MANUAL_SRC_FILES); do \
+ j=`basename $$i .sgml`; \
+ $(RM) -f $${j}-eps.*; \
+ done
+
+%.eps:
+ if test ! -d figures ; then mkdir figures ; fi
+ $(CONVERT) $(srcdir)/$(basename $@).png EPS2:$@
+
+html: html-stamp
+
+# This ugly workaround with SOURCE is because db2html doesn't seem to like
+# "./users-guide.sgml". Note that db2ps does not have the same limitation.
+# html-stamp should *only* be called by html--it's just a timestamp!
+html-stamp: $(srcdir)/$(MANUAL).sgml $(PNG_IMAGES)
+ if test $(srcdir) = '.' ; then \
+ : ; \
+ else \
+ if test -L $(notdir $<) ; then \
+ $(RM) $(notdir $<) ; \
+ fi ; \
+ $(LN_S) $< $(notdir $<) ; \
+ fi
+ $(DB2HTML) $(MANUAL).sgml
+ -mkdir $(MANUAL)/figures
+ for image in $(addprefix $(srcdir)/, $(PNG_IMAGES)) ; do \
+ cp -p $$image $(MANUAL)/figures/`basename $$image` ; \
+ done
+ -$(RM) -rf $(HTMLDIR)
+ mv $(MANUAL) $(HTMLDIR)
+ chmod a+rx $(HTMLDIR)
+ touch html-stamp
+
+install-data-local: $(STANDARD_TARGETS)
+ if test -n '$(STANDARD_TARGETS)' ; then \
+ $(mkinstalldirs) $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html/figures ; \
+ $(mkinstalldirs) $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html/stylesheet-images ; \
+ if test -f $(MANUAL).pdf ; then \
+ $(INSTALL_DATA) $(MANUAL).pdf $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
+ elif test -f $(srcdir)/$(MANUAL).pdf ; then \
+ $(INSTALL_DATA) $(srcdir)/$(MANUAL).pdf $(DESTDIR)$(datadir)/$(PACKAGE)/doc ; \
+ fi ; \
+ if test -d $(HTMLDIR) ; then \
+ HTMLGENDIR="$(HTMLDIR)" ; \
+ elif test -d $(srcdir)/$(HTMLDIR) ; then \
+ HTMLGENDIR="$(srcdir)/$(HTMLDIR)" ; \
+ else \
+ exit 1 ; \
+ fi ; \
+ for file in $$HTMLGENDIR/*.html $$HTMLGENDIR/*.css ; do \
+ if test -f $$file ; then \
+ $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html ; \
+ fi ; \
+ done ; \
+ for file in $$HTMLGENDIR/figures/*.png ; do \
+ if test -f $$file ; then \
+ $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html/figures ; \
+ fi ; \
+ done ; \
+ if test -d $$HTMLGENDIR/stylesheet-images ; then \
+ for file in $$HTMLGENDIR/stylesheet-images/* ; do \
+ if test -f $$file ; then \
+ $(INSTALL_DATA) $$file $(DESTDIR)$(datadir)/$(PACKAGE)/doc/html/stylesheet-images ; \
+ fi ; \
+ done ; \
+ fi ; \
+ fi
+
+uninstall-local:
+ -$(RM) -r $(DESTDIR)$(datadir)/$(PACKAGE)/doc
+
+clean-local:
+ if test $(srcdir) = "." -a $(MAINT_MODE) = false ; then \
+ echo "clean-local: Not removing $(HTMLDIR)" ; \
+ echo 'clean-local: Not removing $(MANUAL).pdf' ; \
+ echo 'clean-local: Not removing $(MANUAL).ps' ; \
+ echo 'clean-local: Not removing EPS figures' ; \
+ else \
+ $(CLEAN_MANUALS) ; \
+ fi
+ if test $(srcdir) = "." ; then \
+ : ; \
+ else \
+ $(RM) -f $(MANUAL_SRC_FILES); \
+ $(RM) -rf figures ; \
+ fi
+ -$(RM) -rf *.tex *.log *.aux *.dvi *.gz *.out *.junk *.out *.fot
+ -$(RM) -rf db2html* DB2HTML*
+
+veryclean:
+ $(MAKE) MAINT_MODE=true clean
+
+maintainer-clean-local:
+ $(CLEAN_MANUALS)
+
+#
+# This is my (so far failed) attempt to create an index for this documentation.
+#
+#
+#index.sgml:
+# $(PERL) /usr/share/sgml/docbook/docbook-dsssl-stylesheets-1.64/bin/collateindex.pl -N -o index.sgml
+#
+# $(JADE) -V html-index \
+# -t sgml \
+# -c /usr/share/sgml/CATALOG.jade_dsl \
+# -c /usr/share/sgml/CATALOG.docbook-dsssl-stylesheets \
+# -c /usr/share/sgml/CATALOG.gnome \
+# -c /usr/share/sgml/CATALOG.docbook_4 \
+# -c /usr/share/sgml/CATALOG.docbook_3 \
+# -D /usr/share/sgml/docbook/docbook-dsssl-stylesheets-1.64 \
+# -d /usr/share/sgml/docbook-toys/suse-both.dsl \
+# -o index.sgml \
+# gimp-print-users-guide-4.1.99-b3.sgml
+#
+#
+# END failed attempt at index creation.
+#
+
+help:
+ @echo " "
+ @echo "Supported targets in this Makefile:"
+ @echo " docs - creates PS, PDF, and HTML documentation files"
+ @echo " ps - creates PostScript documentation"
+ @echo " pdf - creates PDF documentation"
+ @echo " html - creates HTML documentation"
+ @echo " clean - deletes machine generated files, but not outputs"
+ @echo " veryclean - deletes output files in addition"
+ @echo " help - prints this help text"
+ @echo " "
+
+.PHONY: docs html ps pdf help
+
+# Tell versions [3.59,3.63) of GNU make to not export all variables.
+# Otherwise a system limit (for SysV at least) may be exceeded.
+.NOEXPORT:
diff --git a/doc/users_guide/cups.sgml b/doc/users_guide/cups.sgml
new file mode 100644
index 0000000..60988a5
--- /dev/null
+++ b/doc/users_guide/cups.sgml
@@ -0,0 +1,316 @@
+
+ <chapter><title>CUPS and Gimp-Print</title>
+ <sect1><title>Introduction</title>
+ <para>
+ CUPS is an acronym which stands for <emphasis>C</emphasis>ommon
+<emphasis>U</emphasis>nix <emphasis>P</emphasis>rinting
+<emphasis>S</emphasis>ystem. It is assumed that the reader has
+properly installed the CUPS software and the Gimp-Print software.
+This section will discuss adding a printer to CUPS that uses a
+Gimp-Print printer driver, as well as how to modify the various
+settings supplied by Gimp-Print. This will be a rather quick
+explanation, as the CUPS software is quite well documented, and it is
+not my intention to attempt to duplicate the CUPS documentation here.
+ </para>
+ </sect1>
+
+ <sect1><title>CUPS Printer Installation</title>
+ <para>
+This explanation will use the web interface provided by CUPS. First,
+aim your favorite web browser at
+<ulink url="http://localhost:631">the CUPS server</ulink>. The
+following screen should appear within your browser.
+ </para>
+
+ <figure><title>The CUPS Startup Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="45" fileref="figures/cups_startup.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Startup Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <para>
+Now, you may click on either the word <guilabel>Printers</guilabel> in the bar at the top
+of the page, or you may click on the <guilabel>Manage Printers</guilabel> text. In
+either case, the next screen you see will look like this one if you
+have not yet configured any printers.
+ </para>
+
+ <figure><title>The CUPS Printers Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="45" fileref="figures/cups_printers.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Printers Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <para>
+At this time, click on the <guibutton>Add Printer</guibutton> button.
+You will then see the Admin screen (shown below).
+ </para>
+
+ <figure><title>The CUPS Admin Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="45" fileref="figures/cups_admin.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Admin Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <para>
+Notice in the screenshot that the three boxes are shown after the
+author filled them in for his printer at home. You will need to fill
+in an appropriate name of your printer, its location, and a
+description which meets your own needs. Once this is done, click on
+the <guibutton>Continue</guibutton> button, and then this screen will appear.
+ </para>
+
+ <figure id="fig-cups-admin-device"><title>The CUPS Admin Device Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="35" fileref="figures/cups_admin_device.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Admin Device Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <para>
+Click on the drop down menu next to the word
+<guilabel>Device</guilabel> and a list of possible printer devices
+appears. Select the device appropriate for your printer. Note that
+there are a range of serial, parallel, USB, and other devices from
+which to choose. Once the selection is made, click the
+<guibutton>Continue</guibutton> button. Now, this screen appears.
+ </para>
+
+ <figure><title>The CUPS Admin Model/Driver Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="35" fileref="figures/cups_admin_make.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Admin Model/Driver Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <caution>
+ <title>Caution Regarding USB Printers</title>
+
+ <para>
+CUPS versions 1.1.11 and later <emphasis>REQUIRE</emphasis>
+the user to insure that the desired USB printer is powered on
+<emphasis>AND</emphasis> physically connected to the USB bus
+<emphasis>BEFORE</emphasis> starting the CUPS software.
+ </para>
+ <para>
+CUPS must see the USB printer when the software starts. The CUPS software
+is typically started when the computer boots. Note that one cannot
+simply plug in the USB printer and power it on after CUPS has started.
+(Note that this does not apply to parallel port printers).
+ </para>
+ <para>
+If the USB printer was not connected and powered on at the time CUPS was
+started, there will not be a USB printer shown in the
+list of devices on the CUPS Admin Device Window (see
+<xref linkend="fig-cups-admin-device">). In this event, stop the CUPS
+software, properly connect and power on the USB printer, and restart
+the CUPS software.
+ </para>
+ <para>
+From the list of devices shown in the CUPS Admin Device Window
+(see <xref linkend="fig-cups-admin-device">), a clever user might
+attempt to avoid this issue by selecting
+<guimenuitem>Internet Printing Protocol</guimenuitem>
+and then enter something similar to 'usb:/dev/usblp0' in the next
+screen. However, this fails later in the configuration process with a
+"client_error_not_possible" error message with no other explanation.
+Note that entering 'file:/dev/usblp0' will not work either. While CUPS
+will allow this, printing will not actually work in some situations.
+ </para>
+ <para>
+CUPS versions 1.1.10 and earlier exhibit similar behavior with regard
+to not displaying the USB printer if it was not connected to the USB
+bus and powered up prior to starting the CUPS software. However,
+these versions of CUPS will indeed allow the user to enter the name of
+the USB connection, unlike versions 1.1.11 and later.
+ </para>
+ </caution>
+
+ <para>
+Select the manufacturer of your printer and click the
+<guibutton>Continue</guibutton> button. A window will appear which
+asks you to select the specific model number for your printer.
+ </para>
+
+ <para>
+Scroll through the long list and find the model number for your
+printer. Notice carefully that there are many different languages
+supported for each printer, as denoted by the initials in parenthesis.
+(en) would be for English, (da) for Danish, (sv) for Swedish, (fr) for
+French, (no) for Norwegian, (pl) for Polish, and (en_GB) for British
+English (see <xref linkend="fig-cups-admin-model">). Also take note
+of the Gimp-Print revision for the driver, and ensure that it is
+indeed the version of Gimp-Print which you have most recently
+installed. Once you have made the proper selection, click on the
+<guibutton>Continue</guibutton> button.
+ </para>
+
+ <figure id="fig-cups-admin-model"><title>The 2nd CUPS Admin Model/Driver Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="55" fileref="figures/cups_admin_model.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The 2nd CUPS Admin Model/Driver Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <figure><title>The CUPS Admin Success Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="39" fileref="figures/cups_admin_success.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Admin Success Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <para>
+Congratulations! You should now see the CUPS window indicating that
+your printer was successfully installed. Notice the sentence which
+reads "Printer your_printer has been added successfully". Click on
+your_printer, which will be the underlined name for your printer.
+ </para>
+
+ <figure id="fig-cups-my-printer"><title>The CUPS Window for Your Printer</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="65" fileref="figures/cups_my_printer.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Window for Your Printer</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <para>
+After clicking on your_printer (epson_870 in this example), a window
+will appear similar to that shown in <xref linkend="fig-cups-my-printer">.
+It would probably be a good idea at this point to click on the
+<guibutton>Print Test Page</guibutton> button to ensure that
+everything is working properly. Take note of the Gimp-Print revision
+printed on this screen and confirm once again that it is the expected
+revision.
+ </para>
+
+ </sect1>
+
+ <sect1><title>Configuring your Printer in CUPS</title>
+
+ <para>
+With reference to <xref linkend="fig-cups-my-printer">, click
+on the <guibutton>Configure Printer</guibutton> button. A partial
+screenshot of the printer configuration window appears in
+<xref linkend="fig-cups-printer-config-window">.
+The contents of this window will vary depending on precisely which
+printer you selected when you configured CUPS for your printer. The
+screenshot shows the selections made by the author for his printer.
+The individual selections will not be explained in detail here, as
+they are the same selections which are available when using the
+Gimp-Print plugin to the GIMP. These selections are explained in
+detail in various sections of <xref linkend="ch-gimp-and-gimp-print">.
+ </para>
+
+ <figure id="fig-cups-printer-config-window"><title>The CUPS Printer Cofiguration Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="30" fileref="figures/cups_config_printer.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The CUPS Printer Configuration Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+
+ </sect1>
+
+ <sect1><title>Using CUPS from the Command Line</title>
+
+ <para>
+ It is possible to use the CUPS printing system from the command
+line. While this document will not delve into all of the specifics of
+the CUPS command line interface, there are portions of this interface
+which are specific to the Gimp-Print software.
+ </para>
+
+ <para>
+The command line is in some cases a more convenient way to generate
+printed output (e.g. when printing from a script). However, most
+people (including the author) cannot easily predict what a command
+line option of "-o stpCyan=1350" will do to the output. It is
+therefore a good idea to use the GIMP to view the image and the
+Gimp-Print plugin to preview these settings before relying on the
+command line.
+ </para>
+
+ <para>
+When using CUPS from the command line, the command will have this
+general format:
+
+ <programlisting>
+ <![ CDATA [
+ lpr -P my_printer_name \
+ -o option1=<choice1> \
+ -o option2=<choice2> \
+ /path/to/printfile
+ ]]>
+ </programlisting>
+
+When typing the command directly onto the command line, put all of the
+command line options on one line, and do not type the "\" characters.
+The list of possible options which are specific to Gimp-Print,
+followed by some of the supported choices, are shown below:
+
+ <programlisting>
+ <![ CDATA [
+ -o PageSize=<...| A3 | A4 | A4 | ...>
+ -o InputSlot=<Roll | Standard>
+ -o MediaType=< ..| Inkjet | Plain | GlossyPaper | ...>
+ -o Resolution=<360sw | 360swuni ...| 1440x720 >
+ -o ColorModel=<Black | RGB | Gray | CMYK>
+ -o stpBrightness=<0...2000>
+ -o stpContrast=<0...2000>
+ -o stpCyan=<0...4000>
+ -o stpDensity=<0...2000>
+ -o stpDither=<0...4000>
+ -o stpGamma=<0...4000>
+ -o stpImageType=<LineArt | Continuous | SolidTone>
+ -o stpInkType=<PhotoCMY | CMYK | PhotoCMYK | RGB>
+ -o stpMagenta=<0...4000>
+ -o stpSaturation=<0...9000>
+ -o stpYellow=<0...4000>
+ ]]>
+ </programlisting>
+
+For more detailed information, consult the appropriate sections of <xref linkend="ch-gimp-and-gimp-print">.
+ </para>
+
+ </sect1>
+
+ </chapter>
diff --git a/doc/users_guide/figures/.cvsignore b/doc/users_guide/figures/.cvsignore
deleted file mode 100644
index f7b5423..0000000
--- a/doc/users_guide/figures/.cvsignore
+++ /dev/null
@@ -1 +0,0 @@
-*.eps
diff --git a/doc/users_guide/figures/CVS/Entries b/doc/users_guide/figures/CVS/Entries
new file mode 100644
index 0000000..9984d4b
--- /dev/null
+++ b/doc/users_guide/figures/CVS/Entries
@@ -0,0 +1,19 @@
+/.cvsignore/1.1/Sat Oct 6 22:10:48 2001//Tgimp-print-4_2_branch
+/README/1.3/Sat Oct 27 17:08:14 2001//Tgimp-print-4_2_branch
+/cups_admin.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/cups_admin_device.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/cups_admin_make.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/cups_admin_model.png/1.2/Sat Nov 24 00:42:16 2001//Tgimp-print-4_2_branch
+/cups_admin_success.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/cups_config_printer.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/cups_my_printer.png/1.2/Sat Nov 24 00:42:18 2001//Tgimp-print-4_2_branch
+/cups_printers.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/cups_startup.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/gimp-print-gui-1.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/gimp-print-gui.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/gimp-print-new-printer.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/gimp-print-print-color-adjust.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/gimp-print-setup.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/gimp_image.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+/gimp_startup.png/1.1/Tue Oct 2 02:08:45 2001//Tgimp-print-4_2_branch
+D
diff --git a/doc/users_guide/figures/CVS/Repository b/doc/users_guide/figures/CVS/Repository
new file mode 100644
index 0000000..3897ed4
--- /dev/null
+++ b/doc/users_guide/figures/CVS/Repository
@@ -0,0 +1 @@
+print/doc/users_guide/figures
diff --git a/doc/users_guide/figures/CVS/Root b/doc/users_guide/figures/CVS/Root
new file mode 100644
index 0000000..437b605
--- /dev/null
+++ b/doc/users_guide/figures/CVS/Root
@@ -0,0 +1 @@
+rlk@cvs.sourceforge.net:/cvsroot/gimp-print
diff --git a/doc/users_guide/figures/CVS/Tag b/doc/users_guide/figures/CVS/Tag
new file mode 100644
index 0000000..5e5b854
--- /dev/null
+++ b/doc/users_guide/figures/CVS/Tag
@@ -0,0 +1 @@
+Tgimp-print-4_2_branch
diff --git a/doc/users_guide/figures/cups_admin.eps b/doc/users_guide/figures/cups_admin.eps
new file mode 100644
index 0000000..d33f637
--- /dev/null
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+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/PseudoClassImage
+{
+ %
+ % Display a PseudoClass image.
+ %
+ % Parameters:
+ % colors: number of colors in the colormap.
+ %
+ currentfile buffer readline pop
+ token pop /colors exch def pop
+ colors 0 eq
+ {
+ %
+ % Image is grayscale.
+ %
+ /DeviceGray setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 1
+ /Decode [0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ {
+ /DataSource pixel_stream
+ <<
+ /K -1
+ /Columns columns
+ /Rows rows
+ >> /CCITTFaxDecode filter
+ } ifelse
+ >> image
+ }
+ {
+ %
+ % Parameters:
+ % colormap: red, green, blue color packets.
+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
+ % x & y translation.
+ % x & y scale.
+ % label pointsize.
+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
+ % compression: 0-RunlengthEncodedCompression or 1-NoCompression.
+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ currentfile buffer readline pop
+ token pop /pointsize exch def pop
+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
+ token pop /columns exch def
+ token pop /rows exch def pop
+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
+%%EndProlog
+%%Page: 1 1
+%%PageBoundingBox: 0 0 621 510
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diff --git a/doc/users_guide/figures/cups_config_printer.eps b/doc/users_guide/figures/cups_config_printer.eps
new file mode 100644
index 0000000..8d2626d
--- /dev/null
+++ b/doc/users_guide/figures/cups_config_printer.eps
@@ -0,0 +1,675 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Creator: (ImageMagick)
+%Title: (figures/cups_config_printer.eps)
+%%CreationDate: (Sun Feb 29 19:55:36 2004)
+%%BoundingBox: 0 0 618 994
+%%LanguageLevel: 2
+%%Pages: 0
+%%EndComments
+
+%%BeginDefaults
+%%PageOrientation: Portrait
+%%EndDefaults
+
+%%BeginProlog
+%
+% Display a color image. The image is displayed in color on
+% Postscript viewers or printers that support color, otherwise
+% it is displayed as grayscale.
+%
+/buffer 512 string def
+/pixel_stream currentfile /ASCII85Decode filter def
+
+/DirectClassImage
+{
+ %
+ % Display a DirectClass image.
+ %
+ colorspace 0 eq
+ {
+ /DeviceRGB setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ }
+ {
+ /DeviceCMYK setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/PseudoClassImage
+{
+ %
+ % Display a PseudoClass image.
+ %
+ % Parameters:
+ % colors: number of colors in the colormap.
+ %
+ currentfile buffer readline pop
+ token pop /colors exch def pop
+ colors 0 eq
+ {
+ %
+ % Image is grayscale.
+ %
+ /DeviceGray setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 1
+ /Decode [0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ {
+ /DataSource pixel_stream
+ <<
+ /K -1
+ /Columns columns
+ /Rows rows
+ >> /CCITTFaxDecode filter
+ } ifelse
+ >> image
+ }
+ {
+ %
+ % Parameters:
+ % colormap: red, green, blue color packets.
+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
+ % x & y translation.
+ % x & y scale.
+ % label pointsize.
+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
+ % compression: 0-RunlengthEncodedCompression or 1-NoCompression.
+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ currentfile buffer readline pop
+ token pop /pointsize exch def pop
+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
+ token pop /columns exch def
+ token pop /rows exch def pop
+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
+%%EndProlog
+%%Page: 1 1
+%%PageBoundingBox: 0 0 618 994
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new file mode 100644
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diff --git a/doc/users_guide/figures/gimp_image.eps b/doc/users_guide/figures/gimp_image.eps
new file mode 100644
index 0000000..dad8a6c
--- /dev/null
+++ b/doc/users_guide/figures/gimp_image.eps
@@ -0,0 +1,1024 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Creator: (ImageMagick)
+%Title: (figures/gimp_image.eps)
+%%CreationDate: (Sun Feb 29 19:55:37 2004)
+%%BoundingBox: 0 0 338 287
+%%LanguageLevel: 2
+%%Pages: 0
+%%EndComments
+
+%%BeginDefaults
+%%PageOrientation: Portrait
+%%EndDefaults
+
+%%BeginProlog
+%
+% Display a color image. The image is displayed in color on
+% Postscript viewers or printers that support color, otherwise
+% it is displayed as grayscale.
+%
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+/pixel_stream currentfile /ASCII85Decode filter def
+
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+ %
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+ {
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+ /Decode [0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ }
+ {
+ /DeviceCMYK setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 1 0 1 0 1 0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
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+ %
+ % Parameters:
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+ %
+ currentfile buffer readline pop
+ token pop /colors exch def pop
+ colors 0 eq
+ {
+ %
+ % Image is grayscale.
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+ /DeviceGray setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 1
+ /Decode [0 1]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ {
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+ <<
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+ >> image
+ }
+ {
+ %
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+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
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+ /Width columns
+ /Height rows
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+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
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+} bind def
+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
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+ % x & y scale.
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+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
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+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
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+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
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+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
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+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
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+ token pop /compression exch def pop
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+ grestore
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diff --git a/doc/users_guide/gfdl.sgml b/doc/users_guide/gfdl.sgml
new file mode 100644
index 0000000..6db9fbe
--- /dev/null
+++ b/doc/users_guide/gfdl.sgml
@@ -0,0 +1,466 @@
+<appendix id="gfdl">
+<title>GNU Free Documentation License</title>
+<!-- - GNU Project - Free Software Foundation (FSF) -->
+<!-- LINK REV="made" HREF="mailto:webmasters@gnu.org" -->
+
+
+ <!-- sect1>
+ <title>GNU Free Documentation License</title -->
+
+ <para>Version 1.1, March 2000</para>
+
+ <blockquote>
+ <para>Copyright (C) 2000 Free Software Foundation, Inc.
+59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+Everyone is permitted to copy and distribute verbatim copies
+of this license document, but changing it is not allowed.</para>
+ </blockquote>
+
+ <sect1 label="0">
+ <title>PREAMBLE</title>
+
+ <para>The purpose of this License is to make a manual, textbook,
+ or other written document "free" in the sense of freedom: to
+ assure everyone the effective freedom to copy and redistribute it,
+ with or without modifying it, either commercially or
+ noncommercially. Secondarily, this License preserves for the
+ author and publisher a way to get credit for their work, while not
+ being considered responsible for modifications made by
+ others.</para>
+
+ <para>This License is a kind of "copyleft", which means that
+ derivative works of the document must themselves be free in the
+ same sense. It complements the GNU General Public License, which
+ is a copyleft license designed for free software.</para>
+
+ <para>We have designed this License in order to use it for manuals
+ for free software, because free software needs free documentation:
+ a free program should come with manuals providing the same
+ freedoms that the software does. But this License is not limited
+ to software manuals; it can be used for any textual work,
+ regardless of subject matter or whether it is published as a
+ printed book. We recommend this License principally for works
+ whose purpose is instruction or reference.</para>
+ </sect1>
+
+ <sect1 label="1">
+ <title>APPLICABILITY AND DEFINITIONS</title>
+
+ <para>This License applies to any manual or other work that
+ contains a notice placed by the copyright holder saying it can be
+ distributed under the terms of this License. The "Document",
+ below, refers to any such manual or work. Any member of the
+ public is a licensee, and is addressed as "you".</para>
+
+ <para>A "Modified Version" of the Document means any work
+ containing the Document or a portion of it, either copied
+ verbatim, or with modifications and/or translated into another
+ language.</para>
+
+ <para>A "Secondary Section" is a named appendix or a front-matter
+ section of the Document that deals exclusively with the
+ relationship of the publishers or authors of the Document to the
+ Document's overall subject (or to related matters) and contains
+ nothing that could fall directly within that overall subject.
+ (For example, if the Document is in part a textbook of
+ mathematics, a Secondary Section may not explain any mathematics.)
+ The relationship could be a matter of historical connection with
+ the subject or with related matters, or of legal, commercial,
+ philosophical, ethical or political position regarding
+ them.</para>
+
+ <para>The "Invariant Sections" are certain Secondary Sections
+ whose titles are designated, as being those of Invariant Sections,
+ in the notice that says that the Document is released under this
+ License.</para>
+
+ <para>The "Cover Texts" are certain short passages of text that
+ are listed, as Front-Cover Texts or Back-Cover Texts, in the
+ notice that says that the Document is released under this
+ License.</para>
+
+ <para>A "Transparent" copy of the Document means a
+ machine-readable copy, represented in a format whose specification
+ is available to the general public, whose contents can be viewed
+ and edited directly and straightforwardly with generic text
+ editors or (for images composed of pixels) generic paint programs
+ or (for drawings) some widely available drawing editor, and that
+ is suitable for input to text formatters or for automatic
+ translation to a variety of formats suitable for input to text
+ formatters. A copy made in an otherwise Transparent file format
+ whose markup has been designed to thwart or discourage subsequent
+ modification by readers is not Transparent. A copy that is not
+ "Transparent" is called "Opaque".</para>
+
+ <para>Examples of suitable formats for Transparent copies include
+ plain ASCII without markup, Texinfo input format, LaTeX input
+ format, SGML or XML using a publicly available DTD, and
+ standard-conforming simple HTML designed for human modification.
+ Opaque formats include PostScript, PDF, proprietary formats that
+ can be read and edited only by proprietary word processors, SGML
+ or XML for which the DTD and/or processing tools are not generally
+ available, and the machine-generated HTML produced by some word
+ processors for output purposes only.</para>
+
+ <para>The "Title Page" means, for a printed book, the title page
+ itself, plus such following pages as are needed to hold, legibly,
+ the material this License requires to appear in the title page.
+ For works in formats which do not have any title page as such,
+ "Title Page" means the text near the most prominent appearance of
+ the work's title, preceding the beginning of the body of the
+ text.</para>
+ </sect1>
+
+ <sect1 label="2">
+ <title>VERBATIM COPYING</title>
+
+ <para>You may copy and distribute the Document in any medium,
+ either commercially or noncommercially, provided that this
+ License, the copyright notices, and the license notice saying this
+ License applies to the Document are reproduced in all copies, and
+ that you add no other conditions whatsoever to those of this
+ License. You may not use technical measures to obstruct or
+ control the reading or further copying of the copies you make or
+ distribute. However, you may accept compensation in exchange for
+ copies. If you distribute a large enough number of copies you
+ must also follow the conditions in section 3.</para>
+
+ <para>You may also lend copies, under the same conditions stated
+ above, and you may publicly display copies.</para>
+ </sect1>
+
+ <sect1 label="3">
+ <title>COPYING IN QUANTITY</title>
+
+ <para>If you publish printed copies of the Document numbering more
+ than 100, and the Document's license notice requires Cover Texts,
+ you must enclose the copies in covers that carry, clearly and
+ legibly, all these Cover Texts: Front-Cover Texts on the front
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+ other material on the covers in addition. Copying with changes
+ limited to the covers, as long as they preserve the title of the
+ Document and satisfy these conditions, can be treated as verbatim
+ copying in other respects.</para>
+
+ <para>If the required texts for either cover are too voluminous to
+ fit legibly, you should put the first ones listed (as many as fit
+ reasonably) on the actual cover, and continue the rest onto
+ adjacent pages.</para>
+
+ <para>If you publish or distribute Opaque copies of the Document
+ numbering more than 100, you must either include a
+ machine-readable Transparent copy along with each Opaque copy, or
+ state in or with each Opaque copy a publicly-accessible
+ computer-network location containing a complete Transparent copy
+ of the Document, free of added material, which the general
+ network-using public has access to download anonymously at no
+ charge using public-standard network protocols. If you use the
+ latter option, you must take reasonably prudent steps, when you
+ begin distribution of Opaque copies in quantity, to ensure that
+ this Transparent copy will remain thus accessible at the stated
+ location until at least one year after the last time you
+ distribute an Opaque copy (directly or through your agents or
+ retailers) of that edition to the public.</para>
+
+ <para>It is requested, but not required, that you contact the
+ authors of the Document well before redistributing any large
+ number of copies, to give them a chance to provide you with an
+ updated version of the Document.</para>
+ </sect1>
+
+ <sect1 label="4">
+ <title>MODIFICATIONS</title>
+
+ <para>You may copy and distribute a Modified Version of the
+ Document under the conditions of sections 2 and 3 above, provided
+ that you release the Modified Version under precisely this
+ License, with the Modified Version filling the role of the
+ Document, thus licensing distribution and modification of the
+ Modified Version to whoever possesses a copy of it. In addition,
+ you must do these things in the Modified Version:</para>
+
+ <orderedlist numeration="upperalpha">
+ <listitem><para>Use in the Title Page
+ (and on the covers, if any) a title distinct from that of the
+ Document, and from those of previous versions (which should, if
+ there were any, be listed in the History section of the
+ Document). You may use the same title as a previous version if
+ the original publisher of that version gives permission.</para>
+ </listitem>
+
+ <listitem><para>List on the Title Page,
+ as authors, one or more persons or entities responsible for
+ authorship of the modifications in the Modified Version,
+ together with at least five of the principal authors of the
+ Document (all of its principal authors, if it has less than
+ five).</para>
+ </listitem>
+
+ <listitem><para>State on the Title page
+ the name of the publisher of the Modified Version, as the
+ publisher.</para>
+ </listitem>
+
+ <listitem><para>Preserve all the
+ copyright notices of the Document.</para>
+ </listitem>
+
+ <listitem><para>Add an appropriate
+ copyright notice for your modifications adjacent to the other
+ copyright notices.</para>
+ </listitem>
+
+ <listitem><para>Include, immediately
+ after the copyright notices, a license notice giving the public
+ permission to use the Modified Version under the terms of this
+ License, in the form shown in the Addendum below.</para>
+ </listitem>
+
+ <listitem><para>Preserve in that license
+ notice the full lists of Invariant Sections and required Cover
+ Texts given in the Document's license notice.</para>
+ </listitem>
+
+ <listitem><para>Include an unaltered
+ copy of this License.</para>
+ </listitem>
+
+ <listitem><para>Preserve the section
+ entitled "History", and its title, and add to it an item stating
+ at least the title, year, new authors, and publisher of the
+ Modified Version as given on the Title Page. If there is no
+ section entitled "History" in the Document, create one stating
+ the title, year, authors, and publisher of the Document as given
+ on its Title Page, then add an item describing the Modified
+ Version as stated in the previous sentence.</para>
+ </listitem>
+
+ <listitem><para>Preserve the network
+ location, if any, given in the Document for public access to a
+ Transparent copy of the Document, and likewise the network
+ locations given in the Document for previous versions it was
+ based on. These may be placed in the "History" section. You
+ may omit a network location for a work that was published at
+ least four years before the Document itself, or if the original
+ publisher of the version it refers to gives permission.</para>
+ </listitem>
+
+ <listitem><para>In any section entitled
+ "Acknowledgements" or "Dedications", preserve the section's
+ title, and preserve in the section all the substance and tone of
+ each of the contributor acknowledgements and/or dedications
+ given therein.</para>
+ </listitem>
+
+ <listitem><para>Preserve all the
+ Invariant Sections of the Document, unaltered in their text and
+ in their titles. Section numbers or the equivalent are not
+ considered part of the section titles.</para>
+ </listitem>
+
+ <listitem><para>Delete any section
+ entitled "Endorsements". Such a section may not be included in
+ the Modified Version.</para>
+ </listitem>
+
+ <listitem><para>Do not retitle any
+ existing section as "Endorsements" or to conflict in title with
+ any Invariant Section.</para>
+ </listitem>
+ </orderedlist>
+
+ <para>If the Modified Version includes new front-matter sections
+ or appendices that qualify as Secondary Sections and contain no
+ material copied from the Document, you may at your option
+ designate some or all of these sections as invariant. To do this,
+ add their titles to the list of Invariant Sections in the Modified
+ Version's license notice. These titles must be distinct from any
+ other section titles.</para>
+
+ <para>You may add a section entitled "Endorsements", provided it
+ contains nothing but endorsements of your Modified Version by
+ various parties--for example, statements of peer review or that
+ the text has been approved by an organization as the authoritative
+ definition of a standard.</para>
+
+ <para>You may add a passage of up to five words as a Front-Cover
+ Text, and a passage of up to 25 words as a Back-Cover Text, to the
+ end of the list of Cover Texts in the Modified Version. Only one
+ passage of Front-Cover Text and one of Back-Cover Text may be
+ added by (or through arrangements made by) any one entity. If the
+ Document already includes a cover text for the same cover,
+ previously added by you or by arrangement made by the same entity
+ you are acting on behalf of, you may not add another; but you may
+ replace the old one, on explicit permission from the previous
+ publisher that added the old one.</para>
+
+ <para>The author(s) and publisher(s) of the Document do not by
+ this License give permission to use their names for publicity for
+ or to assert or imply endorsement of any Modified Version.</para>
+ </sect1>
+
+ <sect1 label="5">
+ <title>COMBINING DOCUMENTS</title>
+
+ <para>You may combine the Document with other documents released
+ under this License, under the terms defined in section 4 above for
+ modified versions, provided that you include in the combination
+ all of the Invariant Sections of all of the original documents,
+ unmodified, and list them all as Invariant Sections of your
+ combined work in its license notice.</para>
+
+ <para>The combined work need only contain one copy of this
+ License, and multiple identical Invariant Sections may be replaced
+ with a single copy. If there are multiple Invariant Sections with
+ the same name but different contents, make the title of each such
+ section unique by adding at the end of it, in parentheses, the
+ name of the original author or publisher of that section if known,
+ or else a unique number. Make the same adjustment to the section
+ titles in the list of Invariant Sections in the license notice of
+ the combined work.</para>
+
+ <para>In the combination, you must combine any sections entitled
+ "History" in the various original documents, forming one section
+ entitled "History"; likewise combine any sections entitled
+ "Acknowledgements", and any sections entitled "Dedications". You
+ must delete all sections entitled "Endorsements."</para>
+ </sect1>
+
+ <sect1 label="6">
+ <title>COLLECTIONS OF DOCUMENTS</title>
+
+ <para>You may make a collection consisting of the Document and
+ other documents released under this License, and replace the
+ individual copies of this License in the various documents with a
+ single copy that is included in the collection, provided that you
+ follow the rules of this License for verbatim copying of each of
+ the documents in all other respects.</para>
+
+ <para>You may extract a single document from such a collection,
+ and distribute it individually under this License, provided you
+ insert a copy of this License into the extracted document, and
+ follow this License in all other respects regarding verbatim
+ copying of that document.</para>
+ </sect1>
+
+ <sect1 label="7">
+ <title>AGGREGATION WITH INDEPENDENT WORKS</title>
+
+ <para>A compilation of the Document or its derivatives with other
+ separate and independent documents or works, in or on a volume of
+ a storage or distribution medium, does not as a whole count as a
+ Modified Version of the Document, provided no compilation
+ copyright is claimed for the compilation. Such a compilation is
+ called an "aggregate", and this License does not apply to the
+ other self-contained works thus compiled with the Document, on
+ account of their being thus compiled, if they are not themselves
+ derivative works of the Document.</para>
+
+ <para>If the Cover Text requirement of section 3 is applicable to
+ these copies of the Document, then if the Document is less than
+ one quarter of the entire aggregate, the Document's Cover Texts
+ may be placed on covers that surround only the Document within the
+ aggregate. Otherwise they must appear on covers around the whole
+ aggregate.</para>
+ </sect1>
+
+ <sect1 label="8">
+ <title>TRANSLATION</title>
+
+ <para>Translation is considered a kind of modification, so you may
+ distribute translations of the Document under the terms of section
+ 4. Replacing Invariant Sections with translations requires
+ special permission from their copyright holders, but you may
+ include translations of some or all Invariant Sections in addition
+ to the original versions of these Invariant Sections. You may
+ include a translation of this License provided that you also
+ include the original English version of this License. In case of
+ a disagreement between the translation and the original English
+ version of this License, the original English version will
+ prevail.</para>
+ </sect1>
+
+ <sect1 label="9">
+ <title>TERMINATION</title>
+
+ <para>You may not copy, modify, sublicense, or distribute the
+ Document except as expressly provided for under this License. Any
+ other attempt to copy, modify, sublicense or distribute the
+ Document is void, and will automatically terminate your rights
+ under this License. However, parties who have received copies, or
+ rights, from you under this License will not have their licenses
+ terminated so long as such parties remain in full
+ compliance.</para>
+ </sect1>
+
+ <sect1 label="10">
+ <title>FUTURE REVISIONS OF THIS LICENSE</title>
+
+ <para>The Free Software Foundation may publish new, revised
+ versions of the GNU Free Documentation License from time to time.
+ Such new versions will be similar in spirit to the present
+ version, but may differ in detail to address new problems or
+ concerns. See <ulink
+ url="http://www.gnu.org/copyleft/">http://www.gnu.org/copyleft/</ulink>.</para>
+
+ <para>Each version of the License is given a distinguishing
+ version number. If the Document specifies that a particular
+ numbered version of this License "or any later version" applies to
+ it, you have the option of following the terms and conditions
+ either of that specified version or of any later version that has
+ been published (not as a draft) by the Free Software Foundation.
+ If the Document does not specify a version number of this License,
+ you may choose any version ever published (not as a draft) by the
+ Free Software Foundation.</para>
+ </sect1>
+
+ <sect1 label="">
+ <title>How to use this License for your documents</title>
+
+ <para>To use this License in a document you have written, include
+ a copy of the License in the document and put the following
+ copyright and license notices just after the title page:</para>
+
+<blockquote><para>
+ Copyright (c) YEAR YOUR NAME.
+ Permission is granted to copy, distribute and/or modify this document
+ under the terms of the GNU Free Documentation License, Version 1.1
+ or any later version published by the Free Software Foundation;
+ with the Invariant Sections being LIST THEIR TITLES, with the
+ Front-Cover Texts being LIST, and with the Back-Cover Texts being LIST.
+ A copy of the license is included in the section entitled "GNU
+ Free Documentation License".
+</para></blockquote>
+
+ <para>If you have no Invariant Sections, write "with no Invariant
+ Sections" instead of saying which ones are invariant. If you have
+ no Front-Cover Texts, write "no Front-Cover Texts" instead of
+ "Front-Cover Texts being LIST"; likewise for Back-Cover
+ Texts.</para>
+
+ <para>If your document contains nontrivial examples of program
+ code, we recommend releasing these examples in parallel under your
+ choice of free software license, such as the GNU General Public
+ License, to permit their use in free software.</para>
+ </sect1>
+
+</appendix>
+<!-- Keep this comment at the end of the file
+Local variables:
+mode: sgml
+sgml-omittag:nil
+sgml-shorttag:t
+sgml-minimize-attributes:nil
+sgml-always-quote-attributes:t
+sgml-indent-step:2
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+sgml-exposed-tags:nil
+sgml-local-ecat-files:nil
+sgml-local-catalogs: CATALOG
+sgml-validate-command: "nsgmls -s referenz.sgml"
+ispell-skip-sgml: t
+End:
+-->
diff --git a/doc/users_guide/gimp.sgml b/doc/users_guide/gimp.sgml
new file mode 100644
index 0000000..75eb803
--- /dev/null
+++ b/doc/users_guide/gimp.sgml
@@ -0,0 +1,898 @@
+
+ <chapter id="ch-gimp-and-gimp-print"><title>GIMP and Gimp-Print</title>
+
+ <sect1>
+ <title>Running the GIMP</title>
+ <para>
+ This section assumes that you have the GIMP version 1.2 installed
+and working properly on your computer, and that you have an image of
+some type that you desire to print. To get started quickly, log into
+your system, start the X window system, and bring up your favorite terminal
+window. At the $ prompt, type:
+
+ <programlisting>
+ <![ CDATA [
+ $ gimp &
+ ]]>
+ </programlisting>
+
+ This should start the GIMP for you. If it does not, check that
+you have installed the GIMP properly, and that its binary is located
+in one of the directories listed in your &dollar;PATH environment
+variable. On the assumption that this worked, the screen should now
+look something like this:
+
+ <figure><title>The Startup Window for The GIMP</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata fileref="figures/gimp_startup.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>Startup window for The GIMP</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ </para>
+ <para>
+ At this point, you should use the
+
+ <menuchoice>
+ <guimenu>File</guimenu>
+ <guimenuitem>Open</guimenuitem>
+ </menuchoice>
+
+menu option to open your favorite picture. We will print this picture
+shortly. Your picture should be displayed next to the GIMP startup
+window, perhaps looking similar to the following (sssh! Don't tell
+anybody the secret!):
+
+ <figure><title>A Sample Image Displayed by The GIMP</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="50" fileref="figures/gimp_image.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>A Sample Image displayed by The Gimp</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ </para>
+
+ </sect1>
+
+ <sect1><title>The Gimp-Print Graphical User Interface</title>
+ <para>
+ Now that the GIMP is displaying your picture, put your mouse over
+the picture and click the right mouse button. A menu will appear.
+Choose the
+ <menuchoice>
+ <guimenu>File</guimenu>
+ <guimenuitem>Print</guimenuitem>
+ </menuchoice>
+menu option. This will cause the Gimp-Print GUI window to appear (see
+<xref linkend="fig-gimp-print-gui">). Move the mouse cursor
+over the various parts of the Gimp-Print GUI window, and notice that
+if you leave your mouse in one place for a short time without clicking
+any buttons, a small box appears. This box contains helpful text.
+These small boxes are called "tooltips" and are intended to remind you
+about the function of each part of the graphical interface.
+ </para>
+ <para>
+The next several sections will continuously refer to
+<xref linkend="fig-gimp-print-gui"> and
+<xref linkend="fig-gimp-print-gui-1">. The difference between
+the two figures can be seen in the top right corner of the window.
+Notice that there are two tabs, one which reads
+<guilabel>Printer Settings</guilabel> and another which reads
+<guilabel>Image/Output Settings</guilabel>. Notice also that the
+window is divided into several major sections which directly map to
+the major sections of this document:
+ <itemizedlist>
+ <listitem>
+ <para><link linkend="sec-preview">Preview</link></para>
+ </listitem>
+ <listitem>
+ <para><link linkend="sec-printer-settings">Printer Settings</link></para>
+ </listitem>
+ <listitem>
+ <para><link linkend="sec-printer-settings">Image/Output Settings</link></para>
+ </listitem>
+ <listitem>
+ <para><link linkend="sec-position">Position</link></para>
+ </listitem>
+ <listitem>
+ <para><link linkend="sec-scaling">Size</link></para>
+ </listitem>
+ <listitem>
+ <para><link linkend="sec-printing-and-saving-settings">Printing and Saving Settings</link></para>
+ </listitem>
+ </itemizedlist>
+ </para>
+
+ <figure id="fig-gimp-print-gui"><title>The Gimp-Print Graphical User Interface 1 (GUI)</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="40" fileref="figures/gimp-print-gui.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The GIMP Print GUI showing printer settings</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <figure id="fig-gimp-print-gui-1"><title>The Gimp-Print Graphical User Interface 2 (GUI)</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="40" fileref="figures/gimp-print-gui-1.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The GIMP Print GUI showing image/output settings</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <sect2><title id="sec-printer-settings">Printer Settings</title>
+ <indexterm id="idx-printer-settings"><primary>Printer Settings</primary></indexterm>
+
+ <sect3><title>Printer</title>
+ <para>
+ Click on the <guilabel>Printer Settings</guilabel> tab near the
+top right hand corner of the window (see
+<xref linkend="fig-gimp-print-gui">). Then, click on the downward
+facing arrow to the right of the <guilabel>Printer</guilabel> combo
+box to see a list of the system printer queues. Select the queue to which
+you would like the printed image to be sent. One may also print the
+image directly to a file by selecting <guimenuitem>File</guimenuitem>.
+In this event, the user will be prompted for the filename when either the
+<guibutton>Print</guibutton> button or the <guibutton>Print and Save
+Settings</guibutton> button is clicked.
+ </para>
+ <para>
+When either the <guibutton>Print and Save Settings</guibutton> button
+or the <guibutton>Save Settings</guibutton> button is clicked,
+the settings are saved in a file called
+<filename>~/.gimp-1.2/printrc</filename>. The user is cautioned about
+hand editing this file since it is generated by Gimp-Print (although
+it was the only way that the author found for removing bogus entries
+created while playing with the <guibutton>New Printer</guibutton> button).
+ </para>
+ </sect3>
+
+ <sect3><title>Setup Printer</title>
+ <para>
+ Before any useful printing can occur, the user needs to associate
+the named printer with the
+actual make and model of the printer. Click the
+<guibutton>Setup Printer</guibutton> button in
+the <guilabel>Printer</guilabel> section of the window (the upper
+right, and just below the Printer display box). When this is done, the
+following window appears:
+
+ <figure><title>The Setup Printer Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="60" fileref="figures/gimp-print-setup.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The Setup Printer Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+ </para>
+
+ <para>
+ Scroll through the Printer Model section of the window until you
+find a printer which matches yours. If you cannot find the precise
+model, pick something close and hope for the best. There are selections
+for a wide array of Postscript, inkjet, and laser printers. After you
+have selected a printer, you will see the printer command displayed.
+ </para>
+ <para>
+The Gimp-Print software does all of the necessary conversion of the
+image to be printed into the language of your printer. It is
+unnecessary and undesirable for any other sofware to manipulate this
+data. (This is why the command contains the "-l" switch or the "-o
+raw" switch). Please use care if you feel the need to edit this
+command. Once you are satisfied with your selection, click the
+<guibutton>OK</guibutton> button.
+ </para>
+
+ </sect3>
+
+ <sect3><title>New Printer</title>
+
+ <para>
+ In the previous sections, the user selected an existing printer
+queue and associated a particular type of printer to that queue. For
+most cases, this is probably all that is required. However, some
+situations might require more detailed control over the handling of
+the printer data.
+ </para>
+ <para>
+ Click the <guibutton>New Printer</guibutton> button to tell the
+software that you wish to create a new name. In this case, the new
+name may actually be an existing printer with different settings that
+you wish to save, or it may simply be a name associated with a
+particular command for handling the printer data. A window will
+appear thus:
+
+ <figure><title>The New Printer Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata fileref="figures/gimp-print-new-printer.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>The New Printer Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ Type a name into the window and click <guibutton>OK</guibutton>
+(or <guibutton>Cancel</guibutton> if you wish not to do this).
+Notice that the new name now appears as the selected <guilabel>Printer</guilabel>.
+As you change settings in the rest of the Gimp-Print GUI, they will be
+associated with this printer name. When the settings are saved,
+they can be recovered easily by simply selecting this named printer
+from the Printer combo box.
+ </para>
+ <para>
+ One example where this feature might be used is as follows. The
+author frequently prints photos on Epson 4x6 photo paper. Note that
+this paper is physically larger than 4x6 and it has perforations on
+all four sides. The author dislikes printing part of the image on the
+perforated parts of the paper which will be removed after
+printing the photo. By selecting the proper scaling percentage,
+printing can be constrained to the 4x6 part of the paper which will
+remain after the perforated sections are removed. The author has
+saved this setting using this feature of the Gimp-Print software.
+ </para>
+
+ </sect3>
+
+ <sect3><title>Media Size</title>
+ <para>
+ The term <emphasis>media</emphasis> refers to paper, card stock,
+envelopes, or whatever you have put into your printer onto which
+something will be printed. Click the arrow to the right of the
+<guilabel>Media Size</guilabel> box to see a long list of different
+sizes of media. Choose the size that matches the media which you have
+loaded into your printer. Once you have made your choice, the drop
+down menu will disappear, and your choice will be shown in the
+<guilabel>Media Size</guilabel> box. The available paper sizes will
+vary depending upon the printer model you have selected.
+ </para>
+ <para>
+ Some printers support arbitrary (within limits!) paper sizes.
+ These printers will let you select <emphasis>Custom</emphasis>
+ or <emphasis>Roll</emphasis> paper sizes. When you select such a
+ printer, one or both of the <guilabel>Dimensions</guilabel> boxes
+ will let you enter your paper size (in inches or centimetres). The
+ boxes will not let you enter sizes that your printer cannot handle.
+ </para>
+ </sect3>
+
+ <sect3><title>Media Type</title>
+ <para>
+ The type of media onto which your image will be printed should be
+selected here. Click on the arrow to the right of the <guilabel>Media
+Type</guilabel> box to see a long list of the different types of media
+onto which you may print your image. Media types include such things
+as plain paper, postcards, photo quality paper, transparencies, and
+more! Once you have made your choice, the drop down menu will
+disappear, and your choice will be shown in the <guilabel>Media
+Type</guilabel> box. The choices available will vary depending upon
+the printer model you have selected.
+ </para>
+ </sect3>
+
+ <sect3><title>Media Source</title>
+ <para>
+ The <guilabel>Media Source</guilabel> box allows the user to
+ choose the paper source, sometimes called <emphasis>Input
+ Slot</emphasis>, that the paper will be fed from. Many printers
+ only have one available input source (such as the standard paper
+ tray), in which case this entry will be grayed out. If your printer
+ does support multiple input sources, you may specify the source of
+ your choice here. Some Epson printers offer a roll feed option in
+ addition to the standard paper tray, and many HP LaserJet printers
+ have multiple paper trays.
+ </para>
+ </sect3>
+
+ <sect3><title>Ink Type</title>
+ <para>
+ Some printers offer a choice of different types of ink or ink
+ cartridges. Many Canon and Lexmark printers support various
+ combinations of cartridges, such as black only, black and color,
+ photo color, and so forth. Most Epson printers let you choose
+ between three and four color printing (three color uses only color
+ ink, while four color uses black ink as well). Epson printers that
+ support six color photo printing allow you to choose five and six
+ color printing as well.
+ </para>
+ </sect3>
+
+ <sect3><title>Resolution</title>
+ <para>
+ Click on the arrow to the right of the
+<guilabel>Resolution</guilabel> box to see a long list of resolutions
+at which you can print your image. The list is written with the
+lowest resolution at the top, with increasing resolution (and
+generally improved printing quality) as you approach the bottom of the
+list. Different printers support different resolution options, and
+many printers support different quality choices using the same basic
+resolution. In this menu are a few terms which may be unfamiliar to
+you, and they will now be explained.
+ </para>
+ <sect4><title>DPI</title>
+ <para>
+ DPI is an acronym which stands for <emphasis>D</emphasis>ots
+<emphasis>P</emphasis>er <emphasis>I</emphasis>nch. This term refers
+to the number of dots that your printer will print in a space of one
+inch (approximately 2.54 cm). This is highly dependent upon the
+capability of your printer. Resolutions below 300 DPI are
+used for draft quality. For general purpose printing, select
+300 - 360 DPI. Higher quality printing can be achieved by
+selecting 600 - 720 DPI. Settings higher than this are used for the
+highest possible quality for printing photographs and other high
+quality graphics. Experiment with your printer and these settings
+with different types of graphics and photographs to see what
+results you can obtain with your printer. High resolutions (large
+numbers of dots per inch) require substantial image processing time,
+and the print files can be very large; it's not uncommon for a full
+page, 1440x720 DPI image to require 100 MB of temporary storage!
+ </para>
+ </sect4>
+ <sect4><title>Draft or Fast Economy Draft</title>
+ <para>
+ When this text appears next to the resolution, it refers to the
+fact that the quality will be relatively low, but suitable for rough
+drafts. Draft quality is higher than fast economy draft. These
+options will give you the fastest printing speed. Economy Draft uses
+less ink, and as a result the image will be pale. These modes are
+generally not very useful for printing photographs.
+ </para>
+ </sect4>
+
+ <sect4><title>Unidirectional</title>
+ <para>
+ When printing an image, you have probably noticed the print
+head inside the printer moving back and forth across the print media.
+Many printers are capable of putting ink on the page regardless of
+which direction the print head is moving. However, quality can
+sometimes be improved by only putting ink on the page when the printer
+head is moving in one direction. The
+<guimenuitem>Unidirectional</guimenuitem> setting instructs the
+software to only place ink on the page when the print head is moving
+one way. When the print head returns, it will not place ink on the
+page. On many printers, the print quality is better, at the expense
+of printing speed.
+ </para>
+ </sect4>
+ <sect4><title>High(est) Quality</title>
+ <para>
+ With lower quality print modes, one may see an effect where
+the printed image looks like it has rows of stripes with a small
+separation between the stripes. This effect is called "banding" and
+is undesirable. In the <emphasis>high</emphasis> and
+<emphasis>highest</emphasis> quality modes, the printer will make more
+passes over the same part of the page in order to improve quality and
+(reduce or) eliminate banding. This requires more temporary disk
+space and prints more slowly, but does not require significantly more
+processing time.
+ </para>
+ </sect4>
+ <sect4><title>Interleave</title>
+ <para>
+ Certain Epson printers (older models mostly) support a printing
+ mode called <emphasis>Interleave</emphasis>. This mode uses
+ special software within the printer to improve the print quality.
+ Interleave print modes will usually produce better quality
+ output than non-Interleave modes, with only a small performance
+ penalty. If Interleave is not listed at your chosen
+ resolution, fear not. In those cases, the non-Interleave print
+ modes offer similar printing quality improvements.
+ </para>
+ </sect4>
+ <sect4><title>DMT</title>
+ <para>
+ DMT is an acronym which stands for <emphasis>D</emphasis>ot
+ <emphasis>M</emphasis>odulation
+ <emphasis>T</emphasis>echnology.
+ This term refers to a print mode used by certain Canon printers
+ to improve the quality of the printed output. Unfortunately,
+ at this time, all of the available DMT modes do not work
+ correctly. The cases which do work correctly will offer
+ significantly improved printing quality.
+ </para>
+ </sect4>
+ </sect3>
+ </sect2>
+
+ <sect2><title id="sec-preview">Preview</title>
+ <para>
+ Notice in the upper left of the window is a preview of your image.
+This preview is a representation of where your picture will print on
+the selected media, and approximately what it will look like. This
+preview will be updated as you modify selections in the
+<guilabel>Position</guilabel>, <guilabel>Size</guilabel>,
+<guilabel>Media Size</guilabel>, and <guilabel>Output Type</guilabel>
+portions of the window. You may also select the image with your mouse
+and move it manually if you wish. In doing so, you will note that the
+<guilabel>Position</guilabel> settings are updated accordingly. Take
+note of the arrow, which points toward the top of the media, where top
+is the first part of the media to enter the printer.
+ </para>
+ <para>
+ The preview may be moved around the page as follows:
+ </para>
+ <itemizedlist>
+ <listitem><para> Clicking and dragging the <emphasis>left</emphasis>
+ (primary) mouse button moves the image around the page as you would
+ expect; the image moves with the mouse. </para></listitem>
+ <listitem><para> Clicking and dragging the
+ <emphasis>middle</emphasis> mouse button moves the image around the
+ page in a finer fashion, such that each pixel of mouse movement
+ moves the image by one point (1/72 inch). This allows very fine
+ placement of the image on the page. </para></listitem>
+ <listitem><para> Clicking and dragging the
+ <emphasis>right</emphasis> (secondary) mouse button moves the image
+ around the page much the same as with the left button, but the image
+ will only move in units of the image size. Thus, if the image is
+ one inch wide and two inches tall, the image will not move at all
+ until you have moved the mouse far enough so that the image would be
+ moved one inch vertically and two inches horizontally. This is
+ handy if you wish to print multiple images of the same size on one
+ piece of paper.</para></listitem>
+ <listitem><para> If you hold down the <emphasis>shift</emphasis> key
+ on the keyboard when you click and drag the mouse, the image will
+ only move in the horizontal or vertical direction (depending upon
+ which way you first move the mouse). This allows you to constrain
+ motion to the horizontal or vertical. </para></listitem>
+ <listitem><para> If you click another button while dragging the
+ mouse, the image will immediately return to the position it was in
+ before you clicked the mouse the first time. This allows you to
+ not move the image if you have started moving it and have decided
+ that you don't want to move it. The preview will not respond to the
+ mouse until you release all of the mouse buttons and click and drag
+ afresh. </para></listitem>
+ </itemizedlist>
+ </sect2>
+
+ <sect2><title id="sec-position">Position</title>
+
+ <sect3><title>Orientation</title>
+ <para>
+ The Orientation menu allows the user to choose the orientation
+of the paper. The menu selections are
+<guimenuitem>Auto</guimenuitem>, <guimenuitem>Portrait</guimenuitem>,
+<guimenuitem>Landscape</guimenuitem>, <guimenuitem>Upside
+down</guimenuitem>, and <guimenuitem>Seascape</guimenuitem>. Click on
+the rectangular tab to see these choices
+and make your selection. When you have done so, the pulldown menu
+will have disappeared, and your choice will appear. Also, note that
+the preview image will have changed accordingly.
+ </para>
+ <para>
+ When set to <guimenuitem>Auto</guimenuitem>, the software will make an
+intelligent choice of orientation based on the dimensions of the image
+to be printed. <guimenuitem>Portrait</guimenuitem> orients the print media
+with the longest edge going from top to bottom, while
+<guimenuitem>Landscape</guimenuitem> orients the paper with the longest edge
+going from side to side. <guimenuitem>Upside down</guimenuitem> and
+<guimenuitem>Seascape</guimenuitem> orient the paper the same as
+<guimenuitem>Portrait</guimenuitem> and <guimenuitem>Landscape</guimenuitem>
+respectively, with the difference being that the image is rotated 180 degrees.
+ </para>
+ </sect3>
+
+ <sect3><title>Automatic Centering</title>
+ <para>
+ There are three buttons that deal with centering an image. The
+leftmost button is the <guibutton>Vertically</guibutton> button, the
+middle button is the <guibutton>Both</guibutton> button, and
+the rightmost button is the <guibutton>Horizontally</guibutton>
+button. Use the <guibutton>Both</guibutton> button to center your
+image both horizontally and vertically. This will cause the top and
+bottom borders to be equal, and the left and right borders to be
+equal. If you have placed your image manually by using the mouse
+button, then you may center the image in the horizontal direction only
+by clicking on the <guibutton>Horizontally</guibutton> button.
+Likewise, to adjust the image only in the vertical direction, click on
+the <guibutton>Vertically</guibutton> button. Note that in
+each case, the image is centered with regard to the edges of the
+media, and without regard to the printable portion of the media. Many
+printers are incapable of printing to each edge of the media. Some
+media may have edges which detach. Consult your printer documentation
+for more details regarding your printer's capabilities in this regard.
+ </para>
+ </sect3>
+
+ <sect3><title>Manual Settings</title>
+ <para>
+ You will notice that there are six boxes that contain numbers
+just below the Orientation menu and just above the GUI buttons related
+to centering an image. When you move the preview image manually with
+the mouse, or when you click on one of the centering buttons, the
+preview image moves and these six boxes get updated.
+ </para>
+ <sect4><title>Left</title>
+ <para>
+ The number appearing in the <guimenuitem>Left</guimenuitem> box denotes
+the number of units (cm or inches) that the left side of the image
+will be printed away from the left edge of the media. You may select
+the units by clicking the <guibutton>Inch</guibutton> or
+<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
+these GUI boxes.
+ </para>
+ </sect4>
+ <sect4><title>Right</title>
+ <para>
+ The number appearing in the <guimenuitem>Right</guimenuitem> box denotes
+the number of units (cm or inches) that the right side of the image
+will be printed away from the left edge of the media. You may select
+the units by clicking the <guibutton>Inch</guibutton> or
+<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
+these GUI boxes.
+ </para>
+ </sect4>
+ <sect4><title>Right Border</title>
+ <para>
+ The number appearing in the <guimenuitem>Right Border</guimenuitem> box denotes
+the number of units (cm or inches) that the right side of the image
+will be printed away from the right edge of the media. You may select
+the units by clicking the <guibutton>Inch</guibutton> or
+<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
+these GUI boxes.
+ </para>
+ </sect4>
+ <sect4><title>Top</title>
+ <para>
+ The number appearing in the <guimenuitem>Top</guimenuitem> box denotes
+the number of units (cm or inches) that the top side of the image
+will be printed away from the top edge of the media. You may select
+the units by clicking the <guibutton>Inch</guibutton> or
+<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
+these GUI boxes.
+ </para>
+ </sect4>
+ <sect4><title>Bottom</title>
+ <para>
+ The number appearing in the <guimenuitem>Bottom</guimenuitem> box denotes
+the number of units (cm or inches) that the bottom side of the image
+will be printed away from the top edge of the media. You may select
+the units by clicking the <guibutton>Inch</guibutton> or
+<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
+these GUI boxes.
+ </para>
+ </sect4>
+
+ <sect4><title>Bottom Border</title>
+ <para>
+ The number appearing in the <guimenuitem>Bottom Border</guimenuitem> box denotes
+the number of units (cm or inches) that the bottom side of the image
+will be printed away from the bottom edge of the media. You may select
+the units by clicking the <guibutton>Inch</guibutton> or
+<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
+these GUI boxes.
+ </para>
+ </sect4>
+
+ </sect3>
+
+ </sect2>
+
+ <sect2><title id="sec-scaling">Size</title>
+
+ <sect3><title>Slider Bar and Spin Box</title>
+ <para>
+ The slider bar can be moved as desired by the user. Notice
+that while sliding this bar, the preview image changes accordingly.
+One will also note that several boxes in the Gimp-Print GUI change values when this bar is moved.
+These boxes are the six position boxes (left, right, right border,
+top, bottom, bottom border), the two size boxes (width and height),
+and the spin box to the right of the slider bar.
+ </para>
+ <para>
+ This slider bar is used to scale the image to a desirable size, but the same effect can
+be obtained by either clicking an arrow on the spin box to the right of this
+slider bar, or by manually typing a number into this spin box. Notice
+that by setting the spin box in this way, the slider bar is also
+moved. All of the described methods will cause the image to be
+scaled accordingly.
+ </para>
+ </sect3>
+
+ <sect3><title>Scale by Percent or PPI</title>
+ <para>
+ One may choose to scale the image by a percentage, or by PPI,
+which means "<emphasis>p</emphasis>ixels <emphasis>p</emphasis>er
+<emphasis>i</emphasis>nch". Click the radio button
+next to the word to set the desired scaling factor.
+ </para>
+ <para>
+ When scaling by a percentage, the number reflected in the spin
+box next to the slider bar represents the percentage relative
+to the full size of the selected print medium. For example, with this spin box
+set to 50, the image will be scaled to 50% of the size of the print
+medium. When set to 100, the image will attempt to fill the print
+medium, within the constraints of maintaining the proper aspect ratio
+and the margins of the selected print medium. This effect can be seen
+in the preview window.
+ </para>
+ <para>
+ When scaling by PPI, the number reflected in the spin box next to
+the slider bar represents the number of pixels that will be
+printed per inch. For example, if the user is printing a 640x480
+image at a size of 6.4x4.8 inches (as measured by the size boxes), the
+image will be printed at 100 DPI.
+ </para>
+ </sect3>
+
+ <sect3><title>Use Original Image Size</title>
+ <para>
+ By clicking this button, the image will be scaled to as close
+to the native size of the image as possible. This effect can
+immediately be seen in the preview image.
+ </para>
+ <para>
+ The native image size may be found or set in the GIMP by
+ selecting <guimenuitem>Image/Scale Image</guimenuitem> in the
+ GIMP. Under the <guilabel>Print Size and Display Unit</guilabel>
+ group in the <guilabel>Scale Image</guilabel> dialog, you can
+ determine (or change) the width and height of the image, or
+ choose the resolution.
+ </para>
+ </sect3>
+
+ <sect3><title>Width and Height</title>
+ <para>
+ These boxes show the size of the printed image in either inches
+or centimeters (depending on which unit is selected). The user may
+choose to manually modify these values. When one value is modified,
+the other value is automatically modified in order to maintain the
+aspect ratio (the ratio of width to height). This effect can be
+immediately seen in the preview image.
+ </para>
+ </sect3>
+
+ <sect3><title>Units</title>
+ <para>
+ The units can be set to inches or centimeters by clicking the appropriate
+radio button next to the desired unit. This setting effects the
+values printed in the six position boxes (left, right, right border,
+top, bottom, bottom border) and the two size boxes (width and height).
+ </para>
+ </sect3>
+
+ </sect2>
+
+ <sect2><title id="sec-image-settings">Image/Output Settings</title>
+ <para>
+ By clicking on the tab labeled <guilabel>Image/Output
+Settings</guilabel>, the Gimp-Print window will appear as shown in
+<xref linkend="fig-gimp-print-gui-1">. Notice that there are
+two sections to this portion of the window, namely,
+<guilabel>Image Type</guilabel> and
+<guilabel>Output Type</guilabel>.
+
+ </para>
+
+ <sect3><title>Image Type</title>
+
+ <sect4><title>Line Art</title>
+ <para>
+ This setting tells the printer driver to generate color
+quickly. The color is bold and bright, but color accuracy is not very
+good. There may also be some unexpectedly sharp transitions in
+colors. This mode is acceptable for printing text with small amounts
+of color, and may be acceptable for presentation graphics.
+ </para>
+ </sect4>
+
+ <sect4><title>Solid Colors</title>
+ <para>
+ This mode produces color which is considerably more accurate
+than the <guilabel>Line Art</guilabel> mode, but with a reduction in performance. In
+general, hues will be accurate but tonalities may not be accurate.
+There should be no sharp transitions in colors. This mode is good for
+printing presentation graphics in most cases.
+ </para>
+ </sect4>
+
+ <sect4><title>Photograph</title>
+ <para>
+ This mode produces the most accurate colors and tonalities at a
+greater cost in performance. This is the mode to use when printing
+high quality photographs or other high quality images.
+ </para>
+ </sect4>
+
+ </sect3>
+
+ <sect3><title>Output Type</title>
+ <para>
+ The user is given the choice of color, black and white, and
+grayscale. Color is selected when the desired output is to be in
+color. Greyscale will result in the printed image having various
+shades of grey. Black and white is just that. The effect of this
+setting can be seen in the preview window.
+ </para>
+ </sect3>
+
+ <sect3><title>Adjust Output</title>
+ <para>
+ Clicking on this button causes the <guilabel>Print Color Adjust</guilabel> window to
+appear (see <xref linkend="fig-gimp-print-color-adjust">). In
+this window, one will see a representation of the image to be printed
+as well as several slider bars. These slider bars collectively adjust
+many different aspects of the image. The values can also be adjusted
+by clicking the arrows or by typing a value into the appropriate spin
+box on the right side of each slider bar.
+ </para>
+
+ <figure id="fig-gimp-print-color-adjust"><title>The Print Color Adjust Window</title>
+ <mediaobject>
+ <imageobject>
+ <imagedata scale="50" fileref="figures/gimp-print-print-color-adjust.png" FORMAT="PNG">
+ </imageobject>
+ <textobject>
+ <phrase>>The Print Color Adjust Window</phrase>
+ </textobject>
+ </mediaobject>
+ </figure>
+
+ <sect4><title>Brightness</title>
+ <para>
+ Adjust the brightness of the image. A setting of 0.0 gives a fully black
+image, while a 2.0 setting gives a fully white image. Values greater than 1.0 will result in
+ black not being solid and highlights turning white; values less than
+ 1.0 will result in white not being perfectly clear and shadows turning
+ black.
+ </para>
+ </sect4>
+
+ <sect4><title>Contrast</title>
+ <para>
+ Adjust the contrast of the image. A setting of 0.0 gives a solid gray for the
+entire image, the exact gray depending upon the brightness chosen.
+ </para>
+ </sect4>
+
+ <sect4><title>Cyan, Magenta, Yellow</title>
+ <para>
+These three options allow specification of the cyan, magenta, and
+yellow levels independently, for rebalancing the levels. Normally,
+these should be adjusted to yield neutral gray, but they can be used
+for other effects.
+ </para>
+ </sect4>
+
+ <sect4><title>Saturation</title>
+ <para>
+Adjust the brilliance of colors. A setting of 0.0 results in pure grayscale.
+A saturation setting of less than 1.0 results in more muted colors. A
+saturation setting of greater than 1.0 results in more vibrant colors. Very high
+saturation often results in very strange effects, including
+posterization and banding that might not be expected. For normal
+purposes, the saturation should generally be set to a value less than 1.5.
+ </para>
+ </sect4>
+
+ <sect4><title>Density</title>
+ <para>
+Adjust the amount of ink deposited on the paper. If you have chosen the
+correct paper type and are getting ink bleeding through the paper
+or puddling, try reducing the density to the lowest value you
+can while still achieving solid black. If black is not solid
+black, even with the contrast and brightness at 1.0, try increasing
+the density. Note that changes to this setting will not be visible in
+the image preview.
+ </para>
+ <para>
+All of the supported printers actually need less than 100% ink
+density in most cases, so the actual density is something other than
+the nominal density setting. The effective density setting cannot go
+above 100%, so if a value specified will result in an excessively high
+density level, it will be silently limited to a setting of 1.0.
+ </para>
+ </sect4>
+
+ <sect4><title>Gamma</title>
+ <para>
+Adjust the gamma of the image, over and above the printer-specific
+correction. Gamma less than 1.0 will result in a darker image; gamma
+greater than 1.0 will result in a lighter image. Unlike brightness,
+gamma adjustment does not change the endpoints; it merely changes the
+shape of the input->output curve.
+ </para>
+ </sect4>
+
+ <sect4><title>Dither Algorithm</title>
+ <para>
+The recommended dither algorithm is <guimenuitem>Adaptive
+Hybrid</guimenuitem> (which is the default) for text or other fine
+black detail, or if this is mixed with continuous tone images. The
+<guimenuitem>Ordered</guimenuitem> dithering algorithm is just as good
+(and somewhat faster) for pure continuous-tone images and photographs,
+but may yield poor results with text or other fine detail,
+particularly at high printing resolutions.
+ </para>
+ <para> The <guimenuitem>Fast</guimenuitem> algorithm gives the
+fastest results at the expense of color accuracy. It is a simplified
+ordered dither. On simple four color printers (or other printers used
+in four color mode), the quality is similar to
+<guimenuitem>Ordered</guimenuitem>, although dark gray rendition is
+not as good due to a simpler transfer between black and colored ink.
+With six-color printers, color rendition is somewhat worse, but it
+should be quite usable in cases where optimum quality is not critical.
+In black and white, it is an efficient way to render grayscale, but it
+may not give best results when used with variable dot size printers
+(modern Epson printers, or Canon printers using DMT). On rare three
+color printers (CMY only) the results should be identical to ordered
+dither.
+ </para>
+ <para> <guimenuitem>Very Fast</guimenuitem> is even faster than
+<guimenuitem>Fast</guimenuitem>, with even more loss of quality.
+Color and grayscale output will show strong patterning that resembles
+screening, although it isn't. On laser printers, and possibly on
+certain kinds of text and line art, <guimenuitem>Very
+Fast</guimenuitem> dithering may actually yield the best quality.
+ </para>
+ <para>
+Error diffusion algorithms (<guimenuitem>Hybrid
+Floyd-Steinberg</guimenuitem> is such an algorithm) perform very well
+at high densities, and are capable of
+rendering very fine detail rather well, but they tend to exhibit artifacts in
+the form of "waves" or "worms" of dots which results in noticeable
+texturing in pale areas. Furthermore, pale areas immediately adjacent
+to white take a while to "build up" sufficient error to print at all.
+This is sometimes called "tearing" or "waterfalling".
+ </para>
+
+ </sect4>
+
+ <sect4><title>Set Defaults and Close</title>
+ <para>
+ When the <guibutton>Set Defaults</guibutton> button is clicked,
+the slider bar settings will return to their default values. The
+dither algorithm setting is uneffected. The <guilabel>Print Color
+Adjust</guilabel> window will close when the
+<guibutton>Close</guibutton> button is clicked.
+ </para>
+ </sect4>
+
+ </sect3>
+
+ </sect2>
+
+ <sect2><title id="sec-printing-and-saving-settings">Printing and Saving Settings</title>
+ <para>
+ At the bottom of the Gimp-Print window, there are five buttons labeled
+<guibutton>About</guibutton>,
+<guibutton>Print and Save Settings</guibutton>,
+<guibutton>Save Settings</guibutton>,
+<guibutton>Print</guibutton>,
+and <guibutton>Cancel</guibutton>. The <guibutton>About</guibutton>
+button will show information about the Gimp-Print software, such as
+the version number, authors names, project web site, and software
+licensing. After clicking on the <guibutton>About</guibutton>, read
+the information, and then close the window by pressing the
+<guibutton>OK</guibutton> button.
+ </para>
+ <para>
+ The <guibutton>Print and Save Settings</guibutton> button will
+save the current settings and then print the desired image. Recall
+that these settings are saved in <filename>~/.gimp-1.2/printrc</filename>. The
+<guibutton>Save Settings</guibutton> button will only save the
+settings. The <guibutton>Print</guibutton> button will print the
+image only. The <guibutton>Cancel</guibutton> will close the
+Gimp-Print GUI window.
+ </para>
+ </sect2>
+
+ </sect1>
+
+ </chapter>
diff --git a/doc/users_guide/history.sgml b/doc/users_guide/history.sgml
new file mode 100644
index 0000000..9f5bd29
--- /dev/null
+++ b/doc/users_guide/history.sgml
@@ -0,0 +1,108 @@
+
+ <chapter><title>Project History</title>
+ <para>
+This software package was first written by Michael Sweet of
+<ulink url="http://www.easysw.com">Easy Software Products</ulink> and
+initially worked only as a print plugin to the GIMP (GNU Image
+Manipulation Program). In the summer of 1999,
+Robert Krawitz (the current
+Gimp-Print project leader) purchased an Epson Stylus Photo EX printer
+to feed his photography hobby. Finding no existing printer drivers, Robert
+adapted Mike's Gimp-Print plugin to his six-color printer, and by the end
+of the year released version 3.0 of the Gimp-Print software, which was
+included in version 1.1 of the GIMP. The intention was for this to be
+the stable plugin in version 1.2 of the GIMP while development of the
+Gimp-Print plugin continued for later release.
+ </para>
+ <para>
+Robert put the Gimp-Print development tree on SourceForge starting
+with version 3.1, and quickly found a group of like-minded people who wanted to print
+high quality output on inexpensive inkjet printers. One of the main
+goals, which was not expected to be met until late in the version 3.1
+cycle, was to write a Ghostscript driver so that printing would not be
+restricted to the GIMP. Imagine Robert's surprise when Henryk "Buggs"
+Richter wrote one within days!
+ </para>
+ <para>
+In July 2000, not more than a year after Robert bought his Epson
+Stylus Photo EX, he was invited to the Linux Printing
+Summit hosted by VA Linux Systems. In preparation for that, he spent
+long hours printing out test images. Robert went back to the
+Gimp-Print version 3.0.9 release, which seemed like such an advance
+at the time, and was floored at how far the project had come in four
+months! Output that had been considered impressive with using six
+colors was put to shame by four color output. That should give you
+an idea what six color and variable dot size printers can do. It also
+illustrates what a group of committed people can do.
+ </para>
+ <para>
+Robert came away from the Printing Summit with a lot of new ideas, and in
+November 2000, Gimp-Print version 4.0 was released, the culmination of 9 months
+of work by the team. The quality was already tremendously improved
+over what the software could do at the Printing Summit.
+ </para>
+ <para>
+The team started serious work on version 4.1 in December
+2000, and version 4.2.0 was released in November 2001. Despite the fact
+that version 4.2.0 is a "minor" release over version 4.0, there are vast
+improvements:
+ <itemizedlist>
+ <listitem>
+ <para>
+ The driver is built as a shared library, making it much easier
+to use by higher layers of software
+ </para>
+ </listitem>
+ <listitem>
+ <para>
+ The packaging system now follows GNU standards
+ </para>
+ </listitem>
+ <listitem>
+ <para>
+The print quality (in particular, color accuracy, a well-known weakness in 4.0) is even better
+ </para>
+ </listitem>
+ <listitem>
+ <para>
+ Improved performance
+ </para>
+ </listitem>
+ <listitem>
+ <para>
+ Many more options
+ </para>
+ </listitem>
+ <listitem>
+ <para>
+ More supported printers
+ </para>
+ </listitem>
+
+ </itemizedlist>
+
+ </para>
+ <para>
+Releases of Gimp-Print have been historically numbered in
+a fashion similar to that of the Linux kernel, where major releases
+are denoted by the first digit (in this case '4'), while minor
+releases are denoted by subsequent digits (such as '4.2.0'). Even
+numbered minor releases are considered stable, while odd numbered
+minor releases are considered development releases (whose stability
+may vary for any given release).
+ </para>
+ <para>
+This project is by no means finished. In future releases, the development
+team hopes to include the following:
+ <itemizedlist>
+ <listitem><para>implementation of proper color management</para></listitem>
+ <listitem><para>improved dithering</para></listitem>
+ <listitem><para>improvements in performance</para></listitem>
+ </itemizedlist>
+ </para>
+ <para>
+The entire Gimp-Print team hopes you will really enjoy using this
+software! For more information, please consult the GIMP-Print project
+<ulink url="http://gimp-print.sourceforge.net">web page</ulink>.
+ </para>
+ </chapter>
diff --git a/doc/users_guide/html-stamp b/doc/users_guide/html-stamp
new file mode 100644
index 0000000..e69de29
--- /dev/null
+++ b/doc/users_guide/html-stamp
diff --git a/doc/users_guide/html/HTML.manifest b/doc/users_guide/html/HTML.manifest
new file mode 100644
index 0000000..d09e506
--- /dev/null
+++ b/doc/users_guide/html/HTML.manifest
@@ -0,0 +1,21 @@
+book1.html
+c29.html
+ch-gimp-and-gimp-print.html
+x85.html
+c447.html
+x456.html
+x548.html
+x562.html
+c570.html
+gfdl.html
+x642.html
+x652.html
+x656.html
+x662.html
+x698.html
+x703.html
+x707.html
+x711.html
+x714.html
+x717.html
+x722.html
diff --git a/doc/users_guide/html/book1.html b/doc/users_guide/html/book1.html
new file mode 100644
index 0000000..2365338
--- /dev/null
+++ b/doc/users_guide/html/book1.html
@@ -0,0 +1,483 @@
+<HTML
+><HEAD
+><TITLE
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="NEXT"
+TITLE="Project History"
+HREF="c29.html"></HEAD
+><BODY
+CLASS="BOOK"
+><DIV
+CLASS="BOOK"
+><A
+NAME="AEN1"
+></A
+><DIV
+CLASS="TITLEPAGE"
+><H1
+CLASS="TITLE"
+><A
+NAME="AEN2"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</A
+></H1
+><H3
+CLASS="AUTHOR"
+><A
+NAME="AEN6"
+>Andy Stewart</A
+></H3
+><P
+CLASS="COPYRIGHT"
+><A
+HREF="ln12.html"
+>Copyright</A
+> &copy; 2002 by Andy Stewart</P
+><DIV
+><DIV
+CLASS="ABSTRACT"
+><A
+NAME="AEN16"
+></A
+><P
+></P
+><P
+> The Gimp-Print Top Quality Printer Drivers (hereafter
+called Gimp-Print) are a set of printer drivers written to
+take advantage of the full capabilities of a wide range of
+printers. These drivers should work on any POSIX compliant operating
+system (e.g. Linux, Solaris, IRIX, etc). This document will explain how to
+use the Gimp-Print software to achieve high quality printouts from the
+<A
+HREF="http://www.gimp.org"
+TARGET="_top"
+>GIMP</A
+> (GNU Image
+Manipulation Program) and
+<A
+HREF="http://www.cups.org"
+TARGET="_top"
+>CUPS</A
+> (Common Unix Printing
+System).
+ </P
+><P
+> Please note that in addition to using the Gimp-Print software as a
+print plugin for the GIMP, and as a set of printer drivers for CUPS, this
+software can also be compiled and used with the
+<A
+HREF="http://www.ghostscript.com"
+TARGET="_top"
+>Ghostscript</A
+> software
+and with the
+<A
+HREF="http://www.linuxprinting.org/foomatic.html"
+TARGET="_top"
+>Foomatic</A
+>
+software.
+ </P
+><P
+>Regardless of whether the Gimp-Print software is used with the GIMP,
+CUPS, Ghostscript, or Foomatic, the print quality and printer settings
+remain the same. However, use of the Gimp-Print with Ghostscript and
+Foomatic is not covered in this document. These topics may be covered
+in a future revision of this document.
+ </P
+><P
+> This document corresponds to version 4.2.0 and later of the Gimp-Print
+software. This document will serve as a guide to the user, and as such
+will not explain how to install Gimp-Print, CUPS, GIMP, Ghostscript,
+Foomatic, or any other related software.
+ </P
+><P
+> Andy Stewart, the author, is the founder of the
+<A
+HREF="http://www.wlug.org"
+TARGET="_top"
+>Worcester Linux Users' Group</A
+> in
+Worcester, Massachusetts, USA. The group was founded in July 1997 and has
+approximately 140 people on its mailing list. Monthly meetings are
+held and all are invited.
+ </P
+><P
+> In terms of "code", this is the author's first contribution to the
+open source community, and definitely his first experience with DocBook.
+Constructive comments, praise, words of encouragement, and the like
+will be most appreciated if e-mailed to the
+<A
+HREF="mailto:andystewart@attbi.com"
+TARGET="_top"
+>author</A
+>.
+ </P
+><P
+></P
+></DIV
+></DIV
+><HR></DIV
+><DIV
+CLASS="TOC"
+><DL
+><DT
+><B
+>Table of Contents</B
+></DT
+><DT
+>1. <A
+HREF="c29.html"
+>Project History</A
+></DT
+><DT
+>2. <A
+HREF="ch-gimp-and-gimp-print.html"
+>GIMP and Gimp-Print</A
+></DT
+><DD
+><DL
+><DT
+><A
+HREF="ch-gimp-and-gimp-print.html#AEN63"
+>Running the GIMP</A
+></DT
+><DT
+><A
+HREF="x85.html"
+>The Gimp-Print Graphical User Interface</A
+></DT
+><DD
+><DL
+><DT
+><A
+HREF="x85.html#AEN130"
+>Printer Settings</A
+></DT
+><DT
+><A
+HREF="x85.html#AEN234"
+>Preview</A
+></DT
+><DT
+><A
+HREF="x85.html#AEN258"
+>Position</A
+></DT
+><DT
+><A
+HREF="x85.html#AEN330"
+>Size</A
+></DT
+><DT
+><A
+HREF="x85.html#AEN357"
+>Image/Output Settings</A
+></DT
+><DT
+><A
+HREF="x85.html#AEN430"
+>Printing and Saving Settings</A
+></DT
+></DL
+></DD
+></DL
+></DD
+><DT
+>3. <A
+HREF="c447.html"
+>CUPS and Gimp-Print</A
+></DT
+><DD
+><DL
+><DT
+><A
+HREF="c447.html#AEN449"
+>Introduction</A
+></DT
+><DT
+><A
+HREF="x456.html"
+>CUPS Printer Installation</A
+></DT
+><DT
+><A
+HREF="x548.html"
+>Configuring your Printer in CUPS</A
+></DT
+><DT
+><A
+HREF="x562.html"
+>Using CUPS from the Command Line</A
+></DT
+></DL
+></DD
+><DT
+>4. <A
+HREF="c570.html"
+>Gimp-Print Utilities</A
+></DT
+><DD
+><DL
+><DT
+><A
+HREF="c570.html#AEN572"
+>escputil</A
+></DT
+><DD
+><DL
+><DT
+><A
+HREF="c570.html#AEN584"
+>Determining Ink Level</A
+></DT
+><DT
+><A
+HREF="c570.html#AEN593"
+>Error During Ink Level Determination</A
+></DT
+><DT
+><A
+HREF="c570.html#AEN597"
+>Nozzle Check</A
+></DT
+><DT
+><A
+HREF="c570.html#AEN602"
+>Clean the Print Head</A
+></DT
+><DT
+><A
+HREF="c570.html#AEN608"
+>Align the Print Head</A
+></DT
+><DT
+><A
+HREF="c570.html#AEN624"
+>Printer Identification</A
+></DT
+><DT
+><A
+HREF="c570.html#AEN628"
+>More Information</A
+></DT
+></DL
+></DD
+></DL
+></DD
+><DT
+>A. <A
+HREF="gfdl.html"
+>GNU Free Documentation License</A
+></DT
+><DD
+><DL
+><DT
+>0. <A
+HREF="gfdl.html#AEN637"
+>PREAMBLE</A
+></DT
+><DT
+>1. <A
+HREF="x642.html"
+>APPLICABILITY AND DEFINITIONS</A
+></DT
+><DT
+>2. <A
+HREF="x652.html"
+>VERBATIM COPYING</A
+></DT
+><DT
+>3. <A
+HREF="x656.html"
+>COPYING IN QUANTITY</A
+></DT
+><DT
+>4. <A
+HREF="x662.html"
+>MODIFICATIONS</A
+></DT
+><DT
+>5. <A
+HREF="x698.html"
+>COMBINING DOCUMENTS</A
+></DT
+><DT
+>6. <A
+HREF="x703.html"
+>COLLECTIONS OF DOCUMENTS</A
+></DT
+><DT
+>7. <A
+HREF="x707.html"
+>AGGREGATION WITH INDEPENDENT WORKS</A
+></DT
+><DT
+>8. <A
+HREF="x711.html"
+>TRANSLATION</A
+></DT
+><DT
+>9. <A
+HREF="x714.html"
+>TERMINATION</A
+></DT
+><DT
+>10. <A
+HREF="x717.html"
+>FUTURE REVISIONS OF THIS LICENSE</A
+></DT
+><DT
+><A
+HREF="x722.html"
+>How to use this License for your documents</A
+></DT
+></DL
+></DD
+></DL
+></DIV
+><DIV
+CLASS="LOT"
+><DL
+CLASS="LOT"
+><DT
+><B
+>List of Figures</B
+></DT
+><DT
+>2-1. <A
+HREF="ch-gimp-and-gimp-print.html#AEN67"
+>The Startup Window for The GIMP</A
+></DT
+><DT
+>2-2. <A
+HREF="ch-gimp-and-gimp-print.html#AEN78"
+>A Sample Image Displayed by The GIMP</A
+></DT
+><DT
+>2-3. <A
+HREF="x85.html#FIG-GIMP-PRINT-GUI"
+>The Gimp-Print Graphical User Interface 1 (GUI)</A
+></DT
+><DT
+>2-4. <A
+HREF="x85.html#FIG-GIMP-PRINT-GUI-1"
+>The Gimp-Print Graphical User Interface 2 (GUI)</A
+></DT
+><DT
+>2-5. <A
+HREF="x85.html#AEN153"
+>The Setup Printer Window</A
+></DT
+><DT
+>2-6. <A
+HREF="x85.html#AEN168"
+>The New Printer Window</A
+></DT
+><DT
+>2-7. <A
+HREF="x85.html#FIG-GIMP-PRINT-COLOR-ADJUST"
+>The Print Color Adjust Window</A
+></DT
+><DT
+>3-1. <A
+HREF="x456.html#AEN460"
+>The CUPS Startup Window</A
+></DT
+><DT
+>3-2. <A
+HREF="x456.html#AEN470"
+>The CUPS Printers Window</A
+></DT
+><DT
+>3-3. <A
+HREF="x456.html#AEN479"
+>The CUPS Admin Window</A
+></DT
+><DT
+>3-4. <A
+HREF="x456.html#FIG-CUPS-ADMIN-DEVICE"
+>The CUPS Admin Device Window</A
+></DT
+><DT
+>3-5. <A
+HREF="x456.html#AEN498"
+>The CUPS Admin Model/Driver Window</A
+></DT
+><DT
+>3-6. <A
+HREF="x456.html#FIG-CUPS-ADMIN-MODEL"
+>The 2nd CUPS Admin Model/Driver Window</A
+></DT
+><DT
+>3-7. <A
+HREF="x456.html#AEN530"
+>The CUPS Admin Success Window</A
+></DT
+><DT
+>3-8. <A
+HREF="x456.html#FIG-CUPS-MY-PRINTER"
+>The CUPS Window for Your Printer</A
+></DT
+><DT
+>3-9. <A
+HREF="x548.html#FIG-CUPS-PRINTER-CONFIG-WINDOW"
+>The CUPS Printer Cofiguration Window</A
+></DT
+></DL
+></DIV
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="c29.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>Project History</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/c29.html b/doc/users_guide/html/c29.html
new file mode 100644
index 0000000..38c2000
--- /dev/null
+++ b/doc/users_guide/html/c29.html
@@ -0,0 +1,251 @@
+<HTML
+><HEAD
+><TITLE
+>Project History</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="PREVIOUS"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="NEXT"
+TITLE="GIMP and Gimp-Print"
+HREF="ch-gimp-and-gimp-print.html"></HEAD
+><BODY
+CLASS="CHAPTER"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="book1.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+></TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="ch-gimp-and-gimp-print.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="CHAPTER"
+><H1
+><A
+NAME="AEN29"
+>Chapter 1. Project History</A
+></H1
+><P
+>This software package was first written by Michael Sweet of
+<A
+HREF="http://www.easysw.com"
+TARGET="_top"
+>Easy Software Products</A
+> and
+initially worked only as a print plugin to the GIMP (GNU Image
+Manipulation Program). In the summer of 1999,
+Robert Krawitz (the current
+Gimp-Print project leader) purchased an Epson Stylus Photo EX printer
+to feed his photography hobby. Finding no existing printer drivers, Robert
+adapted Mike's Gimp-Print plugin to his six-color printer, and by the end
+of the year released version 3.0 of the Gimp-Print software, which was
+included in version 1.1 of the GIMP. The intention was for this to be
+the stable plugin in version 1.2 of the GIMP while development of the
+Gimp-Print plugin continued for later release.
+ </P
+><P
+>Robert put the Gimp-Print development tree on SourceForge starting
+with version 3.1, and quickly found a group of like-minded people who wanted to print
+high quality output on inexpensive inkjet printers. One of the main
+goals, which was not expected to be met until late in the version 3.1
+cycle, was to write a Ghostscript driver so that printing would not be
+restricted to the GIMP. Imagine Robert's surprise when Henryk "Buggs"
+Richter wrote one within days!
+ </P
+><P
+>In July 2000, not more than a year after Robert bought his Epson
+Stylus Photo EX, he was invited to the Linux Printing
+Summit hosted by VA Linux Systems. In preparation for that, he spent
+long hours printing out test images. Robert went back to the
+Gimp-Print version 3.0.9 release, which seemed like such an advance
+at the time, and was floored at how far the project had come in four
+months! Output that had been considered impressive with using six
+colors was put to shame by four color output. That should give you
+an idea what six color and variable dot size printers can do. It also
+illustrates what a group of committed people can do.
+ </P
+><P
+>Robert came away from the Printing Summit with a lot of new ideas, and in
+November 2000, Gimp-Print version 4.0 was released, the culmination of 9 months
+of work by the team. The quality was already tremendously improved
+over what the software could do at the Printing Summit.
+ </P
+><P
+>The team started serious work on version 4.1 in December
+2000, and version 4.2.0 was released in November 2001. Despite the fact
+that version 4.2.0 is a "minor" release over version 4.0, there are vast
+improvements:
+ <P
+></P
+><UL
+><LI
+><P
+> The driver is built as a shared library, making it much easier
+to use by higher layers of software
+ </P
+></LI
+><LI
+><P
+> The packaging system now follows GNU standards
+ </P
+></LI
+><LI
+><P
+>The print quality (in particular, color accuracy, a well-known weakness in 4.0) is even better
+ </P
+></LI
+><LI
+><P
+> Improved performance
+ </P
+></LI
+><LI
+><P
+> Many more options
+ </P
+></LI
+><LI
+><P
+> More supported printers
+ </P
+></LI
+></UL
+>
+
+ </P
+><P
+>Releases of Gimp-Print have been historically numbered in
+a fashion similar to that of the Linux kernel, where major releases
+are denoted by the first digit (in this case '4'), while minor
+releases are denoted by subsequent digits (such as '4.2.0'). Even
+numbered minor releases are considered stable, while odd numbered
+minor releases are considered development releases (whose stability
+may vary for any given release).
+ </P
+><P
+>This project is by no means finished. In future releases, the development
+team hopes to include the following:
+ <P
+></P
+><UL
+><LI
+><P
+>implementation of proper color management</P
+></LI
+><LI
+><P
+>improved dithering</P
+></LI
+><LI
+><P
+>improvements in performance</P
+></LI
+></UL
+>
+ </P
+><P
+>The entire Gimp-Print team hopes you will really enjoy using this
+software! For more information, please consult the GIMP-Print project
+<A
+HREF="http://gimp-print.sourceforge.net"
+TARGET="_top"
+>web page</A
+>.
+ </P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="ch-gimp-and-gimp-print.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>GIMP and Gimp-Print</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/c447.html b/doc/users_guide/html/c447.html
new file mode 100644
index 0000000..d8dcce6
--- /dev/null
+++ b/doc/users_guide/html/c447.html
@@ -0,0 +1,185 @@
+<HTML
+><HEAD
+><TITLE
+>CUPS and Gimp-Print</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="PREVIOUS"
+TITLE="The Gimp-Print Graphical User Interface"
+HREF="x85.html"><LINK
+REL="NEXT"
+TITLE="CUPS Printer Installation"
+HREF="x456.html"></HEAD
+><BODY
+CLASS="CHAPTER"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x85.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+></TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x456.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="CHAPTER"
+><H1
+><A
+NAME="AEN447"
+>Chapter 3. CUPS and Gimp-Print</A
+></H1
+><DIV
+CLASS="TOC"
+><DL
+><DT
+><B
+>Table of Contents</B
+></DT
+><DT
+><A
+HREF="c447.html#AEN449"
+>Introduction</A
+></DT
+><DT
+><A
+HREF="x456.html"
+>CUPS Printer Installation</A
+></DT
+><DT
+><A
+HREF="x548.html"
+>Configuring your Printer in CUPS</A
+></DT
+><DT
+><A
+HREF="x562.html"
+>Using CUPS from the Command Line</A
+></DT
+></DL
+></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN449"
+>Introduction</A
+></H1
+><P
+> CUPS is an acronym which stands for <I
+CLASS="EMPHASIS"
+>C</I
+>ommon
+<I
+CLASS="EMPHASIS"
+>U</I
+>nix <I
+CLASS="EMPHASIS"
+>P</I
+>rinting
+<I
+CLASS="EMPHASIS"
+>S</I
+>ystem. It is assumed that the reader has
+properly installed the CUPS software and the Gimp-Print software.
+This section will discuss adding a printer to CUPS that uses a
+Gimp-Print printer driver, as well as how to modify the various
+settings supplied by Gimp-Print. This will be a rather quick
+explanation, as the CUPS software is quite well documented, and it is
+not my intention to attempt to duplicate the CUPS documentation here.
+ </P
+></DIV
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x85.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x456.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>The Gimp-Print Graphical User Interface</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>CUPS Printer Installation</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/c570.html b/doc/users_guide/html/c570.html
new file mode 100644
index 0000000..f1c142b
--- /dev/null
+++ b/doc/users_guide/html/c570.html
@@ -0,0 +1,721 @@
+<HTML
+><HEAD
+><TITLE
+>Gimp-Print Utilities</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="PREVIOUS"
+TITLE="Using CUPS from the Command Line"
+HREF="x562.html"><LINK
+REL="NEXT"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"></HEAD
+><BODY
+CLASS="CHAPTER"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x562.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+></TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="gfdl.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="CHAPTER"
+><H1
+><A
+NAME="AEN570"
+>Chapter 4. Gimp-Print Utilities</A
+></H1
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN572"
+>escputil</A
+></H1
+><P
+> <I
+CLASS="EMPHASIS"
+>escputil</I
+> is a command line utility which
+allows the user to perform a variety of maintenance tasks on Epson
+Stylus inkjet printers. These tasks include head alignment, head
+cleaning, nozzle check, printer identification, and retrieval of the ink
+level from the printer. In order for many of the
+<I
+CLASS="EMPHASIS"
+>escputil</I
+> functions to work, the user must have
+read/write access to the raw printer device (typically /dev/lp0,
+/dev/usb/lp0, and the like). In general, these operations should be
+performed by the root user. As always, the user must insure that the
+directory containing the <I
+CLASS="EMPHASIS"
+>escputil</I
+> utility is
+listed in the $PATH environment variable, or that the full path is
+specified on the command line. The examples in this section will
+assume the former.
+ </P
+><DIV
+CLASS="CAUTION"
+><P
+></P
+><TABLE
+CLASS="CAUTION"
+BORDER="1"
+WIDTH="100%"
+><TR
+><TD
+ALIGN="CENTER"
+><B
+>Caution</B
+></TD
+></TR
+><TR
+><TD
+ALIGN="LEFT"
+><P
+> The <I
+CLASS="EMPHASIS"
+>escputil</I
+> utility was designed for use
+ONLY with Epson Stylus inkjet printers supported by the Gimp-Print
+software. It is possible that damage MIGHT occur to your printer if
+this utility is misused or if it is used with a printer other than an
+Epson Stylus inkjet printer. It is the sole responsibility of the
+user to insure that this utility is suitable for the task at hand.
+ </P
+></TD
+></TR
+></TABLE
+></DIV
+><P
+> In this section, specific examples of common usage will be
+presented. A summary of the command line switches can be
+found in the <I
+CLASS="EMPHASIS"
+>escputil</I
+>(1) man page.
+ </P
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN584"
+>Determining Ink Level</A
+></H2
+><P
+> Perhaps the most basic function performed by
+<I
+CLASS="EMPHASIS"
+>escputil</I
+> is that of determining the amount of ink
+remaining in the printer. To do this, the user must know the name of
+the raw printer device. This is usually /dev/lp0 for a printer
+connected to the parallel port, or /dev/usb/lp0 for a printer
+connected to the USB.
+ </P
+><P
+>If there are multiple printers connected, one of them may be referenced as
+/dev/lp1 or perhaps /dev/usb/lp1. In the event of uncertainty, and if
+CUPS is in use, view the following <A
+HREF="http://localhost:631/printers"
+TARGET="_top"
+>URL</A
+>
+with a web browser. At that URL, look for a line which reads "Device
+URI". The author's USB printer is listed as "Device URI: usb:/dev/usb/lp0".
+ </P
+><P
+>For this example, assume that the raw printer device is a USB printer
+specified as /dev/usb/lp0. To get the ink level for this printer,
+issue this command and notice the output.
+ </P
+><TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+# escputil -r /dev/usb/lp0 -i
+
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+ Ink color Percent remaining
+ Black 18
+ Cyan 71
+ Magenta 70
+ Yellow 67
+ Light Cyan 71
+ Light Magenta 70
+
+ </PRE
+></TD
+></TR
+></TABLE
+><P
+>The user would substitute their own raw printer device for the one
+shown in the example after the "-r" switch. Notice that the printout
+shows the percent of ink remaining for each color of the author's
+Epson Stylus Photo 870. When the ink levels get too low, print
+quality will suffer. In the author's personal experience, ink levels
+approaching 10% begin to cause print quality degredation, but this
+will vary depending on the precise printer model.
+ </P
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN593"
+>Error During Ink Level Determination</A
+></H2
+><P
+> What? The example above did not work? An error message was
+printed? What does it mean? There are several possibilities,
+depending on the specific error message. If the error message is
+"Invalid argument" (see following example), the problem is that the
+kernel is not configured with the CONFIG_PRINTER_READBACK option enabled.
+
+ <TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+# escputil -r /dev/lp0 -i
+
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Cannot read from /dev/lp0: Invalid argument
+
+ </PRE
+></TD
+></TR
+></TABLE
+>
+
+ Another possibile cause for error is that the raw printer device
+does not have both read and write permission for the user attempting
+to access the device. In this case, the error message will read
+"Permission denied". A final possibility is that the raw printer
+device specified is incorrect, in which case the error message will
+read "No such device".
+ </P
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN597"
+>Nozzle Check</A
+></H2
+><P
+> On an inkjet printer, there are several small holes on the
+bottom of each ink cartridge through which the ink must flow smoothly
+in order to create high quality images on paper. If these holes
+become clogged, the printed image will show small gaps where there
+should have been ink. One can easily test for the existence of this
+condition by running a nozzle check. One need not be the root user to
+issue this command. Note that as shown, the command will print a
+nozzle test pattern on the default printer. If there are multiple
+printers present, the desired printer must be specified with an
+additional "-P printer_name" switch, where "printer_name" is the name
+of the desired printer.
+ </P
+><P
+> The printer will print a series of black (and colored) slanted
+lines on the paper. Observe these lines carefully. If there are gaps
+or spaces in these lines, then the corresponding nozzle is clogged and
+the print head must be cleaned. However, if there are no gaps, the
+nozzles are clean.
+ </P
+><TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+# escputil -n
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Running nozzle check, please ensure paper is in the printer.
+
+ </PRE
+></TD
+></TR
+></TABLE
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN602"
+>Clean the Print Head</A
+></H2
+><P
+> If the printed output is showing gaps where there should have
+been ink, it is likely that one or more nozzles are clogged and the
+print head is in need of cleaning. One can verify this by first
+running a nozzle check and looking for gaps in the printout. To clean
+the print head, issue the following command. One need not be the root user to
+issue this command. Note that as shown, the command will clean the
+print head on the default printer. If there are multiple
+printers present, the desired printer must be specified with an
+additional "-P printer_name" switch, where "printer_name" is the name
+of the desired printer.
+ </P
+><TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+# escputil -c
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Cleaning heads...
+
+ </PRE
+></TD
+></TR
+></TABLE
+><P
+> Nothing will be printed on the paper. The printer will make
+some noise as it cleans the print head. Wait until the printer is
+finished cleaning the print head. Afterwards, execute another nozzle
+check and insure that the print head is indeed completely clean. Note
+that the process of cleaning the print head causes ink consumption, so
+do not clean the print head any more than necessary.
+ </P
+><P
+>For severely clogged nozzles, one may have to execute two or three cycles
+of nozzle check followed by a cleaning of the print head. If the
+printer had gone unused for a long time, the nozzles may be so clogged
+with dried ink as to be unrecoverable, in which case, the best course
+of action is to replace the ink cartridge.
+ </P
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN608"
+>Align the Print Head</A
+></H2
+><P
+> To insure the highest quality printouts, the print head must
+be in proper physical alignment. One can check and realign the print
+head by running this interactive alignment test.
+ </P
+><P
+>The <I
+CLASS="EMPHASIS"
+>escputil</I
+> utility must know the exact printer model in
+use. One may specify the model on the command line using the "-m"
+switch, or the utility can detect the printer model if the user passes
+the "-r" switch and the name of the raw printer device.
+ </P
+><P
+>Note that an unprivileged user may use this command with the "-m" switch, but that
+(in general) the root user may only use the "-r" switch (which
+requires read/write access to the raw printer device). In the case of
+multiple printers in use, the "-P" switch is required to align the
+print head on the non-default printer.
+ </P
+><DIV
+CLASS="CAUTION"
+><P
+></P
+><TABLE
+CLASS="CAUTION"
+BORDER="1"
+WIDTH="100%"
+><TR
+><TD
+ALIGN="CENTER"
+><B
+>Caution</B
+></TD
+></TR
+><TR
+><TD
+ALIGN="LEFT"
+><P
+>This utility lets you align the print head of your Epson Stylus inkjet
+printer. Misuse of this utility may cause your print quality to degrade
+and possibly damage your printer. This utility has not been reviewed by
+Seiko Epson for correctness, and is offered with no warranty at all. The
+entire risk of using this utility lies with you.
+ </P
+></TD
+></TR
+></TABLE
+></DIV
+><P
+> Aligning the print head is an interactive process. The utility
+will print out a set of instructions and ask you for responses. Please
+read the instructions carefully and follow them precisely. A single
+sheet of paper will be needed (one can print on both sides to save paper).
+ </P
+><P
+>The following example illustrates the alignment process when issued by an
+unprivileged user who specified the printer model on the command
+line. (To obtain a list of printer models, issue the "escputil -M"
+command). Of course, your responses will vary and should be
+substituted for the responses shown in the following example.
+ </P
+><TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+
+*** NOTE - 870 is an illustrative example! ***
+*** You MUST use the proper printer model! ***
+*** Run: escputil -M for a listing of ***
+*** supported printer models! ***
+
+linuxpc&#62; escputil -a -m 870
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Please read these instructions very carefully before proceeding.
+
+This utility lets you align the print head of your Epson Stylus
+inkjet printer. Misuse of this utility may cause your print
+quality to degrade and possibly damage your printer. This utility
+has not been reviewed by Seiko Epson for correctness, and is
+offered with no warranty at all. The entire risk of using this
+utility lies with you.
+
+This utility prints 3 test patterns. Each pattern looks very
+similar. The patterns consist of a series of pairs of vertical
+lines that overlap. Below each pair of lines is a number between
+1 and 15.
+
+When you inspect the pairs of lines, you should find the pair
+of lines that is best in alignment, that is, that best forms
+a single vertical line. Inspect the pairs very carefully to
+find the best match. Using a loupe or magnifying glass is
+recommended for the most critical inspection. It is also
+suggested that you use a good quality paper for the test, so
+that the lines are well-formed and do not spread through the
+paper. After picking the number matching the best pair, place
+the paper back in the paper input tray before typing it in.
+
+Each pattern is similar, but later patterns use finer dots for
+more critical alignment. You must run all of the passes to
+correctly align your printer. After running all the alignment
+passes, the alignment patterns will be printed once more. You
+should find that the middle-most pair (#8 out of the 15) is the
+best for all patterns.
+
+After the passes are printed once more, you will be offered the
+choices of (s)aving the result in the printer, (r)epeating the
+process, or (q)uitting without saving. Quitting will not restore
+the previous settings, but powering the printer off and back
+on will. If you quit, you must repeat the entire process if
+you wish to later save the results. It is essential that you
+not turn your printer off during this procedure.
+
+This procedure assumes that your printer is an Epson Stylus Photo
+870. If this is not your printer model, please type control-C now
+and choose your actual printer model.
+
+Please place a sheet of paper in your printer to begin the head
+alignment procedure.
+Press enter to continue &#62;
+Please inspect the print, and choose the best pair of lines in
+each pattern. Type a pair number, '?' for help, or 'r' to repeat
+the procedure.
+Pass #1&#62; 8
+Pass #2&#62; 8
+Pass #3&#62; 8
+Attempting to set alignment...succeeded.
+Please verify that the alignment is correct. After the alignment
+pattern is printed again, please ensure that the best pattern
+for each line is pattern 8. If it is not, you should repeat the
+process to get the best quality printing.
+Please insert a fresh sheet of paper.
+Press enter to continue &#62;
+Please inspect the final output very carefully to ensure that your
+printer is in proper alignment. You may now:
+ (s)ave the results in the printer,
+ (q)uit without saving the results, or
+ (r)epeat the entire process from the beginning.
+You will then be asked to confirm your choice.
+What do you want to do (s, q, r)?
+&#62; s
+This will permanently alter the configuration of your printer.
+WARNING: this procedure has not been approved by Seiko Epson,
+and it may damage your printer. Proceed?
+Please confirm by typing 's' again that you wish to save the
+settings to your printer:
+&#62; s
+About to save settings...succeeded!
+Your alignment settings have been saved to the printer.
+
+ </PRE
+></TD
+></TR
+></TABLE
+><P
+> The following example shows what will happen if an unprivileged
+user attempts to align the print head by specifying the raw printer
+device on the command line.
+ </P
+><TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+linuxpc&#62; escputil -a -r /dev/usb/lp0
+Escputil version 4.2.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Attempting to detect printer model...
+Cannot open /dev/usb/lp0 read/write: Permission denied
+
+ </PRE
+></TD
+></TR
+></TABLE
+><P
+> This next example illustrates the results obtained when the root
+user issues an alignment command while specifying the raw printer
+device. Note that the output is truncated and only shows the printer
+detection output.
+ </P
+><TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+# escputil -a -r /dev/usb/lp0
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Attempting to detect printer model...Stylus Photo 870
+
+Please read these instructions very carefully before proceeding.
+
+ </PRE
+></TD
+></TR
+></TABLE
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN624"
+>Printer Identification</A
+></H2
+><P
+> The printer identification command will query the printer for
+make and model information. This command requires read/write access
+to the raw printer device (generally limited to the root user).
+Substitute your own raw printer device in place of the /dev/usb/lp0
+shown in the example. The output will vary depending on the precise
+printer model.
+ </P
+><TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+# escputil -d -r /dev/usb/lp0
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+@EJL ID
+MFG:EPSON;CMD:ESCPL2,BDC;MDL:Stylus Photo 870;CLS:PRINTER;DES:
+EPSON Stylus Photo 870;
+
+ </PRE
+></TD
+></TR
+></TABLE
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN628"
+>More Information</A
+></H2
+><P
+> For more detailed information about the command line switches
+accepted by the <I
+CLASS="EMPHASIS"
+>escputil</I
+> utility, please consult
+the man page which is supplied with the Gimp-Print software. The user
+may also issue the "escputil --help" command to get a listing of supported
+command line switches. The command requires no special privileges to execute.
+ </P
+></DIV
+></DIV
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x562.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="gfdl.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>Using CUPS from the Command Line</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>GNU Free Documentation License</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/ch-gimp-and-gimp-print.html b/doc/users_guide/html/ch-gimp-and-gimp-print.html
new file mode 100644
index 0000000..174da29
--- /dev/null
+++ b/doc/users_guide/html/ch-gimp-and-gimp-print.html
@@ -0,0 +1,242 @@
+<HTML
+><HEAD
+><TITLE
+>GIMP and Gimp-Print</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="PREVIOUS"
+TITLE="Project History"
+HREF="c29.html"><LINK
+REL="NEXT"
+TITLE="The Gimp-Print Graphical User Interface"
+HREF="x85.html"></HEAD
+><BODY
+CLASS="CHAPTER"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="c29.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+></TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x85.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="CHAPTER"
+><H1
+><A
+NAME="CH-GIMP-AND-GIMP-PRINT"
+>Chapter 2. GIMP and Gimp-Print</A
+></H1
+><DIV
+CLASS="TOC"
+><DL
+><DT
+><B
+>Table of Contents</B
+></DT
+><DT
+><A
+HREF="ch-gimp-and-gimp-print.html#AEN63"
+>Running the GIMP</A
+></DT
+><DT
+><A
+HREF="x85.html"
+>The Gimp-Print Graphical User Interface</A
+></DT
+></DL
+></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN63"
+>Running the GIMP</A
+></H1
+><P
+> This section assumes that you have the GIMP version 1.2 installed
+and working properly on your computer, and that you have an image of
+some type that you desire to print. To get started quickly, log into
+your system, start the X window system, and bring up your favorite terminal
+window. At the $ prompt, type:
+
+ <TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+ $ gimp &#38;
+
+ </PRE
+></TD
+></TR
+></TABLE
+>
+
+ This should start the GIMP for you. If it does not, check that
+you have installed the GIMP properly, and that its binary is located
+in one of the directories listed in your $PATH environment
+variable. On the assumption that this worked, the screen should now
+look something like this:
+
+ <DIV
+CLASS="FIGURE"
+><A
+NAME="AEN67"
+></A
+><P
+><B
+>Figure 2-1. The Startup Window for The GIMP</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/gimp_startup.png"
+ALT="Startup window for The GIMP"
+></IMG
+></P
+></DIV
+></DIV
+>
+
+ </P
+><P
+> At this point, you should use the
+
+ <SPAN
+CLASS="GUIMENU"
+>File</SPAN
+>-&gt;<SPAN
+CLASS="GUIMENUITEM"
+>Open</SPAN
+>
+
+menu option to open your favorite picture. We will print this picture
+shortly. Your picture should be displayed next to the GIMP startup
+window, perhaps looking similar to the following (sssh! Don't tell
+anybody the secret!):
+
+ <DIV
+CLASS="FIGURE"
+><A
+NAME="AEN78"
+></A
+><P
+><B
+>Figure 2-2. A Sample Image Displayed by The GIMP</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/gimp_image.png"
+ALT="A Sample Image displayed by The Gimp"
+></IMG
+></P
+></DIV
+></DIV
+>
+
+ </P
+></DIV
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="c29.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x85.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>Project History</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>The Gimp-Print Graphical User Interface</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/docbook.css b/doc/users_guide/html/docbook.css
new file mode 100644
index 0000000..b42fb27
--- /dev/null
+++ b/doc/users_guide/html/docbook.css
@@ -0,0 +1,20 @@
+.BOOK .TITLE { text-align: center }
+.BOOK .SUBTITLE { text-align: center }
+.BOOK .CORPAUTHOR { text-align: center }
+.BOOK .AUTHOR { text-align: center }
+.BOOK .AFFILIATION { text-align: center }
+.BOOK .EDITEDBY { text-align: center }
+.BOOK .EDITOR { text-align: center }
+.BOOK .GRAPHIC { text-align: center }
+
+.ARTICLE .TITLE { text-align: center }
+.ARTICLE .SUBTITLE { text-align: center }
+.ARTICLE .CORPAUTHOR { text-align: center }
+.ARTICLE .AUTHOR { text-align: center }
+.ARTICLE .AFFILIATION { text-align: center }
+.ARTICLE .EDITEDBY { text-align: center }
+.ARTICLE .EDITOR { text-align: center }
+.ARTICLE .GRAPHIC { text-align: center }
+.ARTICLE .ABSTRACT { margin-left: 0.5in;
+ margin-right: 0.5in;
+ font-style: italic }
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diff --git a/doc/users_guide/html/gfdl.html b/doc/users_guide/html/gfdl.html
new file mode 100644
index 0000000..1b639d3
--- /dev/null
+++ b/doc/users_guide/html/gfdl.html
@@ -0,0 +1,238 @@
+<HTML
+><HEAD
+><TITLE
+>GNU Free Documentation License</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="PREVIOUS"
+TITLE="Gimp-Print Utilities"
+HREF="c570.html"><LINK
+REL="NEXT"
+TITLE="APPLICABILITY AND DEFINITIONS"
+HREF="x642.html"></HEAD
+><BODY
+CLASS="APPENDIX"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="c570.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+></TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x642.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="APPENDIX"
+><H1
+><A
+NAME="GFDL"
+>Appendix A. GNU Free Documentation License</A
+></H1
+><DIV
+CLASS="TOC"
+><DL
+><DT
+><B
+>Table of Contents</B
+></DT
+><DT
+>0. <A
+HREF="gfdl.html#AEN637"
+>PREAMBLE</A
+></DT
+><DT
+>1. <A
+HREF="x642.html"
+>APPLICABILITY AND DEFINITIONS</A
+></DT
+><DT
+>2. <A
+HREF="x652.html"
+>VERBATIM COPYING</A
+></DT
+><DT
+>3. <A
+HREF="x656.html"
+>COPYING IN QUANTITY</A
+></DT
+><DT
+>4. <A
+HREF="x662.html"
+>MODIFICATIONS</A
+></DT
+><DT
+>5. <A
+HREF="x698.html"
+>COMBINING DOCUMENTS</A
+></DT
+><DT
+>6. <A
+HREF="x703.html"
+>COLLECTIONS OF DOCUMENTS</A
+></DT
+><DT
+>7. <A
+HREF="x707.html"
+>AGGREGATION WITH INDEPENDENT WORKS</A
+></DT
+><DT
+>8. <A
+HREF="x711.html"
+>TRANSLATION</A
+></DT
+><DT
+>9. <A
+HREF="x714.html"
+>TERMINATION</A
+></DT
+><DT
+>10. <A
+HREF="x717.html"
+>FUTURE REVISIONS OF THIS LICENSE</A
+></DT
+><DT
+><A
+HREF="x722.html"
+>How to use this License for your documents</A
+></DT
+></DL
+></DIV
+><P
+>Version 1.1, March 2000</P
+><A
+NAME="AEN635"
+></A
+><BLOCKQUOTE
+CLASS="BLOCKQUOTE"
+><P
+>Copyright (C) 2000 Free Software Foundation, Inc.
+59 Temple Place, Suite 330, Boston, MA 02111-1307 USA
+Everyone is permitted to copy and distribute verbatim copies
+of this license document, but changing it is not allowed.</P
+></BLOCKQUOTE
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN637"
+>0. PREAMBLE</A
+></H1
+><P
+>The purpose of this License is to make a manual, textbook,
+ or other written document "free" in the sense of freedom: to
+ assure everyone the effective freedom to copy and redistribute it,
+ with or without modifying it, either commercially or
+ noncommercially. Secondarily, this License preserves for the
+ author and publisher a way to get credit for their work, while not
+ being considered responsible for modifications made by
+ others.</P
+><P
+>This License is a kind of "copyleft", which means that
+ derivative works of the document must themselves be free in the
+ same sense. It complements the GNU General Public License, which
+ is a copyleft license designed for free software.</P
+><P
+>We have designed this License in order to use it for manuals
+ for free software, because free software needs free documentation:
+ a free program should come with manuals providing the same
+ freedoms that the software does. But this License is not limited
+ to software manuals; it can be used for any textual work,
+ regardless of subject matter or whether it is published as a
+ printed book. We recommend this License principally for works
+ whose purpose is instruction or reference.</P
+></DIV
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="c570.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x642.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>Gimp-Print Utilities</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>APPLICABILITY AND DEFINITIONS</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/ln12.html b/doc/users_guide/html/ln12.html
new file mode 100644
index 0000000..1f8242f
--- /dev/null
+++ b/doc/users_guide/html/ln12.html
@@ -0,0 +1,88 @@
+<HTML
+><HEAD
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="NEXT"
+TITLE="Project History"
+HREF="c29.html"></HEAD
+><BODY
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="LEGALNOTICE"
+><A
+NAME="AEN12"
+></A
+><P
+></P
+><P
+>The User's Guide to the Gimp-Print Top Quality Printer
+Drivers, Copyright 2002, Andy Stewart.
+ </P
+><P
+> Permission is granted to copy, distribute and/or modify this
+document under the terms of the GNU Free Documentation License,
+Version 1.1 or any later version published by the Free Software
+Foundation with no invariant sections, no Front-Cover texts, and no
+Back-Cover texts. A copy of the license is included in <A
+HREF="gfdl.html"
+>Appendix A</A
+>.
+ </P
+><P
+></P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>&nbsp;</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>&nbsp;</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
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+<HTML
+><HEAD
+><TITLE
+>CUPS Printer Installation</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="CUPS and Gimp-Print"
+HREF="c447.html"><LINK
+REL="PREVIOUS"
+TITLE="CUPS and Gimp-Print"
+HREF="c447.html"><LINK
+REL="NEXT"
+TITLE="Configuring your Printer in CUPS"
+HREF="x548.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="c447.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Chapter 3. CUPS and Gimp-Print</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x548.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN456"
+>CUPS Printer Installation</A
+></H1
+><P
+>This explanation will use the web interface provided by CUPS. First,
+aim your favorite web browser at
+<A
+HREF="http://localhost:631"
+TARGET="_top"
+>the CUPS server</A
+>. The
+following screen should appear within your browser.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="AEN460"
+></A
+><P
+><B
+>Figure 3-1. The CUPS Startup Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_startup.png"
+ALT="The CUPS Startup Window"
+></IMG
+></P
+></DIV
+></DIV
+><P
+>Now, you may click on either the word <SPAN
+CLASS="GUILABEL"
+>Printers</SPAN
+> in the bar at the top
+of the page, or you may click on the <SPAN
+CLASS="GUILABEL"
+>Manage Printers</SPAN
+> text. In
+either case, the next screen you see will look like this one if you
+have not yet configured any printers.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="AEN470"
+></A
+><P
+><B
+>Figure 3-2. The CUPS Printers Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_printers.png"
+ALT="The CUPS Printers Window"
+></IMG
+></P
+></DIV
+></DIV
+><P
+>At this time, click on the <SPAN
+CLASS="GUIBUTTON"
+>Add Printer</SPAN
+> button.
+You will then see the Admin screen (shown below).
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="AEN479"
+></A
+><P
+><B
+>Figure 3-3. The CUPS Admin Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_admin.png"
+ALT="The CUPS Admin Window"
+></IMG
+></P
+></DIV
+></DIV
+><P
+>Notice in the screenshot that the three boxes are shown after the
+author filled them in for his printer at home. You will need to fill
+in an appropriate name of your printer, its location, and a
+description which meets your own needs. Once this is done, click on
+the <SPAN
+CLASS="GUIBUTTON"
+>Continue</SPAN
+> button, and then this screen will appear.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="FIG-CUPS-ADMIN-DEVICE"
+></A
+><P
+><B
+>Figure 3-4. The CUPS Admin Device Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_admin_device.png"
+ALT="The CUPS Admin Device Window"
+></IMG
+></P
+></DIV
+></DIV
+><P
+>Click on the drop down menu next to the word
+<SPAN
+CLASS="GUILABEL"
+>Device</SPAN
+> and a list of possible printer devices
+appears. Select the device appropriate for your printer. Note that
+there are a range of serial, parallel, USB, and other devices from
+which to choose. Once the selection is made, click the
+<SPAN
+CLASS="GUIBUTTON"
+>Continue</SPAN
+> button. Now, this screen appears.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="AEN498"
+></A
+><P
+><B
+>Figure 3-5. The CUPS Admin Model/Driver Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_admin_make.png"
+ALT="The CUPS Admin Model/Driver Window"
+></IMG
+></P
+></DIV
+></DIV
+><DIV
+CLASS="CAUTION"
+><P
+></P
+><TABLE
+CLASS="CAUTION"
+BORDER="1"
+WIDTH="100%"
+><TR
+><TD
+ALIGN="CENTER"
+><B
+>Caution Regarding USB Printers</B
+></TD
+></TR
+><TR
+><TD
+ALIGN="LEFT"
+><P
+>CUPS versions 1.1.11 and later <I
+CLASS="EMPHASIS"
+>REQUIRE</I
+>
+the user to insure that the desired USB printer is powered on
+<I
+CLASS="EMPHASIS"
+>AND</I
+> physically connected to the USB bus
+<I
+CLASS="EMPHASIS"
+>BEFORE</I
+> starting the CUPS software.
+ </P
+><P
+>CUPS must see the USB printer when the software starts. The CUPS software
+is typically started when the computer boots. Note that one cannot
+simply plug in the USB printer and power it on after CUPS has started.
+(Note that this does not apply to parallel port printers).
+ </P
+><P
+>If the USB printer was not connected and powered on at the time CUPS was
+started, there will not be a USB printer shown in the
+list of devices on the CUPS Admin Device Window (see
+<A
+HREF="x456.html#FIG-CUPS-ADMIN-DEVICE"
+>Figure 3-4</A
+>). In this event, stop the CUPS
+software, properly connect and power on the USB printer, and restart
+the CUPS software.
+ </P
+><P
+>From the list of devices shown in the CUPS Admin Device Window
+(see <A
+HREF="x456.html#FIG-CUPS-ADMIN-DEVICE"
+>Figure 3-4</A
+>), a clever user might
+attempt to avoid this issue by selecting
+<SPAN
+CLASS="GUIMENUITEM"
+>Internet Printing Protocol</SPAN
+>
+and then enter something similar to 'usb:/dev/usblp0' in the next
+screen. However, this fails later in the configuration process with a
+"client_error_not_possible" error message with no other explanation.
+Note that entering 'file:/dev/usblp0' will not work either. While CUPS
+will allow this, printing will not actually work in some situations.
+ </P
+><P
+>CUPS versions 1.1.10 and earlier exhibit similar behavior with regard
+to not displaying the USB printer if it was not connected to the USB
+bus and powered up prior to starting the CUPS software. However,
+these versions of CUPS will indeed allow the user to enter the name of
+the USB connection, unlike versions 1.1.11 and later.
+ </P
+></TD
+></TR
+></TABLE
+></DIV
+><P
+>Select the manufacturer of your printer and click the
+<SPAN
+CLASS="GUIBUTTON"
+>Continue</SPAN
+> button. A window will appear which
+asks you to select the specific model number for your printer.
+ </P
+><P
+>Scroll through the long list and find the model number for your
+printer. Notice carefully that there are many different languages
+supported for each printer, as denoted by the initials in parenthesis.
+(en) would be for English, (da) for Danish, (sv) for Swedish, (fr) for
+French, (no) for Norwegian, (pl) for Polish, and (en_GB) for British
+English (see <A
+HREF="x456.html#FIG-CUPS-ADMIN-MODEL"
+>Figure 3-6</A
+>). Also take note
+of the Gimp-Print revision for the driver, and ensure that it is
+indeed the version of Gimp-Print which you have most recently
+installed. Once you have made the proper selection, click on the
+<SPAN
+CLASS="GUIBUTTON"
+>Continue</SPAN
+> button.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="FIG-CUPS-ADMIN-MODEL"
+></A
+><P
+><B
+>Figure 3-6. The 2nd CUPS Admin Model/Driver Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_admin_model.png"
+ALT="The 2nd CUPS Admin Model/Driver Window"
+></IMG
+></P
+></DIV
+></DIV
+><DIV
+CLASS="FIGURE"
+><A
+NAME="AEN530"
+></A
+><P
+><B
+>Figure 3-7. The CUPS Admin Success Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_admin_success.png"
+ALT="The CUPS Admin Success Window"
+></IMG
+></P
+></DIV
+></DIV
+><P
+>Congratulations! You should now see the CUPS window indicating that
+your printer was successfully installed. Notice the sentence which
+reads "Printer your_printer has been added successfully". Click on
+your_printer, which will be the underlined name for your printer.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="FIG-CUPS-MY-PRINTER"
+></A
+><P
+><B
+>Figure 3-8. The CUPS Window for Your Printer</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_my_printer.png"
+ALT="The CUPS Window for Your Printer"
+></IMG
+></P
+></DIV
+></DIV
+><P
+>After clicking on your_printer (epson_870 in this example), a window
+will appear similar to that shown in <A
+HREF="x456.html#FIG-CUPS-MY-PRINTER"
+>Figure 3-8</A
+>.
+It would probably be a good idea at this point to click on the
+<SPAN
+CLASS="GUIBUTTON"
+>Print Test Page</SPAN
+> button to ensure that
+everything is working properly. Take note of the Gimp-Print revision
+printed on this screen and confirm once again that it is the expected
+revision.
+ </P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="c447.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x548.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>CUPS and Gimp-Print</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="c447.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>Configuring your Printer in CUPS</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x548.html b/doc/users_guide/html/x548.html
new file mode 100644
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--- /dev/null
+++ b/doc/users_guide/html/x548.html
@@ -0,0 +1,175 @@
+<HTML
+><HEAD
+><TITLE
+>Configuring your Printer in CUPS</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="CUPS and Gimp-Print"
+HREF="c447.html"><LINK
+REL="PREVIOUS"
+TITLE="CUPS Printer Installation"
+HREF="x456.html"><LINK
+REL="NEXT"
+TITLE="Using CUPS from the Command Line"
+HREF="x562.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x456.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Chapter 3. CUPS and Gimp-Print</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x562.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN548"
+>Configuring your Printer in CUPS</A
+></H1
+><P
+>With reference to <A
+HREF="x456.html#FIG-CUPS-MY-PRINTER"
+>Figure 3-8</A
+>, click
+on the <SPAN
+CLASS="GUIBUTTON"
+>Configure Printer</SPAN
+> button. A partial
+screenshot of the printer configuration window appears in
+<A
+HREF="x548.html#FIG-CUPS-PRINTER-CONFIG-WINDOW"
+>Figure 3-9</A
+>.
+The contents of this window will vary depending on precisely which
+printer you selected when you configured CUPS for your printer. The
+screenshot shows the selections made by the author for his printer.
+The individual selections will not be explained in detail here, as
+they are the same selections which are available when using the
+Gimp-Print plugin to the GIMP. These selections are explained in
+detail in various sections of <A
+HREF="ch-gimp-and-gimp-print.html"
+>Chapter 2</A
+>.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="FIG-CUPS-PRINTER-CONFIG-WINDOW"
+></A
+><P
+><B
+>Figure 3-9. The CUPS Printer Cofiguration Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/cups_config_printer.png"
+ALT="The CUPS Printer Configuration Window"
+></IMG
+></P
+></DIV
+></DIV
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x456.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x562.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>CUPS Printer Installation</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="c447.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>Using CUPS from the Command Line</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x562.html b/doc/users_guide/html/x562.html
new file mode 100644
index 0000000..60e2cb6
--- /dev/null
+++ b/doc/users_guide/html/x562.html
@@ -0,0 +1,212 @@
+<HTML
+><HEAD
+><TITLE
+>Using CUPS from the Command Line</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="CUPS and Gimp-Print"
+HREF="c447.html"><LINK
+REL="PREVIOUS"
+TITLE="Configuring your Printer in CUPS"
+HREF="x548.html"><LINK
+REL="NEXT"
+TITLE="Gimp-Print Utilities"
+HREF="c570.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x548.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Chapter 3. CUPS and Gimp-Print</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="c570.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN562"
+>Using CUPS from the Command Line</A
+></H1
+><P
+> It is possible to use the CUPS printing system from the command
+line. While this document will not delve into all of the specifics of
+the CUPS command line interface, there are portions of this interface
+which are specific to the Gimp-Print software.
+ </P
+><P
+>The command line is in some cases a more convenient way to generate
+printed output (e.g. when printing from a script). However, most
+people (including the author) cannot easily predict what a command
+line option of "-o stpCyan=1350" will do to the output. It is
+therefore a good idea to use the GIMP to view the image and the
+Gimp-Print plugin to preview these settings before relying on the
+command line.
+ </P
+><P
+>When using CUPS from the command line, the command will have this
+general format:
+
+ <TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+ lpr -P my_printer_name \
+ -o option1=&#60;choice1&#62; \
+ -o option2=&#60;choice2&#62; \
+ /path/to/printfile
+
+ </PRE
+></TD
+></TR
+></TABLE
+>
+
+When typing the command directly onto the command line, put all of the
+command line options on one line, and do not type the "\" characters.
+The list of possible options which are specific to Gimp-Print,
+followed by some of the supported choices, are shown below:
+
+ <TABLE
+BORDER="0"
+BGCOLOR="#E0E0E0"
+WIDTH="100%"
+><TR
+><TD
+><PRE
+CLASS="PROGRAMLISTING"
+>
+ -o PageSize=&#60;...| A3 | A4 | A4 | ...&#62;
+ -o InputSlot=&#60;Roll | Standard&#62;
+ -o MediaType=&#60; ..| Inkjet | Plain | GlossyPaper | ...&#62;
+ -o Resolution=&#60;360sw | 360swuni ...| 1440x720 &#62;
+ -o ColorModel=&#60;Black | RGB | Gray | CMYK&#62;
+ -o stpBrightness=&#60;0...2000&#62;
+ -o stpContrast=&#60;0...2000&#62;
+ -o stpCyan=&#60;0...4000&#62;
+ -o stpDensity=&#60;0...2000&#62;
+ -o stpDither=&#60;0...4000&#62;
+ -o stpGamma=&#60;0...4000&#62;
+ -o stpImageType=&#60;LineArt | Continuous | SolidTone&#62;
+ -o stpInkType=&#60;PhotoCMY | CMYK | PhotoCMYK | RGB&#62;
+ -o stpMagenta=&#60;0...4000&#62;
+ -o stpSaturation=&#60;0...9000&#62;
+ -o stpYellow=&#60;0...4000&#62;
+
+ </PRE
+></TD
+></TR
+></TABLE
+>
+
+For more detailed information, consult the appropriate sections of <A
+HREF="ch-gimp-and-gimp-print.html"
+>Chapter 2</A
+>.
+ </P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x548.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="c570.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>Configuring your Printer in CUPS</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="c447.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>Gimp-Print Utilities</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x642.html b/doc/users_guide/html/x642.html
new file mode 100644
index 0000000..621c57b
--- /dev/null
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+COLSPAN="3"
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+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
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+><A
+HREF="gfdl.html"
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+>1. APPLICABILITY AND DEFINITIONS</A
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+HREF="x652.html"
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+></TR
+><TR
+><TD
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+ALIGN="left"
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+><A
+HREF="gfdl.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
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+> \ No newline at end of file
diff --git a/doc/users_guide/html/x652.html b/doc/users_guide/html/x652.html
new file mode 100644
index 0000000..25fde10
--- /dev/null
+++ b/doc/users_guide/html/x652.html
@@ -0,0 +1,145 @@
+<HTML
+><HEAD
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+>VERBATIM COPYING</TITLE
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+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
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+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
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+BORDER="0"
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+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x642.html"
+>Prev</A
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+><TD
+WIDTH="80%"
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+HREF="x656.html"
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+CLASS="SECT1"
+><A
+NAME="AEN652"
+>2. VERBATIM COPYING</A
+></H1
+><P
+>You may copy and distribute the Document in any medium,
+ either commercially or noncommercially, provided that this
+ License, the copyright notices, and the license notice saying this
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+WIDTH="100%"><TABLE
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+> \ No newline at end of file
diff --git a/doc/users_guide/html/x656.html b/doc/users_guide/html/x656.html
new file mode 100644
index 0000000..78f15ca
--- /dev/null
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+<HTML
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+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
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+HREF="gfdl.html"><LINK
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+TITLE="VERBATIM COPYING"
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+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x652.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
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+HREF="x662.html"
+>Next</A
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+CLASS="SECT1"
+><A
+NAME="AEN656"
+>3. COPYING IN QUANTITY</A
+></H1
+><P
+>If you publish printed copies of the Document numbering more
+ than 100, and the Document's license notice requires Cover Texts,
+ you must enclose the copies in covers that carry, clearly and
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+ cover, and Back-Cover Texts on the back cover. Both covers must
+ also clearly and legibly identify you as the publisher of these
+ copies. The front cover must present the full title with all
+ words of the title equally prominent and visible. You may add
+ other material on the covers in addition. Copying with changes
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+ Document and satisfy these conditions, can be treated as verbatim
+ copying in other respects.</P
+><P
+>If the required texts for either cover are too voluminous to
+ fit legibly, you should put the first ones listed (as many as fit
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+>If you publish or distribute Opaque copies of the Document
+ numbering more than 100, you must either include a
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+ state in or with each Opaque copy a publicly-accessible
+ computer-network location containing a complete Transparent copy
+ of the Document, free of added material, which the general
+ network-using public has access to download anonymously at no
+ charge using public-standard network protocols. If you use the
+ latter option, you must take reasonably prudent steps, when you
+ begin distribution of Opaque copies in quantity, to ensure that
+ this Transparent copy will remain thus accessible at the stated
+ location until at least one year after the last time you
+ distribute an Opaque copy (directly or through your agents or
+ retailers) of that edition to the public.</P
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+>It is requested, but not required, that you contact the
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+WIDTH="33%"
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+HREF="x662.html"
+>Next</A
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+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>VERBATIM COPYING</TD
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+><A
+HREF="gfdl.html"
+>Up</A
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+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>MODIFICATIONS</TD
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+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x662.html b/doc/users_guide/html/x662.html
new file mode 100644
index 0000000..d76ee2e
--- /dev/null
+++ b/doc/users_guide/html/x662.html
@@ -0,0 +1,275 @@
+<HTML
+><HEAD
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+>MODIFICATIONS</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
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+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"><LINK
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+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
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+WIDTH="10%"
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+VALIGN="bottom"
+><A
+HREF="x656.html"
+>Prev</A
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+><TD
+WIDTH="80%"
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+CLASS="SECT1"
+><A
+NAME="AEN662"
+>4. MODIFICATIONS</A
+></H1
+><P
+>You may copy and distribute a Modified Version of the
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+TYPE="A"
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+>Use in the Title Page
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+>Include an unaltered
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+><LI
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+>In any section entitled
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+></LI
+><LI
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+>If the Modified Version includes new front-matter sections
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+ designate some or all of these sections as invariant. To do this,
+ add their titles to the list of Invariant Sections in the Modified
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+><P
+>You may add a section entitled "Endorsements", provided it
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+>You may add a passage of up to five words as a Front-Cover
+ Text, and a passage of up to 25 words as a Back-Cover Text, to the
+ end of the list of Cover Texts in the Modified Version. Only one
+ passage of Front-Cover Text and one of Back-Cover Text may be
+ added by (or through arrangements made by) any one entity. If the
+ Document already includes a cover text for the same cover,
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+><P
+>The author(s) and publisher(s) of the Document do not by
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+><DIV
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+WIDTH="100%"><TABLE
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+HREF="x698.html"
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+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
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+>Up</A
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diff --git a/doc/users_guide/html/x698.html b/doc/users_guide/html/x698.html
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+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
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+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x662.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Appendix A. GNU Free Documentation License</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x703.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN698"
+>5. COMBINING DOCUMENTS</A
+></H1
+><P
+>You may combine the Document with other documents released
+ under this License, under the terms defined in section 4 above for
+ modified versions, provided that you include in the combination
+ all of the Invariant Sections of all of the original documents,
+ unmodified, and list them all as Invariant Sections of your
+ combined work in its license notice.</P
+><P
+>The combined work need only contain one copy of this
+ License, and multiple identical Invariant Sections may be replaced
+ with a single copy. If there are multiple Invariant Sections with
+ the same name but different contents, make the title of each such
+ section unique by adding at the end of it, in parentheses, the
+ name of the original author or publisher of that section if known,
+ or else a unique number. Make the same adjustment to the section
+ titles in the list of Invariant Sections in the license notice of
+ the combined work.</P
+><P
+>In the combination, you must combine any sections entitled
+ "History" in the various original documents, forming one section
+ entitled "History"; likewise combine any sections entitled
+ "Acknowledgements", and any sections entitled "Dedications". You
+ must delete all sections entitled "Endorsements."</P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x662.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x703.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>MODIFICATIONS</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="gfdl.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>COLLECTIONS OF DOCUMENTS</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x703.html b/doc/users_guide/html/x703.html
new file mode 100644
index 0000000..aedff67
--- /dev/null
+++ b/doc/users_guide/html/x703.html
@@ -0,0 +1,144 @@
+<HTML
+><HEAD
+><TITLE
+>COLLECTIONS OF DOCUMENTS</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"><LINK
+REL="PREVIOUS"
+TITLE="COMBINING DOCUMENTS"
+HREF="x698.html"><LINK
+REL="NEXT"
+TITLE="AGGREGATION WITH INDEPENDENT WORKS"
+HREF="x707.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x698.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Appendix A. GNU Free Documentation License</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x707.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN703"
+>6. COLLECTIONS OF DOCUMENTS</A
+></H1
+><P
+>You may make a collection consisting of the Document and
+ other documents released under this License, and replace the
+ individual copies of this License in the various documents with a
+ single copy that is included in the collection, provided that you
+ follow the rules of this License for verbatim copying of each of
+ the documents in all other respects.</P
+><P
+>You may extract a single document from such a collection,
+ and distribute it individually under this License, provided you
+ insert a copy of this License into the extracted document, and
+ follow this License in all other respects regarding verbatim
+ copying of that document.</P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x698.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x707.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>COMBINING DOCUMENTS</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="gfdl.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>AGGREGATION WITH INDEPENDENT WORKS</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x707.html b/doc/users_guide/html/x707.html
new file mode 100644
index 0000000..f7a2a34
--- /dev/null
+++ b/doc/users_guide/html/x707.html
@@ -0,0 +1,148 @@
+<HTML
+><HEAD
+><TITLE
+>AGGREGATION WITH INDEPENDENT WORKS</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"><LINK
+REL="PREVIOUS"
+TITLE="COLLECTIONS OF DOCUMENTS"
+HREF="x703.html"><LINK
+REL="NEXT"
+TITLE="TRANSLATION"
+HREF="x711.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x703.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Appendix A. GNU Free Documentation License</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x711.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN707"
+>7. AGGREGATION WITH INDEPENDENT WORKS</A
+></H1
+><P
+>A compilation of the Document or its derivatives with other
+ separate and independent documents or works, in or on a volume of
+ a storage or distribution medium, does not as a whole count as a
+ Modified Version of the Document, provided no compilation
+ copyright is claimed for the compilation. Such a compilation is
+ called an "aggregate", and this License does not apply to the
+ other self-contained works thus compiled with the Document, on
+ account of their being thus compiled, if they are not themselves
+ derivative works of the Document.</P
+><P
+>If the Cover Text requirement of section 3 is applicable to
+ these copies of the Document, then if the Document is less than
+ one quarter of the entire aggregate, the Document's Cover Texts
+ may be placed on covers that surround only the Document within the
+ aggregate. Otherwise they must appear on covers around the whole
+ aggregate.</P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x703.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x711.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>COLLECTIONS OF DOCUMENTS</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="gfdl.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>TRANSLATION</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x711.html b/doc/users_guide/html/x711.html
new file mode 100644
index 0000000..c9178e4
--- /dev/null
+++ b/doc/users_guide/html/x711.html
@@ -0,0 +1,143 @@
+<HTML
+><HEAD
+><TITLE
+>TRANSLATION</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"><LINK
+REL="PREVIOUS"
+TITLE="AGGREGATION WITH INDEPENDENT WORKS"
+HREF="x707.html"><LINK
+REL="NEXT"
+TITLE="TERMINATION"
+HREF="x714.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x707.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Appendix A. GNU Free Documentation License</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x714.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN711"
+>8. TRANSLATION</A
+></H1
+><P
+>Translation is considered a kind of modification, so you may
+ distribute translations of the Document under the terms of section
+ 4. Replacing Invariant Sections with translations requires
+ special permission from their copyright holders, but you may
+ include translations of some or all Invariant Sections in addition
+ to the original versions of these Invariant Sections. You may
+ include a translation of this License provided that you also
+ include the original English version of this License. In case of
+ a disagreement between the translation and the original English
+ version of this License, the original English version will
+ prevail.</P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x707.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x714.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>AGGREGATION WITH INDEPENDENT WORKS</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="gfdl.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>TERMINATION</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x714.html b/doc/users_guide/html/x714.html
new file mode 100644
index 0000000..eaf6708
--- /dev/null
+++ b/doc/users_guide/html/x714.html
@@ -0,0 +1,140 @@
+<HTML
+><HEAD
+><TITLE
+>TERMINATION</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"><LINK
+REL="PREVIOUS"
+TITLE="TRANSLATION"
+HREF="x711.html"><LINK
+REL="NEXT"
+TITLE="FUTURE REVISIONS OF THIS LICENSE"
+HREF="x717.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x711.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Appendix A. GNU Free Documentation License</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x717.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN714"
+>9. TERMINATION</A
+></H1
+><P
+>You may not copy, modify, sublicense, or distribute the
+ Document except as expressly provided for under this License. Any
+ other attempt to copy, modify, sublicense or distribute the
+ Document is void, and will automatically terminate your rights
+ under this License. However, parties who have received copies, or
+ rights, from you under this License will not have their licenses
+ terminated so long as such parties remain in full
+ compliance.</P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x711.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x717.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>TRANSLATION</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="gfdl.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>FUTURE REVISIONS OF THIS LICENSE</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x717.html b/doc/users_guide/html/x717.html
new file mode 100644
index 0000000..37b1e60
--- /dev/null
+++ b/doc/users_guide/html/x717.html
@@ -0,0 +1,151 @@
+<HTML
+><HEAD
+><TITLE
+>FUTURE REVISIONS OF THIS LICENSE</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"><LINK
+REL="PREVIOUS"
+TITLE="TERMINATION"
+HREF="x714.html"><LINK
+REL="NEXT"
+TITLE="How to use this License for your documents"
+HREF="x722.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x714.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Appendix A. GNU Free Documentation License</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="x722.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN717"
+>10. FUTURE REVISIONS OF THIS LICENSE</A
+></H1
+><P
+>The Free Software Foundation may publish new, revised
+ versions of the GNU Free Documentation License from time to time.
+ Such new versions will be similar in spirit to the present
+ version, but may differ in detail to address new problems or
+ concerns. See <A
+HREF="http://www.gnu.org/copyleft/"
+TARGET="_top"
+>http://www.gnu.org/copyleft/</A
+>.</P
+><P
+>Each version of the License is given a distinguishing
+ version number. If the Document specifies that a particular
+ numbered version of this License "or any later version" applies to
+ it, you have the option of following the terms and conditions
+ either of that specified version or of any later version that has
+ been published (not as a draft) by the Free Software Foundation.
+ If the Document does not specify a version number of this License,
+ you may choose any version ever published (not as a draft) by the
+ Free Software Foundation.</P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="x714.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="x722.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>TERMINATION</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="gfdl.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>How to use this License for your documents</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/html/x722.html b/doc/users_guide/html/x722.html
new file mode 100644
index 0000000..8b3ac32
--- /dev/null
+++ b/doc/users_guide/html/x722.html
@@ -0,0 +1,152 @@
+<HTML
+><HEAD
+><TITLE
+>How to use this License for your documents</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
+REL="HOME"
+TITLE="The User's Guide to the Gimp-Print Top Quality Printer Drivers"
+HREF="book1.html"><LINK
+REL="UP"
+TITLE="GNU Free Documentation License"
+HREF="gfdl.html"><LINK
+REL="PREVIOUS"
+TITLE="FUTURE REVISIONS OF THIS LICENSE"
+HREF="x717.html"></HEAD
+><BODY
+CLASS="SECT1"
+><DIV
+CLASS="NAVHEADER"
+><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="x717.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Appendix A. GNU Free Documentation License</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+>&nbsp;</TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN722"
+>How to use this License for your documents</A
+></H1
+><P
+>To use this License in a document you have written, include
+ a copy of the License in the document and put the following
+ copyright and license notices just after the title page:</P
+><A
+NAME="AEN725"
+></A
+><BLOCKQUOTE
+CLASS="BLOCKQUOTE"
+><P
+> Copyright (c) YEAR YOUR NAME.
+ Permission is granted to copy, distribute and/or modify this document
+ under the terms of the GNU Free Documentation License, Version 1.1
+ or any later version published by the Free Software Foundation;
+ with the Invariant Sections being LIST THEIR TITLES, with the
+ Front-Cover Texts being LIST, and with the Back-Cover Texts being LIST.
+ A copy of the license is included in the section entitled "GNU
+ Free Documentation License".</P
+></BLOCKQUOTE
+><P
+>If you have no Invariant Sections, write "with no Invariant
+ Sections" instead of saying which ones are invariant. If you have
+ no Front-Cover Texts, write "no Front-Cover Texts" instead of
+ "Front-Cover Texts being LIST"; likewise for Back-Cover
+ Texts.</P
+><P
+>If your document contains nontrivial examples of program
+ code, we recommend releasing these examples in parallel under your
+ choice of free software license, such as the GNU General Public
+ License, to permit their use in free software.</P
+></DIV
+><DIV
+CLASS="NAVFOOTER"
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+HREF="x717.html"
+>Prev</A
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+<HTML
+><HEAD
+><TITLE
+>The Gimp-Print Graphical User Interface</TITLE
+><META
+NAME="GENERATOR"
+CONTENT="Modular DocBook HTML Stylesheet Version 1.64
+"><LINK
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+TITLE="CUPS and Gimp-Print"
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+><BODY
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+><TR
+><TH
+COLSPAN="3"
+ALIGN="center"
+>The User's Guide to the Gimp-Print Top Quality Printer Drivers</TH
+></TR
+><TR
+><TD
+WIDTH="10%"
+ALIGN="left"
+VALIGN="bottom"
+><A
+HREF="ch-gimp-and-gimp-print.html"
+>Prev</A
+></TD
+><TD
+WIDTH="80%"
+ALIGN="center"
+VALIGN="bottom"
+>Chapter 2. GIMP and Gimp-Print</TD
+><TD
+WIDTH="10%"
+ALIGN="right"
+VALIGN="bottom"
+><A
+HREF="c447.html"
+>Next</A
+></TD
+></TR
+></TABLE
+><HR
+ALIGN="LEFT"
+WIDTH="100%"></DIV
+><DIV
+CLASS="SECT1"
+><H1
+CLASS="SECT1"
+><A
+NAME="AEN85"
+>The Gimp-Print Graphical User Interface</A
+></H1
+><P
+> Now that the GIMP is displaying your picture, put your mouse over
+the picture and click the right mouse button. A menu will appear.
+Choose the
+ <SPAN
+CLASS="GUIMENU"
+>File</SPAN
+>-&gt;<SPAN
+CLASS="GUIMENUITEM"
+>Print</SPAN
+>
+menu option. This will cause the Gimp-Print GUI window to appear (see
+<A
+HREF="x85.html#FIG-GIMP-PRINT-GUI"
+>Figure 2-3</A
+>). Move the mouse cursor
+over the various parts of the Gimp-Print GUI window, and notice that
+if you leave your mouse in one place for a short time without clicking
+any buttons, a small box appears. This box contains helpful text.
+These small boxes are called "tooltips" and are intended to remind you
+about the function of each part of the graphical interface.
+ </P
+><P
+>The next several sections will continuously refer to
+<A
+HREF="x85.html#FIG-GIMP-PRINT-GUI"
+>Figure 2-3</A
+> and
+<A
+HREF="x85.html#FIG-GIMP-PRINT-GUI-1"
+>Figure 2-4</A
+>. The difference between
+the two figures can be seen in the top right corner of the window.
+Notice that there are two tabs, one which reads
+<SPAN
+CLASS="GUILABEL"
+>Printer Settings</SPAN
+> and another which reads
+<SPAN
+CLASS="GUILABEL"
+>Image/Output Settings</SPAN
+>. Notice also that the
+window is divided into several major sections which directly map to
+the major sections of this document:
+ <P
+></P
+><UL
+><LI
+><P
+><A
+HREF="x85.html#AEN234"
+>Preview</A
+></P
+></LI
+><LI
+><P
+><A
+HREF="x85.html#AEN130"
+>Printer Settings</A
+></P
+></LI
+><LI
+><P
+><A
+HREF="x85.html#AEN130"
+>Image/Output Settings</A
+></P
+></LI
+><LI
+><P
+><A
+HREF="x85.html#AEN258"
+>Position</A
+></P
+></LI
+><LI
+><P
+><A
+HREF="x85.html#AEN330"
+>Size</A
+></P
+></LI
+><LI
+><P
+><A
+HREF="x85.html#AEN430"
+>Printing and Saving Settings</A
+></P
+></LI
+></UL
+>
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="FIG-GIMP-PRINT-GUI"
+></A
+><P
+><B
+>Figure 2-3. The Gimp-Print Graphical User Interface 1 (GUI)</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/gimp-print-gui.png"
+ALT="The GIMP Print GUI showing printer settings"
+></IMG
+></P
+></DIV
+></DIV
+><DIV
+CLASS="FIGURE"
+><A
+NAME="FIG-GIMP-PRINT-GUI-1"
+></A
+><P
+><B
+>Figure 2-4. The Gimp-Print Graphical User Interface 2 (GUI)</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/gimp-print-gui-1.png"
+ALT="The GIMP Print GUI showing image/output settings"
+></IMG
+></P
+></DIV
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN130"
+>Printer Settings</A
+></H2
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN134"
+>Printer</A
+></H3
+><P
+> Click on the <SPAN
+CLASS="GUILABEL"
+>Printer Settings</SPAN
+> tab near the
+top right hand corner of the window (see
+<A
+HREF="x85.html#FIG-GIMP-PRINT-GUI"
+>Figure 2-3</A
+>). Then, click on the downward
+facing arrow to the right of the <SPAN
+CLASS="GUILABEL"
+>Printer</SPAN
+> combo
+box to see a list of the system printer queues. Select the queue to which
+you would like the printed image to be sent. One may also print the
+image directly to a file by selecting <SPAN
+CLASS="GUIMENUITEM"
+>File</SPAN
+>.
+In this event, the user will be prompted for the filename when either the
+<SPAN
+CLASS="GUIBUTTON"
+>Print</SPAN
+> button or the <SPAN
+CLASS="GUIBUTTON"
+>Print and Save
+Settings</SPAN
+> button is clicked.
+ </P
+><P
+>When either the <SPAN
+CLASS="GUIBUTTON"
+>Print and Save Settings</SPAN
+> button
+or the <SPAN
+CLASS="GUIBUTTON"
+>Save Settings</SPAN
+> button is clicked,
+the settings are saved in a file called
+<TT
+CLASS="FILENAME"
+>~/.gimp-1.2/printrc</TT
+>. The user is cautioned about
+hand editing this file since it is generated by Gimp-Print (although
+it was the only way that the author found for removing bogus entries
+created while playing with the <SPAN
+CLASS="GUIBUTTON"
+>New Printer</SPAN
+> button).
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN148"
+>Setup Printer</A
+></H3
+><P
+> Before any useful printing can occur, the user needs to associate
+the named printer with the
+actual make and model of the printer. Click the
+<SPAN
+CLASS="GUIBUTTON"
+>Setup Printer</SPAN
+> button in
+the <SPAN
+CLASS="GUILABEL"
+>Printer</SPAN
+> section of the window (the upper
+right, and just below the Printer display box). When this is done, the
+following window appears:
+
+ <DIV
+CLASS="FIGURE"
+><A
+NAME="AEN153"
+></A
+><P
+><B
+>Figure 2-5. The Setup Printer Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/gimp-print-setup.png"
+ALT="The Setup Printer Window"
+></IMG
+></P
+></DIV
+></DIV
+>
+ </P
+><P
+> Scroll through the Printer Model section of the window until you
+find a printer which matches yours. If you cannot find the precise
+model, pick something close and hope for the best. There are selections
+for a wide array of Postscript, inkjet, and laser printers. After you
+have selected a printer, you will see the printer command displayed.
+ </P
+><P
+>The Gimp-Print software does all of the necessary conversion of the
+image to be printed into the language of your printer. It is
+unnecessary and undesirable for any other sofware to manipulate this
+data. (This is why the command contains the "-l" switch or the "-o
+raw" switch). Please use care if you feel the need to edit this
+command. Once you are satisfied with your selection, click the
+<SPAN
+CLASS="GUIBUTTON"
+>OK</SPAN
+> button.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN163"
+>New Printer</A
+></H3
+><P
+> In the previous sections, the user selected an existing printer
+queue and associated a particular type of printer to that queue. For
+most cases, this is probably all that is required. However, some
+situations might require more detailed control over the handling of
+the printer data.
+ </P
+><P
+> Click the <SPAN
+CLASS="GUIBUTTON"
+>New Printer</SPAN
+> button to tell the
+software that you wish to create a new name. In this case, the new
+name may actually be an existing printer with different settings that
+you wish to save, or it may simply be a name associated with a
+particular command for handling the printer data. A window will
+appear thus:
+
+ <DIV
+CLASS="FIGURE"
+><A
+NAME="AEN168"
+></A
+><P
+><B
+>Figure 2-6. The New Printer Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/gimp-print-new-printer.png"
+ALT="The New Printer Window"
+></IMG
+></P
+></DIV
+></DIV
+>
+
+ Type a name into the window and click <SPAN
+CLASS="GUIBUTTON"
+>OK</SPAN
+>
+(or <SPAN
+CLASS="GUIBUTTON"
+>Cancel</SPAN
+> if you wish not to do this).
+Notice that the new name now appears as the selected <SPAN
+CLASS="GUILABEL"
+>Printer</SPAN
+>.
+As you change settings in the rest of the Gimp-Print GUI, they will be
+associated with this printer name. When the settings are saved,
+they can be recovered easily by simply selecting this named printer
+from the Printer combo box.
+ </P
+><P
+> One example where this feature might be used is as follows. The
+author frequently prints photos on Epson 4x6 photo paper. Note that
+this paper is physically larger than 4x6 and it has perforations on
+all four sides. The author dislikes printing part of the image on the
+perforated parts of the paper which will be removed after
+printing the photo. By selecting the proper scaling percentage,
+printing can be constrained to the 4x6 part of the paper which will
+remain after the perforated sections are removed. The author has
+saved this setting using this feature of the Gimp-Print software.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN179"
+>Media Size</A
+></H3
+><P
+> The term <I
+CLASS="EMPHASIS"
+>media</I
+> refers to paper, card stock,
+envelopes, or whatever you have put into your printer onto which
+something will be printed. Click the arrow to the right of the
+<SPAN
+CLASS="GUILABEL"
+>Media Size</SPAN
+> box to see a long list of different
+sizes of media. Choose the size that matches the media which you have
+loaded into your printer. Once you have made your choice, the drop
+down menu will disappear, and your choice will be shown in the
+<SPAN
+CLASS="GUILABEL"
+>Media Size</SPAN
+> box. The available paper sizes will
+vary depending upon the printer model you have selected.
+ </P
+><P
+> Some printers support arbitrary (within limits!) paper sizes.
+ These printers will let you select <I
+CLASS="EMPHASIS"
+>Custom</I
+>
+ or <I
+CLASS="EMPHASIS"
+>Roll</I
+> paper sizes. When you select such a
+ printer, one or both of the <SPAN
+CLASS="GUILABEL"
+>Dimensions</SPAN
+> boxes
+ will let you enter your paper size (in inches or centimetres). The
+ boxes will not let you enter sizes that your printer cannot handle.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN189"
+>Media Type</A
+></H3
+><P
+> The type of media onto which your image will be printed should be
+selected here. Click on the arrow to the right of the <SPAN
+CLASS="GUILABEL"
+>Media
+Type</SPAN
+> box to see a long list of the different types of media
+onto which you may print your image. Media types include such things
+as plain paper, postcards, photo quality paper, transparencies, and
+more! Once you have made your choice, the drop down menu will
+disappear, and your choice will be shown in the <SPAN
+CLASS="GUILABEL"
+>Media
+Type</SPAN
+> box. The choices available will vary depending upon
+the printer model you have selected.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN194"
+>Media Source</A
+></H3
+><P
+> The <SPAN
+CLASS="GUILABEL"
+>Media Source</SPAN
+> box allows the user to
+ choose the paper source, sometimes called <I
+CLASS="EMPHASIS"
+>Input
+ Slot</I
+>, that the paper will be fed from. Many printers
+ only have one available input source (such as the standard paper
+ tray), in which case this entry will be grayed out. If your printer
+ does support multiple input sources, you may specify the source of
+ your choice here. Some Epson printers offer a roll feed option in
+ addition to the standard paper tray, and many HP LaserJet printers
+ have multiple paper trays.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN199"
+>Ink Type</A
+></H3
+><P
+> Some printers offer a choice of different types of ink or ink
+ cartridges. Many Canon and Lexmark printers support various
+ combinations of cartridges, such as black only, black and color,
+ photo color, and so forth. Most Epson printers let you choose
+ between three and four color printing (three color uses only color
+ ink, while four color uses black ink as well). Epson printers that
+ support six color photo printing allow you to choose five and six
+ color printing as well.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN202"
+>Resolution</A
+></H3
+><P
+> Click on the arrow to the right of the
+<SPAN
+CLASS="GUILABEL"
+>Resolution</SPAN
+> box to see a long list of resolutions
+at which you can print your image. The list is written with the
+lowest resolution at the top, with increasing resolution (and
+generally improved printing quality) as you approach the bottom of the
+list. Different printers support different resolution options, and
+many printers support different quality choices using the same basic
+resolution. In this menu are a few terms which may be unfamiliar to
+you, and they will now be explained.
+ </P
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN206"
+>DPI</A
+></H4
+><P
+> DPI is an acronym which stands for <I
+CLASS="EMPHASIS"
+>D</I
+>ots
+<I
+CLASS="EMPHASIS"
+>P</I
+>er <I
+CLASS="EMPHASIS"
+>I</I
+>nch. This term refers
+to the number of dots that your printer will print in a space of one
+inch (approximately 2.54 cm). This is highly dependent upon the
+capability of your printer. Resolutions below 300 DPI are
+used for draft quality. For general purpose printing, select
+300 - 360 DPI. Higher quality printing can be achieved by
+selecting 600 - 720 DPI. Settings higher than this are used for the
+highest possible quality for printing photographs and other high
+quality graphics. Experiment with your printer and these settings
+with different types of graphics and photographs to see what
+results you can obtain with your printer. High resolutions (large
+numbers of dots per inch) require substantial image processing time,
+and the print files can be very large; it's not uncommon for a full
+page, 1440x720 DPI image to require 100 MB of temporary storage!
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN212"
+>Draft or Fast Economy Draft</A
+></H4
+><P
+> When this text appears next to the resolution, it refers to the
+fact that the quality will be relatively low, but suitable for rough
+drafts. Draft quality is higher than fast economy draft. These
+options will give you the fastest printing speed. Economy Draft uses
+less ink, and as a result the image will be pale. These modes are
+generally not very useful for printing photographs.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN215"
+>Unidirectional</A
+></H4
+><P
+> When printing an image, you have probably noticed the print
+head inside the printer moving back and forth across the print media.
+Many printers are capable of putting ink on the page regardless of
+which direction the print head is moving. However, quality can
+sometimes be improved by only putting ink on the page when the printer
+head is moving in one direction. The
+<SPAN
+CLASS="GUIMENUITEM"
+>Unidirectional</SPAN
+> setting instructs the
+software to only place ink on the page when the print head is moving
+one way. When the print head returns, it will not place ink on the
+page. On many printers, the print quality is better, at the expense
+of printing speed.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN219"
+>High(est) Quality</A
+></H4
+><P
+> With lower quality print modes, one may see an effect where
+the printed image looks like it has rows of stripes with a small
+separation between the stripes. This effect is called "banding" and
+is undesirable. In the <I
+CLASS="EMPHASIS"
+>high</I
+> and
+<I
+CLASS="EMPHASIS"
+>highest</I
+> quality modes, the printer will make more
+passes over the same part of the page in order to improve quality and
+(reduce or) eliminate banding. This requires more temporary disk
+space and prints more slowly, but does not require significantly more
+processing time.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN224"
+>Interleave</A
+></H4
+><P
+> Certain Epson printers (older models mostly) support a printing
+ mode called <I
+CLASS="EMPHASIS"
+>Interleave</I
+>. This mode uses
+ special software within the printer to improve the print quality.
+ Interleave print modes will usually produce better quality
+ output than non-Interleave modes, with only a small performance
+ penalty. If Interleave is not listed at your chosen
+ resolution, fear not. In those cases, the non-Interleave print
+ modes offer similar printing quality improvements.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN228"
+>DMT</A
+></H4
+><P
+> DMT is an acronym which stands for <I
+CLASS="EMPHASIS"
+>D</I
+>ot
+ <I
+CLASS="EMPHASIS"
+>M</I
+>odulation
+ <I
+CLASS="EMPHASIS"
+>T</I
+>echnology.
+ This term refers to a print mode used by certain Canon printers
+ to improve the quality of the printed output. Unfortunately,
+ at this time, all of the available DMT modes do not work
+ correctly. The cases which do work correctly will offer
+ significantly improved printing quality.
+ </P
+></DIV
+></DIV
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN234"
+>Preview</A
+></H2
+><P
+> Notice in the upper left of the window is a preview of your image.
+This preview is a representation of where your picture will print on
+the selected media, and approximately what it will look like. This
+preview will be updated as you modify selections in the
+<SPAN
+CLASS="GUILABEL"
+>Position</SPAN
+>, <SPAN
+CLASS="GUILABEL"
+>Size</SPAN
+>,
+<SPAN
+CLASS="GUILABEL"
+>Media Size</SPAN
+>, and <SPAN
+CLASS="GUILABEL"
+>Output Type</SPAN
+>
+portions of the window. You may also select the image with your mouse
+and move it manually if you wish. In doing so, you will note that the
+<SPAN
+CLASS="GUILABEL"
+>Position</SPAN
+> settings are updated accordingly. Take
+note of the arrow, which points toward the top of the media, where top
+is the first part of the media to enter the printer.
+ </P
+><P
+> The preview may be moved around the page as follows:
+ </P
+><P
+></P
+><UL
+><LI
+><P
+> Clicking and dragging the <I
+CLASS="EMPHASIS"
+>left</I
+>
+ (primary) mouse button moves the image around the page as you would
+ expect; the image moves with the mouse. </P
+></LI
+><LI
+><P
+> Clicking and dragging the
+ <I
+CLASS="EMPHASIS"
+>middle</I
+> mouse button moves the image around the
+ page in a finer fashion, such that each pixel of mouse movement
+ moves the image by one point (1/72 inch). This allows very fine
+ placement of the image on the page. </P
+></LI
+><LI
+><P
+> Clicking and dragging the
+ <I
+CLASS="EMPHASIS"
+>right</I
+> (secondary) mouse button moves the image
+ around the page much the same as with the left button, but the image
+ will only move in units of the image size. Thus, if the image is
+ one inch wide and two inches tall, the image will not move at all
+ until you have moved the mouse far enough so that the image would be
+ moved one inch vertically and two inches horizontally. This is
+ handy if you wish to print multiple images of the same size on one
+ piece of paper.</P
+></LI
+><LI
+><P
+> If you hold down the <I
+CLASS="EMPHASIS"
+>shift</I
+> key
+ on the keyboard when you click and drag the mouse, the image will
+ only move in the horizontal or vertical direction (depending upon
+ which way you first move the mouse). This allows you to constrain
+ motion to the horizontal or vertical. </P
+></LI
+><LI
+><P
+> If you click another button while dragging the
+ mouse, the image will immediately return to the position it was in
+ before you clicked the mouse the first time. This allows you to
+ not move the image if you have started moving it and have decided
+ that you don't want to move it. The preview will not respond to the
+ mouse until you release all of the mouse buttons and click and drag
+ afresh. </P
+></LI
+></UL
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN258"
+>Position</A
+></H2
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN260"
+>Orientation</A
+></H3
+><P
+> The Orientation menu allows the user to choose the orientation
+of the paper. The menu selections are
+<SPAN
+CLASS="GUIMENUITEM"
+>Auto</SPAN
+>, <SPAN
+CLASS="GUIMENUITEM"
+>Portrait</SPAN
+>,
+<SPAN
+CLASS="GUIMENUITEM"
+>Landscape</SPAN
+>, <SPAN
+CLASS="GUIMENUITEM"
+>Upside
+down</SPAN
+>, and <SPAN
+CLASS="GUIMENUITEM"
+>Seascape</SPAN
+>. Click on
+the rectangular tab to see these choices
+and make your selection. When you have done so, the pulldown menu
+will have disappeared, and your choice will appear. Also, note that
+the preview image will have changed accordingly.
+ </P
+><P
+> When set to <SPAN
+CLASS="GUIMENUITEM"
+>Auto</SPAN
+>, the software will make an
+intelligent choice of orientation based on the dimensions of the image
+to be printed. <SPAN
+CLASS="GUIMENUITEM"
+>Portrait</SPAN
+> orients the print media
+with the longest edge going from top to bottom, while
+<SPAN
+CLASS="GUIMENUITEM"
+>Landscape</SPAN
+> orients the paper with the longest edge
+going from side to side. <SPAN
+CLASS="GUIMENUITEM"
+>Upside down</SPAN
+> and
+<SPAN
+CLASS="GUIMENUITEM"
+>Seascape</SPAN
+> orient the paper the same as
+<SPAN
+CLASS="GUIMENUITEM"
+>Portrait</SPAN
+> and <SPAN
+CLASS="GUIMENUITEM"
+>Landscape</SPAN
+>
+respectively, with the difference being that the image is rotated 180 degrees.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN276"
+>Automatic Centering</A
+></H3
+><P
+> There are three buttons that deal with centering an image. The
+leftmost button is the <SPAN
+CLASS="GUIBUTTON"
+>Vertically</SPAN
+> button, the
+middle button is the <SPAN
+CLASS="GUIBUTTON"
+>Both</SPAN
+> button, and
+the rightmost button is the <SPAN
+CLASS="GUIBUTTON"
+>Horizontally</SPAN
+>
+button. Use the <SPAN
+CLASS="GUIBUTTON"
+>Both</SPAN
+> button to center your
+image both horizontally and vertically. This will cause the top and
+bottom borders to be equal, and the left and right borders to be
+equal. If you have placed your image manually by using the mouse
+button, then you may center the image in the horizontal direction only
+by clicking on the <SPAN
+CLASS="GUIBUTTON"
+>Horizontally</SPAN
+> button.
+Likewise, to adjust the image only in the vertical direction, click on
+the <SPAN
+CLASS="GUIBUTTON"
+>Vertically</SPAN
+> button. Note that in
+each case, the image is centered with regard to the edges of the
+media, and without regard to the printable portion of the media. Many
+printers are incapable of printing to each edge of the media. Some
+media may have edges which detach. Consult your printer documentation
+for more details regarding your printer's capabilities in this regard.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN285"
+>Manual Settings</A
+></H3
+><P
+> You will notice that there are six boxes that contain numbers
+just below the Orientation menu and just above the GUI buttons related
+to centering an image. When you move the preview image manually with
+the mouse, or when you click on one of the centering buttons, the
+preview image moves and these six boxes get updated.
+ </P
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN288"
+>Left</A
+></H4
+><P
+> The number appearing in the <SPAN
+CLASS="GUIMENUITEM"
+>Left</SPAN
+> box denotes
+the number of units (cm or inches) that the left side of the image
+will be printed away from the left edge of the media. You may select
+the units by clicking the <SPAN
+CLASS="GUIBUTTON"
+>Inch</SPAN
+> or
+<SPAN
+CLASS="GUIBUTTON"
+>cm</SPAN
+> buttons in the <SPAN
+CLASS="GUILABEL"
+>Units</SPAN
+> section just below
+these GUI boxes.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN295"
+>Right</A
+></H4
+><P
+> The number appearing in the <SPAN
+CLASS="GUIMENUITEM"
+>Right</SPAN
+> box denotes
+the number of units (cm or inches) that the right side of the image
+will be printed away from the left edge of the media. You may select
+the units by clicking the <SPAN
+CLASS="GUIBUTTON"
+>Inch</SPAN
+> or
+<SPAN
+CLASS="GUIBUTTON"
+>cm</SPAN
+> buttons in the <SPAN
+CLASS="GUILABEL"
+>Units</SPAN
+> section just below
+these GUI boxes.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN302"
+>Right Border</A
+></H4
+><P
+> The number appearing in the <SPAN
+CLASS="GUIMENUITEM"
+>Right Border</SPAN
+> box denotes
+the number of units (cm or inches) that the right side of the image
+will be printed away from the right edge of the media. You may select
+the units by clicking the <SPAN
+CLASS="GUIBUTTON"
+>Inch</SPAN
+> or
+<SPAN
+CLASS="GUIBUTTON"
+>cm</SPAN
+> buttons in the <SPAN
+CLASS="GUILABEL"
+>Units</SPAN
+> section just below
+these GUI boxes.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN309"
+>Top</A
+></H4
+><P
+> The number appearing in the <SPAN
+CLASS="GUIMENUITEM"
+>Top</SPAN
+> box denotes
+the number of units (cm or inches) that the top side of the image
+will be printed away from the top edge of the media. You may select
+the units by clicking the <SPAN
+CLASS="GUIBUTTON"
+>Inch</SPAN
+> or
+<SPAN
+CLASS="GUIBUTTON"
+>cm</SPAN
+> buttons in the <SPAN
+CLASS="GUILABEL"
+>Units</SPAN
+> section just below
+these GUI boxes.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN316"
+>Bottom</A
+></H4
+><P
+> The number appearing in the <SPAN
+CLASS="GUIMENUITEM"
+>Bottom</SPAN
+> box denotes
+the number of units (cm or inches) that the bottom side of the image
+will be printed away from the top edge of the media. You may select
+the units by clicking the <SPAN
+CLASS="GUIBUTTON"
+>Inch</SPAN
+> or
+<SPAN
+CLASS="GUIBUTTON"
+>cm</SPAN
+> buttons in the <SPAN
+CLASS="GUILABEL"
+>Units</SPAN
+> section just below
+these GUI boxes.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN323"
+>Bottom Border</A
+></H4
+><P
+> The number appearing in the <SPAN
+CLASS="GUIMENUITEM"
+>Bottom Border</SPAN
+> box denotes
+the number of units (cm or inches) that the bottom side of the image
+will be printed away from the bottom edge of the media. You may select
+the units by clicking the <SPAN
+CLASS="GUIBUTTON"
+>Inch</SPAN
+> or
+<SPAN
+CLASS="GUIBUTTON"
+>cm</SPAN
+> buttons in the <SPAN
+CLASS="GUILABEL"
+>Units</SPAN
+> section just below
+these GUI boxes.
+ </P
+></DIV
+></DIV
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN330"
+>Size</A
+></H2
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN332"
+>Slider Bar and Spin Box</A
+></H3
+><P
+> The slider bar can be moved as desired by the user. Notice
+that while sliding this bar, the preview image changes accordingly.
+One will also note that several boxes in the Gimp-Print GUI change values when this bar is moved.
+These boxes are the six position boxes (left, right, right border,
+top, bottom, bottom border), the two size boxes (width and height),
+and the spin box to the right of the slider bar.
+ </P
+><P
+> This slider bar is used to scale the image to a desirable size, but the same effect can
+be obtained by either clicking an arrow on the spin box to the right of this
+slider bar, or by manually typing a number into this spin box. Notice
+that by setting the spin box in this way, the slider bar is also
+moved. All of the described methods will cause the image to be
+scaled accordingly.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN336"
+>Scale by Percent or PPI</A
+></H3
+><P
+> One may choose to scale the image by a percentage, or by PPI,
+which means "<I
+CLASS="EMPHASIS"
+>p</I
+>ixels <I
+CLASS="EMPHASIS"
+>p</I
+>er
+<I
+CLASS="EMPHASIS"
+>i</I
+>nch". Click the radio button
+next to the word to set the desired scaling factor.
+ </P
+><P
+> When scaling by a percentage, the number reflected in the spin
+box next to the slider bar represents the percentage relative
+to the full size of the selected print medium. For example, with this spin box
+set to 50, the image will be scaled to 50% of the size of the print
+medium. When set to 100, the image will attempt to fill the print
+medium, within the constraints of maintaining the proper aspect ratio
+and the margins of the selected print medium. This effect can be seen
+in the preview window.
+ </P
+><P
+> When scaling by PPI, the number reflected in the spin box next to
+the slider bar represents the number of pixels that will be
+printed per inch. For example, if the user is printing a 640x480
+image at a size of 6.4x4.8 inches (as measured by the size boxes), the
+image will be printed at 100 DPI.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN344"
+>Use Original Image Size</A
+></H3
+><P
+> By clicking this button, the image will be scaled to as close
+to the native size of the image as possible. This effect can
+immediately be seen in the preview image.
+ </P
+><P
+> The native image size may be found or set in the GIMP by
+ selecting <SPAN
+CLASS="GUIMENUITEM"
+>Image/Scale Image</SPAN
+> in the
+ GIMP. Under the <SPAN
+CLASS="GUILABEL"
+>Print Size and Display Unit</SPAN
+>
+ group in the <SPAN
+CLASS="GUILABEL"
+>Scale Image</SPAN
+> dialog, you can
+ determine (or change) the width and height of the image, or
+ choose the resolution.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN351"
+>Width and Height</A
+></H3
+><P
+> These boxes show the size of the printed image in either inches
+or centimeters (depending on which unit is selected). The user may
+choose to manually modify these values. When one value is modified,
+the other value is automatically modified in order to maintain the
+aspect ratio (the ratio of width to height). This effect can be
+immediately seen in the preview image.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN354"
+>Units</A
+></H3
+><P
+> The units can be set to inches or centimeters by clicking the appropriate
+radio button next to the desired unit. This setting effects the
+values printed in the six position boxes (left, right, right border,
+top, bottom, bottom border) and the two size boxes (width and height).
+ </P
+></DIV
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN357"
+>Image/Output Settings</A
+></H2
+><P
+> By clicking on the tab labeled <SPAN
+CLASS="GUILABEL"
+>Image/Output
+Settings</SPAN
+>, the Gimp-Print window will appear as shown in
+<A
+HREF="x85.html#FIG-GIMP-PRINT-GUI-1"
+>Figure 2-4</A
+>. Notice that there are
+two sections to this portion of the window, namely,
+<SPAN
+CLASS="GUILABEL"
+>Image Type</SPAN
+> and
+<SPAN
+CLASS="GUILABEL"
+>Output Type</SPAN
+>.
+
+ </P
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN364"
+>Image Type</A
+></H3
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN366"
+>Line Art</A
+></H4
+><P
+> This setting tells the printer driver to generate color
+quickly. The color is bold and bright, but color accuracy is not very
+good. There may also be some unexpectedly sharp transitions in
+colors. This mode is acceptable for printing text with small amounts
+of color, and may be acceptable for presentation graphics.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN369"
+>Solid Colors</A
+></H4
+><P
+> This mode produces color which is considerably more accurate
+than the <SPAN
+CLASS="GUILABEL"
+>Line Art</SPAN
+> mode, but with a reduction in performance. In
+general, hues will be accurate but tonalities may not be accurate.
+There should be no sharp transitions in colors. This mode is good for
+printing presentation graphics in most cases.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN373"
+>Photograph</A
+></H4
+><P
+> This mode produces the most accurate colors and tonalities at a
+greater cost in performance. This is the mode to use when printing
+high quality photographs or other high quality images.
+ </P
+></DIV
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN376"
+>Output Type</A
+></H3
+><P
+> The user is given the choice of color, black and white, and
+grayscale. Color is selected when the desired output is to be in
+color. Greyscale will result in the printed image having various
+shades of grey. Black and white is just that. The effect of this
+setting can be seen in the preview window.
+ </P
+></DIV
+><DIV
+CLASS="SECT3"
+><H3
+CLASS="SECT3"
+><A
+NAME="AEN379"
+>Adjust Output</A
+></H3
+><P
+> Clicking on this button causes the <SPAN
+CLASS="GUILABEL"
+>Print Color Adjust</SPAN
+> window to
+appear (see <A
+HREF="x85.html#FIG-GIMP-PRINT-COLOR-ADJUST"
+>Figure 2-7</A
+>). In
+this window, one will see a representation of the image to be printed
+as well as several slider bars. These slider bars collectively adjust
+many different aspects of the image. The values can also be adjusted
+by clicking the arrows or by typing a value into the appropriate spin
+box on the right side of each slider bar.
+ </P
+><DIV
+CLASS="FIGURE"
+><A
+NAME="FIG-GIMP-PRINT-COLOR-ADJUST"
+></A
+><P
+><B
+>Figure 2-7. The Print Color Adjust Window</B
+></P
+><DIV
+CLASS="MEDIAOBJECT"
+><P
+><IMG
+SRC="figures/gimp-print-print-color-adjust.png"
+ALT=">The Print Color Adjust Window"
+></IMG
+></P
+></DIV
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN391"
+>Brightness</A
+></H4
+><P
+> Adjust the brightness of the image. A setting of 0.0 gives a fully black
+image, while a 2.0 setting gives a fully white image. Values greater than 1.0 will result in
+ black not being solid and highlights turning white; values less than
+ 1.0 will result in white not being perfectly clear and shadows turning
+ black.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN394"
+>Contrast</A
+></H4
+><P
+> Adjust the contrast of the image. A setting of 0.0 gives a solid gray for the
+entire image, the exact gray depending upon the brightness chosen.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN397"
+>Cyan, Magenta, Yellow</A
+></H4
+><P
+>These three options allow specification of the cyan, magenta, and
+yellow levels independently, for rebalancing the levels. Normally,
+these should be adjusted to yield neutral gray, but they can be used
+for other effects.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN400"
+>Saturation</A
+></H4
+><P
+>Adjust the brilliance of colors. A setting of 0.0 results in pure grayscale.
+A saturation setting of less than 1.0 results in more muted colors. A
+saturation setting of greater than 1.0 results in more vibrant colors. Very high
+saturation often results in very strange effects, including
+posterization and banding that might not be expected. For normal
+purposes, the saturation should generally be set to a value less than 1.5.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN403"
+>Density</A
+></H4
+><P
+>Adjust the amount of ink deposited on the paper. If you have chosen the
+correct paper type and are getting ink bleeding through the paper
+or puddling, try reducing the density to the lowest value you
+can while still achieving solid black. If black is not solid
+black, even with the contrast and brightness at 1.0, try increasing
+the density. Note that changes to this setting will not be visible in
+the image preview.
+ </P
+><P
+>All of the supported printers actually need less than 100% ink
+density in most cases, so the actual density is something other than
+the nominal density setting. The effective density setting cannot go
+above 100%, so if a value specified will result in an excessively high
+density level, it will be silently limited to a setting of 1.0.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN407"
+>Gamma</A
+></H4
+><P
+>Adjust the gamma of the image, over and above the printer-specific
+correction. Gamma less than 1.0 will result in a darker image; gamma
+greater than 1.0 will result in a lighter image. Unlike brightness,
+gamma adjustment does not change the endpoints; it merely changes the
+shape of the input-&#62;output curve.
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN410"
+>Dither Algorithm</A
+></H4
+><P
+>The recommended dither algorithm is <SPAN
+CLASS="GUIMENUITEM"
+>Adaptive
+Hybrid</SPAN
+> (which is the default) for text or other fine
+black detail, or if this is mixed with continuous tone images. The
+<SPAN
+CLASS="GUIMENUITEM"
+>Ordered</SPAN
+> dithering algorithm is just as good
+(and somewhat faster) for pure continuous-tone images and photographs,
+but may yield poor results with text or other fine detail,
+particularly at high printing resolutions.
+ </P
+><P
+> The <SPAN
+CLASS="GUIMENUITEM"
+>Fast</SPAN
+> algorithm gives the
+fastest results at the expense of color accuracy. It is a simplified
+ordered dither. On simple four color printers (or other printers used
+in four color mode), the quality is similar to
+<SPAN
+CLASS="GUIMENUITEM"
+>Ordered</SPAN
+>, although dark gray rendition is
+not as good due to a simpler transfer between black and colored ink.
+With six-color printers, color rendition is somewhat worse, but it
+should be quite usable in cases where optimum quality is not critical.
+In black and white, it is an efficient way to render grayscale, but it
+may not give best results when used with variable dot size printers
+(modern Epson printers, or Canon printers using DMT). On rare three
+color printers (CMY only) the results should be identical to ordered
+dither.
+ </P
+><P
+> <SPAN
+CLASS="GUIMENUITEM"
+>Very Fast</SPAN
+> is even faster than
+<SPAN
+CLASS="GUIMENUITEM"
+>Fast</SPAN
+>, with even more loss of quality.
+Color and grayscale output will show strong patterning that resembles
+screening, although it isn't. On laser printers, and possibly on
+certain kinds of text and line art, <SPAN
+CLASS="GUIMENUITEM"
+>Very
+Fast</SPAN
+> dithering may actually yield the best quality.
+ </P
+><P
+>Error diffusion algorithms (<SPAN
+CLASS="GUIMENUITEM"
+>Hybrid
+Floyd-Steinberg</SPAN
+> is such an algorithm) perform very well
+at high densities, and are capable of
+rendering very fine detail rather well, but they tend to exhibit artifacts in
+the form of "waves" or "worms" of dots which results in noticeable
+texturing in pale areas. Furthermore, pale areas immediately adjacent
+to white take a while to "build up" sufficient error to print at all.
+This is sometimes called "tearing" or "waterfalling".
+ </P
+></DIV
+><DIV
+CLASS="SECT4"
+><H4
+CLASS="SECT4"
+><A
+NAME="AEN424"
+>Set Defaults and Close</A
+></H4
+><P
+> When the <SPAN
+CLASS="GUIBUTTON"
+>Set Defaults</SPAN
+> button is clicked,
+the slider bar settings will return to their default values. The
+dither algorithm setting is uneffected. The <SPAN
+CLASS="GUILABEL"
+>Print Color
+Adjust</SPAN
+> window will close when the
+<SPAN
+CLASS="GUIBUTTON"
+>Close</SPAN
+> button is clicked.
+ </P
+></DIV
+></DIV
+></DIV
+><DIV
+CLASS="SECT2"
+><H2
+CLASS="SECT2"
+><A
+NAME="AEN430"
+>Printing and Saving Settings</A
+></H2
+><P
+> At the bottom of the Gimp-Print window, there are five buttons labeled
+<SPAN
+CLASS="GUIBUTTON"
+>About</SPAN
+>,
+<SPAN
+CLASS="GUIBUTTON"
+>Print and Save Settings</SPAN
+>,
+<SPAN
+CLASS="GUIBUTTON"
+>Save Settings</SPAN
+>,
+<SPAN
+CLASS="GUIBUTTON"
+>Print</SPAN
+>,
+and <SPAN
+CLASS="GUIBUTTON"
+>Cancel</SPAN
+>. The <SPAN
+CLASS="GUIBUTTON"
+>About</SPAN
+>
+button will show information about the Gimp-Print software, such as
+the version number, authors names, project web site, and software
+licensing. After clicking on the <SPAN
+CLASS="GUIBUTTON"
+>About</SPAN
+>, read
+the information, and then close the window by pressing the
+<SPAN
+CLASS="GUIBUTTON"
+>OK</SPAN
+> button.
+ </P
+><P
+> The <SPAN
+CLASS="GUIBUTTON"
+>Print and Save Settings</SPAN
+> button will
+save the current settings and then print the desired image. Recall
+that these settings are saved in <TT
+CLASS="FILENAME"
+>~/.gimp-1.2/printrc</TT
+>. The
+<SPAN
+CLASS="GUIBUTTON"
+>Save Settings</SPAN
+> button will only save the
+settings. The <SPAN
+CLASS="GUIBUTTON"
+>Print</SPAN
+> button will print the
+image only. The <SPAN
+CLASS="GUIBUTTON"
+>Cancel</SPAN
+> will close the
+Gimp-Print GUI window.
+ </P
+></DIV
+></DIV
+><DIV
+CLASS="NAVFOOTER"
+><HR
+ALIGN="LEFT"
+WIDTH="100%"><TABLE
+WIDTH="100%"
+BORDER="0"
+CELLPADDING="0"
+CELLSPACING="0"
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+><A
+HREF="ch-gimp-and-gimp-print.html"
+>Prev</A
+></TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="book1.html"
+>Home</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+><A
+HREF="c447.html"
+>Next</A
+></TD
+></TR
+><TR
+><TD
+WIDTH="33%"
+ALIGN="left"
+VALIGN="top"
+>GIMP and Gimp-Print</TD
+><TD
+WIDTH="34%"
+ALIGN="center"
+VALIGN="top"
+><A
+HREF="ch-gimp-and-gimp-print.html"
+>Up</A
+></TD
+><TD
+WIDTH="33%"
+ALIGN="right"
+VALIGN="top"
+>CUPS and Gimp-Print</TD
+></TR
+></TABLE
+></DIV
+></BODY
+></HTML
+> \ No newline at end of file
diff --git a/doc/users_guide/title.sgml b/doc/users_guide/title.sgml
new file mode 100644
index 0000000..9a741de
--- /dev/null
+++ b/doc/users_guide/title.sgml
@@ -0,0 +1,80 @@
+ <bookinfo>
+ <title>The User's Guide to the Gimp-Print Top Quality Printer Drivers</title>
+ <date>April 2, 2002</date>
+ <pubdate>April 2, 2002</pubdate>
+ <author>
+ <firstname>Andy</firstname>
+ <surname>Stewart</surname>
+ </author>
+ <copyright>
+ <year>2002</year>
+ <holder>Andy Stewart</holder>
+ </copyright>
+ <legalnotice>
+ <para>The User's Guide to the Gimp-Print Top Quality Printer
+Drivers, Copyright 2002, Andy Stewart.
+ </para>
+ <para>
+ Permission is granted to copy, distribute and/or modify this
+document under the terms of the GNU Free Documentation License,
+Version 1.1 or any later version published by the Free Software
+Foundation with no invariant sections, no Front-Cover texts, and no
+Back-Cover texts. A copy of the license is included in <xref linkend="gfdl">.
+ </para>
+
+ </legalnotice>
+
+ <abstract>
+ <para>
+ The Gimp-Print Top Quality Printer Drivers (hereafter
+called Gimp-Print) are a set of printer drivers written to
+take advantage of the full capabilities of a wide range of
+printers. These drivers should work on any POSIX compliant operating
+system (e.g. Linux, Solaris, IRIX, etc). This document will explain how to
+use the Gimp-Print software to achieve high quality printouts from the
+<ulink url="http://www.gimp.org">GIMP</ulink> (GNU Image
+Manipulation Program) and
+<ulink url="http://www.cups.org">CUPS</ulink> (Common Unix Printing
+System).
+ </para>
+ <para>
+ Please note that in addition to using the Gimp-Print software as a
+print plugin for the GIMP, and as a set of printer drivers for CUPS, this
+software can also be compiled and used with the
+<ulink url="http://www.ghostscript.com">Ghostscript</ulink> software
+and with the
+<ulink
+url="http://www.linuxprinting.org/foomatic.html">Foomatic</ulink>
+software.
+ </para>
+ <para>
+Regardless of whether the Gimp-Print software is used with the GIMP,
+CUPS, Ghostscript, or Foomatic, the print quality and printer settings
+remain the same. However, use of the Gimp-Print with Ghostscript and
+Foomatic is not covered in this document. These topics may be covered
+in a future revision of this document.
+ </para>
+ <para>
+ This document corresponds to version 4.2.0 and later of the Gimp-Print
+software. This document will serve as a guide to the user, and as such
+will not explain how to install Gimp-Print, CUPS, GIMP, Ghostscript,
+Foomatic, or any other related software.
+ </para>
+
+ <para>
+ Andy Stewart, the author, is the founder of the
+<ulink url="http://www.wlug.org">Worcester Linux Users' Group</ulink> in
+Worcester, Massachusetts, USA. The group was founded in July 1997 and has
+approximately 140 people on its mailing list. Monthly meetings are
+held and all are invited.
+ </para>
+
+ <para>
+ In terms of "code", this is the author's first contribution to the
+open source community, and definitely his first experience with DocBook.
+Constructive comments, praise, words of encouragement, and the like
+will be most appreciated if e-mailed to the
+<ulink url="mailto:andystewart@attbi.com">author</ulink>.
+ </para>
+ </abstract>
+ </bookinfo>
diff --git a/doc/users_guide/users-guide.pdf b/doc/users_guide/users-guide.pdf
new file mode 100644
index 0000000..0a3cbd2
--- /dev/null
+++ b/doc/users_guide/users-guide.pdf
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+ } ifelse
+ >> image
+ }
+ {
+ %
+ % Parameters:
+ % colormap: red, green, blue color packets.
+ %
+ /colormap colors 3 mul string def
+ currentfile colormap readhexstring pop pop
+ [ /Indexed /DeviceRGB colors 1 sub colormap ] setcolorspace
+ <<
+ /ImageType 1
+ /Width columns
+ /Height rows
+ /BitsPerComponent 8
+ /Decode [0 255]
+ /ImageMatrix [columns 0 0 rows neg 0 rows]
+ compression 0 gt
+ { /DataSource pixel_stream }
+ { /DataSource pixel_stream /FlateDecode filter } ifelse
+ >> image
+ } ifelse
+} bind def
+
+/DisplayImage
+{
+ %
+ % Display a DirectClass or PseudoClass image.
+ %
+ % Parameters:
+ % x & y translation.
+ % x & y scale.
+ % label pointsize.
+ % image label.
+ % image columns & rows.
+ % class: 0-DirectClass or 1-PseudoClass.
+ % colorspace: 0-RGB or 1-CMYK.
+ % compression: 0-RunlengthEncodedCompression or 1-NoCompression.
+ % hex color packets.
+ %
+ gsave
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ x y translate
+ currentfile buffer readline pop
+ token pop /x exch def
+ token pop /y exch def pop
+ currentfile buffer readline pop
+ token pop /pointsize exch def pop
+ /Helvetica findfont pointsize scalefont setfont
+ x y scale
+ currentfile buffer readline pop
+ token pop /columns exch def
+ token pop /rows exch def pop
+ currentfile buffer readline pop
+ token pop /class exch def pop
+ currentfile buffer readline pop
+ token pop /colorspace exch def pop
+ currentfile buffer readline pop
+ token pop /compression exch def pop
+ class 0 gt { PseudoClassImage } { DirectClassImage } ifelse
+ grestore
+} bind def
+%%EndProlog
+%%Page: 1 1
+%%PageBoundingBox: 0 0 621 416
+userdict begin
+%%BeginData:
+DisplayImage
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diff --git a/doc/users_guide/users-guide.sgml b/doc/users_guide/users-guide.sgml
index f4fef19..33843c3 100644
--- a/doc/users_guide/users-guide.sgml
+++ b/doc/users_guide/users-guide.sgml
@@ -1,1873 +1,19 @@
-<!doctype book public "-//OASIS//DTD DocBook V4.1//EN">
+<!DOCTYPE book PUBLIC "-//OASIS//DTD DocBook V4.1//EN" [
+<!ENTITY title SYSTEM "title.sgml">
+<!ENTITY history SYSTEM "history.sgml">
+<!ENTITY gimp SYSTEM "gimp.sgml">
+<!ENTITY cups SYSTEM "cups.sgml">
+<!ENTITY utils SYSTEM "utils.sgml">
+<!ENTITY gfdl SYSTEM "gfdl.sgml">
+]>
<book>
+&title;
+&history;
+&gimp;
+&cups;
+&utils;
+&gfdl;
+</book>
- <bookinfo>
- <title>The User's Guide to the Gimp-Print Top Quality Printer Drivers</title>
- <date>November 23, 2001</date>
- <pubdate>November 23, 2001</pubdate>
- <author>
- <firstname>Andy</firstname>
- <surname>Stewart</surname>
- </author>
- <copyright>
- <year>2001</year>
- <holder>Andy Stewart</holder>
- </copyright>
- <legalnotice>
- <para>The User's Guide to the Gimp-Print Top Quality Printer
-Drivers, Copyright 2001, Andy Stewart.
- </para>
- <para>
- Permission is granted to copy, distribute and/or modify this
-document under the terms of the GNU Free Documentation License,
-Version 1.1 or any later version published by the Free Software
-Foundation. A copy of the license is included in <xref linkend="gfdl">.
- </para>
-
- </legalnotice>
-
- <abstract>
- <para>
- The Gimp-Print Top Quality Printer Drivers (hereafter
-called Gimp-Print) are a set of printer drivers written to
-take advantage of the full capabilities of a wide range of
-printers. These drivers should work on any POSIX compliant operating
-system (e.g. Linux, Solaris, IRIX, etc). This document will explain how to
-use the Gimp-Print software to achieve high quality printouts from the
-<ulink url="http://www.gimp.org">GIMP</ulink> (GNU Image
-Manipulation Program) and
-<ulink url="http://www.cups.org">CUPS</ulink> (Common Unix Printing
-System).
- </para>
- <para>
- Please note that in addition to using the Gimp-Print software as a
-print plugin for the GIMP, and as a set of printer drivers for CUPS, this
-software can also be compiled and used with the
-<ulink url="http://www.ghostscript.com">Ghostscript</ulink> software
-and with the
-<ulink
-url="http://www.linuxprinting.org/foomatic.html">Foomatic</ulink>
-software.
- </para>
- <para>
-Regardless of whether the Gimp-Print software is used with the GIMP,
-CUPS, Ghostscript, or Foomatic, the print quality and printer settings
-remain the same. However, use of the Gimp-Print with Ghostscript and
-Foomatic is not covered in this document. These topics may be covered
-in a future revision of this document.
- </para>
- <para>
- This document corresponds to version 4.2.0 of the Gimp-Print
-software. This document will serve as a guide to the user, and as such
-will not explain how to install Gimp-Print, CUPS, GIMP, Ghostscript,
-Foomatic, or any other related software.
- </para>
-
- <para>
- Andy Stewart, the author, is the founder of the
-<ulink url="http://www.wlug.org">Worcester Linux Users' Group</ulink> in
-Worcester, Massachusetts, USA. The group was founded in July 1997 and has
-approximately 140 people on its mailing list. Monthly meetings are
-held and all are invited.
- </para>
-
- <para>
- In terms of "code", this is the author's first contribution to the
-open source community, and definitely his first experience with DocBook.
-Constructive comments, praise, words of encouragement, and the like
-will be most appreciated if e-mailed to the
-<ulink url="mailto:andystewart@mediaone.net">author</ulink>.
- </para>
- </abstract>
- </bookinfo>
-
- <chapter><title>Project History</title>
- <para>
-This software package was first written by Michael Sweet of
-<ulink url="http://www.easysw.com">Easy Software Products</ulink> and
-initially worked only as a print plugin to the GIMP (GNU Image
-Manipulation Program). In the summer of 1999,
-Robert Krawitz (the current
-Gimp-Print project leader) purchased an Epson Stylus Photo EX printer
-to feed his photography hobby. Finding no existing printer drivers, Robert
-adapted Mike's Gimp-Print plugin to his six-color printer, and by the end
-of the year released version 3.0 of the Gimp-Print software, which was
-included in version 1.1 of the GIMP. The intention was for this to be
-the stable plugin in version 1.2 of the GIMP while development of the
-Gimp-Print plugin continued for later release.
- </para>
- <para>
-Robert put the Gimp-Print development tree on SourceForge starting
-with version 3.1, and quickly found a group of like-minded people who wanted to print
-high quality output on inexpensive inkjet printers. One of the main
-goals, which was not expected to be met until late in the version 3.1
-cycle, was to write a Ghostscript driver so that printing would not be
-restricted to the GIMP. Imagine Robert's surprise when Henryk "Buggs"
-Richter wrote one within days!
- </para>
- <para>
-In July 2000, not more than a year after Robert bought his Epson
-Stylus Photo EX, he was invited to the Linux Printing
-Summit hosted by VA Linux Systems. In preparation for that, he spent
-long hours printing out test images. Robert went back to the
-Gimp-Print version 3.0.9 release, which seemed like such an advance
-at the time, and was floored at how far the project had come in four
-months! Output that had been considered impressive with using six
-colors was put to shame by four color output. That should give you
-an idea what six color and variable dot size printers can do. It also
-illustrates what a group of committed people can do.
- </para>
- <para>
-Robert came away from the Printing Summit with a lot of new ideas, and in
-November 2000, Gimp-Print version 4.0 was released, the culmination of 9 months
-of work by the team. The quality was already tremendously improved
-over what the software could do at the Printing Summit.
- </para>
- <para>
-The team started serious work on version 4.1 in December
-2000, and version 4.2.0 was released in November 2001. Despite the fact
-that version 4.2.0 is a "minor" release over version 4.0, there are vast
-improvements:
- <itemizedlist>
- <listitem>
- <para>
- The driver is built as a shared library, making it much easier
-to use by higher layers of software
- </para>
- </listitem>
- <listitem>
- <para>
- The packaging system now follows GNU standards
- </para>
- </listitem>
- <listitem>
- <para>
-The print quality (in particular, color accuracy, a well-known weakness in 4.0) is even better
- </para>
- </listitem>
- <listitem>
- <para>
- Improved performance
- </para>
- </listitem>
- <listitem>
- <para>
- Many more options
- </para>
- </listitem>
- <listitem>
- <para>
- More supported printers
- </para>
- </listitem>
-
- </itemizedlist>
-
- </para>
- <para>
-Releases of Gimp-Print have been historically numbered in
-a fashion similar to that of the Linux kernel, where major releases
-are denoted by the first digit (in this case '4'), while minor
-releases are denoted by subsequent digits (such as '4.2.0'). Even
-numbered minor releases are considered stable, while odd numbered
-minor releases are considered development releases (whose stability
-may vary for any given release).
- </para>
- <para>
-This project is by no means finished. In future releases, the development
-team hopes to include the following:
- <itemizedlist>
- <listitem><para>implementation of proper color management</para></listitem>
- <listitem><para>improved dithering</para></listitem>
- <listitem><para>improvements in performance</para></listitem>
- </itemizedlist>
- </para>
- <para>
-The entire Gimp-Print team hopes you will really enjoy using this
-software! For more information, please consult the GIMP-Print project
-<ulink url="http://gimp-print.sourceforge.net">web page</ulink>.
- </para>
- </chapter>
-
- <chapter id="ch-gimp-and-gimp-print"><title>GIMP and Gimp-Print</title>
-
- <sect1>
- <title>Running the GIMP</title>
- <para>
- This section assumes that you have the GIMP version 1.2 installed
-and working properly on your computer, and that you have an image of
-some type that you desire to print. To get started quickly, log into
-your system, start the X window system, and bring up your favorite terminal
-window. At the $ prompt, type:
-
- <programlisting>
- <![ CDATA [
- $ gimp &
- ]]>
- </programlisting>
-
- This should start the GIMP for you. If it does not, check that
-you have installed the GIMP properly, and that its binary is located
-in one of the directories listed in your &dollar;PATH environment
-variable. On the assumption that this worked, the screen should now
-look something like this:
-
- <figure><title>The Startup Window for The GIMP</title>
- <mediaobject>
- <imageobject>
- <imagedata fileref="figures/gimp_startup.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>Startup window for The GIMP</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- </para>
- <para>
- At this point, you should use the
-
- <menuchoice>
- <guimenu>File</guimenu>
- <guimenuitem>Open</guimenuitem>
- </menuchoice>
-
-menu option to open your favorite picture. We will print this picture
-shortly. Your picture should be displayed next to the GIMP startup
-window, perhaps looking similar to the following (sssh! Don't tell
-anybody the secret!):
-
- <figure><title>A Sample Image Displayed by The GIMP</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="50" fileref="figures/gimp_image.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>A Sample Image displayed by The Gimp</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- </para>
-
- </sect1>
-
- <sect1><title>The Gimp-Print Graphical User Interface</title>
- <para>
- Now that the GIMP is displaying your picture, put your mouse over
-the picture and click the right mouse button. A menu will appear.
-Choose the
- <menuchoice>
- <guimenu>File</guimenu>
- <guimenuitem>Print</guimenuitem>
- </menuchoice>
-menu option. This will cause the Gimp-Print GUI window to appear (see
-<xref linkend="fig-gimp-print-gui">). Move the mouse cursor
-over the various parts of the Gimp-Print GUI window, and notice that
-if you leave your mouse in one place for a short time without clicking
-any buttons, a small box appears. This box contains helpful text.
-These small boxes are called "tooltips" and are intended to remind you
-about the function of each part of the graphical interface.
- </para>
- <para>
-The next several sections will continuously refer to
-<xref linkend="fig-gimp-print-gui"> and
-<xref linkend="fig-gimp-print-gui-1">. The difference between
-the two figures can be seen in the top right corner of the window.
-Notice that there are two tabs, one which reads
-<guilabel>Printer Settings</guilabel> and another which reads
-<guilabel>Image/Output Settings</guilabel>. Notice also that the
-window is divided into several major sections which directly map to
-the major sections of this document:
- <itemizedlist>
- <listitem>
- <para><link linkend="sec-preview">Preview</link></para>
- </listitem>
- <listitem>
- <para><link linkend="sec-printer-settings">Printer Settings</link></para>
- </listitem>
- <listitem>
- <para><link linkend="sec-printer-settings">Image/Output Settings</link></para>
- </listitem>
- <listitem>
- <para><link linkend="sec-position">Position</link></para>
- </listitem>
- <listitem>
- <para><link linkend="sec-scaling">Size</link></para>
- </listitem>
- <listitem>
- <para><link linkend="sec-printing-and-saving-settings">Printing and Saving Settings</link></para>
- </listitem>
- </itemizedlist>
- </para>
-
- <figure id="fig-gimp-print-gui"><title>The Gimp-Print Graphical User Interface 1 (GUI)</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="40" fileref="figures/gimp-print-gui.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The GIMP Print GUI showing printer settings</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <figure id="fig-gimp-print-gui-1"><title>The Gimp-Print Graphical User Interface 2 (GUI)</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="40" fileref="figures/gimp-print-gui-1.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The GIMP Print GUI showing image/output settings</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <sect2><title id="sec-printer-settings">Printer Settings</title>
- <indexterm id="idx-printer-settings"><primary>Printer Settings</primary></indexterm>
-
- <sect3><title>Printer</title>
- <para>
- Click on the <guilabel>Printer Settings</guilabel> tab near the
-top right hand corner of the window (see
-<xref linkend="fig-gimp-print-gui">). Then, click on the downward
-facing arrow to the right of the <guilabel>Printer</guilabel> combo
-box to see a list of the system printer queues. Select the queue to which
-you would like the printed image to be sent. One may also print the
-image directly to a file by selecting <guimenuitem>File</guimenuitem>.
-In this event, the user will be prompted for the filename when either the
-<guibutton>Print</guibutton> button or the <guibutton>Print and Save
-Settings</guibutton> button is clicked.
- </para>
- <para>
-When either the <guibutton>Print and Save Settings</guibutton> button
-or the <guibutton>Save Settings</guibutton> button is clicked,
-the settings are saved in a file called
-<filename>~/.gimp-1.2/printrc</filename>. The user is cautioned about
-hand editing this file since it is generated by Gimp-Print (although
-it was the only way that the author found for removing bogus entries
-created while playing with the <guibutton>New Printer</guibutton> button).
- </para>
- </sect3>
-
- <sect3><title>Setup Printer</title>
- <para>
- Before any useful printing can occur, the user needs to associate
-the named printer with the
-actual make and model of the printer. Click the
-<guibutton>Setup Printer</guibutton> button in
-the <guilabel>Printer</guilabel> section of the window (the upper
-right, and just below the Printer display box). When this is done, the
-following window appears:
-
- <figure><title>The Setup Printer Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="60" fileref="figures/gimp-print-setup.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The Setup Printer Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
- </para>
-
- <para>
- Scroll through the Printer Model section of the window until you
-find a printer which matches yours. If you cannot find the precise
-model, pick something close and hope for the best. There are selections
-for a wide array of Postscript, inkjet, and laser printers. After you
-have selected a printer, you will see the printer command displayed.
- </para>
- <para>
-The Gimp-Print software does all of the necessary conversion of the
-image to be printed into the language of your printer. It is
-unnecessary and undesirable for any other sofware to manipulate this
-data. (This is why the command contains the "-l" switch or the "-o
-raw" switch). Please use care if you feel the need to edit this
-command. Once you are satisfied with your selection, click the
-<guibutton>OK</guibutton> button.
- </para>
-
- </sect3>
-
- <sect3><title>New Printer</title>
-
- <para>
- In the previous sections, the user selected an existing printer
-queue and associated a particular type of printer to that queue. For
-most cases, this is probably all that is required. However, some
-situations might require more detailed control over the handling of
-the printer data.
- </para>
- <para>
- Click the <guibutton>New Printer</guibutton> button to tell the
-software that you wish to create a new name. In this case, the new
-name may actually be an existing printer with different settings that
-you wish to save, or it may simply be a name associated with a
-particular command for handling the printer data. A window will
-appear thus:
-
- <figure><title>The New Printer Window</title>
- <mediaobject>
- <imageobject>
- <imagedata fileref="figures/gimp-print-new-printer.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The New Printer Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- Type a name into the window and click <guibutton>OK</guibutton>
-(or <guibutton>Cancel</guibutton> if you wish not to do this).
-Notice that the new name now appears as the selected <guilabel>Printer</guilabel>.
-As you change settings in the rest of the Gimp-Print GUI, they will be
-associated with this printer name. When the settings are saved,
-they can be recovered easily by simply selecting this named printer
-from the Printer combo box.
- </para>
- <para>
- One example where this feature might be used is as follows. The
-author frequently prints photos on Epson 4x6 photo paper. Note that
-this paper is physically larger than 4x6 and it has perforations on
-all four sides. The author dislikes printing part of the image on the
-perforated parts of the paper which will be removed after
-printing the photo. By selecting the proper scaling percentage,
-printing can be constrained to the 4x6 part of the paper which will
-remain after the perforated sections are removed. The author has
-saved this setting using this feature of the Gimp-Print software.
- </para>
-
- </sect3>
-
- <sect3><title>Media Size</title>
- <para>
- The term <emphasis>media</emphasis> refers to paper, card stock,
-envelopes, or whatever you have put into your printer onto which
-something will be printed. Click the arrow to the right of the
-<guilabel>Media Size</guilabel> box to see a long list of different
-sizes of media. Choose the size that matches the media which you have
-loaded into your printer. Once you have made your choice, the drop
-down menu will disappear, and your choice will be shown in the
-<guilabel>Media Size</guilabel> box. The available paper sizes will
-vary depending upon the printer model you have selected.
- </para>
- <para>
- Some printers support arbitrary (within limits!) paper sizes.
- These printers will let you select <emphasis>Custom</emphasis>
- or <emphasis>Roll</emphasis> paper sizes. When you select such a
- printer, one or both of the <guilabel>Dimensions</guilabel> boxes
- will let you enter your paper size (in inches or centimetres). The
- boxes will not let you enter sizes that your printer cannot handle.
- </para>
- </sect3>
-
- <sect3><title>Media Type</title>
- <para>
- The type of media onto which your image will be printed should be
-selected here. Click on the arrow to the right of the <guilabel>Media
-Type</guilabel> box to see a long list of the different types of media
-onto which you may print your image. Media types include such things
-as plain paper, postcards, photo quality paper, transparencies, and
-more! Once you have made your choice, the drop down menu will
-disappear, and your choice will be shown in the <guilabel>Media
-Type</guilabel> box. The choices available will vary depending upon
-the printer model you have selected.
- </para>
- </sect3>
-
- <sect3><title>Media Source</title>
- <para>
- The <guilabel>Media Source</guilabel> box allows the user to
- choose the paper source, sometimes called <emphasis>Input
- Slot</emphasis>, that the paper will be fed from. Many printers
- only have one available input source (such as the standard paper
- tray), in which case this entry will be grayed out. If your printer
- does support multiple input sources, you may specify the source of
- your choice here. Some Epson printers offer a roll feed option in
- addition to the standard paper tray, and many HP LaserJet printers
- have multiple paper trays.
- </para>
- </sect3>
-
- <sect3><title>Ink Type</title>
- <para>
- Some printers offer a choice of different types of ink or ink
- cartridges. Many Canon and Lexmark printers support various
- combinations of cartridges, such as black only, black and color,
- photo color, and so forth. Most Epson printers let you choose
- between three and four color printing (three color uses only color
- ink, while four color uses black ink as well). Epson printers that
- support six color photo printing allow you to choose five and six
- color printing as well.
- </para>
- </sect3>
-
- <sect3><title>Resolution</title>
- <para>
- Click on the arrow to the right of the
-<guilabel>Resolution</guilabel> box to see a long list of resolutions
-at which you can print your image. The list is written with the
-lowest resolution at the top, with increasing resolution (and
-generally improved printing quality) as you approach the bottom of the
-list. Different printers support different resolution options, and
-many printers support different quality choices using the same basic
-resolution. In this menu are a few terms which may be unfamiliar to
-you, and they will now be explained.
- </para>
- <sect4><title>DPI</title>
- <para>
- DPI is an acronym which stands for <emphasis>D</emphasis>ots
-<emphasis>P</emphasis>er <emphasis>I</emphasis>nch. This term refers
-to the number of dots that your printer will print in a space of one
-inch (approximately 2.54 cm). This is highly dependent upon the
-capability of your printer. Resolutions below 300 DPI are
-used for draft quality. For general purpose printing, select
-300 - 360 DPI. Higher quality printing can be achieved by
-selecting 600 - 720 DPI. Settings higher than this are used for the
-highest possible quality for printing photographs and other high
-quality graphics. Experiment with your printer and these settings
-with different types of graphics and photographs to see what
-results you can obtain with your printer. High resolutions (large
-numbers of dots per inch) require substantial image processing time,
-and the print files can be very large; it's not uncommon for a full
-page, 1440x720 DPI image to require 100 MB of temporary storage!
- </para>
- </sect4>
- <sect4><title>Draft or Fast Economy Draft</title>
- <para>
- When this text appears next to the resolution, it refers to the
-fact that the quality will be relatively low, but suitable for rough
-drafts. Draft quality is higher than fast economy draft. These
-options will give you the fastest printing speed. Economy Draft uses
-less ink, and as a result the image will be pale. These modes are
-generally not very useful for printing photographs.
- </para>
- </sect4>
-
- <sect4><title>Unidirectional</title>
- <para>
- When printing an image, you have probably noticed the print
-head inside the printer moving back and forth across the print media.
-Many printers are capable of putting ink on the page regardless of
-which direction the print head is moving. However, quality can
-sometimes be improved by only putting ink on the page when the printer
-head is moving in one direction. The
-<guimenuitem>Unidirectional</guimenuitem> setting instructs the
-software to only place ink on the page when the print head is moving
-one way. When the print head returns, it will not place ink on the
-page. On many printers, the print quality is better, at the expense
-of printing speed.
- </para>
- </sect4>
- <sect4><title>High(est) Quality</title>
- <para>
- With lower quality print modes, one may see an effect where
-the printed image looks like it has rows of stripes with a small
-separation between the stripes. This effect is called "banding" and
-is undesirable. In the <emphasis>high</emphasis> and
-<emphasis>highest</emphasis> quality modes, the printer will make more
-passes over the same part of the page in order to improve quality and
-(reduce or) eliminate banding. This requires more temporary disk
-space and prints more slowly, but does not require significantly more
-processing time.
- </para>
- </sect4>
- <sect4><title>Microweave</title>
- <para>
- Certain Epson printers (older models mostly) support a printing
- mode called <emphasis>Microweave</emphasis>. This mode uses
- special software within the printer to improve the print quality.
- Microweave print modes will usually produce better quality
- output than non-Microweave modes, with only a small performance
- penalty. If Microweave is not listed at your chosen
- resolution, fear not. In those cases, the non-Microweave print
- modes offer similar printing quality improvements.
- </para>
- </sect4>
- <sect4><title>DMT</title>
- <para>
- DMT is an acronym which stands for <emphasis>D</emphasis>ot
- <emphasis>M</emphasis>odulation
- <emphasis>T</emphasis>echnology.
- This term refers to a print mode used by certain Canon printers
- to improve the quality of the printed output. Unfortunately,
- at this time, all of the available DMT modes do not work
- correctly. The cases which do work correctly will offer
- significantly improved printing quality.
- </para>
- </sect4>
- </sect3>
- </sect2>
-
- <sect2><title id="sec-preview">Preview</title>
- <para>
- Notice in the upper left of the window is a preview of your image.
-This preview is a representation of where your picture will print on
-the selected media, and approximately what it will look like. This
-preview will be updated as you modify selections in the
-<guilabel>Position</guilabel>, <guilabel>Size</guilabel>,
-<guilabel>Media Size</guilabel>, and <guilabel>Output Type</guilabel>
-portions of the window. You may also select the image with your mouse
-and move it manually if you wish. In doing so, you will note that the
-<guilabel>Position</guilabel> settings are updated accordingly. Take
-note of the arrow, which points toward the top of the media, where top
-is the first part of the media to enter the printer.
- </para>
- <para>
- The preview may be moved around the page as follows:
- </para>
- <itemizedlist>
- <listitem><para> Clicking and dragging the <emphasis>left</emphasis>
- (primary) mouse button moves the image around the page as you would
- expect; the image moves with the mouse. </para></listitem>
- <listitem><para> Clicking and dragging the
- <emphasis>middle</emphasis> mouse button moves the image around the
- page in a finer fashion, such that each pixel of mouse movement
- moves the image by one point (1/72 inch). This allows very fine
- placement of the image on the page. </para></listitem>
- <listitem><para> Clicking and dragging the
- <emphasis>right</emphasis> (secondary) mouse button moves the image
- around the page much the same as with the left button, but the image
- will only move in units of the image size. Thus, if the image is
- one inch wide and two inches tall, the image will not move at all
- until you have moved the mouse far enough so that the image would be
- moved one inch vertically and two inches horizontally. This is
- handy if you wish to print multiple images of the same size on one
- piece of paper.</para></listitem>
- <listitem><para> If you hold down the <emphasis>shift</emphasis> key
- on the keyboard when you click and drag the mouse, the image will
- only move in the horizontal or vertical direction (depending upon
- which way you first move the mouse). This allows you to constrain
- motion to the horizontal or vertical. </para></listitem>
- <listitem><para> If you click another button while dragging the
- mouse, the image will immediately return to the position it was in
- before you clicked the mouse the first time. This allows you to
- not move the image if you have started moving it and have decided
- that you don't want to move it. The preview will not respond to the
- mouse until you release all of the mouse buttons and click and drag
- afresh. </para></listitem>
- </itemizedlist>
- </sect2>
-
- <sect2><title id="sec-position">Position</title>
-
- <sect3><title>Orientation</title>
- <para>
- The Orientation menu allows the user to choose the orientation
-of the paper. The menu selections are
-<guimenuitem>Auto</guimenuitem>, <guimenuitem>Portrait</guimenuitem>,
-<guimenuitem>Landscape</guimenuitem>, <guimenuitem>Upside
-down</guimenuitem>, and <guimenuitem>Seascape</guimenuitem>. Click on
-the rectangular tab to see these choices
-and make your selection. When you have done so, the pulldown menu
-will have disappeared, and your choice will appear. Also, note that
-the preview image will have changed accordingly.
- </para>
- <para>
- When set to <guimenuitem>Auto</guimenuitem>, the software will make an
-intelligent choice of orientation based on the dimensions of the image
-to be printed. <guimenuitem>Portrait</guimenuitem> orients the print media
-with the longest edge going from top to bottom, while
-<guimenuitem>Landscape</guimenuitem> orients the paper with the longest edge
-going from side to side. <guimenuitem>Upside down</guimenuitem> and
-<guimenuitem>Seascape</guimenuitem> orient the paper the same as
-<guimenuitem>Portrait</guimenuitem> and <guimenuitem>Landscape</guimenuitem>
-respectively, with the difference being that the image is rotated 180 degrees.
- </para>
- </sect3>
-
- <sect3><title>Automatic Centering</title>
- <para>
- There are three buttons that deal with centering an image. The
-leftmost button is the <guibutton>Vertically</guibutton> button, the
-middle button is the <guibutton>Both</guibutton> button, and
-the rightmost button is the <guibutton>Horizontally</guibutton>
-button. Use the <guibutton>Both</guibutton> button to center your
-image both horizontally and vertically. This will cause the top and
-bottom borders to be equal, and the left and right borders to be
-equal. If you have placed your image manually by using the mouse
-button, then you may center the image in the horizontal direction only
-by clicking on the <guibutton>Horizontally</guibutton> button.
-Likewise, to adjust the image only in the vertical direction, click on
-the <guibutton>Vertically</guibutton> button. Note that in
-each case, the image is centered with regard to the edges of the
-media, and without regard to the printable portion of the media. Many
-printers are incapable of printing to each edge of the media. Some
-media may have edges which detach. Consult your printer documentation
-for more details regarding your printer's capabilities in this regard.
- </para>
- </sect3>
-
- <sect3><title>Manual Settings</title>
- <para>
- You will notice that there are six boxes that contain numbers
-just below the Orientation menu and just above the GUI buttons related
-to centering an image. When you move the preview image manually with
-the mouse, or when you click on one of the centering buttons, the
-preview image moves and these six boxes get updated.
- </para>
- <sect4><title>Left</title>
- <para>
- The number appearing in the <guimenuitem>Left</guimenuitem> box denotes
-the number of units (cm or inches) that the left side of the image
-will be printed away from the left edge of the media. You may select
-the units by clicking the <guibutton>Inch</guibutton> or
-<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
-these GUI boxes.
- </para>
- </sect4>
- <sect4><title>Right</title>
- <para>
- The number appearing in the <guimenuitem>Right</guimenuitem> box denotes
-the number of units (cm or inches) that the right side of the image
-will be printed away from the left edge of the media. You may select
-the units by clicking the <guibutton>Inch</guibutton> or
-<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
-these GUI boxes.
- </para>
- </sect4>
- <sect4><title>Right Border</title>
- <para>
- The number appearing in the <guimenuitem>Right Border</guimenuitem> box denotes
-the number of units (cm or inches) that the right side of the image
-will be printed away from the right edge of the media. You may select
-the units by clicking the <guibutton>Inch</guibutton> or
-<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
-these GUI boxes.
- </para>
- </sect4>
- <sect4><title>Top</title>
- <para>
- The number appearing in the <guimenuitem>Top</guimenuitem> box denotes
-the number of units (cm or inches) that the top side of the image
-will be printed away from the top edge of the media. You may select
-the units by clicking the <guibutton>Inch</guibutton> or
-<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
-these GUI boxes.
- </para>
- </sect4>
- <sect4><title>Bottom</title>
- <para>
- The number appearing in the <guimenuitem>Bottom</guimenuitem> box denotes
-the number of units (cm or inches) that the bottom side of the image
-will be printed away from the top edge of the media. You may select
-the units by clicking the <guibutton>Inch</guibutton> or
-<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
-these GUI boxes.
- </para>
- </sect4>
-
- <sect4><title>Bottom Border</title>
- <para>
- The number appearing in the <guimenuitem>Bottom Border</guimenuitem> box denotes
-the number of units (cm or inches) that the bottom side of the image
-will be printed away from the bottom edge of the media. You may select
-the units by clicking the <guibutton>Inch</guibutton> or
-<guibutton>cm</guibutton> buttons in the <guilabel>Units</guilabel> section just below
-these GUI boxes.
- </para>
- </sect4>
-
- </sect3>
-
- </sect2>
-
- <sect2><title id="sec-scaling">Size</title>
-
- <sect3><title>Slider Bar and Spin Box</title>
- <para>
- The slider bar can be moved as desired by the user. Notice
-that while sliding this bar, the preview image changes accordingly.
-One will also note that several boxes in the Gimp-Print GUI change values when this bar is moved.
-These boxes are the six position boxes (left, right, right border,
-top, bottom, bottom border), the two size boxes (width and height),
-and the spin box to the right of the slider bar.
- </para>
- <para>
- This slider bar is used to scale the image to a desirable size, but the same effect can
-be obtained by either clicking an arrow on the spin box to the right of this
-slider bar, or by manually typing a number into this spin box. Notice
-that by setting the spin box in this way, the slider bar is also
-moved. All of the described methods will cause the image to be
-scaled accordingly.
- </para>
- </sect3>
-
- <sect3><title>Scale by Percent or PPI</title>
- <para>
- One may choose to scale the image by a percentage, or by PPI,
-which means "<emphasis>p</emphasis>ixels <emphasis>p</emphasis>er
-<emphasis>i</emphasis>nch". Click the radio button
-next to the word to set the desired scaling factor.
- </para>
- <para>
- When scaling by a percentage, the number reflected in the spin
-box next to the slider bar represents the percentage relative
-to the full size of the selected print medium. For example, with this spin box
-set to 50, the image will be scaled to 50% of the size of the print
-medium. When set to 100, the image will attempt to fill the print
-medium, within the constraints of maintaining the proper aspect ratio
-and the margins of the selected print medium. This effect can be seen
-in the preview window.
- </para>
- <para>
- When scaling by PPI, the number reflected in the spin box next to
-the slider bar represents the number of pixels that will be
-printed per inch. For example, if the user is printing a 640x480
-image at a size of 6.4x4.8 inches (as measured by the size boxes), the
-image will be printed at 100 DPI.
- </para>
- </sect3>
-
- <sect3><title>Use Original Image Size</title>
- <para>
- By clicking this button, the image will be scaled to as close
-to the native size of the image as possible. This effect can
-immediately be seen in the preview image.
- </para>
- <para>
- The native image size may be found or set in the GIMP by
- selecting <guimenuitem>Image/Scale Image</guimenuitem> in the
- GIMP. Under the <guilabel>Print Size and Display Unit</guilabel>
- group in the <guilabel>Scale Image</guilabel> dialog, you can
- determine (or change) the width and height of the image, or
- choose the resolution.
- </para>
- </sect3>
-
- <sect3><title>Width and Height</title>
- <para>
- These boxes show the size of the printed image in either inches
-or centimeters (depending on which unit is selected). The user may
-choose to manually modify these values. When one value is modified,
-the other value is automatically modified in order to maintain the
-aspect ratio (the ratio of width to height). This effect can be
-immediately seen in the preview image.
- </para>
- </sect3>
-
- <sect3><title>Units</title>
- <para>
- The units can be set to inches or centimeters by clicking the appropriate
-radio button next to the desired unit. This setting effects the
-values printed in the six position boxes (left, right, right border,
-top, bottom, bottom border) and the two size boxes (width and height).
- </para>
- </sect3>
-
- </sect2>
-
- <sect2><title id="sec-image-settings">Image/Output Settings</title>
- <para>
- By clicking on the tab labeled <guilabel>Image/Output
-Settings</guilabel>, the Gimp-Print window will appear as shown in
-<xref linkend="fig-gimp-print-gui-1">. Notice that there are
-two sections to this portion of the window, namely,
-<guilabel>Image Type</guilabel> and
-<guilabel>Output Type</guilabel>.
-
- </para>
-
- <sect3><title>Image Type</title>
-
- <sect4><title>Line Art</title>
- <para>
- This setting tells the printer driver to generate color
-quickly. The color is bold and bright, but color accuracy is not very
-good. There may also be some unexpectedly sharp transitions in
-colors. This mode is acceptable for printing text with small amounts
-of color, and may be acceptable for presentation graphics.
- </para>
- </sect4>
-
- <sect4><title>Solid Colors</title>
- <para>
- This mode produces color which is considerably more accurate
-than the <guilabel>Line Art</guilabel> mode, but with a reduction in performance. In
-general, hues will be accurate but tonalities may not be accurate.
-There should be no sharp transitions in colors. This mode is good for
-printing presentation graphics in most cases.
- </para>
- </sect4>
-
- <sect4><title>Photograph</title>
- <para>
- This mode produces the most accurate colors and tonalities at a
-greater cost in performance. This is the mode to use when printing
-high quality photographs or other high quality images.
- </para>
- </sect4>
-
- </sect3>
-
- <sect3><title>Output Type</title>
- <para>
- The user is given the choice of color, black and white, and
-grayscale. Color is selected when the desired output is to be in
-color. Greyscale will result in the printed image having various
-shades of grey. Black and white is just that. The effect of this
-setting can be seen in the preview window.
- </para>
- </sect3>
-
- <sect3><title>Adjust Output</title>
- <para>
- Clicking on this button causes the <guilabel>Print Color Adjust</guilabel> window to
-appear (see <xref linkend="fig-gimp-print-color-adjust">). In
-this window, one will see a representation of the image to be printed
-as well as several slider bars. These slider bars collectively adjust
-many different aspects of the image. The values can also be adjusted
-by clicking the arrows or by typing a value into the appropriate spin
-box on the right side of each slider bar.
- </para>
-
- <figure id="fig-gimp-print-color-adjust"><title>The Print Color Adjust Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="50" fileref="figures/gimp-print-print-color-adjust.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>>The Print Color Adjust Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <sect4><title>Brightness</title>
- <para>
- Adjust the brightness of the image. A setting of 0.0 gives a fully black
-image, while a 2.0 setting gives a fully white image. Values greater than 1.0 will result in
- black not being solid and highlights turning white; values less than
- 1.0 will result in white not being perfectly clear and shadows turning
- black.
- </para>
- </sect4>
-
- <sect4><title>Contrast</title>
- <para>
- Adjust the contrast of the image. A setting of 0.0 gives a solid gray for the
-entire image, the exact gray depending upon the brightness chosen.
- </para>
- </sect4>
-
- <sect4><title>Cyan, Magenta, Yellow</title>
- <para>
-These three options allow specification of the cyan, magenta, and
-yellow levels independently, for rebalancing the levels. Normally,
-these should be adjusted to yield neutral gray, but they can be used
-for other effects.
- </para>
- </sect4>
-
- <sect4><title>Saturation</title>
- <para>
-Adjust the brilliance of colors. A setting of 0.0 results in pure grayscale.
-A saturation setting of less than 1.0 results in more muted colors. A
-saturation setting of greater than 1.0 results in more vibrant colors. Very high
-saturation often results in very strange effects, including
-posterization and banding that might not be expected. For normal
-purposes, the saturation should generally be set to a value less than 1.5.
- </para>
- </sect4>
-
- <sect4><title>Density</title>
- <para>
-Adjust the amount of ink deposited on the paper. If you have chosen the
-correct paper type and are getting ink bleeding through the paper
-or puddling, try reducing the density to the lowest value you
-can while still achieving solid black. If black is not solid
-black, even with the contrast and brightness at 1.0, try increasing
-the density. Note that changes to this setting will not be visible in
-the image preview.
- </para>
- <para>
-All of the supported printers actually need less than 100% ink
-density in most cases, so the actual density is something other than
-the nominal density setting. The effective density setting cannot go
-above 100%, so if a value specified will result in an excessively high
-density level, it will be silently limited to a setting of 1.0.
- </para>
- </sect4>
-
- <sect4><title>Gamma</title>
- <para>
-Adjust the gamma of the image, over and above the printer-specific
-correction. Gamma less than 1.0 will result in a darker image; gamma
-greater than 1.0 will result in a lighter image. Unlike brightness,
-gamma adjustment does not change the endpoints; it merely changes the
-shape of the input->output curve.
- </para>
- </sect4>
-
- <sect4><title>Dither Algorithm</title>
- <para>
-The recommended dither algorithm is <guimenuitem>Adaptive
-Hybrid</guimenuitem> (which is the default) for text or other fine
-black detail, or if this is mixed with continuous tone images. The
-<guimenuitem>Ordered</guimenuitem> dithering algorithm is just as good
-(and somewhat faster) for pure continuous-tone images and photographs,
-but may yield poor results with text or other fine detail,
-particularly at high printing resolutions.
- </para>
- <para> The <guimenuitem>Fast</guimenuitem> algorithm gives the
-fastest results at the expense of color accuracy. It is a simplified
-ordered dither. On simple four color printers (or other printers used
-in four color mode), the quality is similar to
-<guimenuitem>Ordered</guimenuitem>, although dark gray rendition is
-not as good due to a simpler transfer between black and colored ink.
-With six-color printers, color rendition is somewhat worse, but it
-should be quite usable in cases where optimum quality is not critical.
-In black and white, it is an efficient way to render grayscale, but it
-may not give best results when used with variable dot size printers
-(modern Epson printers, or Canon printers using DMT). On rare three
-color printers (CMY only) the results should be identical to ordered
-dither.
- </para>
- <para> <guimenuitem>Very Fast</guimenuitem> is even faster than
-<guimenuitem>Fast</guimenuitem>, with even more loss of quality.
-Color and grayscale output will show strong patterning that resembles
-screening, although it isn't. On laser printers, and possibly on
-certain kinds of text and line art, <guimenuitem>Very
-Fast</guimenuitem> dithering may actually yield the best quality.
- </para>
- <para>
-Error diffusion algorithms (<guimenuitem>Hybrid
-Floyd-Steinberg</guimenuitem> is such an algorithm) perform very well
-at high densities, and are capable of
-rendering very fine detail rather well, but they tend to exhibit artifacts in
-the form of "waves" or "worms" of dots which results in noticeable
-texturing in pale areas. Furthermore, pale areas immediately adjacent
-to white take a while to "build up" sufficient error to print at all.
-This is sometimes called "tearing" or "waterfalling".
- </para>
-
- </sect4>
-
- <sect4><title>Set Defaults and Close</title>
- <para>
- When the <guibutton>Set Defaults</guibutton> button is clicked,
-the slider bar settings will return to their default values. The
-dither algorithm setting is uneffected. The <guilabel>Print Color
-Adjust</guilabel> window will close when the
-<guibutton>Close</guibutton> button is clicked.
- </para>
- </sect4>
-
- </sect3>
-
- </sect2>
-
- <sect2><title id="sec-printing-and-saving-settings">Printing and Saving Settings</title>
- <para>
- At the bottom of the Gimp-Print window, there are five buttons labeled
-<guibutton>About</guibutton>,
-<guibutton>Print and Save Settings</guibutton>,
-<guibutton>Save Settings</guibutton>,
-<guibutton>Print</guibutton>,
-and <guibutton>Cancel</guibutton>. The <guibutton>About</guibutton>
-button will show information about the Gimp-Print software, such as
-the version number, authors names, project web site, and software
-licensing. After clicking on the <guibutton>About</guibutton>, read
-the information, and then close the window by pressing the
-<guibutton>OK</guibutton> button.
- </para>
- <para>
- The <guibutton>Print and Save Settings</guibutton> button will
-save the current settings and then print the desired image. Recall
-that these settings are saved in <filename>~/.gimp-1.2/printrc</filename>. The
-<guibutton>Save Settings</guibutton> button will only save the
-settings. The <guibutton>Print</guibutton> button will print the
-image only. The <guibutton>Cancel</guibutton> will close the
-Gimp-Print GUI window.
- </para>
- </sect2>
-
- </sect1>
-
- </chapter>
-
- <chapter><title>CUPS and Gimp-Print</title>
- <sect1><title>Introduction</title>
- <para>
- CUPS is an acronym which stands for <emphasis>C</emphasis>ommon
-<emphasis>U</emphasis>nix <emphasis>P</emphasis>rinting
-<emphasis>S</emphasis>ystem. It is assumed that the reader has
-properly installed the CUPS software and the Gimp-Print software.
-This section will discuss adding a printer to CUPS that uses a
-Gimp-Print printer driver, as well as how to modify the various
-settings supplied by Gimp-Print. This will be a rather quick
-explanation, as the CUPS software is quite well documented, and it is
-not my intention to attempt to duplicate the CUPS documentation here.
- </para>
- </sect1>
-
- <sect1><title>CUPS Printer Installation</title>
- <para>
-This explanation will use the web interface provided by CUPS. First,
-aim your favorite web browser at
-<ulink url="http://localhost:631">the CUPS server</ulink>. The
-following screen should appear within your browser.
- </para>
-
- <figure><title>The CUPS Startup Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="45" fileref="figures/cups_startup.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Startup Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <para>
-Now, you may click on either the word <guilabel>Printers</guilabel> in the bar at the top
-of the page, or you may click on the <guilabel>Manage Printers</guilabel> text. In
-either case, the next screen you see will look like this one if you
-have not yet configured any printers.
- </para>
-
- <figure><title>The CUPS Printers Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="45" fileref="figures/cups_printers.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Printers Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <para>
-At this time, click on the <guibutton>Add Printer</guibutton> button.
-You will then see the Admin screen (shown below).
- </para>
-
- <figure><title>The CUPS Admin Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="45" fileref="figures/cups_admin.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Admin Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <para>
-Notice in the screenshot that the three boxes are shown after the
-author filled them in for his printer at home. You will need to fill
-in an appropriate name of your printer, its location, and a
-description which meets your own needs. Once this is done, click on
-the <guibutton>Continue</guibutton> button, and then this screen will appear.
- </para>
-
- <figure id="fig-cups-admin-device"><title>The CUPS Admin Device Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="35" fileref="figures/cups_admin_device.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Admin Device Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <para>
-Click on the drop down menu next to the word
-<guilabel>Device</guilabel> and a list of possible printer devices
-appears. Select the device appropriate for your printer. Note that
-there are a range of serial, parallel, USB, and other devices from
-which to choose. Once the selection is made, click the
-<guibutton>Continue</guibutton> button. Now, this screen appears.
- </para>
-
- <figure><title>The CUPS Admin Model/Driver Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="35" fileref="figures/cups_admin_make.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Admin Model/Driver Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <caution>
- <title>Caution Regarding USB Printers</title>
-
- <para>
-CUPS versions 1.1.11 and later <emphasis>REQUIRE</emphasis>
-the user to insure that the desired USB printer is powered on
-<emphasis>AND</emphasis> physically connected to the USB bus
-<emphasis>BEFORE</emphasis> starting the CUPS software.
- </para>
- <para>
-CUPS must see the USB printer when the software starts. The CUPS software
-is typically started when the computer boots. Note that one cannot
-simply plug in the USB printer and power it on after CUPS has started.
-(Note that this does not apply to parallel port printers).
- </para>
- <para>
-If the USB printer was not connected and powered on at the time CUPS was
-started, there will not be a USB printer shown in the
-list of devices on the CUPS Admin Device Window (see
-<xref linkend="fig-cups-admin-device">). In this event, stop the CUPS
-software, properly connect and power on the USB printer, and restart
-the CUPS software.
- </para>
- <para>
-From the list of devices shown in the CUPS Admin Device Window
-(see <xref linkend="fig-cups-admin-device">), a clever user might
-attempt to avoid this issue by selecting
-<guimenuitem>Internet Printing Protocol</guimenuitem>
-and then enter something similar to 'usb:/dev/usblp0' in the next
-screen. However, this fails later in the configuration process with a
-"client_error_not_possible" error message with no other explanation.
-Note that entering 'file:/dev/usblp0' will not work either. While CUPS
-will allow this, printing will not actually work in some situations.
- </para>
- <para>
-CUPS versions 1.1.10 and earlier exhibit similar behavior with regard
-to not displaying the USB printer if it was not connected to the USB
-bus and powered up prior to starting the CUPS software. However,
-these versions of CUPS will indeed allow the user to enter the name of
-the USB connection, unlike versions 1.1.11 and later.
- </para>
- </caution>
-
- <para>
-Select the manufacturer of your printer and click the
-<guibutton>Continue</guibutton> button. A window will appear which
-asks you to select the specific model number for your printer.
- </para>
-
- <para>
-Scroll through the long list and find the model number for your
-printer. Notice carefully that there are many different languages
-supported for each printer, as denoted by the initials in parenthesis.
-(en) would be for English, (da) for Danish, (sv) for Swedish, (fr) for
-French, (no) for Norwegian, (pl) for Polish, and (en_GB) for British
-English (see <xref linkend="fig-cups-admin-model">). Also take note
-of the Gimp-Print revision for the driver, and ensure that it is
-indeed the version of Gimp-Print which you have most recently
-installed. Once you have made the proper selection, click on the
-<guibutton>Continue</guibutton> button.
- </para>
-
- <figure id="fig-cups-admin-model"><title>The 2nd CUPS Admin Model/Driver Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="55" fileref="figures/cups_admin_model.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The 2nd CUPS Admin Model/Driver Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <figure><title>The CUPS Admin Success Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="39" fileref="figures/cups_admin_success.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Admin Success Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <para>
-Congratulations! You should now see the CUPS window indicating that
-your printer was successfully installed. Notice the sentence which
-reads "Printer your_printer has been added successfully". Click on
-your_printer, which will be the underlined name for your printer.
- </para>
-
- <figure id="fig-cups-my-printer"><title>The CUPS Window for Your Printer</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="65" fileref="figures/cups_my_printer.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Window for Your Printer</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
- <para>
-After clicking on your_printer (epson_870 in this example), a window
-will appear similar to that shown in <xref linkend="fig-cups-my-printer">.
-It would probably be a good idea at this point to click on the
-<guibutton>Print Test Page</guibutton> button to ensure that
-everything is working properly. Take note of the Gimp-Print revision
-printed on this screen and confirm once again that it is the expected
-revision.
- </para>
-
- </sect1>
-
- <sect1><title>Configuring your Printer in CUPS</title>
-
- <para>
-With reference to <xref linkend="fig-cups-my-printer">, click
-on the <guibutton>Configure Printer</guibutton> button. A partial
-screenshot of the printer configuration window appears in
-<xref linkend="fig-cups-printer-config-window">.
-The contents of this window will vary depending on precisely which
-printer you selected when you configured CUPS for your printer. The
-screenshot shows the selections made by the author for his printer.
-The individual selections will not be explained in detail here, as
-they are the same selections which are available when using the
-Gimp-Print plugin to the GIMP. These selections are explained in
-detail in various sections of <xref linkend="ch-gimp-and-gimp-print">.
- </para>
-
- <figure id="fig-cups-printer-config-window"><title>The CUPS Printer Cofiguration Window</title>
- <mediaobject>
- <imageobject>
- <imagedata scale="30" fileref="figures/cups_config_printer.png" FORMAT="PNG">
- </imageobject>
- <textobject>
- <phrase>The CUPS Printer Configuration Window</phrase>
- </textobject>
- </mediaobject>
- </figure>
-
-
- </sect1>
-
- <sect1><title>Using CUPS from the Command Line</title>
-
- <para>
- It is possible to use the CUPS printing system from the command
-line. While this document will not delve into all of the specifics of
-the CUPS command line interface, there are portions of this interface
-which are specific to the Gimp-Print software.
- </para>
-
- <para>
-The command line is in some cases a more convenient way to generate
-printed output (e.g. when printing from a script). However, most
-people (including the author) cannot easily predict what a command
-line option of "-o stpCyan=1350" will do to the output. It is
-therefore a good idea to use the GIMP to view the image and the
-Gimp-Print plugin to preview these settings before relying on the
-command line.
- </para>
-
- <para>
-When using CUPS from the command line, the command will have this
-general format:
-
- <programlisting>
- <![ CDATA [
- lpr -P my_printer_name \
- -o option1=<choice1> \
- -o option2=<choice2> \
- /path/to/printfile
- ]]>
- </programlisting>
-
-When typing the command directly onto the command line, put all of the
-command line options on one line, and do not type the "\" characters.
-The list of possible options which are specific to Gimp-Print,
-followed by some of the supported choices, are shown below:
-
- <programlisting>
- <![ CDATA [
- -o PageSize=<...| A3 | A4 | A4 | ...>
- -o InputSlot=<Roll | Standard>
- -o MediaType=< ..| Inkjet | Plain | GlossyPaper | ...>
- -o Resolution=<360sw | 360swuni ...| 1440x720 >
- -o ColorModel=<Black | RGB | Gray | CMYK>
- -o stpBrightness=<0...2000>
- -o stpContrast=<0...2000>
- -o stpCyan=<0...4000>
- -o stpDensity=<0...2000>
- -o stpDither=<0...4000>
- -o stpGamma=<0...4000>
- -o stpImageType=<LineArt | Continuous | SolidTone>
- -o stpInkType=<PhotoCMY | CMYK | PhotoCMYK | RGB>
- -o stpMagenta=<0...4000>
- -o stpSaturation=<0...9000>
- -o stpYellow=<0...4000>
- ]]>
- </programlisting>
-
-For more detailed information, consult the appropriate sections of <xref linkend="ch-gimp-and-gimp-print">.
- </para>
-
- </sect1>
-
- </chapter>
-
-<appendix id="gfdl">
-<title>GNU Free Documentation License</title>
-<!-- - GNU Project - Free Software Foundation (FSF) -->
-<!-- LINK REV="made" HREF="mailto:webmasters@gnu.org" -->
-
-
- <!-- sect1>
- <title>GNU Free Documentation License</title -->
-
- <para>Version 1.1, March 2000</para>
-
- <blockquote>
- <para>Copyright (C) 2000 Free Software Foundation, Inc.
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- </sect1>
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- <title>How to use this License for your documents</title>
-
- <para>To use this License in a document you have written, include
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- Front-Cover Texts being LIST, and with the Back-Cover Texts being LIST.
- A copy of the license is included in the section entitled "GNU
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-
- <para>If your document contains nontrivial examples of program
- code, we recommend releasing these examples in parallel under your
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- </sect1>
-</appendix>
-<!-- Keep this comment at the end of the file
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diff --git a/doc/users_guide/utils.sgml b/doc/users_guide/utils.sgml
new file mode 100644
index 0000000..e0fe75c
--- /dev/null
+++ b/doc/users_guide/utils.sgml
@@ -0,0 +1,421 @@
+
+ <chapter><title>Gimp-Print Utilities</title>
+ <sect1><title>escputil</title>
+ <para>
+ <emphasis>escputil</emphasis> is a command line utility which
+allows the user to perform a variety of maintenance tasks on Epson
+Stylus inkjet printers. These tasks include head alignment, head
+cleaning, nozzle check, printer identification, and retrieval of the ink
+level from the printer. In order for many of the
+<emphasis>escputil</emphasis> functions to work, the user must have
+read/write access to the raw printer device (typically /dev/lp0,
+/dev/usb/lp0, and the like). In general, these operations should be
+performed by the root user. As always, the user must insure that the
+directory containing the <emphasis>escputil</emphasis> utility is
+listed in the &dollar;PATH environment variable, or that the full path is
+specified on the command line. The examples in this section will
+assume the former.
+ </para>
+
+ <caution>
+ <title>Caution</title>
+ <para>
+ The <emphasis>escputil</emphasis> utility was designed for use
+ONLY with Epson Stylus inkjet printers supported by the Gimp-Print
+software. It is possible that damage MIGHT occur to your printer if
+this utility is misused or if it is used with a printer other than an
+Epson Stylus inkjet printer. It is the sole responsibility of the
+user to insure that this utility is suitable for the task at hand.
+ </para>
+ </caution>
+
+
+ <para>
+ In this section, specific examples of common usage will be
+presented. A summary of the command line switches can be
+found in the <emphasis>escputil</emphasis>(1) man page.
+ </para>
+
+ <sect2><title>Determining Ink Level</title>
+ <para>
+ Perhaps the most basic function performed by
+<emphasis>escputil</emphasis> is that of determining the amount of ink
+remaining in the printer. To do this, the user must know the name of
+the raw printer device. This is usually /dev/lp0 for a printer
+connected to the parallel port, or /dev/usb/lp0 for a printer
+connected to the USB.
+ </para>
+ <para>
+If there are multiple printers connected, one of them may be referenced as
+/dev/lp1 or perhaps /dev/usb/lp1. In the event of uncertainty, and if
+CUPS is in use, view the following <ulink url="http://localhost:631/printers">URL</ulink>
+with a web browser. At that URL, look for a line which reads "Device
+URI". The author's USB printer is listed as "Device URI: usb:/dev/usb/lp0".
+ </para>
+ <para>
+For this example, assume that the raw printer device is a USB printer
+specified as /dev/usb/lp0. To get the ink level for this printer,
+issue this command and notice the output.
+ </para>
+
+ <programlisting>
+ <![ CDATA [
+# escputil -r /dev/usb/lp0 -i
+
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+ Ink color Percent remaining
+ Black 18
+ Cyan 71
+ Magenta 70
+ Yellow 67
+ Light Cyan 71
+ Light Magenta 70
+ ]]>
+ </programlisting>
+
+ <para>
+The user would substitute their own raw printer device for the one
+shown in the example after the "-r" switch. Notice that the printout
+shows the percent of ink remaining for each color of the author's
+Epson Stylus Photo 870. When the ink levels get too low, print
+quality will suffer. In the author's personal experience, ink levels
+approaching 10% begin to cause print quality degredation, but this
+will vary depending on the precise printer model.
+ </para>
+ </sect2>
+
+ <sect2><title>Error During Ink Level Determination</title>
+ <para>
+ What? The example above did not work? An error message was
+printed? What does it mean? There are several possibilities,
+depending on the specific error message. If the error message is
+"Invalid argument" (see following example), the problem is that the
+kernel is not configured with the CONFIG_PRINTER_READBACK option enabled.
+
+ <programlisting>
+ <![ CDATA [
+# escputil -r /dev/lp0 -i
+
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Cannot read from /dev/lp0: Invalid argument
+ ]]>
+ </programlisting>
+
+ Another possibile cause for error is that the raw printer device
+does not have both read and write permission for the user attempting
+to access the device. In this case, the error message will read
+"Permission denied". A final possibility is that the raw printer
+device specified is incorrect, in which case the error message will
+read "No such device".
+ </para>
+
+ </sect2>
+
+ <sect2><title>Nozzle Check</title>
+ <para>
+ On an inkjet printer, there are several small holes on the
+bottom of each ink cartridge through which the ink must flow smoothly
+in order to create high quality images on paper. If these holes
+become clogged, the printed image will show small gaps where there
+should have been ink. One can easily test for the existence of this
+condition by running a nozzle check. One need not be the root user to
+issue this command. Note that as shown, the command will print a
+nozzle test pattern on the default printer. If there are multiple
+printers present, the desired printer must be specified with an
+additional "-P printer_name" switch, where "printer_name" is the name
+of the desired printer.
+ </para>
+ <para>
+ The printer will print a series of black (and colored) slanted
+lines on the paper. Observe these lines carefully. If there are gaps
+or spaces in these lines, then the corresponding nozzle is clogged and
+the print head must be cleaned. However, if there are no gaps, the
+nozzles are clean.
+ </para>
+ <programlisting>
+ <![ CDATA [
+# escputil -n
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Running nozzle check, please ensure paper is in the printer.
+ ]]>
+ </programlisting>
+ </sect2>
+
+ <sect2><title>Clean the Print Head</title>
+ <para>
+ If the printed output is showing gaps where there should have
+been ink, it is likely that one or more nozzles are clogged and the
+print head is in need of cleaning. One can verify this by first
+running a nozzle check and looking for gaps in the printout. To clean
+the print head, issue the following command. One need not be the root user to
+issue this command. Note that as shown, the command will clean the
+print head on the default printer. If there are multiple
+printers present, the desired printer must be specified with an
+additional "-P printer_name" switch, where "printer_name" is the name
+of the desired printer.
+ </para>
+ <programlisting>
+ <![ CDATA [
+# escputil -c
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Cleaning heads...
+ ]]>
+ </programlisting>
+ <para>
+ Nothing will be printed on the paper. The printer will make
+some noise as it cleans the print head. Wait until the printer is
+finished cleaning the print head. Afterwards, execute another nozzle
+check and insure that the print head is indeed completely clean. Note
+that the process of cleaning the print head causes ink consumption, so
+do not clean the print head any more than necessary.
+ </para>
+ <para>
+For severely clogged nozzles, one may have to execute two or three cycles
+of nozzle check followed by a cleaning of the print head. If the
+printer had gone unused for a long time, the nozzles may be so clogged
+with dried ink as to be unrecoverable, in which case, the best course
+of action is to replace the ink cartridge.
+ </para>
+ </sect2>
+
+ <sect2><title>Align the Print Head</title>
+ <para>
+ To insure the highest quality printouts, the print head must
+be in proper physical alignment. One can check and realign the print
+head by running this interactive alignment test.
+ </para>
+ <para>
+The <emphasis>escputil</emphasis> utility must know the exact printer model in
+use. One may specify the model on the command line using the "-m"
+switch, or the utility can detect the printer model if the user passes
+the "-r" switch and the name of the raw printer device.
+ </para>
+ <para>
+Note that an unprivileged user may use this command with the "-m" switch, but that
+(in general) the root user may only use the "-r" switch (which
+requires read/write access to the raw printer device). In the case of
+multiple printers in use, the "-P" switch is required to align the
+print head on the non-default printer.
+ </para>
+
+ <caution>
+ <title>Caution</title>
+ <para>
+This utility lets you align the print head of your Epson Stylus inkjet
+printer. Misuse of this utility may cause your print quality to degrade
+and possibly damage your printer. This utility has not been reviewed by
+Seiko Epson for correctness, and is offered with no warranty at all. The
+entire risk of using this utility lies with you.
+ </para>
+ </caution>
+
+ <para>
+ Aligning the print head is an interactive process. The utility
+will print out a set of instructions and ask you for responses. Please
+read the instructions carefully and follow them precisely. A single
+sheet of paper will be needed (one can print on both sides to save paper).
+ </para>
+ <para>
+The following example illustrates the alignment process when issued by an
+unprivileged user who specified the printer model on the command
+line. (To obtain a list of printer models, issue the "escputil -M"
+command). Of course, your responses will vary and should be
+substituted for the responses shown in the following example.
+ </para>
+ <programlisting>
+ <![ CDATA [
+
+*** NOTE - 870 is an illustrative example! ***
+*** You MUST use the proper printer model! ***
+*** Run: escputil -M for a listing of ***
+*** supported printer models! ***
+
+linuxpc> escputil -a -m 870
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Please read these instructions very carefully before proceeding.
+
+This utility lets you align the print head of your Epson Stylus
+inkjet printer. Misuse of this utility may cause your print
+quality to degrade and possibly damage your printer. This utility
+has not been reviewed by Seiko Epson for correctness, and is
+offered with no warranty at all. The entire risk of using this
+utility lies with you.
+
+This utility prints 3 test patterns. Each pattern looks very
+similar. The patterns consist of a series of pairs of vertical
+lines that overlap. Below each pair of lines is a number between
+1 and 15.
+
+When you inspect the pairs of lines, you should find the pair
+of lines that is best in alignment, that is, that best forms
+a single vertical line. Inspect the pairs very carefully to
+find the best match. Using a loupe or magnifying glass is
+recommended for the most critical inspection. It is also
+suggested that you use a good quality paper for the test, so
+that the lines are well-formed and do not spread through the
+paper. After picking the number matching the best pair, place
+the paper back in the paper input tray before typing it in.
+
+Each pattern is similar, but later patterns use finer dots for
+more critical alignment. You must run all of the passes to
+correctly align your printer. After running all the alignment
+passes, the alignment patterns will be printed once more. You
+should find that the middle-most pair (#8 out of the 15) is the
+best for all patterns.
+
+After the passes are printed once more, you will be offered the
+choices of (s)aving the result in the printer, (r)epeating the
+process, or (q)uitting without saving. Quitting will not restore
+the previous settings, but powering the printer off and back
+on will. If you quit, you must repeat the entire process if
+you wish to later save the results. It is essential that you
+not turn your printer off during this procedure.
+
+This procedure assumes that your printer is an Epson Stylus Photo
+870. If this is not your printer model, please type control-C now
+and choose your actual printer model.
+
+Please place a sheet of paper in your printer to begin the head
+alignment procedure.
+Press enter to continue >
+Please inspect the print, and choose the best pair of lines in
+each pattern. Type a pair number, '?' for help, or 'r' to repeat
+the procedure.
+Pass #1> 8
+Pass #2> 8
+Pass #3> 8
+Attempting to set alignment...succeeded.
+Please verify that the alignment is correct. After the alignment
+pattern is printed again, please ensure that the best pattern
+for each line is pattern 8. If it is not, you should repeat the
+process to get the best quality printing.
+Please insert a fresh sheet of paper.
+Press enter to continue >
+Please inspect the final output very carefully to ensure that your
+printer is in proper alignment. You may now:
+ (s)ave the results in the printer,
+ (q)uit without saving the results, or
+ (r)epeat the entire process from the beginning.
+You will then be asked to confirm your choice.
+What do you want to do (s, q, r)?
+> s
+This will permanently alter the configuration of your printer.
+WARNING: this procedure has not been approved by Seiko Epson,
+and it may damage your printer. Proceed?
+Please confirm by typing 's' again that you wish to save the
+settings to your printer:
+> s
+About to save settings...succeeded!
+Your alignment settings have been saved to the printer.
+ ]]>
+ </programlisting>
+ <para>
+ The following example shows what will happen if an unprivileged
+user attempts to align the print head by specifying the raw printer
+device on the command line.
+ </para>
+
+ <programlisting>
+ <![ CDATA [
+linuxpc> escputil -a -r /dev/usb/lp0
+Escputil version 4.2.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Attempting to detect printer model...
+Cannot open /dev/usb/lp0 read/write: Permission denied
+ ]]>
+ </programlisting>
+
+ <para>
+ This next example illustrates the results obtained when the root
+user issues an alignment command while specifying the raw printer
+device. Note that the output is truncated and only shows the printer
+detection output.
+ </para>
+
+ <programlisting>
+ <![ CDATA [
+# escputil -a -r /dev/usb/lp0
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+Attempting to detect printer model...Stylus Photo 870
+
+Please read these instructions very carefully before proceeding.
+ ]]>
+ </programlisting>
+
+ </sect2>
+
+ <sect2><title>Printer Identification</title>
+ <para>
+ The printer identification command will query the printer for
+make and model information. This command requires read/write access
+to the raw printer device (generally limited to the root user).
+Substitute your own raw printer device in place of the /dev/usb/lp0
+shown in the example. The output will vary depending on the precise
+printer model.
+ </para>
+
+ <programlisting>
+ <![ CDATA [
+# escputil -d -r /dev/usb/lp0
+Escputil version 4.3.0, Copyright (C) 2000-2001 Robert Krawitz
+Escputil comes with ABSOLUTELY NO WARRANTY; for details type
+'escputil -l'
+This is free software, and you are welcome to redistribute it
+under certain conditions; type 'escputil -l' for details.
+
+@EJL ID
+MFG:EPSON;CMD:ESCPL2,BDC;MDL:Stylus Photo 870;CLS:PRINTER;DES:
+EPSON Stylus Photo 870;
+ ]]>
+ </programlisting>
+
+ </sect2>
+
+ <sect2><title>More Information</title>
+ <para>
+ For more detailed information about the command line switches
+accepted by the <emphasis>escputil</emphasis> utility, please consult
+the man page which is supplied with the Gimp-Print software. The user
+may also issue the "escputil --help" command to get a listing of supported
+command line switches. The command requires no special privileges to execute.
+ </para>
+
+ </sect2>
+
+ </sect1>
+
+ </chapter>
diff --git a/doc/version.texi b/doc/version.texi
new file mode 100644
index 0000000..e9a4321
--- /dev/null
+++ b/doc/version.texi
@@ -0,0 +1,3 @@
+@set UPDATED 27 October 2001
+@set EDITION 4.2.7
+@set VERSION 4.2.7